People with Distinctive Laughs

Edward Regan Murphy was born April 3, 1961 in Brooklyn, New York, to Lillian Lynch (born: Lillian Laney), a telephone operator, and Charles Edward Murphy, a transit police officer who was also an amateur comedian and actor. After his father died, his mother married Vernon Lynch, a foreman at a Breyer's Ice Cream plant. His brothers are Charlie Murphy & Vernon Lynch Jr. Eddie had aspirations of being in show business since he was a child. A bright kid growing up in the streets of New York, Murphy spent a great deal of time on impressions and comedy stand-up routines rather than academics. His sense of humor and wit made him a stand out amongst his classmates at Roosevelt Junior-Senior High School. By the time he was fifteen, Murphy worked as a stand-up comic on the lower part of New York, wooing audiences with his dead-on impressions of celebrities and outlooks on life.

In the early 1980s, at the age of 19, Murphy was offered a contract for the Not-Ready-For-Prime-Time Players of Saturday Night Live (1975), where Murphy exercised his comedic abilities in impersonating African American figures and originating some of the show's most memorable characters: Velvet Jones, Mr. Robinson, and a disgruntled and angry Gumby. Murphy made his feature film debut in 48 Hrs. (1982), alongside Nick Nolte. The two's comedic and antagonistic chemistry, alongside Murphy's believable performance as a streetwise convict aiding a bitter, aging cop, won over critics and audiences. The next year, Murphy went two for two, with another hit, pairing him with John Landis, who later became a frequent collaborator with Murphy in Coming to America (1988) and Beverly Hills Cop III (1994). Beverly Hills Cop (1984) was the film that made Murphy a box-office superstar and most notably made him a celebrity worldwide, and it remains one of the all-time biggest domestic blockbusters in motion-picture history. Murphy's performance as a young Detroit cop in pursuit of his friend's murderers earned him a third consecutive Golden Globe nomination. Axel Foley became one of Murphy's signature characters. On top of his game, Murphy was unfazed by his success, that is until his box office appeal and choices in scripts resulted into a spotty mix of hits and misses into the late 1980s and early 1990s.

Films like The Golden Child (1986) and Beverly Hills Cop II (1987) were critically panned but were still massive draws at the box office. In 1989, Murphy, coming off another hit, Coming to America (1988), found failure with his directorial debut, Harlem Nights (1989). Another 48 Hrs. (1990), his turn as a hopeless romantic in Boomerang (1992) and as a suave vampire in Vampire In Brooklyn did little to resuscitate his career. However, his remake of Jerry Lewis's The Nutty Professor (1996) brought Murphy's drawing power back into fruition. From there, Murphy rebounded with occasional hits and misses but has long proven himself as a skilled comedic actor with laudable range pertaining to characterizations and mannerisms. Though he has grown up a lot since his fast-lane rise as a superstar in the 1980s, Murphy has lived the Hollywood lifestyle with controversy, criticism, scandal, and the admiration of millions worldwide for his talents. As Murphy had matured throughout the years, learning many lessons about the Hollywood game in the process, he settled down with more family-oriented humor with Doctor Dolittle (1998), Mulan (1998), Bowfinger (1999), and the animated smash Shrek (2001), in a supporting role that showcased Murphy's comedic personality and charm. Throughout the 2000s, he further starred in the hits The Haunted Mansion (2003), Shrek 2 (2004), Dreamgirls (2006) (for which he was nominated for a Best Supporting Actor Oscar), Norbit (2007), Shrek the Third (2007), and Shrek Forever After (2010).

Murphy was married to Nicole Mitchell Murphy from 1993 to 2006. Murphy has ten children.

Yakov Smirnoff was born on 24 January 1951 in Odessa, Ukrainian SSR, USSR [now Ukraine]. He is an actor and writer, known for Night Court (1984), The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) and Brewster's Millions (1985). He was previously married to Linda Dreeszen.

Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centers. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.

Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday.' He gave what was described as "a polished performance." Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights,' which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy.' In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements."

As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favorite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers." As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.

And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday.' For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors."

His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability." If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.

With House of Wax (1953), Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night." However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.

Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice." Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.

For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny." The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly."

During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. He turned in a playful performance as an insane Shakespearean ham in Theater of Blood (1973). His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."

La Toya Jackson was born in Gary, Indiana, USA as La Toya Yvonne Jackson. As a member of the famous Jackson family, though she was the most outspoken, she has lived in her sister Janet's and brother Michael's shadow. She is a producer, known for Playboy Celebrity Centerfold: La Toya Jackson (1994), The Apprentice (2004) and Michael Jackson and Bubbles: The Untold Story (2010). She was previously married to Jack Gordon.

Candy was one of Canada's greatest and funniest character actors. His well-known role as the big-hearted buffoon earned him classic appearances in Uncle Buck (1989) and Planes, Trains & Automobiles (1987). His career handed him some dry spells, but he always rebounded.

Born in Newmarket, Ontario, in 1950, Candy was the son of Evangeline (Aker) and Sidney James Candy. His mother was of Ukrainian and Polish ancestry. Candy found his passion for drama while attending a community college. In 1971 he made his TV debut in an episode of Police Surgeon (1971) co-starring Sharon Farrell, John Hamelin, and Nick Mancuso. Candy then found a number of bit parts in other Canadian television shows and also in such small films as Tunnel Vision (1976) and Find the Lady (1976). However, his big success came at the age of twenty-seven, when he became part of the comedy group "Second City" in Toronto. Alongside such soon-to-be Canadian stars as Catherine O'Hara (one of Candy's lifelong friends), Eugene Levy, Rick Moranis, and Harold Ramis, Candy was also part of the television show the group inspired. SCTV (1976) earned Candy a reputation for his quirky humor and his uncanny imitations of others.

After the television series, Candy appeared alongside fellow Canadian Dan Aykroyd in the Steven Spielberg flop 1941 (1979). However, other jobs followed and Candy landed a role, once again with Aykroyd, in the successful classic The Blues Brothers (1980). Candy played a parole officer who is part of the chase after Jake and Elwood Blues. The film was a hit and Candy followed up accordingly.

Candy acted in the smash hit Stripes (1981) where he played a dopey, overweight recruit affectionately nicknamed 'Ox'. After the success of Stripes (1981), Candy returned to the Second City with the other former stars, in SCTV Network (1981). Candy also hosted Saturday Night Live before landing himself a role in the Ron Howard film Splash (1984), a romantic comedy about a mermaid who washes ashore and learns to live like a human. Candy played a sleazy womanizing brother to the character played by Tom Hanks. The film was a bigger success than even Stripes (1981), and a number of people have said that Splash (1984) was his breakout role.

He took a second billing in the comedic film Brewster's Millions (1985) where a man must spend thirty million in order to inherit three hundred million from his deceased relative. Candy played the man's best friend, who accidentally gets in the way as much as helping out. Candy continued making films tirelessly, including the film Armed and Dangerous (1986) in which he and Eugene Levy play characters who become security guards.

1987 was an especially good year to Candy, giving him two classic roles: Barf the Mawg in the Mel Brooks comedy Spaceballs (1987) and the bumbling salesman Del Griffith alongside Steve Martin's uptight character in the John Hughes film Planes, Trains & Automobiles (1987). The latter film is a golden classic and is one of Candy's greatest films. He followed up immediately with The Great Outdoors (1988), once again alongside Dan Aykroyd. Candy landed another classic role in the film Uncle Buck (1989) which was about a bumbling uncle who must look after his brother's three children.

Although he was in the smash hit Home Alone (1990), Candy's career fell into a slump, turning out unsuccessful films in the early 1990s. This caused him to change his strategy by taking more serious roles. The first of these serious roles was the corrupt lawyer Dean Andrews in the Oliver Stone film JFK (1991). The film was a big success, and Candy moved on from this victory to make the film Cool Runnings (1993) about the first Jamaican bobsled team.

Candy was well known for his size, six feet two and weighing around 300 pounds. However, he was very sensitive about the subject, and in the 1990s tried to lose weight and quit smoking. He was aware that heart attacks were in his family history: both his father and his grandfather had died of them, and Candy wanted to prevent that happening to him as best he could.

In the mid-1990s Candy filmed the Michael Moore comedy Canadian Bacon (1995), then went to Mexico to film the western spoof Wagons East (1994). There, he had a heart attack and passed away in March 1994. Canadian Bacon (1995) was released a year after his death and is his last film.

Candy was loved by thousands of people who loved his classic antics in Splash (1984) and The Great Outdoors (1988). He was well-known for his roles in Stripes (1981) and Uncle Buck (1989), and never forgot his Canadian background.

Mel Blanc, known as "The Man of Thousand Voices" is regarded as the most prolific actor to ever work in Hollywood with over a thousand screen credits. He developed and performed nearly 400 distinct character voices with precision and a uniquely expressive vocal range. The legendary specialist from radio programs, television series, cartoon shorts and movie was rarely seen by his audience but his voice characterizations were famous around the world.

Blanc under exclusive contract until 1960 to Warner Brothers voiced virtually every major character in the Warner Brothers' Looney Tunes and Merry Melodies cartoon pantheon. Characters including Porky Pig, Bugs Bunny, Daffy Duck, Elmer Fudd, Tweety Bird, Sylvester the Cat, Wile E. Coyote,The Roadrunner, Yosemite Sam, Sam the Sheepdog, Taz the Tazmanian Devil, Speedy Gonzales, Marvin the Martian, Foghorn Leghorn, Pepé la Pew, Charlie the Dog, Blacque Jacque Shellacque, Pussyfoot, Private Snafu among others were voiced by Blanc.

After 1960, Blanc continued to work for Warner Brothers but began to work for other companies once his exclusive contract ended. He worked for Hanna-Barbera voicing characters including Barney Rubble, Dino the Dinosaur, Cosmo Spacely, Secret Squirrel, Captain Caveman, Speed Buggy, Wally Gator among others. He provided vocal effects for Tom & Jerry in the mid 1960's working with fellow Warner Bros. alum, Chuck Jones at what would become MGM Animation. In the mid 1960's, Blanc originated and voiced Toucan Sam for the Kellogg's Fruit Loops commercials. He would later go to originate and voice Twiki for Buck Rogers and Heathcliff in the late 1970's and early 1980's.

The very lovely, vivacious and smart-looking Joanna Cassidy was born in Camden, New Jersey, and raised in nearby Haddonfield, a borough located in Camden County. She grew up in a creative environment as the daughter and granddaughter of artists. At an early age she engaged in painting and sculpture and went on to major in art at Syracuse University in New York. During her time there she married Kennard C. Kobrin in 1964, a doctor in residency, and found work as a fashion model to help work his way to a degree. The couple eventually moved to San Francisco, where her husband set up a psychiatric practice; Joanna continued modeling and gave birth to a son and daughter. Following their divorce ten years later, she decided to move to Los Angeles in a bid for an acting career.

In between modeling chores and occasional commercial gigs, the reddish-haired beauty found minor, decorative work as an actress in such action fare as Steve McQueen's thriller Bullitt (1968), the Jason Robards drama Fools (1970), The Laughing Policeman (1973) starring Walter Matthau and The Outfit (1973) with Robert Duvall. Her first co-starring role came opposite George C. Scott in the offbeat comedy caper The Bank Shot (1974).

Television became an important medium for her in the late 1970s, with guest parts on all the popular shows of the time, both comedic and dramatic, including Dallas (1978). Trapper John, M.D. (1979), Taxi (1978), Starsky and Hutch (1975), Charlie's Angels (1976), Lou Grant (1977) and a recurring role on Falcon Crest (1981). A regular on the sketch/variety show Shields and Yarnell (1977), which showcased the popular mime couple, Joanna languished in three failed series attempts--The Roller Girls (1978), 240-Robert (1979) and The Family Tree (1983)--before hitting the jackpot with the sitcom Buffalo Bill (1983) opposite Dabney Coleman, in which she finally had the opportunity to demonstrate her flair for offbeat comedy. The show became that's season's critical darling, with Coleman playing a vain, sexist, obnoxious talk show host (a variation of his popular 9 to 5 (1980) film character) and Joanna received a Golden Globe for her resourceful portrayal of Jo Jo White, the director of his show and romantic foil for Coleman, who stood toe-to-toe with his antics.

The 1980s also brought about positive, critical reception for Joanna on film as well, especially in a number of showy portrayals, notably her snake-dancing replicant in the futuristic sci-fi thriller Blade Runner (1982), her radio journalist involved with Nick Nolte and Ed Harris in the political drama Under Fire (1983) and her co-starring role in a wacky triangle with Bob Hoskins and a hyperkinetic hare in the highly ambitious part toon/part fantasy film Who Framed Roger Rabbit (1988). Back on the TV front she was seen in recurring roles on L.A. Law (1986), Diagnosis Murder (1993), The District (2000) and Boston Legal (2004).

Since then Joanna has juggled a number of quality film and TV assignments, a definitive highlight being her Emmy-nominated recurring role as a quirky, capricious mother/psychiatrist in the cult cable series Six Feet Under (2001). More recently she has taken part in more controversial film work that contain stronger social themes such as Anthrax (2001), a Canadian political thriller whose storyline feeds on the fear of terrorism; The Virgin of Juarez (2006), which chronicled the murders of hundreds of Mexican women; and the gay-themed pictures Kiss the Bride (2007) and Anderson's Cross (2010).

Off-camera Joanna is devoted to her art (painting, sculpting) and is a dedicated animal activist as well as golfer and antique collector. She presently resides in the Los Angeles area with her dogs.

Dancer, choreographer and actor Geoffrey Holder was born on August 1, 1930, in Port-of-Spain, Trinidad, into a middle-class family. One of four children, he was taught painting and dancing by his older brother Boscoe Holder, whose dance troupe, the Holder Dance Company, the young Geoffrey joined when he was seven years old. Geoffrey assumed direction of the company in the late 1940s after Boscoe moved to London.

Holder moved to the US in 1954, two years after being "discovered" by Agnes de Mille, the choreographer daughter of director-producer Cecil B. DeMille, after she saw the Holder Dance Company perform in St. Thomas, Virgin Islands. Holder, a talented painter, sold a score of his paintings to raise the funds to bring the Holder Dance Company to New York City in 1954 (in 1957 Holder won a Guggenheim Fellowship to study painting). He would appear with his dance company, now titled Geoffrey Holder and Company, in New York through 1960.

On December 30, 1954, Holder made his Broadway debut (as did Diahann Carroll) at the Alvin Theatre in the Caribbean-themed original musical "House of Flowers", with music by Harold Arlen, who also co-wrote the book with Truman Capote. The cast included Pearl Bailey and Alvin Ailey, and the show was directed by Peter Brook. Herbert Ross did the choreography but the "Banda Dance" was choreographed by Holder. The show ran for 165 total performances but, more importantly, Holder met and married fellow cast member 'Carmen DeLavallade', a dancer, and the two had a son together. From 1955 through 1956 Holder was a principal dancer with the Metropolitan Opera Ballet.

Holder played the role of Lucky in a revival of Samuel Beckett's "Waiting for Godot" directed by Herbert Berghof on Broadway in January 1957. The all-black cast also included Geoff Searle as Vladimir, Rex Ingram as Pozzo and Mantan Moreland as Estragon. The show only lasted six performances, but it established Holder as an actor, and he made his film debut four years later in All Night Long (1962), a modern gloss on William Shakespeare's "Othello". His most famous role was as the heavy "Baron Samedi" in the James Bond movie Live and Let Die (1973), Roger Moore's first turn as 007.

Holder won the 1975 Tony Award for Best Direction of a Musical for his staging of the Broadway musical "The Wiz" (1975), the all-African American retelling of "The Wizard of Oz." He also won the Tony for best costume design (he would be nominated again for a Tony for best costume design for the original 1978 Broadway musical "Timbuktu!", which he also directed and choreographed). As a choreographer he has created dance pieces for many companies, including the Alvin Ailey American Dance Theater.

Holder has written two books, one on folklore and one on Caribbean cuisine. In the 1970s and 1980s, he put his striking 6'6" presence and bass voice to good use hawking various products in TV commercials, including soft drinks.

Emmanuel Lewis was born March 9th, 1971 in Brooklyn, New York. The youngest son of Margaret Lewis, a former computer-science professional, Emmanuel attended regular public schools in Brooklyn until his busy acting career took him to Hollywood. He has four siblings. His acting career began one day when he was jogging with an actor-friend who asked him if he wanted to be in the business. The friend suggested that Emmanuel's mother contact the Shuller Talent Agency, which handles gifted children for TV commercials. He thought that Emmanuel had the perfect face and personality for commercials. The friend proved right. Emmanuel was signed by the agency the minute the agents saw him and before long he was appearing in commercials for such products as fruit juice, cars, stereos, glue, soup, toys, coffee, pudding, pizza, and, of course, Burger King. He did around 50-60 commercials including one for Campbell's Soup and Life Cereal and the 4 Burger King commercials. His Colgate commercial can be seen in the movie 'Splash' when Madison (the mermaid) goes to the mall (it can be seen on the TVs in the background).

The first acting job Emmanuel had that wasn't in a commercial was the part of The Changeling Boy in the Joseph Papp New York Shakespeare Festival Production of A Midsummer Night's Dream. Emmanuel also guest-starred on such TV talk shows as "The Tonight Show" and "The Phil Donahue Show" but "Webster" was Emmanuel's first major role on a TV series.

Emmanuel also became one of the biggest stars in Japan as well as America. He made three personal-appearance tours in that country, and a record he made there shot to the top of the charts. He even made a television movie for Japanese television called Samurai in New York.

He has maintained a friendship with music superstar Michael Jackson for many years. It all began when they met at an awards ceremony. After that, Michael insisted that Emmanuel accompany him to such events as "The Emmy Awards Show" and "The Academy Awards Presentations" (they would often dress alike). The two young men spent many happy hours together discussing performing and show business.

Besides Webster, Emmanuel has done guest spots on The Love Boat, In the House, Family Matters (as himself), Malcolm & Eddie (as himself), and Moesha (in the episode "The Short Story"). He also did a 1985 TV movie called Lost in London which co-starred Ben Vereen. He also did 'The New Adventures of Mother Goose Special' with Sally Struthers.

The 3' 6" tall (he says there is no known medical reason for his still-short stature and has grown 6" since the age of 12) Lewis graduated from Clark Atlanta University with a theater arts degree in 1997. He is said to be looking for another TV series and to possibly go into directing. He is good friends with Marc Price ('Skippy' on Family Ties and now a stand-up comedian) and has gone on tour with him and done various promotional appearances with him.

He founded his own musical label called Emmanuel Lewis Entertainment. He is said to have a black belt in karate and is a martial arts expert. He also is a student of Billy Blanks' Tae-Bo.

Emmanuel guest-starred on the new original USA Network thriller called GvsE. In the August 1st 1999 episode, he played an...uh...explosive character proving that not only Good things come in small packages.

In February 2002, he appeared in a commercial for Denny's.

Eugene Levy is an award-winning actor, writer, and producer. He has appeared in more than 60 motion pictures to date, eight of which having topped the $100M mark. The box office success of films such as Bringing Down the House (2003), Cheaper by the Dozen 2 (2005) , and Father of the Bride Part II (1995) have established him as one of Hollywood's most popular comedic actors. But it was the role of Noah Levenstein in the American Pie franchise that cemented his reputation as America's favorite Dad. Levy's most recent big-screen role was that of Dory's Dad in the Disney/Pixar smash Finding Dory, in which he stars alongside Ellen DeGeneres and Diane Keaton. The film has surpassed the $1B mark worldwide, and is on track to become one of the highest-grossing animated films of all time.

Partnering with Christopher Guest, Levy earned critical acclaim for co-writing and co-starring in Best In Show, Waiting For Guffman, For Your Consideration, and A Mighty Wind. Levy has been nominated for and won countless awards for his films including a New York Film Critics Circle Award and a Grammy Award® for A Mighty Wind and a Golden Globe® nomination for Best In Show. Other films include Splash, Armed and Dangerous, Multiplicity, Club Paradise, and Serendipity.

In 2013, Levy formed Not A Real Company Productions (with his son Daniel Levy and principals Andrew Barnsley and Fred Levy) to produce Schitt's Creek, a television series for CBC/ITV he co-created, co-executive produces, and co-stars in with Daniel Levy. The single-cam, character-driven comedy also stars Catherine O'Hara, Annie Murphy, and Chris Elliott.

In 2016, Levy won Lead Actor in a Comedy at the Canadian Screen Awards and, as Executive Producer, the CSA for Best Comedy, an award he shared with Daniel Levy, among others. Schitt's Creek swept the Canadian Screen Awards, winning nine of a possible 10 categories. Levy also received the prestigious Legacy Award (along with co-star and long-time collaborator, Catherine O'Hara) from the Academy of Canadian Cinema & Television. Levy won two Emmys® for his writing on SCTV in addition to many other awards and nominations for his television work.

Levy is a Member of the Order of Canada and a recipient of The Governor General's Performing Arts Award - the foremost honor presented for excellence in the performing arts.

Chanel West Coast was born on 1 September 1988 in Los Angeles, California, USA. She is an actress and producer, known for Chanel West Coast feat. Honey Cocaine: Blueberry Chills (2014), Hollywood Saturday Night (2012) and The Hard Times of RJ Berger (2010).

Firebrand Roseanne Barr has long been one of America's funniest and most controversial comedians.

She was born in Salt Lake City, Utah, to Helen (Davis), a cashier and bookkeeper, and Jerome Hershel "Jerry" Barr, a salesman. Her family was Jewish, and had moved to the U.S. from Russia, Lithuania, and the Austro-Hungarian Empire. She dropped out of high school when she was seventeen, and, after a car accident, was admitted to a mental institution, claiming she was having nightmares and memory loss. She left the institute less than a year later. At seventeen, she gave birth to her first daughter, Brandi Brown, and gave her up for adoption. She began working at a restaurant as a dishwasher and waitress. Her hilarious comments to the customers she waited on led her to doing stand-up comedy at the restaurant. She married Bill Pentland and they had three children together, Jessica, Jennifer, and Jacob Pentland.

Roseanne worked doing stand-up comedy until her August 23, 1985 appearance on The Tonight Show Starring Johnny Carson (1962) thrust her into the limelight. In 1987, HBO offered her a show of her own, On Location: The Roseanne Barr Show (1987). It was canceled after a short time. In 1989, Roseanne starred opposite Meryl Streep and Ed Begley Jr. in She-Devil (1989). Though her first picture wasn't as successful as she might have hoped, her sitcom, Roseanne (1988), debuted in 1988 and ran for 9 seasons on ABC, co-starring John Goodman. It dealt with real-life issues in a lower middle-class working family. During its first season on ABC, it leaped to #2 in the ratings. After the sitcom's first season, Roseanne gained notoriety when she gave a screeching, crotch-grabbing performance of "The Star Spangled Banner" at a baseball game.

When Roseanne divorced her first husband, Bill Pentland, after 16 years of marriage in 1990 and married Roseanne (1988) co-star Tom Arnold only four days later, her sitcom was already beginning its downward spiral. In 1991, she started to be billed as Roseanne Arnold. Around this time, she began to claim that she, as well as her siblings, had been physically and sexually abused as a child. Both her siblings and parents denied the charges, and lie detector tests used on Roseanne's parents came back negative. The court battles led to ten years of estrangement with her parents and siblings. Her marriage with Arnold lasted four years before she filed for divorce from him for physical abuse and domestic violence. It is still not known if the accusations were true. Although she insisted that he hit her, she admits that he never abused her three children from her previous marriage:

In 1996, she was nominated for a Golden Globe Award and won, but she was not there to accept it. Luckily, Tom Arnold's exit from "Roseanne" happened towards the end of the sixth season, allowing the show to have an almost smooth ending. However, after the sixth season of Roseanne (1988), the plots started to run dry and ratings began to drop. During the season following her divorce, she insisted on being billed as simply "Roseanne." After Roseanne (1988) was canceled, she went on Broadway to play "The Wicked Witch of the West" in "The Wizard of Oz" to rave reviews.

On Valentine's Day 1995, Roseanne married former bodyguard Ben Thomas. With Thomas, she had her tubal ligation surgery reversed in order to become pregnant with her fifth child, Buck Thomas. In 1997, she slowly began being billed as "Roseanne Thomas", as in the last 11 episodes of Roseanne, as executive producer (she was still "Roseanne" in the cast credits). She guest-starred in The Nanny (1993) as Roseanne Thomas in late 1997. In 2002, she filed for divorce against Thomas for the second time (the first time, in 1998, she dropped the suit), accusing him of being disturbed and claiming that he threatened to run off with their son.

After the divorce, she began to study the Kabballah, a form of Jewish mysticism, and those around her said she became amazingly centered and stable. In the 2000s, she ended the feud with her parents and siblings and went back to being billed as Roseanne Barr. Today, Roseanne Barr Pentland Arnold Thomas spends her time with her family in her home in El Segundo, California.

Always outspoken, Roseanne began commenting on politics in earnest in the 2000s, and unsuccessfully ran for the Green Party's presidential nomination in 2012. She was subsequently chosen as the Peace and Freedom Party's candidate for President of the United States in '12, receiving 61,971 votes in the general election, and placing sixth. Her run is depicted in the documentary Roseanne for President! (2015).

Initially a left-leaning liberal, she became considerably more right-wing throughout the 2010s. Her show Roseanne returned for a tenth season in 2018, to blockbuster ratings, but was canceled after Roseanne sent a racially-offensive tweet that capped off a longer run of incendiary comments.

Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.

Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.

Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).

Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.

The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).

Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.

Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.

A musical prodigy who is proficient in fifteen instruments, Flavor Flav first burst onto the scene in the late '80s, where he emerged as a rapper, hype man, and co-founder of the legendary hip-hop group Public Enemy. Possessing the most sampled voice in the history of hip-hop, Flavor Flav (along with his group) was inducted into the Rock and Roll Hall of Fame in 2013 and received a Lifetime Achievement Award at the 62nd Annual GRAMMY Awards in 2020.

In addition to his culture-shifting career in hip-hop, Flavor Flav furthered his mark on the world with his foray into reality television, where he displayed an unparalleled penchant for breaking records. His reality television series, Flavor of Love (2006), still stands as the most viewed and highly rated non-sports TV program of all time, having achieved a record-shattering 7.5 million viewers during its Season 2 Finale.

As he continues to perform with Public Enemy on the global stage, Flavor Flav has, in recent years, also expanded his talents to the mediums of narrative film and scripted television. A gifted and experienced actor in his own right, he has appeared in several feature films, including New Jack City (1991), Confessions of a Pit Fighter (2005), and Hold On (2019).

Kelly Brianne Clarkson was born on April 24, 1982 in Fort Worth, Texas and raised in Burleson, Texas to Jeanne Ann Taylor (née Rose), an English teacher & Stephen Michael Clarkson, an engineer. She was the first winner of the series American Idol in 2002. Kelly is also a strong believer in God.