list of drug related deaths

Film and stage actor and theater director Philip Seymour Hoffman was born in the Rochester, New York, suburb of Fairport to Marilyn (Loucks), a lawyer and judge, and Gordon Stowell Hoffman, a Xerox employee, and was mostly of German, Irish, English and Dutch ancestry. After becoming involved in high school theatrics, he attended New York University's Tisch School of the Arts, graduating with a B.F.A. degree in Drama in 1989.

He made his feature film debut in the indie production Triple Bogey on a Par Five Hole (1991) as Phil Hoffman, and his first role in a major release came the next year in My New Gun (1992). While he had supporting roles in some other major productions like Scent of a Woman (1992) and Twister (1996), his breakthrough role came in Paul Thomas Anderson's Boogie Nights (1997).

He quickly became an icon of indie cinema, establishing a reputation as one of the screen's finest actors, in a variety of supporting and second leads in indie and major features, including Todd Solondz's Happiness (1998), Flawless (1999), The Talented Mr. Ripley (1999), Paul Thomas Anderson's Magnolia (1999), Almost Famous (2000) and State and Main (2000). He also appeared in supporting roles in such mainstream, big-budget features as Red Dragon (2002), Cold Mountain (2003) and Mission: Impossible III (2006).

Hoffman was also quite active on the stage. On Broadway, he has earned two Tony nominations, as Best Actor (Play) in 2000 for a revival of Sam Shepard's "True West" and as Best Actor (Featured Role - Play) in 2003 for a revival of Eugene O'Neill (I)'s "Long Day's Journey into Night." His other acting credits in the New York theater include "The Seagull" (directed by Mike Nichols for The New York Shakespeare Festival), "Defying Gravity," "The Merchant of Venice" (directed by Peter Sellars), "Shopping and F*@%ing" and "The Author's Voice" (Drama Desk nomination).

He was the Co-Artistic Director of the LAByrinth Theater Company in New York, for which he directed "Our Lady of 121st Street" by Stephen Adly Guirgis. He also directed "In Arabia, We'd All Be Kings" and "Jesus Hopped the A Train" by Guirgis for LAByrinth, and "The Glory of Living" by Rebecca Gilman at the Manhattan Class Company.

Hoffman consolidated his reputation as one of the finest actors under the age of 40 with his turn in the title role of Capote (2005), for which he won the Los Angeles Film Critics Award as Best Actor. In 2006, he was awarded the Best Actor Oscar for the same role.

On February 2, 2014, Philip Seymour Hoffman was found dead in an apartment in Greenwich village, New York. Investigators found Hoffman with a syringe in his arm and two open envelopes of heroin next to him. Mr. Hoffman was long known to struggle with addiction. In 2006, he said in an interview with "60 Minutes" that he had given up drugs and alcohol many years earlier, when he was age 22. In 2013, he checked into a rehabilitation program for about 10 days after a reliance on prescription pills resulted in his briefly turning again to heroin.

Cory Monteith was born on May 11, 1982 in Calgary, Alberta, Canada as Cory Allan Michael Monteith. He was an actor, known for playing the singing jock Finn on the American TV show Glee (2009) and films such as Monte Carlo (2011), and Final Destination 3 (2006). He died on July 13, 2013 in Vancouver, British Columbia, Canada.

Whitney Elizabeth Houston was born into a musical family on 9 August 1963, in Newark, New Jersey, the daughter of gospel star Cissy Houston (née Emily Lee Drinkard) and John Russell Houston, Jr., and cousin of singing star Dionne Warwick.

She began singing in the choir at her church, The New Hope Baptist Church in Newark, as a young child and by the age of 15 was singing backing vocals professionally with her mother on Chaka Khan's 1978 hit, 'I'm Every Woman'. She went on to provide backing vocals for Lou Rawls, Jermaine Jackson and her own mother and worked briefly as a model, appearing on the cover of 'Seventeen' magazine in 1981.

She began working as a featured vocalist for the New York-based funk band Material and it was the quality of her vocal work with them that attracted the attention of the major record labels, including Arista with whom she signed in 1983 and where she stayed for the rest of her career.

Her debut album, 'Whitney Houston', was released in 1985 and became the biggest-selling album by a debut artist. Several hit singles, including 'Saving All My Love For You', 'How Will I Know', 'You Give Good Love', and 'The Greatest Love of All', were released from the album, setting her up for a Beatles-beating seven consecutive US number ones. The album itself sold 3 million copies in its first year in the US and went on to sell 25 million worldwide, winning her the first of her six Grammies.

The 1987 follow-up album, 'Whitney', which included the hits 'Where Do Broken Hearts Go' and 'I Wanna Dance With Somebody', built on her success but it was the 1992 film The Bodyguard (1992) that sealed her place as one of the best-selling artists of all time. While the movie itself and her performance in it were not highly praised, the soundtrack album and her cover of the Dolly Parton song 'I Will Always Love You' topped the singles and albums charts for months and sold 44 million copies around the world.

That same year she married ex-New Edition singer Bobby Brown with whom she had her only child, their daughter Bobbi Kristina Brown in March 1993. It was about this time that her much documented drug use began and by 1996 she was a daily user.

Her 1998 album, 'My Love Is Your Love' was well reviewed but the drug abuse began to affect her reputation and press reports at the time said that she was becoming difficult to work with, if she turned up at all. She was dropped from a performance at The 72nd Annual Academy Awards (2000) because she was "out of it" at rehearsals. Her weight fluctuated wildly - she was so thin at a 'Michael Jackson' tribute in 2001 that rumors circulated the next day that she had died - and her voice began to fail her. She was twice admitted to rehab and declared herself drug-free in 2010 but returned to rehab in May 2011.

Her 2009 comeback album 'I Look To You' was positively received and sold well, but promotional performances were still marred by her weakened voice. Her final acting performance was in Sparkle (2012) (a remake of the 1976 movie, Sparkle (1976)), released after her death.

She was found dead in a Beverly Hills hotel room on 11 February 2012.

Ryan Dunn (June 11, 1977 - June 20, 2011) was an American reality television personality, actor and stunt man. He was a member of the Jackass and Viva La Bam crew.

Ryan Matthew Dunn was born in Medina, Ohio, to Linda Sue (Reese) and Ronald James Dunn. He came to prominence as a member of the CKY Crew along with long-time friend Bam Margera for their extreme stunts and pranks recorded on camera which led to the rise of MTV's Jackass and its three later feature films, which have all been commercial successes. Aside from Jackass, Dunn also hosted Homewrecker and Proving Ground and appeared in feature films such as Street Dreams and Blonde Ambition, as well as in Margera's films Haggard: The Movie and Minghags: The Movie.

Dunn died in an alcohol-related automobile accident in West Goshen Township, Chester County, Pennsylvania, on the morning of June 20, 2011, alongside his friend Zachary Hartwell.

Greg Giraldo was born on 10 December 1965 in Bronx, New York City, New York, USA. He was a writer and actor, known for Common Law (1996), Z Rock (2008) and Greg Giraldo: Midlife Vices (2009). He was married to MaryAnne McAlpin-Giraldo. He died on 29 September 2010 in New Brunswick, New Jersey, USA.

Brittany Murphy was born Brittany Anne Bertolotti on November 10, 1977 in Atlanta, Georgia, to Sharon Kathleen Murphy and Angelo Joseph Bertolotti. Her father's ancestry is Italian, and her mother is of Irish and Slovak descent. Her father moved the family back to Edison, New Jersey as a native New Yorker and to be closer to other siblings from previous marriages. While dining out one night in the presence of Hollywood royalty, Brittany at the age of 5 approached an adjoining table when Academy Award nominee Burt Reynolds and George Segal were seated. Brittany introduced herself to the Hollywood legends and confidently told them that someday she too would be a star.

She comes from a long line of international musicians and performers with three half-brothers and a sister. Angelo Bertolotti was torn from their tight-knit family as a made-man with the Italian Mafia. The Senior Bertolotti, who coined the nickname of "Britt" for his daughter, was also an entrepreneur and diplomat for organized crime families and one of the first to be subjected to a RICO prosecution. Brittany's interests and well-being were always her father's first goal and objective. To distance his talented daughter from his infamous past, Angelo allowed Sharon to use her maiden name for Brittany's, so that her shining star would not be overshadowed by a father's past, with the couple divorcing thereafter.

Brittany began receiving accolades and applause in regional theater at the early age of 9. At the age of 13, she landed several national commercials. She appeared on television and caught the attention of a personal manager and an agent. Soon, Brittany's mother Sharon turned full-time to being a "Stage Mom" where Angelo provided financial support throughout and their relationship is memorialized with a long and close history in pictures. The hopeful daughter and mother moved to Burbank, CA, where Brittany landed her first television role on Blossom (1990). Hearts and doors opened up for a starring role on Drexell's Class (1991), a short lived TV series.

Brittany's big screen movie debut started with Clueless (1995), where she was co-starring with Alicia Silverstone. Britt soared, demonstrating her musical and artistic talents with dramatic and comedic roles landing a nomination for best leading female performance in the Young Artist Awards for her role in the television film David and Lisa (1998). She garnered tremendous attention for her role in Girl, Interrupted (1999) with Academy Award winner Angelina Jolie. Brittany's band, "Blessed Soul" was growing with her as lead singer and Britt lent her vocal talents to the TV hit, cartoon sensation, King of the Hill (1997) as the voice of Luanne.

She is alleged to have been a witness in the case of the former Department of Homeland Security employee and persecuted whistleblower Julia Davis. According to Davis, Brittany and her fiancée Simon Monjack were then targeted for retaliation that included land and aerial surveillance and a threatened prosecution. Monjack was arrested and detained by the Bureau of Immigration and Customs Enforcement (ICE). Brittany and Simon confided in Alex Ben Block of the Hollywood Reporter, telling him in an interview that they were under surveillance by helicopters and their telephones have been wiretapped. This information was published by THR posthumously, in an article entitled "The Last Difficult Days of Brittany Murphy."

On December 20, 2009, Brittany Murphy died an untimely death. The LAPD and Los Angeles County Coroner closed the case within one hour, attributing her death to pneumonia and anemia. Five months after Brittany's unexpected demise, her husband Simon Monjack was found dead in the house he shared with Brittany. The chief/spokesperson at the Los Angeles County Dept of Coroner, Craig Harvey, stated that Simon also died from the same exact causes as his wife, namely pneumonia and anemia. Neither Brittany, nor Simon, were given a thorough and complete forensic autopsy for poisons. Brittany's father, Angelo "AJ" Bertolotti, is pursuing the investigation of the true reasons behind Brittany's and Simon's sudden demise, as he believes that the two were murdered. Abnormally high levels of heavy metals and poisons were discovered in Brittany's hair, tested by two other independent forensic labs with famed Pathologist, attorney Cyril Wecht concluded from the appearances, Brittany could have been murdered and should be exhumed. Her father Angelo is preparing court actions to ensure she obtains justice.

When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Ned Kelly (2003), The Brothers Grimm (2005), Lords of Dogtown (2005), Brokeback Mountain (2005), Casanova (2005), Candy (2006), I'm Not There (2007), The Dark Knight (2008) and The Imaginarium of Doctor Parnassus (2009). He also produced and directed music videos and aspired to be a film director.

Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.

His first real acting job came in a low-budget movie called Blackrock (1997), a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called Sweat (1996) about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in Home and Away (1988) for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in Paws (1997), a film which existed solely to cash in on guitar prodigy Nathan Cavaleri's brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came Two Hands (1999). He went to the U.S. trying to audition for film roles, showcasing his brief role in Roar (1997) opposite then unknown Vera Farmiga.

Then Australian director Gregor Jordan auditioned him for the lead in Two Hands (1999), which he got. An in your face Aussie crime thriller, Two Hands (1999) was outstanding and helped him secure a role in 10 Things I Hate About You (1999). After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama The Patriot (2000).

What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in Monster's Ball (2001), but his version of Ned Kelly (2003) was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in Brokeback Mountain (2005). For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.

Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of The Dark Knight (2008) and in the midst of filming his last role as Tony in The Imaginarium of Doctor Parnassus (2009).

Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There (2007), which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.

A few months before his death, Ledger had finished filming his performance as the Joker in 'The Dark Knight (2008). His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.

Brad Renfro was born on July 25, 1982 in Knoxville, Tennessee, to Angela Denise McCrory and Mark Renfro, a factory worker. He was discovered at age 10 by director Joel Schumacher and was cast in the motion picture The Client (1994), which starred Susan Sarandon and Tommy Lee Jones. Although this would be his zenith, he went on to appear in other films, including The Cure (1995), Tom and Huck (1995), Sleepers (1996), and Apt Pupil (1998). Renfro won The Hollywood Reporter's Young Star Award in 1995 and was nominated as one of People magazine's "Top 30 Under 30," though addiction problems in his teens and early 20s led to several police arrests and hampered his career. He died of a drug overdose in January 2008, aged 25.

Natasha Collins was born on 7 July 1976 in Luton, Bedfordshire, England, UK. She was an actress, known for The 10th Kingdom (2000), Real Women (1998) and ChuckleVision (1987). She died on 3 January 2008 in St John's Wood, London, England, UK.

Anna Nicole Smith was born on 28 November 1967 in Houston, Texas, USA. She was an actress and producer, known for Naked Gun 33 1/3: The Final Insult (1994), Be Cool (2005) and Illegal Aliens (2007). She was married to J. Howard Marshall II and Billy Smith. She died on 8 February 2007 in Hollywood, Florida, USA.

Ashleigh Aston Moore was born as Ashley MacMillan (first stage name Ashley Rogers) on September 30, 1981. Her parents were Maryanna Aston Moore, an interior designer, and Dennis MacMillan, who wasn't around for much of her life. She grew up in Richmond, British Columbia, Canada. Her first acting gig involved wearing a chicken suit for a White Spot restaurant commercial. From there she went on to film the Odyssey, other various commercials, TV and movies. Most notably, Ashleigh played the role of Chrissy in "Now and Then" with well known actors such as Demi Moore, Thora Birch, and Rosie O'Donnell. Her mother tutored her and helped her to pursue the dreams she'd had since she was four. Ashleigh's largest role was in Now and Then (1995), for which she had to pack on 20 pounds. This was a challenge for the 12-13 year old and caused life long self image issues. She had done a few more jobs since then, but after 1997, she decided to stop acting and remain in Vancouver, where many of her family members were located. In December 2007, Ashleigh passed away in British Columbia at the age of 26. It is rumored that it was an drug overdose, but it was actually from pneumonia and bronchitis.

Christopher Shannon Penn was born on October 10, 1965 in Los Angeles, California, the third son of actress Eileen Ryan (née Annucci) and director, actor, and writer Leo Penn. His siblings are musician Michael Penn and actor Sean Penn. His father was from a Lithuanian Jewish/Russian Jewish family, and his mother is of half-Italian and half-Irish descent.

Penn set out to follow in his parents' footsteps and started acting at age twelve in the Loft Studio. While in high school he and his brother Sean made several shorts with their classmates, which included such would-be stars as Emilio Estevez and Rob Lowe. Penn made his onscreen debut in the Christopher Cain movie, Charlie and the Talking Buzzard (1979). After a few years Penn caught the eye of acclaimed director Francis Ford Coppola, who cast him in a supporting role in the teen drama Rumble Fish (1983). Although the film was a flop critically and commercially, Penn's career was well under way.

That same year he acted in All the Right Moves (1983), a high school drama film starring a young Tom Cruise. The next year Penn gave a performance in Footloose (1984), starring Kevin Bacon and dealing with a small town which bans rock & roll music. The movie was a smash hit, and remains a classic to this day. Penn followed this up with a villainous role in Clint Eastwood's Pale Rider (1985), and the crime movie At Close Range (1986), starring Christopher Walken.

Penn acted in a few smaller productions until he was cast as Travis Brickley in the sports drama Best of the Best (1989). Penn's character is a martial arts fighter who joins the other main characters when they enter a taekwondo tournament against the Korean team. The movie spawned several sequels, though Penn only appeared in the first and second films. A few more jobs followed until Penn landed what is known as his most famous movie: Quentin Tarantino's Reservoir Dogs (1992). The indie crime film concerned a heist gone wrong, as the criminals search for a rat in their midst. Penn played the role of Nice Guy Eddie, the son of the old gangster that arranges the heist. The film continues to receive acclaim as a classic movie and as the start of Tarantino's directing career. Penn also acted in the Tarantino-scripted Tony Scott crime movie True Romance (1993), albeit in a much smaller role. Penn also took a supporting role in the ensemble film Short Cuts (1993) by Robert Altman.

After participating in these acclaimed films, Penn took on several smaller projects, including a role as the villain in the second "Beethoven" movie. In this period of time, Penn acted in such films as the crime film Mulholland Falls (1996), set in the 1950s. Penn then gave one of his greatest performances in the Abel Ferrara crime drama The Funeral (1996). The movie starred Christopher Walken, Penn, and Vincent Gallo as three brothers who are involved in the world of crime, even as it threatens to take them all down. Penn plays Chez, the middle brother, who has a very short temper. Penn also sang a song in the film as his character. While the film was well received critically and Penn received an award for Best Supporting Actor at the Venice Film Festival for his excellent performance, The Funeral (1996) went largely unseen. Penn followed up with the Canadian film The Boys Club (1996), the crime thriller One Tough Cop (1998), and a supporting role in the hit comedy Rush Hour (1998).

Following his latest success, Penn acted in the drama-comedy The Florentine (1999), the English comedy Kiss Kiss Bang Bang (2001), and the crime thriller Murder by Numbers (2002). Penn was also one of the many stars that acted in the box office failure Masked and Anonymous (2003), starring Bob Dylan. The last few years of his career mainly featured supporting roles in such movies as After the Sunset (2004), Starsky & Hutch (2004), and the Canadian crime film King of Sorrow (2007), his last film appearance. Throughout his life Penn had had battles with heart disease and multiple drug use. He was found dead in his home on January 24, 2006. He was only forty years old.

Penn left behind a career that featured many roles in small, independent productions as well as several very well-known films. Penn worked with several esteemed directors and fellow actors, lending his talent to both television and film. Although he never received nearly as much attention or as many awards as his brother Sean, Chris Penn will always be remembered by those who watch movies and appreciate his work.

Harold Hunter was born on 2 April 1974 in New York City, New York, USA. He was an actor, known for Kids (1995), Mind Games (1996) and Frezno Smooth: Director's Cut. He died on 17 February 2006 in New York City, New York, USA.

Mitch Hedberg was born in St. Paul, Minnesota, on February 24, 1968. He began his stand-up career in Florida, and after a period of honing his skills there he moved to Seattle and began touring. He soon appeared on MTV's "Comikaze", then a 1996 appearance on [error] brought him his big break. He won the 1997 grand prize at the Seattle Comedy Competition. The next year saw him appearing on Fox's hit series That '70s Show (1998). In 1999 he completed his own independent feature film, Los Enchiladas! (1999), which he wrote, directed, produced and starred in. He has also recorded two comedy CDs entitled "Mitch All Together" and "Strategic Grill Locations". He has appeared at the 2001 Montreal Just For Laughs comedy festival. Mitch Hedberg died on March 30, 2005 of a drug overdose. He will be sadly missed by all.

Malcolm Hardee was born on 5 January 1950 in Lewisham, London, England, UK. He was an actor, known for The Pall Bearer's Revue (1992), Blackadder (1982) and The Full Monty (1993). He died on 31 January 2005 in Rotherhithe, London, England, UK.

Beefy, roughhewn actor Robert Pastorelli was a former boxer and an admitted drug addict before he cleaned up his act and pursued theater work in New York in such 1970s productions as "Rebel Without a Cause," "The Rainmaker," and "Death of a Salesman," he headed west and turned to film and TV in 1982, soon finding a fairly comfortable niche playing ballsy, streetwise characters often with a Runyonesque feel and truck driver mentality. Supporting Bette Midler and Shelley Long in Outrageous Fortune (1987) and Eddie Murphy in Beverly Hills Cop II (1987), his first meaty film role came with Kevin Costner's Dances with Wolves (1990). But it was TV that would be his claim to fame as Candice Bergen's gruff but mushy-hearted house painter in Murphy Brown (1988), staying with the show for seven seasons. With that came more visible roles in Sister Act 2: Back in the Habit (1993), Michael (1996), and Modern Vampires (1998). He played the role of salty Luther Billis in the mini-movie remake of South Pacific (2001) with Glenn Close, then appeared as Mitch with Ms. Close on stage in "A Streetcar Named Desire" a year later. Sadly, drugs once again took hold of Pastorelli in full force in later years. In 2004, the 49-year-old died of a heroin overdose and was found at home with a syringe in his arm in the bathroom by his assistant.

Trevor Goddard was born in Croydon, Surrey, England on October 14, 1962. His parents, Eric and Clara, and baby Trevor moved to Bromley, Kent, where he grew up. As a natural athlete, Trevor was highly interested in sports. As a youngster, he played football (soccer) and cricket and enjoyed running as well as many other recreational activities. But his greatest passion was boxing. He was a light heavyweight with a 58-1-1 record out of a total of 60 fights. He had also been invited to fight in the U.S.

And come to America he did, in 1986, with a couple of his friends. Trevor and his mates enjoyed a great deal during their stay in New York. Trevor even bought a car. After three weeks of entertainment and relaxation, Trevor phoned his father and, with a heavy heart, told him "I'm going to try to make it here, Dad. I like it very much. I'm in love with the country, I like the people." His friends returned home, and Trevor remained in the U.S.

In the early '90s, he began a career as an actor. Trevor worked regularly on TV. He made guest appearances on such TV series as "Baywatch" (1989) and "Silk Stalkings" (1991). Eventually he landed a leading role as the villainous, psychotic, yet charismatic, "Keefer" in Men of War (1994), opposite action star Dolph Lundgren, as well as Kevin Tighe, Catherine Bell, Tom Wright and BD Wong. From that moment on, Trevor was usually typecast as crazy, offbeat villains. That was borne out again in the popular video-game-based motion picture Mortal Kombat (1995), in which Trevor played a criminal called "Kano". With his rugged looks, muscular physique and gruff voice, he made this "Kano" internationally famous, even providing him with an Australian accent. Although he was English-born, Trevor had quite an ability to disguise his accent as Australian, which he continued to do in voice acting roles for subsequent video games.

Trevor played supporting roles in such movies (usually action films) as Illegal in Blue (1995) (V), Yesterday's Target (1996) (TV), Fast Money (1996), Prey of the Jaguar (1996) (V), and Assault on Devil's Island (1997) (TV) in which he costarred with Hulk Hogan, Carl Weathers, Billy Drago and Martin Kove. He appeared in a few dramatic comedies such as She's Too Tall (1999) as a crazy-in-love parking lot attendant and in Some Girl (1998) as "Ravi". He appeared in an uncredited role in Gone in Sixty Seconds (2000), opposite such famous names as Nicolas Cage, Angelina Jolie, Robert Duvall, Vinnie Jones, Timothy Olyphant and Delroy Lindo, and also in When Billie Beat Bobby (2001) (TV).

Once again, Trevor achieved international fame with the popular TV series "JAG" (1995), where he appeared from 1998 to 2001 as "Lt. Cmdr. Mic Brumby". This show made Trevor a well-known personality to the world audience and greatly increased his fan base.

Trevor played his first and only leading role in Hollywood Vampyr (2002) as a gothic vampire called "Blood". His last film was the blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), where he utters the line "Say good-bye" to Orlando Bloom's character. Alas, "Grapple" (Goddard) was dispensed of pretty rapidly in the film.

Prior to his death, Trevor was considered to replace Pierce Brosnan as James Bond in Casino Royale (2006).

On June 7, 2003, Goddard was found dead in his home in North Hollywood, Los Angeles, California. He was 40 years old. Initial reports indicated that Goddard was in the process of getting a divorce and that suicide was suspected. An autopsy later showed that Goddard died from a drug overdose of heroin, cocaine, temazepam and vicodin. However, his death was ruled accidental.

Quinn was born in Dublin, Ireland, and moved to the United States with his mother and two sisters in 1988. His first role was as a pool shark in the Richard Marx video Satisfied. He later landed a major role in the John Travolta film Shout (1991), where he shared a screen kiss with Gwyneth Paltrow. He went on to have roles in a number of other movies and television series. His most notable roles were as Becky's husband, Mark, on Roseanne (1988) and half-demon Doyle on the WB's Angel (1999). He died of a heroin overdose in 2002.

Daughter of English hair stylist Vidal Sassoon and American actress Beverly Adams, she was born and lived her tender years in Manhattan, New York, then in Los Angeles, California.

At 14, she dropped out of Beverly Hills High School to pursue a modeling career in New York, due to the persuasion of talent agent John Casablancas. She signed with the Prestige Agency and was considered with their best junior models, svelte and with beautiful gray eyes, and long reddish hair. She traveled to London with her father, and made that city her new hometown while modeling in Europe.

During a visit to Los Angeles, she was invited to do a film test, and soon she earned a nickname, the title of her first big movie, Tuff Turf (1985). Managing her schedules, she continued her fashion model career while taking part in TV series like Amazing Stories (1985), Out of This World (1987), Hardball (1989), and The Fanelli Boys (1990).

The big movies came next, and the first of a series of five films she signed for with producer Roger Corman. Angelfist (1993) was not her best film, but it certainly became popular and resisted two decades in video, portraying an undercover narcotics agent, Catara Lange (a name reminiscent of her real name, and Los Angeles), in the milieu of competitive and extreme martial arts. She invested for her new character by studying tae kwon do and arnis de mano, but did not fulfill her contract due to her premature death, during a New Year's Eve party.

Married twice, Catya Sassoon had three children: a son born in London, in 1995, and twin daughters Mycca and Syke born in the spring of 2000.

Matthew Ansara was born on 29 August 1965 in Los Angeles, California, USA. He was an actor, known for To Protect and Serve (2001), One World (1998) and Con Games (2001). He was married to Julie Ansara. He died on 25 June 2001 in Monrovia, California, USA.

After making her film debut in "The Crossing", Megan was one of the leading soap stars in Australia. After her role in Paradise Beach ended in 1994, she co-hosted the morning kids show "The Zone" for a year. In late 1995 she hosted the Foxtel's fitness show "Body Corp" for cable television, before moving on to become a V-Jay for Foxtel's music channel V until early 1997. During this time she starred in the stage show Resurrected!. In mid-1998 she returned to soaps, first with a role in Home & Away and then Breakers. Following her stint on Breakers she took a hiatus from the entertainment industry. Sadly however, at the age of 27, she was found dead from a drug overdose while staying at a relative's home.

Although Lani O'Grady retired from acting in the '80s to become a talent agent like her mother, she had long secured her place in the TV Land pantheon as Mary, the brainiac wannabe doctor in Eight Is Enough (1977)'s expansive Bradford brood. The dramedy, starring Dick Van Patten as a newspaper columnist and superdad, ran on ABC from 1977-1981. In addition to her four-year stint on the show and two late-'80s reunion specials, O'Grady racked up appearances on such other '70s tube staples as The Love Boat (1977), as well as TV movies like The Kid with the Broken Halo (1982), before leaving Hollywood.

She had been dogged by health and pill problems dating back to her Mary Bradford days. In a series of interviews in the 1990s, she admitted to having suffered panic attacks for the previous 20 years. Scores of doctors misdiagnosed her; to cope with the frequent anxiety episodes--sometimes she'd shake so badly she couldn't leave her dressing room to shoot a scene--she was fed a veritable pharmacy: Xanax, Valium and Librium. She became hooked on the pills and, eventually, alcohol, too. She went into rehab at least five times. By the mid-'90s she declared herself clean, thanks to an alternative-medicine regimen, and even went to work for her doctor as a recovery counselor. However, in 1998 she checked herself into the mental health ward of Cedars-Sinai Medical Center in Los Angeles for detox. She had become hooked on a prescription drug called Ativan. While in Cedars she claimed she was sexually battered by a medical technician and sued the hospital. The suit was pending at the time of her death.

O'Grady came from a show-biz family. Her brother, Don Grady, was an original Mouseketeer and member of another notable TV family--he played Robbie on My Three Sons (1960). Her mother, Mary Grady, was an agent who represented several child actors. Born Lanita Rose Agrati on October 2, 1954, she changed her name once she landed her "Eight Is Enough" gig. Her first professional role came at the age of 13, when she made a brief appearance in the TV western The High Chaparral (1967). She died on September 25, 2001, at her home in Valencia, CA, just a week shy of her 47th birthday.

Not much is known about Jennifer Syme, except that she was a girlfriend of actor Keanu Reeves. A lot of what is known about her centered around tragic circumstances: First, the 1999 stillbirth of the baby she expected with Reeves, and second, her untimely death at age 28. Around the time she met Reeves, Jennifer worked as an assistant to director David Lynch, and was even featured briefly in his film Lost Highway (1997). She and Reeves started dating casually in 1998, and were expecting a baby girl in 1999. Sadly, Ava Archer Syme Reeves was stillborn around Christmas 1999. The couple separated permanently not long after the baby's death, but were said to have remained good friends. At the time of her death, Jennifer was working as a record company executive in Los Angeles. She died April 2 at 6:20am, after her Jeep Cherokee crashed into a row of parked cars in Los Angeles. In tribute to his former assistant, David Lynch dedicates Mulholland Drive (2001) to her in the closing credits of the film.

Rosemarie Frankland was born on 1 February 1943 in Rhosllannerchrugog, Wales, UK. She was an actress, known for We Shall See (1964), I'll Take Sweden (1965) and The Edgar Wallace Mystery Theatre (1959). She was married to Warren Entner and Ben Jones. She died on 2 December 2000 in Los Angeles, California, USA.

Born in Plano, Texas, Christopher Pettiet began career as a child actor making appearances in television series, made-for-television movies and films. He starred in two hit flicks, Don't Tell Mom the Babysitter's Dead (1991) and Point Break (1991), and then joined the cast of the Western TV series The Young Riders (1989) as a young Jesse James. After the cancellation of The Young Riders, his acting career began to wane. According to his manager, Bob Villard, Chris was just about "impoverished", living on "small residual check(s)". He went to a couple of AA meetings and never admitted to a drug problem. Sadly, he died of an accidental drug overdose, just two months after his 24th birthday.

Dana Michelle Plato was born in Maywood, California, on Saturday, November 7, 1964. Her first excursion into the film world occurred when she was 11 in the television film Beyond the Bermuda Triangle (1975). Dana never made an impact on the TV screen until she landed the role of Kimberly Drummond in the TV hit sitcom Diff'rent Strokes (1978) from 1978-1986. After the series ended, Dana had difficulty finding more acting work. Sometimes she would act in a made-for-TV movie or a low- budget silver-screen film. She was married for Lanny Lambert for seven years and they had a son. She was arrested in 1991 for robbing a Las Vegas video store and placed on probation; the next year she was arrested again, this time for forging a Valium prescription. She had just finished an interview with Howard Stern in the spring of 1999 when she and her fiancé, Robert Menchaca, were headed back to California. She hoped the interview would revive her stalled career. They stopped at his parents' house in Moore, Oklahoma for a Mother's-Day-weekend visit; on Saturday, May 8, 1999, Dana died of what appeared to be an accidental overdose of the painkiller "Loritab". On May 21, a coroner's inquest ruled her death a suicide because of the large amount of drugs in her body and her history of past suicide attempts. Dana Plato was 34 years old.

Zoe Lund was born Zoe Tamerlis to a Swedish mother and Romanian father on February 9, 1962 in New York City. She was an accomplished composer/musician and devout political activist at an early age. In 1981 at age 19, Lund gave a stunning performance as Thana, a mousy, mute garment worker and rape victim who violently strikes back against male oppression and exploitation of women in Abel Ferrara's outstanding distaff vigilante cult classic Ms .45 (1981). She was likewise excellent and impressive in a demanding dual role as both a murdered aspiring Southern Belle actress and the lookalike New York woman who was used to replace her in Larry Cohen's nifty thriller Special Effects (1984). From 1980 to 1985, Lund lived and worked with critic and filmmaker Edouard de Laurot. She did a guest spot on an episode of Miami Vice (1984) and appeared as herself in the racy documentary Heavy Petting (1989).

Lund co-wrote the script for and had a supporting role as a drug addict in Ferrara's crime drama Bad Lieutenant (1992). Lund was a staunch advocate of heroin drug use. In addition, she was a professional model in her 20s and a writer who penned various essays, short stories, novels and film scripts (one of these unfinished screenplays was about supermodel Gia Carangi; Lund appears as an interview subject in the documentary The Self-Destruction of Gia (2003) (in which she candidly discusses her own heroin use). In 1993, Lund wrote, directed and starred in the one and a half minute short feature Hot Ticket (1993). Zoe Lund was working on a short story anthology when she died of drug-related heart failure at the tragically young age of 37 in Paris, France on April 16, 1999.

Rodney Harvey was born on 31 July 1967 in Philadelphia, Pennsylvania, USA. He was an actor, known for My Own Private Idaho (1991), The Outsiders (1990) and Twin Peaks (1990). He died on 11 April 1998 in Los Angeles, California, USA.

Short, stocky, balding character actor who found fame on British TV in The Bill (1984) but became an alcoholic and died in a clinic attempting to dry out less than a week after being dismissed from the series. He had 8 children, one adopted and another who died while still a baby. Did a lot of UK stage work in the 1970s including "What The Butler Saw" by Joe Orton.

Christopher Crosby Farley was born on February 15, 1964, in Madison, Wisconsin, to Mary Anne (Crosby) and Thomas Farley, who owned an oil company. Among his siblings are actors Kevin P. Farley and John Farley. He was of Irish heritage. Farley studied theatre and communications on Marquette University. After finishing university he was in the cast of the Second City Theatre, where he was discovered by the producer of the great comedy show Saturday Night Live (1975), Lorne Michaels. Farley worked on Saturday Night Live (1975) for five years during which he appeared in movies like Wayne's World (1992), Coneheads (1993), Billy Madison (1995) and finally Tommy Boy (1995), with his comic partner and SNL cast member David Spade. The duo later made one more movie called Black Sheep (1996). From that time on, Farley was one of the big comedy stars, and his fame was growing and growing.

After some more time, he made another "lone" movie, Beverly Hills Ninja (1997), which featured former SNL member Chris Rock. Farley was made even more famous, but with his growing fame, his problems grew bigger as well; he didn't want to be the "fat guy who falls down" any longer. Farley had several other problems, too, with alcohol and drug dependency. On December 18th, 1997, he died from a heroin (opiate) and cocaine overdose in his apartment in Chicago, where his body was found by his brother John the next day. Farley's weight of 296 pounds was a contributing factor in his death, but according to his autopsy the alcohol, marijuana and Prozac that was also found in his body, were not. Less than two months prior to his death, he had appeared alongside Chevy Chase on what would be Farley's only SNL show as host. Not unlike his idol John Belushi, he was credited for one more appearance after having left SNL and died at age 33. His death cause was also the same. In the year after Farley's departing, the movie Almost Heroes (1998), where he plays the leading role alongside Matthew Perry was released. He also makes cameo appearances in Dirty Work (1998)

Michael Hutchence is one of the greatest singers and performers in Australia's history, with a career that spanned 20 years. Born to Kelland Hutchence and Patricia Hutchence (a film and television make-up artist), Michael was the second of three children. He grew up in Hong Kong, USA, and Australia, and often hung out with his mother on film sets, getting to meet many famous people including his former classmate, Nastassja Kinski. When his parents split in 1976, Michael went with his mother to live in America for a while, but finding the fast-paced lifestyle too hectic, he moved back to Australia to live with his father. He attended high school in Sydney, becoming friends with another student, Andrew Farriss. Andrew performed regularly in two bands, Doctor Dolphin and The Farriss Brothers, and at some point invited Michael to sing with them. After graduating, they recruited two more members, Garry Beers and Kirk Pengilly, and immediately started touring pubs as The Farriss Brothers. They were later signed for a record deal on condition that they changed their name to INXS, which was a reflection of their lifestyle, always in excess.

Their first three albums were only minor sellers, but when 'The Swing' was released in 1984, it debuted at number one in Australia, and went double platinum. Their 1987 album 'Kick' had huge radio airplay, brought them an American number one hit ("Need You Tonight") and sold millions of albums worldwide.

However, Michael led a life of constant excess, which included women, drugs and alcohol, and sadly after 'Kick', the band proved to be not as popular as they once had been. Michael attempted a film career, but his first film Dogs in Space (1986) earned an 'R' rating, completely alienating it from teenagers, its intended audience. His second film Frankenstein Unbound (1990) did not showcase his talent either, as he had little more than a walk-on role.

All the while, his personal and professional life was falling apart. He fell in love with and later lived with Bob Geldof's wife, Paula Yates, which tainted his career. They had a daughter together, Tiger Lily Hutchence Geldof. In 1997 he met up with Michael Douglas to discuss his songs being used in Face/Off (1997). Hutchence wanted to know from Douglas what steps he should take to further advance himself in the film industry. Douglas advised him, but Michael could not handle the pressure of being a fading rock star, and when his latest album 'Elegantly Wasted' was a flop, Michael took the steps that ended his career. Michael once said that he was "just a man" -- and that is all he ever was.

Born in Portland, Oregon, she grew up in on a farm in Ketchum, Idaho. But dad was Jack Hemingway, son of the Nobel prize-winning author Ernest Hemingway and, with that heritage, fame was almost foreordained. By the time she was 21, after the lead in the rape melodrama Lipstick (1976), she had a budding movie career, a $1 million promotional contract with Faberge perfume, and her face on magazine covers around the world. But, within the decade, it was all lost. Her sister Mariel Hemingway, whose role in Lipstick (1976) had been suggested by Margaux, was a much greater success. Margaux had started drinking heavily; two marriages had failed. In 1988, she checked herself into the Betty Ford Center for rehabilitation. Attempts to parley her recovery from alcohol into a revived career failed and, by the time she was 41, almost nothing was left. She lived alone in a studio apartment, no children, no lover, few friends. Neighbors informed police that she had not been seen for days and, on July 1, they entered through a 2nd-floor window. Dental records had to be used to confirm her identity.

River Phoenix was born River Jude Bottom in Madras, Oregon. His mother, Arlyn (Dunetz), a Bronx-born secretary, and his father, John Bottom, a carpenter, met in California in 1968. They worked as itinerant fruit pickers, and later joined the Children of God religious group (John was originally Catholic, while Arlyn was born Jewish). By the time River was two, they were living in South America, where John was the sect's Archbishop of Venezuela. They later left the group and, in 1977, moved back to the United States, changing their last name to "Phoenix". They lived with River's maternal grandparents in Florida, and later moved to Los Angeles. His parents encouraged all of their children to get into movies and, by age ten, River was acting professionally on TV. His film debut was in Explorers (1985), followed rapidly by box-office successes with Stand by Me (1986) and The Mosquito Coast (1986), and as young Indiana in Indiana Jones and the Last Crusade (1989). His role as Danny Pope in Running on Empty (1988) earned him an Academy Award nomination as Best Supporting Actor. His best role was probably Mike, the hustler in My Own Private Idaho (1991).

A dedicated animal-rights activist and environmentalist, River was a strict vegetarian and a member of PeTA (People for the Ethical Treatment of Animals). River was a talented musician as well as an actor, and he played guitar, sang, and wrote songs for his band, Aleka's Attic, which also included his sister Rain Phoenix, while living in Gainsville, Florida. Although the band never released its own album, their song "Across the Way" can be found on PeTA's "Tame Yourself" album, used to fight animal abuse. River was in the middle of filming Dark Blood (2012), playing the character Boy when he died. The film couldn't be finished due to too many unfilmed crucial scenes. His mother was later sued.

River died of acute multiple drug intoxication involving lethal levels of cocaine and morphine at age 23 outside the Viper Room, Johnny Depp's Los Angeles club.

Detroit-born James Leo Herlihy went into the Navy straight from high school in 1945, but the war ended before he got to see any combat. After his discharge, he attended North Carolina's Black Mountain College--a small, experimental institution with an emphasis on art, music and literature and with such figures as Willem de Kooning and John Cage on its faculty--on the GI Bill, and it was there he became friends with such authors as Anaïs Nin. Upon leaving the college he moved to Pasadana, CA, in 1948, where he attended the famed Pasadena Playhouse College for the next two years. He performed in about 50 plays all up and down the West Coast for the next several years, and eventually moved to Boston, MA, becoming a member of the Theater Company of Boston.

He wrote for various television shows throughout the mid-'50s, and in 1958 his play "Blue Denim" enjoyed a successful run on Broadway and was made in a film the next year (Blue Denim (1959)). His novel "All Fall Down" was made into a movie in 1962 (All Fall Down (1962)), but it wasn't until 1968 that his best known novel--published in 1965--became one of the biggest film hits in history--Midnight Cowboy (1969), the story of a young and naive Texan who comes to New York dreaming of becoming a gigolo to rich society women but becomes entangled with one of Times Square's scuzziest denizens. The controversial film--excoriated by many conservative social and religious groups for its depiction of the title character as a male prostitute--was the first X-rated movie to win an Academy Award.

Although "Midnight Cowboy" sealed his fame as an author, he only turned out two more books in his career, a short story collection called "A Story That Ends in a Scream" in 1967 and a novel about teenage runaways, "The Season of the Witch", in 1971. He concentrated on teaching, giving classes in playwriting at New York's City College, and was appointed a visiting professor at the University of Arkansas' Fayetteville campus in 1983. He also taught classes in acting and writing at Colorado College and the University of Southern California.

He committed suicide by taking an overdose of sleeping pills at his home in Los Angeles on October 21, 1993.

Max Cantor was born on 15 May 1959 in Manhattan, New York City, New York, USA. He was an actor, known for Dirty Dancing (1987), Another World (1964) and Fear Anxiety Depression (1989). He died on 3 October 1991 in New York City, New York, USA.

John Cassavetes was a Greek-American actor, film director, and screenwriter. He is considered a pioneer of American independent film, as he often financed his own films.

Cassavetes was born in New York City in 1929 to Nicholas John Cassavetes (1893-1979) and his wife, Katherine Demetre (1906-1983). Nicholas was an immigrant from Greece, while Katherine was Greek-American who had been born in New York City. The Cassavetes family moved back to Greece in the early 1930s, and John learned Greek as his primary language. The family moved back to the United States around 1936, possibly to evade Greece's new dictatorship, the 4th of August Regime (1936-1941). Young John had to learn to speak English. He spent his late childhood and most of his teenage years in Long Island, New York. From 1945-47, he attended the Port Washington High School. He wrote for the school newspaper and the school yearbook. The 18-year-old Cassavetes was then transferred to the Blair Academy, a boarding school located in Blairstown, New Jersey. When the time came for him to start college, Cassavetes enrolled at Champlain College (in Burlington, Vermont) but was expelled owing to poor grades.

After a brief vacation to Florida, Cassavetes enrolled at the American Academy of Dramatic Arts (AADA), in New York City. Several of his old friends were already students there and had recommended it to Cassavetes, who would be mentored by Don Richardson (1918-1996). After graduating, he began to regularly perform on stage while also appearing in small roles in films and television shows.

Cassavetes's first notable film role was that of Robert Batsford, one of the three villains (along with Vince Edwards and David Cross) in The Night Holds Terror (1955). His next major role was juvenile delinquent Frankie Dane in the crime film "Crime in the Streets" (1956). He won a lead role in Edge of the City (1957) as drifter Axel Nordmann. His co-star for the film was Sidney Poitier, who played stevedore Tommy Tyler. The film helped break new ground, portraying a working-class interracial friendship. Cassavetes gained critical acclaim for his role, and film critics compared him to Marlon Brando. Cassavetes's success as an actor led to his becoming a contract player for MGM. In 1959, he directed his first film, Shadows (1958). It depicted the lives of three African-American siblings in New York City. It won the Critics Award at the Venice Film Festival.

His next directing effort, Too Late Blues (1961), was about the professional and romantic problems of a struggling jazz musician. The film was poorly received at the time, though its autobiographical elements are considered remarkable. Cassavetes then directed A Child Is Waiting (1963), which depicted life in a state institution for mentally handicapped and emotionally disturbed children. The film was a documentary-style portrayal of problems in the social services. It was praised by critics but failed at the box office.

In 1968, Cassavetes had a comeback as a director with Faces (1968), which depicts a single night in the life of a middle-aged married couple. After 14 years of marriage, the two feel rather miserable and seek happiness in the company of friends and the beds of younger lovers, but neither manages to cure their sense of misery. The film gained critical acclaim, and, in 2011, was selected for preservation in the United States National Film Registry.

Cassavetes returned to the theme of a midlife crisis in his next film, Husbands (1970). The film depicts three middle-aged men, professionally successful and seemingly happily married. The death of a close childhood friend reminds them of their own mortality, and of their fading memories of youth. They flee their ordinary lives with a shared vacation to London, but their attempts to rejuvenate themselves fail. This film attracted mixed reviews, with some critics praising its "moments of piercing honesty" and others finding fault with its rambling dialogue.

Cassavetes's next film was Minnie and Moskowitz (1971), about the romantic relationship between a seemingly incompatible couple, jaded museum curator Minnie Moore and the temperamental drifter Seymour Moskowitz. It was well received and garnered Cassavetes a Writers Guild of America Award for Best Comedy Written Directly for the Screen. His next film was A Woman Under the Influence (1974), concerning the effects of mental illness on a working-class family. In the film, ordinary housewife Mabel Longhetti starts displaying signs of a mental disorder. She undergoes psychiatric treatment for six months while her husband, Nick Longhetti, attempts to play the role of a single father. But Nick seems to be a social misfit in his own right, and neither parent seems to be "normal". Cassavetes was nominated for an Academy Award for Best Director for this film, but the award was won by Francis Ford Coppola.

Cassavetes next directed the gritty crime film, The Killing of a Chinese Bookie (1976). In the film, Korean War veteran and cabaret owner Cosmo Vittelli owes a large debt to a criminal organization and is coerced to serve as their hit-man in an assassination scheme. He has been told that the target is an insignificant bookie, but after the assassination Vittelli learns that he just killed a high-ranking crime boss of the Chinese mafia and that he himself is now a target for assassination. The film gained good reviews and a cult following.

His next film, Opening Night (1977), was more enigmatic, mixing drama with horror elements. Protagonist Myrtle Gordon (played by Cassavetes's wife, Gena Rowlands) is a famous actress, but aging and dissatisfied with the only theatrical role available to her. After seeing teenager Nancy Stein, one of her obsessive fans , get killed in a car accident, Myrtle starts having visions of Nancy's ghost. As she keeps fighting the ghost, drinking heavily and chain-smoking, the film ends without explaining what seems to be going wrong with Myrtle's perception of reality. The film was a hit in Europe but flopped in the United States.

Cassavetes had another directing comeback with "Gloria" (1980). In the film, Gloria Swenson (formerly a gangster's girlfriend) is asked to protect Phil Dawn, the young son of an FBI informant within a New York crime family. After the apparent assassination of Phil's parents, Gloria finds herself targeted by gangsters and wanted by the police as a kidnapping suspect. The film won the Golden Lion award at the Venice Film Festival, and protagonist Gena Rowlands was nominated for several acting awards.

Cassavetes's 11th directing effort was the rather unconventional drama Love Streams (1984), about the relationship between two middle-aged siblings. In the film, Sarah Lawson suffers from depression following a messy divorce and moves in with her brother, Robert Harmon, an alcoholic writer with self-destructive tendencies. Though estranged from his ex-wife and his only son and unable to protect himself from violent foes, in the end Robert finally has someone for whom to care. The film won the Golden Bear at the Berlin International Film Festival.

Cassavetes' swan song as a director was the comedy Big Trouble (1986), replacing the much younger Andrew Bergman. The film concerns an insurance agent who needs $40,000 for college tuition for his three daughters. He agrees to cooperate in an insurance scam with the wife of one of his clients, though the plan may require them to murder her husband. Several elements of the film were recycled from the plot of the iconic film noir Double Indemnity (1944), and "Big Trouble" served as its unofficial remake. The film was unsuccessful, and Cassavetes himself reportedly disliked the script.

In the late 1980s, Cassavetes suffered from health problems and his career was in decline. He died in 1989 from cirrhosis of the liver caused by many years of heavy drinking. He was only 59 years old. He is buried at the Westwood Village Memorial Park in Los Angeles, having left more than 40 unproduced screenplays and an unpublished novel. His son, Nick Cassavetes, eventually used one of the unproduced screenplays to direct a new film, the romantic drama, She's So Lovely (1997). It was released eight years after the death of John Cassavetes, and was well received by critics.

The acting bug bit Kenneth Williams when, as a student, his English teacher suggested he try out for a school play. He found that he enjoyed it tremendously, but when he raised the possibility at home of becoming an actor, his father forbade it. Williams was eventually sent to art school in London in 1941. In 1944 he was drafted into the army, and although posted to the Royal Engineers, he managed to land a job in the Combined Services Entertainment unit, where he got a chance to act in shows that were put on to entertain the troops, and even designed the posters that advertised the shows.

After his discharge from the army he began to work as a professional actor, and traveled the country in repertory companies. It was in a production of "Saint Joan", where he played the Dauphin, that a radio producer saw him and hired him to do voice characterizations on a popular radio comedy show, "Hancock's Half Hour". His penchant for wild, off-the-wall characters led to his being hired by the producers of the "Carry On" comedy series, where he performed in 26 entries in the long-running series. When the series ended, Williams returned to radio work, and also made the rounds of the TV talk shows in addition to writing several books, including his autobiography. Later in his life Williams developed a serious ulcer, and was given medication to combat the pain. On April 15th 1988, he was found dead in his bed; it was determined that in addition to his regular pain pills, he had apparently taken some sleeping pills the night before, and the combination of those and his regular medication proved fatal.

Well-endowed, attractive Joyce Jameson was typecast as "broads," "dames," and dizzy blondes -- somewhat in the vein of Barbara Nichols. In real life, she was said, like such other ditzy blondes as Judy Holliday and Jayne Mansfield, to have been the antithesis of her screen personae, a graduate in theatre arts from UCLA, highly intelligent and well-read.

Born in Chicago in 1927 (not 1932 as has been misreported) as Joyce Kingsley as per the Cook County, Illinois Birth Index, 1916-1935 (File Number 6045258), she began acting in films from 1951, after being 'spotted' at the small Cabaret Club by Steve Allen. At that time, she was already a seasoned performer on stage in musical revue, featured playing multiple parts in shows staged by her then-husband and mentor, Billy Barnes, initially at the Cabaret Club, then at the Las Palmas Theatre in Hollywood, and finally on Broadway.

After several small supporting bits on the big screen and the odd ghost-written TV script, Jameson's career gained momentum from the late 1950s. She was seen in better productions, such as Billy Wilder's The Apartment (1960). Adept at dialects and mimicry, Jameson made a name for herself on The Tonight Show Starring Jack Paar (1957) with a ventriloquist act, featuring her 'alter ego,' an imaginary dummy, unsurprisingly named "Marilyn." Jameson was said to have derived the idea of being subsumed by this 'other personality' from the British horror classic Dead of Night (1945). Reputedly still more uproarious, were her biting impersonations of Judy Garland, Grace Kelly, and, above all, Marlene Dietrich.

She may be most-fondly remembered for her first two cult Gothic horrors she made for Roger Corman, loosely based on stories by Edgar Allan Poe. Tales of Terror (1962), finds her (in story number two, 'The Black Cat') as perpetually inebriated Peter Lorre's philandering wife Annabel, who suffers the ignominious fate of being entombed alive in a wine cellar, alongside paramour Vincent Price. Her performance on the way to that demise -- at once funny and tragic -- amply demonstrated her ability to hold her own in a leading role opposite such dominant personalities as Lorre and Price. She was quite good (and certainly very decorative) in her second outing for Corman, The Comedy of Terrors (1963) albeit in a more typical role as decrepit Boris Karloff's ditzy daughter, Amaryllis Trumbull.

On television, she had a recurring spot on The Andy Griffith Show (1960) and guested in many classic series, including westerns and science fiction, though her forte was almost certainly comedy. Unable to escape her typecasting, she rarely got roles her acting talent would have justified. Jameson once commented acerbically in an interview, "Everyone expects to cast me as the dumb or victimized blonde. After they interview me, I can just hear them say, 'Hey! She's intelligent, but what do you do with it?'" (The Pittsburgh Press, July 27,1958).

Gary Holton was born on 22 September 1952 in Clapham, London, England, UK. He was an actor, known for Auf Wiedersehen, Pet (1983), Breaking Glass (1980) and Minder (1979). He was married to Donna Campbell. He died on 25 October 1985 in London, England, UK.

Jackie's friendship and professional association with Andy Warhol began in the mid-1960s. He appeared in director Paul Morrissey's Women in Revolt (1971) with Candy Darling and Holly Woodlawn and Flesh (1968) with Joe Dallesandro and Candy Darling, presented by Andy Warhol. For these unique films, director Paul Morrissey gave the actors information about their character, the scene and suggested lines. The camera rolled and everyone improvised much of the content in a single take.

Jackie was perhaps happiest on stage. His wild creative energies were unleashed on appreciative audiences at venues including Playhouse of the Ridiculous, La Mama E.T.C., the Poetry Project at St. Marks Church, Bastianos Theater, Pyramid, and many other Manhattan theaters. His talent transcended gender and he reveled in melodramatic female roles.

In 1970, Jackie Curtis auditioned in drag for Busby Berkeley's revival of the 1920s musical "No, No, Nanette" - too bad Busby Berkeley and Broadway weren't ready for Curtis in the chorus line! Jackie's cabaret performances were stunning. In 1973 he appeared at the New York Cultural Center in "Cabaret in the Sky - an Evening with Holly Woodlawn and Jackie Curtis", an event attended by gay New York and "cafe society" alike.

Fortunately, Jackie's singing talents were documented on video in the 1970s and also on recently rediscovered studio recordings of songs from "Vain Victory" - which are to be released on CD in the near future! Jackie Curtis began writing plays in the late 1960s in which he usually appeared as the female lead. "Amerika Cleopatra" ran during the summer of 1968. Jackie's co-stars included Alexis del Lago and Harvey Fierstein, who played "Cleo's Jewish Mother".

'Robert de Niro' made his first appearance on the stage opposite Candy Darling during the first run of "Glamour, Glory, and Gold" in 1967. Jackie's musical "Lucky Wonderful", with music composed by Paul Serrato, was produced in 1968 at the Bastianos Theater. "Heaven Grand in Amber Orbit" was performed by John Vaccaro's Playhouse of the Ridiculous in 1969 and toured internationally for two years. Jackie Curtis' "Vain Victory" was produced at La Mama in 1971. It was an immediate smash hit and ran all summer long to packed houses.

Jackie was a prolific writer and a published poet. Jackie's poetry focuses on his fascination with stardom, glamorous divas, and broken dreams. He was proudest of his inclusion in "The Poets' Encyclopedia" published by the editors of the literary journal "Unmuzzled OX" in 1979. The poem "B-Girls" is the longest work in the 310 page volume (8 pages). It is based upon Jackie's observations of the barroom denizens of "Slugger Ann's", his grandmother's bar. (Jackie lived above the bar with his grandmother for much of his life.)

Jackie died of an accidental heroin overdose on May 15, 1985. He was just 38 years old. At his wake, friends filled his casket with photographs and mementos of his career, packs of Kool cigarettes, a magic wand, a cocktail shaker full of martinis, and sprinkled his face and body with glitter.

Later, after the funeral, friends covered his burial mound with so much red glitter that it was visible in the distance from the highway. Jackie's unique talents and his wonderful friendship and spirit will always be sorely missed by those who had the good fortune to know him.

Daughter of musician Gilles Nicolas and actress Bulle Ogier. She was only two years old when her parents divorced. On 25 October 1984, after a few hours spent at the Parisian club Le Palace, she spent the night with a friend and took drugs, an addiction she had since her teens. She died that same night from a drug-induced heart attack. Her funeral was held in the Church of Saint-Pierre de Chaillot in Paris and she was buried in Père Lachaise cemetery.

Probably best-remembered for his turbulent personal life with Elizabeth Taylor (whom he married twice), Richard Burton was nonetheless also regarded as an often brilliant British actor of the post-WWII period.

Burton was born Richard Walter Jenkins in 1925 into a Welsh (Cymraeg)-speaking family in Pontrhydyfen to Edith Maude (Thomas) and Richard Walter Jenkins, a coal miner. The twelfth of thirteen children, his mother died while he was a toddler and his father later abandoned the family, leaving him to be raised by an elder sister, Cecilia. An avid fan of Shakespeare, poetry and reading, he once said "home is where the books are". He received a scholarship to Oxford University to study acting and made his first stage appearance in 1944.

His first film appearances were in routine British movies such as Woman of Dolwyn (1949), Waterfront Women (1950) and Green Grow the Rushes (1951). Then he started to appear in Hollywood movies such as My Cousin Rachel (1952), The Robe (1953) and Alexander the Great (1956), added to this he was also spending considerable time in stage productions, both in the UK and USA, often to splendid reviews. The late 1950s was an exciting and inventive time in UK cinema, often referred to as the "British New Wave", and Burton was right in the thick of things, and showcased a sensational performance in Look Back in Anger (1959). He also appeared with a cavalcade of international stars in the World War II magnum opus The Longest Day (1962), and then onto arguably his most "notorious" role as that of Marc Antony opposite Elizabeth Taylor in the hugely expensive Cleopatra (1963). This was, of course, the film that kick-started their fiery and passionate romance (plus two marriages), and the two of them appeared in several productions over the next few years including The V.I.P.s (1963), The Sandpiper (1965), the dynamic Who's Afraid of Virginia Woolf? (1966) and The Taming of The Shrew (1967), as well as box office flops like The Comedians (1967). Burton did better when he was off on his own giving higher caliber performances, such as those in Becket (1964), the film adaptation of the Tennessee Williams play The Night of the Iguana (1964), the brilliant espionage thriller The Spy Who Came in from the Cold (1965) and alongside Clint Eastwood in the World War II action adventure film Where Eagles Dare (1968).

His audience appeal began to decline somewhat by the end of the 1960s as fans turned to younger, more virile male stars, however Burton was superb in Anne of the Thousand Days (1969) as King Henry VIII, he put on a reasonable show in the boring Raid on Rommel (1971), was over the top in the awful Villain (1971), gave sleepwalking performances in Hammersmith Is Out (1972) and Bluebeard (1972), and was wildly miscast in the ludicrous The Assassination of Trotsky (1972).

By the early 1970s, quality male lead roles were definitely going to other stars, and Burton found himself appearing in some movies of dubious quality, just to pay the bills and support family, including Divorce His - Divorce Hers (1973) (his last on-screen appearance with Taylor), The Klansman (1974), Brief Encounter (1974), Jackpot (1974) (which was never completed) and Exorcist II: The Heretic (1977). However, he won another Oscar nomination for his excellent performance as a concerned psychiatrist in Equus (1977). He appeared with fellow acting icons Richard Harris and Roger Moore in The Wild Geese (1978) about mercenaries in South Africa. While the film had a modest initial run, over the past thirty-five years it has picked up quite a cult following. His final performances were as the wily inquisitor "O'Brien" in the most recent film version of George Orwell's dystopian 1984 (1984), in which he won good reviews, and in the TV mini series Ellis Island (1984). He passed away on August 5, 1984 in Celigny, Switzerland from a cerebral hemorrhage.

James Hayden was born on 25 November 1953 in Brooklyn, New York, USA. He was an actor, known for Once Upon a Time in America (1984), The Nesting (1981) and The First Deadly Sin (1980). He was married to Barbara Daniels. He died on 8 November 1983 in New York City, New York, USA.

John Belushi was born in Chicago, Illinois, USA, on January 24, 1949, to Agnes Demetri (Samaras) and Adam Anastos Belushi, a restaurant owner. His father was an Albanian immigrant, from Qytezë, and his mother was also of Albanian descent. He grew up in Wheaton, where the family moved when he was six. Though a young hellion in grade school, John became the perfect all-American boy during his high school years where he was co-captain of the Wheaton Central High School football team and was elected homecoming king his senior year. He also developed an interest in acting and appeared in the high school variety show. Encouraged by his drama teacher, John decided to put aside his plans to become a football coach to pursue a career in acting.

After graduation in 1967, John performed in summer stock in rural Indiana in a variety of roles from "Cardinal Wolsey" in "Anne of a Thousand Days" to a comic detective in "Ten Little Indians". In the fall of his freshman year at the University of Wisconsin at Whitewater, John changed his image into a bad-boy appearance by growing his hair long and began to have problems with discipline and structure of attending classes.

Dropping out of Wisconsin, John spent the next two years at the College of DuPage, a junior college a few miles from his parents' Wheaton home, where his father began persuading him to become a partner in his restaurant, but John still preferred acting. While attending DuPage, John helped found the "West Compass Players", an improv comedy troupe patterned after Chicago's famous "Second City" ensemble.

In 1971, John made the leap to "Second City" itself where he performed in various on-stage comic performances with others, who included Harold Ramis and Joe Flaherty. John loved his life at "Second City" where he performed six nights a week, perfecting the physical "gonzo" style of comedy he later made famous.

A year later, John and his live-in girlfriend from his high school years, Judith Belushi-Pisano, moved to New York because John had joined the cast of National Lampoon's Lemmings, an off-Broadway rock musical revue that was originally booked for a six-week run but played to full crowds for nearly 10 months.

In 1973, John was hired as a writer for the syndicated National Lampoon's Radio Hour which became the National Lampoon Show in 1975. John's big break came that same year when he joined the ground-breaking TV variety series Saturday Night Live (1975) which made him a star. The unpredictable, aggressively physical style of humor that he began on "Second City" flowered on SNL.

In 1978, while still working on Saturday Night Live (1975), John appeared in the movie Goin' South (1978) which starred and was directed by Jack Nicholson. It was here that director John Landis noticed John and decided to cast him in his movie National Lampoon's National Lampoon's Animal House (1978). John's minor role as the notorious, beer-swilling "Bluto" made it a box-office smash and the year's top grossing comedy. Despite appearing in only a dozen scenes, John's performance stole the movie, which portrays college fraternity shenanigans at a small college set in the year 1962.

In 1979, John along with fellow SNL regular Dan Aykroyd quit the series to pursue movie projects. John and Dan Aykroyd appeared in minor roles in Steven Spielberg's financially unsuccessful 1941 (1979) and, the following year, in John Landis' The Blues Brothers (1980). Around this time, John's drug use began escalating. Cocaine, which was ubiquitous in show-business circles in the 1970's, became his drug of choice. After he first experimented with cocaine in the mid 1970s, John almost immediately became addicted to it. His frequent cocaine sniffing binges became a source of friction between him and Judy, whom he married in 1976.

John's love for blues and soul music inspired the "Blues Brothers". He and Aykroyd first appeared as Joliet Jake and Elwood Blues, a pair of white soul men dressed in black suits, skinny ties, fedora hats and Rayban sunglasses, as a warm-up act before the telecasts of Saturday Night Live (1975). Building on the success of their acts and the release of their album "A Briefcase Full of Blues", John and Dan Aykroyd starred in the movie, which gave John a chance to act with his favorite musical heroes including Ray Charles, James Brown and Aretha Franklin.

Although John's reputation for being an off-screen party animal is legendary, his generous side is less well known. Using some of his money, he bought his father a ranch outside San Diego for him to live. John helped set up some of his Chicago friends with their own businesses and even financially helped his younger brother, Jim Belushi, who followed his older brother's path to both "Second City" and Saturday Night Live (1975).

In 1981, John appeared in the movie Continental Divide (1981), playing a hard-nosed Chicago newspaperman who finds romance in Colorado with eagle expert Blair Brown. That same year, John and Dan Aykroyd appeared again in the movie Neighbors (1981), which gave them a chance to reverse roles, with John playing a straight-arrow family man whose life is turned upside down when a wild family man (Aykroyd) moves in next door.

In January 1982, John began work on the screenplay for another movie to be titled "Noble Rot". Also, John had checked into a bungalow at the Chateau Marmont, a popular celebrity hotel in Los Angeles. John's drug use had been steadily increasing for over a year now, which alarmed his wife and friends, but he continued to promise Judy that he would quit someday. On March 5, 1982, John Belushi was found dead in his hotel room at the age of 33. The local coroner gave the cause of death as a lethal injection of cocaine and heroin. Several years later, John's drug dealing/drug user companion during his final weeks, Cathy Evelyn Smith, was tried and sentenced to three years in prison for supplying John with the drugs. Close friend James Taylor sang "That Lonesome Road" at a memorial service at Martha's Vineyard cemetery where John was buried.

Tom Baker was born on 23 August 1940 in West Virginia, USA. He was an actor and director, known for Bongo Wolf's Revenge (1970), Two-Minute Warning (1976) and Angels Die Hard (1970). He died on 2 September 1982 in New York City, New York, USA.

Vivien Merchant was an English actress, primarily known for dramatic roles on stage and on film. She was born in Manchester, Lancashire in 1929 as Ada Brand Thomson. Her stage name 'Vivien Merchant' was chosen by Ada herself. "Vivien" in reference to actress Vivien Leigh (1913-1967), and "Merchant" reportedly in reference to her brother who was a seaman. She started her acting career in 1942, as an adolescent. She appeared regularly on repertory theatre in the 1940s, and had progressed to appearing in leading roles by the early 1950s. She had a romantic relationship with fellow actor Harold Pinter (1930-2008), and they were married in 1956. In 1958, she gave birth to their only child, Daniel Pinter.

As Pinter became a celebrated playwright, Merchant was regularly cast in productions of his plays. She made her film debut in the comedy-drama "Alfie" (1966), an adaptation of a play by Bill Naughton. For her role as "Lily Clamacraft", she received a BAFTA Award for Most Promising Newcomer to Leading Film Roles, and was nominated for an Academy Award for Best Supporting Actress but lost to Sandy Dennis. While continuing her successful theatrical career, Merchant appeared in few subsequent films. Among the best remembered of them is the thriller "Frenzy" (1972), directed by Alfred Hitchcock. She essentially appeared in a comic relief role, as the wife of Chief Inspector Oxford. Her final film role was as the Madame in "The Maids" (1975). In the film, two housemaids constantly fantasize about killing their employer (the Madame), but are reluctant to perform the actual murder.

While Merchant's career was relatively successful, her marriage was not. Pinter was an unfaithful husband. From 1962 to 1969, Pinter maintained a long-term relationship with fellow writer and journalist Joan Bakewell (1933-). In 1975, Pinter started a new affair with historian and novelist Antonia Fraser (1932-). He told his wife about the affair, and Merchant started verbally attacking Fraser both in private and in public. Pinter divorced Merchant in 1977, and married Fraser in 1980.

Merchant was left depressed by her divorce, and started heavily drinking in an attempt to drown her sorrows. Her alcoholism caused a decline in her health, and eventually led to her death in 1982. She was only 53-years-old at the time of her death.

Beautiful, swift and tough-tongued British character actress Rachel Roberts gained notice for her roles on the English stage, before she hit it largely in films. Born in Wales and married to actor Rex Harrison in 1962, Roberts made her film debut in a key role in J. Lee Thompson's Young and Willing (1954) a drama film about the life of women in prison. Around the early sixties, it wasn't uncommon to see a British actress in feature films, usually such an actress would remain on the British screen for such time, but Roberts continued going strong, she's hard to forget as the cankerous housewife in Saturday Night and Sunday Morning (1960).

After her divorce from Rex Harrison in 1971, Roberts continued such supporting roles usually as tough authority women characters or villainous beauties in films including Doctors' Wives (1971), Murder on the Orient Express (1974), Picnic at Hanging Rock (1975), Foul Play (1978), When a Stranger Calls (1979) and Charlie Chan and the Curse of the Dragon Queen (1981). Although never far from the screen, she was occasionally seen on television, such as Mrs. Bonnie McClellan in the 1976 series The Tony Randall Show (1976). She probably achieved her greatest success as Richard Harris's love interest in the film This Sporting Life (1963) which earned her an Academy Award nomination as Best Actress. Rachel Roberts committed suicide in November of 1980 of a "barbiturate overdose" at her home in Studio City, California. Roberts was only 53 years old.

The world's first black female supermodel, Donyale Luna was born Peggy Ann Freeman was in Detroit and grew up there in the northeast side of the city. Her father, Nathaniel Freeman, worked for almost 40 years at Ford Motor Company, usually in the foundry. Her mother, Peggy, was receptionist at the downtown YWCA for almost 30 years. Her parents had a difficult relationship and her father tended to be somewhat abusive, often living separately from the rest of the family. He was an alcoholic and came home in a drunken rage one night in 1950 and attacked her mother, who shot him in self-defense while five-year-old Luna and her four-year-old sister Deborah looked on. Although her mother wanted her to go to nursing school, aspiring actress Luna was allegedly spotted by New York photographer David McCabe walking around - barefoot, in a Catholic schoolgirl's outfit - at Detroit's Fisher Theater in September 1964. She soon moved to New Jersey and lived there with her aunt while her career took off in nearby New York City.

Luna was black per her birth certificate but denied it was valid and claimed her mother was Mexican, married a Mexican man named Luna, and that her grandmother was Irish and had married a black interior decorator. Although none of this held up to any active scrutiny, with her exotic looks, she quickly rose to fame in the modeling world with Harper's Bazaar featuring a sketch of her on the cover of its January 1965 issue. Having an exclusive contract with famed Harper's photographer Richard Avedon, the April issue that year had a six-page feature of Luna that caused advertisers in the south to pull advertising, with some readers actually canceling subscriptions. After this, the magazine refused to show any more photographs of her. Her career had suddenly come to a halt and in December of that year, she moved to the more progressive climate of London. An article titled "The Luna Year" in the April 1, 1966 edition of Time Magazine, even states that "A month after hitting New York, she married a young actor, divorced him after ten months, and now will not even give his name. Unhappy with that world but unwilling to give it all up and head back to Detroit, she fled to London and Paris last December." However, that same article called her "unquestionably the hottest model in Europe at the moment."

In London, she was photographed by the great European fashion photographers of the time, including David Bailey, William Klein, Helmut Newton, as well as American music photographer William Claxton. Claxton introduced her to famed artist Salvador Dalí, who called her "the reincarnation of Nefertiti." In March 1966, Bailey captured her in a famous cover photograph for British Vogue and she became the first black model to grace its cover. Racial progress was slow, even in Europe, and that same year, she became the first black model to grace the cover of British Vogue Magazine. However, the photo showed her hand covering nearly her entire face except for one of her eyes, accented with very bold eyeliner. This was done for fear of the reaction of the magazine's readers at the time. Ashamed of her heritage, Luna often wore blond wigs and green contact lenses. A 1968 article in the New York Times was titled "Luna, Who Dreamed of Being Snow White," and called her "secretive, mysterious, contradictory, evasive, mercurial, and insistent upon her multiracial lineage - exotic, chameleon strands of Mexican, American Indian, Chinese, Irish, and, last but least inescapable, Negro."

Despite widespread discrimination in the south and other regressive areas, the striking, six-foot Luna had a presence that did not go unnoticed by men or women. After her success in London, she traveled back to America occasionally for assignments and in 1966, at a New York nightclub, former First Lady Jacqueline Kennedy Onassis came up to Luna and said, very simply, "You are very beautiful." Over the next couple of years in Europe, Luna's career soared and by 1968, she was a full-fledged celebrity with many friends in the fashion, film and music industry. She became a companion of Brian Jones of The Rolling Stones and appeared in their 1968 film The Rolling Stones Rock and Roll Circus (1996), and in films by Andy Warhol and Federico Fellini as well. She kept company with celebrity friends such as Mick Jagger, Michael Caine, Julie Christie, and Yul Brynner among them. She was a fixture in the "swinging sixties" scene of London. She dated Terence Stamp, was engaged for a short time to Maximilian Schell, and later, she lived for a time with Klaus Kinski.

She did not smoke, drink, or do drugs when she first arrived in New York City, but this changed after her move to London. In fact, in 1969, Kinski threw her out due to her increasing drug use. As the years wore on, she became a professional risk, exhibiting strange behavior and missing assignments. In November of 1968, she was involved in an incident at the all-night restaurant at the Cavendish Hotel in London that received international media coverage. Luna, Mia Farrow and three male celebrities were asked to leave the hotel restaurant at about 4 a.m., after being told that the men were not wearing ties. The entourage pointed out that men at the other tables were also not wearing ties but management then called the police. Soon, Luna's date, Canadian actor/photographer Iain Quarrier, was arrested and charged with assaulting a "bobby" police officer and was fined.

Alcohol, heroin and other drugs became an increasing part of her life. She posed nude for Playboy in 1975 and soon after moved to Rome, where she married for a second time to photographer Luigi Cazzaniga. They had a daughter, Dream, in 1977. She was estranged from Cazzaniga when she died in a clinic there on the morning of May 17, 1979, as the result of an accidental heroin overdose.

Jean Dorothy Seberg was born in Marshalltown, Iowa, to substitute teacher Dorothy Arline (Benson) and pharmacist Edward Waldemar Seberg. Her father was of Swedish descent and her mother was of English and German ancestry.

One month before her 18th birthday, Jean landed the title role in Otto Preminger's Saint Joan (1957) after a much-publicized contest involving some 18,000 hopefuls. The failure of that film and the only moderate success of her next, Bonjour Tristesse (1958), combined to stall Seberg's career, until her role in Jean-Luc Godard's landmark feature, Breathless (1960), brought her renewed international attention. Seberg gave a memorable performance as a schizophrenic in the title role of Robert Rossen's Lilith (1964) opposite Warren Beatty and went on to appear in over 30 films in Hollywood and Europe.

In the late 1960s, Seberg became involved in anti-war politics and was the target of an undercover campaign by the FBI to discredit her because of her association with several members of the Black Panther party. She was found dead under mysterious circumstances in Paris in 1979.

Maggie McNamara -- with her brown hair in a ponytail -- arrives in Rome in Three Coins in the Fountain (1954) expecting great things to happen. Petite and slender, she looks almost like a schoolgirl in her prim blue suit. She is bright and vivacious and goes for what she wants -- a proposal from "Prince Dino De Cessi" played by Louis Jourdan. She was in her mid-20s, then, and at the height of her career as she made her second film. One of four children of Irish-American parents, Maggie had come a long way since attending Textile High in New York to prepare for a modeling career. Pert as well as petite, she must have reminded people of the young Debbie Reynolds. Both had a look that was popular in the late 1940s. Maggie's picture appeared twice on the cover of Life Magazine and people were saying she too ought to be in movies. She started taking lessons with a dramatic coach and, at the age of 23, she was discovered by Otto Preminger. He signed her to play the role of a proper young lady who lets herself be lured to a bachelor's apartment in the Chicago production of a play of F. Hugh Herbert. She played the ingénue role in "The Moon Is Blue" in the national company for 18 months. Then, in 1951, she made it to Broadway in "The King of Friday's Men". Brooks Atkinson, drama critic for the New York Times, said of her performance in that play that she was "remarkably pretty and has a gift for acting". Then Maggie was offered the female lead in the Otto Preminger's film version of The Moon Is Blue (1953) with William Holden and David Niven. Theater patrons in New York and Chicago had found the stage version of the story amusing. The Catholic Legion of Decency was not amused when it previewed the film. It was stamped "C" for Condemned. The New York Times noted in 1978: "The Moon Is Blue aroused a storm of controversy because of what some observers regarded as 'indecent' discussion of sex, and the ridicule of the rules of parental protection. By current standards, it was, in fact, a prim and proper work". Maggie was supporting herself as a typist when she died in 1978. The New York Times obituary appeared four weeks after her death. It said she was 48. The relative who confirmed that she had died did not give the newspaper the date of her birth. The relative said Maggie had been doing some writing recently and a film script, "The Mighty Dandelion", had been accepted by a new film producing company.

Charles Boyer studied philosophy before he went to the theater where he gave his debut in 1920. Although he had at first no intentions to pursue a career at the movies (his first movie was Man of the Sea (1920) by Marcel L'Herbier) he used his chance in Hollywood after several filming stations all over Europe. In the beginning of his career his beautiful voice was hidden by the silent movies but in Hollywood he became famous for his whispered declarations of love (like in movies with Greta Garbo, Marlene Dietrich or Ingrid Bergman). In 1934 he married Pat Paterson, his first and (unusual for a star) only wife. He was so faithful to her that he decided to commit suicide two days after her death in 1978.

Freddie Prinze was born Frederick Karl Pruetzel in New York City, New York, to a Puerto Rican mother, Aurea Elena Ruiz, and a German immigrant father, Edward Karl Pruetzel. Freddie grew up in the Washington Heights section of New York City. As a chubby child, he was often bullied, but was quite creative and bright in his extracurricular activities (he was known to have handmade a ham radio, which he used regularly). Early on, he aspired to become famous, and, after enrolling at Fiorella LaGuardia High School of the Performing Arts, he obtained a job at the Improv Club, in New York, where people started to take notice of his comedic talent (but the long hours he worked at night, balanced by increasing absences in school, caused him to drop out of high school to pursue comedy full-time). He changed his name to Freddie Prinze (to indicate that he was "The Prince of Comedy"). In December 1973, he was invited to perform on "The Tonight Show with Johnny Carson", which proved to be a breakthrough performance, as he was invited to chat with Johnny after his performance (only two other comedians have enjoyed that privilege). Soon afterwards, he won the role of "Chico Rodriquez" in an NBC-produced TV series called Chico and the Man (1974)(he and co-star Jack Albertson forged a great friendship while working on the show). In 1975, he released a comedy album, titled "Looking Good", and further boosted his popularity with appearances on various TV shows (such as the "Tony Orlando & Dawn" show). In Las Vegas in August 1975, he married Katherine Cochran, with whom he had a son, Freddie Prinze, Jr. (born on March 8, 1976 in Albuquerque, New Mexico). He loved his role as a father, and his growing popularity. But all the fame had a downside to it: Freddie developed an addiction to drugs (namely Quaaludes and cocaine), and was subsequently arrested in Nov. 1976 for DUI. His marriage was dissolving, and he separated from his wife. He started to mention thoughts of suicide to many of his close friends and family including his friends singer Tony Orlando and comedian David Brenner. In January 1977, following his final public appearance at the Inaugural Ball for President Jimmy Carter, 22-year-old Freddie called his mother, friends and manager and announced that he was committing suicide. While his manager tried to stop him, he placed a .32 caliber pistol against his temple and pulled the trigger.He was rushed to UCLA Medical Center with a massive head wound. He was kept on life support until January 29, 1977, when his family decided to turn off the life support.

Anissa Jones was an American child actress of Lebanese descent. She is primarily remembered for the role of the orphan girl Buffy Davis in the hit sitcom "Family Affair" (1966-1971). The series lasted for 5 seasons and 138 episodes. Jones' career rapidly declined following the end of the sitcom. She died due to "combined drug intoxication" when only 18-years-old.

In 1958, Jones was born in West Lafayette, Indiana. West Lafayette is a college town, primarily known as the home of Purdue University. Jones' father was the engineer John Paul Jones, who was at that time a faculty board member at Purdue University. Jones' mother was Mary Paula Tweel, a Lebanese-American zoology student.

Jones spend the first few years of her life in Charleston, West Virginia, where her family had settled. Around 1963, the Jones family moved to Playa Del Rey, California. Her father had accepted a job in aerospace engineering in California, and was eager to relocate to the West Coast. The marriage of Jones's parents soon deteriorated, and they were already divorced by 1965.

In 1964, Jones made her debut at television commercials. She was only 6-years-old at the time. She begun pursuing acting roles in 1965. She had her big break in 1966, when cast in a co-starring role in the new sitcom "Family Affair". She was 8-years-old at the time, but she was cast in the role of a 6-year-old. Jones was unusually short for her age, and she reportedly looked younger than her actual age.

Jones soon became a popular child actress, and she made several guest appearances in other television series. She served as a guest host in the variety show "The Hollywood Palace",. She was also interviewed in the talk shows "The Mike Douglas Show" and "The Merv Griffin Show". She made her film debut in 1969, with a small part in the drama film "The Trouble with Girls". The film's main star was Elvis Presley, in one of his last acting roles. The film depicted the murder of a pharmacist in Iowa, and the efforts of a band manager to profit from the crime.

"Family Affair" ended in 1971, leaving Jones without a regular role for the first time in her acting career. Despite auditioning for various roles over the following years, she was nearly always rejected. Her acting career ended at the age of 12. In 1976, Jones was still living in California and had a regular boyfriend.

On August 27, 1976, Jones went partying with her friends in the beach town of Oceanside, California. The following day, Jones was found dead at the home of Helen Hennessy, a close friend. An autopsy revealed that she had consumed a combination of cocaine, PCP, Quaalude, and Seconal. A small vial of blue liquid was found next to her corpse, but the police could not determine what it was. Jones was given a small, private funeral service. Her remains were cremated, and her ashes were scattered over the Pacific Ocean.

Following Jones' death, Dr. Don Carlos Moshos was arrested for illegally prescribing Seconal to Jones. Moshos died in late December 1976, while still awaiting his trial. In 1979, a court decision forced Moshos' estate to make compensations payments to Jones' surviving relatives. Jones' last surviving relative (her mother) died in January 2012. Jones is long gone, but is still fondly remembered for her sitcom role.

Billionaire businessman, film producer, film director, and aviator, born in Humble, Texas just north of Houston. He studied at two prestigious institutions of higher learning: Rice University in Houston and California Institute of Technology in Pasadena, California. Inherited his father's machine tool company in 1923. In 1926 he ventured into films, producing Hell's Angels (1930), Scarface (1932) and The Outlaw (1943). He also founded his own aircraft company, designed, built and flew his own aircraft, and broke several world air speed records (1935-1938). His most famous aircraft, the Hercules (nicknamed "The Spruce Goose"), which was as he discovered, an under-powered wooden seaplane designed to carry 750 passengers. That plane was completed in 1947, but flew only once over a distance of one mile despite having eight Pratt & Whitney Wasp Major engines, among the most powerful radial piston engines of the day. Throughout his life he shunned publicity, eventually becoming a recluse but still controlling his vast business interests from sealed-off hotel suites, and giving rise to endless rumors and speculation. In 1971 an "authorized" biography was announced, but the authors wound up in prison for fraud, and the mystery surrounding him continued until his death in Houston. He is buried in Glenwood Cemetery, Houston

This stunning, fragile starlet was born Henriette Michèle Leone Girardon in Lyon in August 1938. Having completed her acting studies at the local conservatoire she won a competition as "the most photogenic girl in France" by the age of twenty. Photo shoots followed and a minor career as a model with appearances on the cover of prestige magazines "Vogue" and ""Marie-Claire". She began on screen with prominent supporting roles as a deaf mute in Luis Buñuel's Death in the Garden (1956) and as a secretary in Louis Malle's The Lovers (1958). Her first starring role came courtesy of Éric Rohmer who cast her in the lead of Sign of the Lion (1962) -- one of the first films of the French Nouvelle Vague movement, shot on location in Paris. Though not a commercial success at the time, the acting received general praise throughout and Michèle attracted attention from Hollywood. Paramount approached her with an offer to appear as the owner of a Tanzanian game farm opposite John Wayne in the African adventure Hatari! (1962). According to a Life magazine profile of July 1961 Michèle 'taught herself English' on the set. Her role did not lead to a Hollywood contract. Nevertheless, for a while she remained in demand for European productions, the pick of the bunch being leads in the Spanish-made swashbuckler The Adventures of Scaramouche (1963) and the Italian comedy The Magnificent Cuckold (1964). Less high profile, but decidedly decorative, was her supporting role in the Franco-Italian "Alfie'-lookalike comedy Tender Scoundrel (1966).

By the early 70's, film offers had dried up and Michèle's career was seriously on the skids. She became increasingly despondent, especially after the end of an unhappy dalliance with a married Spanish aristocrat, José Luis de Vilallonga (a writer and occasional actor with a well-earned reputation as a cad and spendthrift). Michèle Girardon decided to end her life by ingesting an overdose of sleeping pills in her home town on March 25, 1975, aged just 36. In a tragic irony, two co-stars in Michèle's penultimate film Good Little Girls (1971), Marie-Georges Pascal and Bella Darvi, also committed suicide at the ages of 39 and 42, respectively.

Patricia Cutts was born on 20 July 1926 in London, England, UK. She was an actress, known for The Tingler (1959), The Adventures of P.C. 49: Investigating the Case of the Guardian Angel (1949) and Playhouse 90 (1956). She was married to William Nichols, John A.C. Findlay (agent) and Harold S.N.I. Norway-Baker. She died on 6 September 1974 in London, England, UK.

Bruce Lee remains the greatest icon of martial arts cinema and a key figure of modern popular media. Had it not been for Bruce Lee and his movies in the early 1970s, it's arguable whether or not the martial arts film genre would have ever penetrated and influenced mainstream North American and European cinema and audiences the way it has over the past four decades. The influence of East Asian martial arts cinema can be seen today in so many other film genres including comedies, action, drama, science fiction, horror and animation... and they all have their roots in the phenomenon that was Bruce Lee.

Lee was born Lee Jun Fan November 27, 1940 in San Francisco, the son of Lee Hoi Chuen, a singer with the Cantonese Opera. Approximately one year later, the family returned to Kowloon in Hong Kong and at the age of five, a young Bruce begins appearing in children's roles in minor films including The Birth of Mankind (1946) and Fu gui fu yun (1948). At the age of 12, Bruce commenced attending La Salle College. Bruce was later beaten up by a street gang, which inspired him to take up martial arts training under the tutelage of Sifu Yip Man who schooled Bruce in wing chun kung fu for a period of approximately five years. This was the only formalized martial arts training ever undertaken by Lee. The talented and athletic Bruce also took up cha-cha dancing and, at age 18, won a major dance championship in Hong Kong.

However, his temper and quick fists got him in trouble with the Hong Kong police on numerous occasions. His parents suggested that he head off to the United States. Lee landed in San Francisco's Chinatown in 1959 and worked in a close relative's restaurant. He eventually made his way to Seattle, Washington, where he enrolled at university to study philosophy and found the time to practice his beloved kung fu techniques. In 1963, Lee met Linda Lee Cadwell (aka Linda Emery) (later his wife) and also opened his first kung fu school at 4750 University Way. During the early half of the 1960s, Lee became associated with many key martial arts figures in the United States, including kenpo karate expert Ed Parker and tae kwon do master Jhoon Rhee. He made guest appearances at notable martial arts events including the Long Beach Nationals. Through one of these tournaments Bruce met Hollywood hair-stylist Jay Sebring who introduced him to television producer William Dozier. Based on the runaway success of Batman (1966), Dozier was keen to bring the cartoon character the Green Hornet to television and was on the lookout for an East Asian actor to play the Green Hornet's sidekick, Kato. Around this time Bruce also opened a second kung fu school in Oakland, California and relocated to Oakland to be closer to Hollywood.

Bruce's screen test was successful, and The Green Hornet (1966) starring Van Williams aired in 1966-1967 with mixed success. His fight scenes were sometimes obscured by unrevealing camera angles, but his dedication was such that he insisted his character behave like a perfect bodyguard, keeping his eyes on whoever might be a threat to his employer except when the script made this impossible. The show was canceled after only one season (twenty-six episodes), but by this time Lee was receiving more fan mail than the series' nominal star. He then opened a third branch of his kung fu school in Los Angeles and began providing personalized martial arts training to celebrities including film stars Steve McQueen and James Coburn as well as screenwriter Stirling Silliphant. In addition he refined his prior knowledge of wing chun and incorporated aspects of other fighting styles such as traditional boxing and Okinawan karate. He also developed his own unique style Jeet Kune Do (Way of the Intercepting Fist). Another film opportunity then came his way as he landed the small role of a stand over man named Winslow Wong who intimidates private eye James Garner in Marlowe (1969). Wong pays a visit to Garner and proceeds to demolish the investigator's office with his fists and feet, finishing off with a spectacular high kick that shatters the light fixture. With this further exposure of his talents, Bruce then scored several guest appearances as a martial arts instructor to blind private eye James Franciscus on the television series Longstreet (1971).

With his minor success in Hollywood and money in his pocket, Bruce returned for a visit to Hong Kong and was approached by film producer Raymond Man-Wai Chow who had recently started Golden Harvest productions. Chow was keen to utilize Lee's strong popularity amongst young Chinese fans, and offered him the lead role in The Big Boss (1971). In it, Lee plays a distant cousin coming to join relatives working at an ice house, where murder, corruption, and drug-running lead to his character's adventures and display of Kung-Fu expertise. The film was directed by Wei Lo, shot in Thailand on a very low budget and in terrible living conditions for cast and crew. However, when it opened in Hong Kong the film was an enormous hit. Chow knew he had struck box office gold with Lee and quickly assembled another script entitled Fist of Fury (1972). The second film (with a slightly bigger budget) was again directed by Wei Lo and was set in Shanghai in the year 1900, with Lee returning to his school to find that his beloved master has been poisoned by the local Japanese karate school. Once again he uncovers the evildoers and sets about seeking revenge on those responsible for murdering his teacher and intimidating his school. The film features several superb fight sequences and, at the film's conclusion, Lee refuses to surrender to the Japanese police and seemingly leaps to his death in a hail of police bullets.

Once more, Hong Kong streets were jammed with thousands of fervent Chinese movie fans who could not get enough of the fearless Bruce Lee, and his second film went on to break the box office records set by the first! Lee then set up his own production company, Concord Productions, and set about guiding his film career personally by writing, directing and acting in his next film, The Way of the Dragon (1972). A bigger budget meant better locations and opponents, with the new film set in Rome, Italy and additionally starring hapkido expert In-shik Hwang, karate legend Robert Wall and seven-time U.S. karate champion Chuck Norris. Bruce plays a seemingly simple country boy sent to assist at a cousin's restaurant in Rome and finds his cousins are being bullied by local thugs for protection.

By now, Lee's remarkable success in East Asia had come to the attention of Hollywood film executives and a script was hastily written pitching him as a secret agent penetrating an island fortress. Warner Bros. financed the film and also insisted on B-movie tough guy John Saxon starring alongside Lee to give the film wider appeal. The film culminates with another show-stopping fight sequence between Lee and the key villain, Han, in a maze of mirrors. Shooting was completed in and around Hong Kong in early 1973 and in the subsequent weeks Bruce was involved in completing overdubs and looping for the final cut. Various reports from friends and co-workers cite that he was not feeling well during this period and on July 20, 1973 he lay down at the apartment of actress Betty Ting Pei after taking a headache medicine called Equagesic and was later unable to be revived. A doctor was called and Lee was taken to hospital by ambulance and pronounced dead that evening. The official finding was death due to a cerebral edema, caused by a reaction to the headache tablet Equagesic.

Fans worldwide were shattered that their virile idol had passed at such a young age, and nearly thirty thousand fans filed past his coffin in Hong Kong. A second, much smaller ceremony was held in Seattle, Washington and Bruce was laid to rest at Lake View Cemetary in Seattle with pall bearers including Steve McQueen, James Coburn and Dan Inosanto. Enter the Dragon (1973) was later released in the mainland United States, and was a huge hit with audiences there, which then prompted National General films to actively distribute his three prior movies to U.S. theatres... each was a box office smash.

Fans throughout the world were still hungry for more Bruce Lee films and thus remaining footage (completed before his death) of Lee fighting several opponents including Dan Inosanto, Hugh O'Brian and Kareem Abdul-Jabbar was crafted into another film titled Game of Death (1978). The film used a lookalike and shadowy camera work to be substituted for the real Lee in numerous scenes. The film is a poor addition to the line-up and is only saved by the final twenty minutes and the footage of the real Bruce Lee battling his way up the tower. Amazingly, this same shoddy process was used to create Game of Death II (1980), with a lookalike and more stunt doubles interwoven with a few brief minutes of footage of the real Bruce Lee.

Tragically, his son Brandon Lee, an actor and martial artist like his father, was killed in a freak accident on the set of The Crow (1994). Bruce Lee was not only an amazing athlete and martial artist but he possessed genuine superstar charisma and through a handful of films he left behind an indelible impression on the tapestry of modern cinema.

George Sanders was born of English parents in St. Petersburg, Russia. He worked in a Birmingham textile mill, in the tobacco business and as a writer in advertising. He entered show business in London as a chorus boy, going from there to cabaret, radio and theatrical understudy. His film debut, in 1936, was as Curly Randall in Find the Lady (1936). His U.S. debut, the same year, with Twentieth Century-Fox, was as Lord Everett Stacy in Lloyd's of London (1936). During the late 1930s and early 1940s he made a number of movies as Simon Templar--the Saint--and as Gay Lawrence, the Falcon. He played Nazis (Maj. Quive-Smith in Fritz Lang's Man Hunt (1941)), royalty (Charles II in Otto Preminger's Forever Amber (1947)), and biblical roles (Saran of Gaza in Cecil B. DeMille's Samson and Delilah (1949)). He won the 1950 Academy Award for Best Supporting Actor as theatre critic Addison De Witt in Joseph L. Mankiewicz's All About Eve (1950). In 1957 he hosted a TV series, The George Sanders Mystery Theater (1957). He continued to play mostly villains and charming heels until his suicide in 1972.

Edie Sedgwick was a bright social butterfly whose candle of fame burned brightly at both ends. Born into a wealthy White Anglo-Saxon Protestant family of impressive lineage, Edie became a "celebutante" for her beauty, style, wealth and her associations with figures of the 1960s counterculture.

Edie was born in Santa Barbara into a prominent family plagued by mental illness. Her father, Francis Minturn Sedgwick (1904-1967), was a local rancher who had experienced three nervous breakdowns prior to his 1929 marriage to Alice Delano De Forest, Edie's mother. Francis also suffered from bipolar disorder, and his doctors told Alice's father, the Wall Street financier Henry Wheeler De Forest, that the couple should not have any children. They eventually had eight: Edie was the fourth of five daughters and the second-to-last of the Sedgwick children born from 1931 to 1945. Edie later told fellow Warhol superstar Ultra Violet that both her father and a brother had tried to seduce her when she was a child. She once found her father in flagrante delicto with another woman, and after she tried to tell her mother about his offense, her father denounced her as insane and called the doctor. In Edie's confession to Ultra Violet, she claimed, "They gave me so many tranquilizers I lost all my feelings."

The Sedgwicks were an old line of WASPs whose lineage included Judge Theodore Sedgwick (1746-1813), who had served as the Chief Justice of the Supreme Judicial Court of Massachusetts and later Speaker of the House of Representatives in the time of George Washington. The Judge's wife, Pamela Dwight Sedgwick (1753-1807), had lost her sanity mid-life. The roots of the mental illness that plagued the Sedgwick family likely extend as far back as Pamela Dwight Sedgwick.

Edie was raised on a 3,000-acre ranch in the Santa Ynez Valley, bought with money inherited from Alice's father. The family fortunes improved even further in the early 1950s, when oil was discovered on the ranch. The Sedgwick children were educated in a private school constructed on the ranch, and given daily vitamin B shots by a local physician.

Despite their prosperity, Edie's upbringing was plagued with trauma. Her brother Minty was an alcoholic by age fifteen and eventually committed suicide at the Silver Hill Hospital in New Canaan, Connecticut in 1964, the day before his twenty-sixth birthday. Her other brother, Bobby, also was troubled by psychiatric problems and was institutionalized after suffering a nervous breakdown in the early 1950s while attending Harvard. He crashed his motorcycle into a bus on New Year's Eve 1964 and died two weeks later.

Edie suffered from bulimia in school, which continued into her adult life. Edie was first institutionalized in the fall of 1962 at the Silver Hill mental hospital (where her brother Minty later died). After wasting away to ninety pounds, she was transferred to the far stricter Bloomingdale, New York Hospital's Westchester County facility. On a furlough from Bloomindale, she became pregnant and had an abortion.

In the early 1960s, Edie lived in Cambridge, Massachusetts, while attending Radcliffe College. Edie studied sculpture and spent her time partying and driving her Mercedes. At her therapist's office, she met recent Harvard graduate Chuck Wein, who was living a bohemian existence and styled himself as an Edwardian dandy. After she turned 21 in 1964, Eddie left Cambridge for New York, moving into her invalid grandmother's 14-room Park Ave. apartment and spent her nights at the top clubs and discotheques.

Wein came to New York, as well, and became determined to transform Edie into a social butterfly. In January 1965, she was introduced to Andy Warhol, one of the new gods of Pop Art. Wien began bringing her to his work-living space "The Factory" on a regular basis. Warhol had no illusions about Chuck Wein, but he apparently was attracted by the hustler's blonde good looks. Blessed or cursed with the soul of a promoter, Wein was continually plotting a strategy to move Edie up into the New York demimonde and further into society.

During her visits with Wein to The Factory, Warhol began inserting her into his films. She made her first two brief appearances in "Vinyl" and "Horse." Andy took both Edie and Wein to Paris in April 1965 for an opening of a show.

When he returned to New York City, Warhol announced that he was crowning Edie "the queen of The Factory," and commissioned screenplays for her. Wein became his new screenwriter and assistant director, beginning with "Beauty No. 2," which starred Edie and premiered at the Cinematheque on July 17, 1965. "Beauty No. 2" made Edie Sedgwick the leading lady of underground cinema. Her on-screen persona was compared to Marilyn Monroe, and she became famous among the independent film glitterati. Her association with Warhol helped secure both his reputation and hers.

Edie appeared in Vogue in August 1965 as a "youthquaker," as well as a fashion layout for Life magazine in the September 1965 issue. On February 13, 1966, Edie (along with Warhol and Wein) were photographed for The New York Times Magazine. With the glamorous Edie in tow, Warhol made the rounds of parties and gallery openings, and the dynamic duo generated reams of copy and free publicity. Thousands of fans mobbed them at an opening at the University of Pennsylvania. Originally an outsider, Warhol was now wooed by wealthy socialites and becoming a major part of the art establishment.

In 1966, Warhol approached his musical "discovery" Lou Reed with a proposition. According to Reed, "Andy said I should write a song about Edie Sedgwick. I said 'Like what?' and he said, 'Oh, don't you think she's a femme fatale, Lou?' So I wrote 'Femme Fatale' and we gave it to Nico."

Her newfound celebrity would prove to be her undoing, after many urged Edie to leave Warhol for the mainstream cinema. One of these people was Bob Dylan's assistant Bob Neuwirth, who became Edie's lover, wooing her with the promise of starring in a film with his enigmatic boss. Edie was under the impression that Albert Grossman, Dylan's manager, was going to offer her a film contract. She also briefly appeared in D.A. Pennebaker's documentary "Don't Look Back."

Though Edie reportedly also harbored amorous feelings for Dylan, it is unlikely that her feelings were returned or ever consummated. However, Edie is one of the women pictured on the inner sleeve of Dylan's classic "Blonde on Blonde" album (released May 16, 1966), and she was rumored to be the inspiration of the song "Leopard Skin Pill-Box Hat." In February 1966, Warhol told her about Dylan's secret marriage to Sara Lownds. Edie was devastated. According to Paul Morrissey, a Factory regular, Edie realized that "maybe [Dylan] hadn't been truthful."

Edie's and Warhol's relationship was further strained by her dissatisfaction with her decreasing role in Warhol's life. They also argued over money. Edie had always picked up the tab when the Factory regulars hit the town, and she attacked Warhol over his failure to pay her money from the films she had been in. Warhol claimed that the films were unprofitable and told her to be patient.

Edie's last known film with Warhol was "Lupe." (She may also have appeared in "The Andy Warhol Story," a lost film for which the footage was either lost or destroyed.) In February 1966, Edie decided to part ways with Warhol. According to Gerard Malanga, a Factory regular, "Edie disappeared and that was the end of it. She never came back."

In the tapes Edie made for "Ciao! Manhattan," she admitted that she had become addicted to her affair with Neuwirth. While they were together, she was consumed by lust, but when they were apart, she turned to pills for comfort.

She tried modeling again and appeared in the March 15, 1966 edition of "Vogue." Her modeling career never took off, however, as the fashion industry shunned people with drug problems. She then turned back to acting, auditioning for Norman Mailer's staging of "The Deer Park," but Mailer turned her down. Edie "wasn't very good," Mailer remembered. "She used so much of herself with every line that we knew she'd be immolated after three performances."

By the end of 1966, Edie's star had gone into eclipse and she never recovered. She was badly addicted to drugs and in six months, she spent $80,000. A typical breakfast in this period was a saucer filled with speed. To support her habit, she stole antiques and art from her grandmother's apartment, and sold them for money. She also turned to dealing but got busted, was briefly incarcerated, and was put on probation for five years. Then, in October 1966, Edie's apartment on East 63rd St. caught on fire by candles. She suffered burns on her arms, legs and back and was treated at Lenox Hill Hospital.

In 1966, Edie returned home to California, where she was committed to a mental hospital. After she was discharged, she moved back to New York and took a room at the Chelsea Hotel, where her drug addiction worsened. By early 1967, her drugged-fueled behavior was so erratic, Neuwirth broke up with her. Edie subsequently took up with her fellow Warhol superstar Paul America. He and Edie Sedgwick became lovers, united in their common lust for drugs, and they lived together for a brief time at the Chelsea Hotel and indulged heavily in speed. Their relationship was an on-again/off-again affair, and eventually, friction over control issues forced them apart.

America later appeared with Edie in the long-gestated film "Ciao! Manhattan". This was supposed to be Edie's breakout role, but the film's execution by Warhol acolytes was amateurish. Shooting on "Ciao! Manhattan," which would prove to be Edie's final film, commenced in April 1967. The shooting was anarchic, with the filmmakers and the actors addicted to speed, which was injected by a physician with whom the production company had set up a charge account. At one point, America left the set and never returned.

After America's departure, Edie wound up in Gracie Square Hospital, where she learned of her father's death, on October 24, 1967.

After her discharge, Edie shacked up in the Warwick Hotel with the screenwriter L.M. Kit Carson, who attracted the fragile Edie with the promise of a screenplay written for her, but ultimately he was unable to deal with the erratic behavior stemming from her drug abuse and left. Edie wound up in Bellevue Hospital, and after being discharged due to the intervention of her personal physician, she overdosed on drugs and was committed to Manhattan State Hospital. By late 1968, Edie was a physical and emotional wreck: by the time she returned to the family ranch for Christmas, she was barely able to walk and talk, the result of poor blood circulation in her brain. She recovered and moved into an apartment near U.C. Santa Barbara in 1969, but by August, she was institutionalized again after a drug bust. She met her future husband, Michael Post, during her stay in the psychiatric ward of Santa Barbara's Cottage Hospital, though upon her discharge, she became the moll of a motorcycle gang in order to obtain drugs. Known as "Princess" by the bikers, she was very promiscuous, sleeping with anyone who would supply her with heroin. She was institutionalized again in 1970.

Edie was furloughed from the hospital in the summer of 1970 to finish filming "Ciao! Manhattan," the last parts of which feature her clearly in the throes of drug dependency. Under the supervision of two nurses, she played out her scenes, including a shock treatment scene (electro-convulsive therapy) filmed in a real clinic. Ironically, she was soon back at the clinic for real, suffering from delirium tremens, where she received actual shock treatment therapy. She underwent a minimum of 20 electro-convulsive treatments from January to June 1971.

Edie married Michael Post on July 24, 1971, managing to stay clean until October. However, that fall, she was prescribed a pain pill to treat a physical debility. In addition, her doctor prescribed barbiturates, possibly to help her sleep, and frequently boosted their effects with alcohol. On the night of November 15, 1971, Edie went to fashion show at the Santa Barbara Museum and was filmed for the last time in her life. The television documentary "An American Family" was being filmed at the museum that night, and Edie - attracted by the cameras as a moth is to flame - walked over and began talking to Lance Loud, one of the subjects of the documentary.

After the fashion show, Edie went to a party but was asked to leave after her presence caused another guest to rave at her for being a heroin addict. Edie, who had been drinking, called her husband to come retrieve her from the soirée. Back at their apartment, Edie took her prescribed pain medication and they both went to sleep. That morning, when Post awoke at 7:30 AM, he found Edie dead next to him. Her death was ascribed as "acute barbiturate intoxication" and was ruled an "Accident/Suicide" by the coroner. Edie is buried in the tiny Oak Hill Cemetery in Ballard, California.

Anna Maria Pierangeli was born June 19, 1932, in Cagliari, Sardinia, Italy. Anna and her twin sister, Marisa Pavan, both had their eyes on becoming film stars, since that was one of the big Italian pastimes. Anna adopted her surname and split it in half, and it was as Pier Angeli that she would find fame. Her first role was an uncredited part in 1948's The Million Dollar Nickel (1952), an Italian production. Pier was 16 at the time and it was to be the first of many roles for this beautiful woman. The film was largely forgettable but it was a start. The following year she played in another Italian production, Tomorrow Is Too Late (1950). Again it was a very small role, and she was not seen on the screen again until 1951. Between 1949 and 1951 she appeared in stage productions and found work in menial jobs. When she did return it was in the film The Light Touch (1951) as Anna Vasarri. Later that year she won the title role in Teresa (1951). However, she again hit a drought with only one film in 1952 and two in 1953. The next year things began to pick up, however, with Hollywood beckoning. After the Italian Miss Nitouche (1954) she caught the eyes of Hollywood moguls, who cast her in Flame and the Flesh (1954) and The Silver Chalice (1954). Now she divided her time between Italy and the US making movies. She married Vic Damone in 1954, a union that lasted only four years and produced one son.

No film offers came in 1955, but in 1956 Pier landed the role of Norma Graziano (wife of fighter Rocky Graziano) in Somebody Up There Likes Me (1956) opposite Paul Newman. The film was well received at the box office and she had hopes that things were going to pick up again. She played Ynez in Port Afrique (1956) later that year and then another drought ensued. After The Vintage (1957), Merry Andrew (1958) and SOS Pacific (1959), she made three more films in 1960. Then once again 1961 saw no appearances. In 1962 Pier played Ildith in Sodom and Gomorrah (1962) and later that year played in a French production entitled White Slave Ship (1961). After the Italian production of Shadow of Evil (1964) she returned in the hit European-American co-production Battle of the Bulge (1965).

After a handful of films between 1966 and 1970, Pier realized her dreams of super-stardom were not to be. She had divorced her second husband (Armando Trovajoli) in 1969 and made her final appearance on the screen in 1971 in the low-budget sci-fi opus Octaman (1971). On September 10th of that year Pier was found dead of a barbiturate overdose in her Beverly Hills home. She was only 39 years old.

This enigmatic Stockholm-born beauty had everything going for her, including a rapidly rising film and TV career. Yet on April 30, 1970, at only 35, Inger Stevens would become another tragic Hollywood statistic -- added proof that fame and fortune do not always lead to happiness. Over time, a curious fascination, and perhaps even a morbid interest, has developed over Ms. Stevens and her life. What exactly went wrong? A remote, paradoxical young lady with obvious personal problems, she disguised it all with a seemingly positive attitude, an incredibly healthy figure and a megawatt smile that wouldn't quit. Although very little information has been filtered out about Ms. Stevens and her secretive life over the years, William T. Patterson's eagerly-anticipated biography, "The Farmer's Daughter Remembered: The Biography of Actress Inger Stevens" (2000), finally put an end to much of the mystery. But not quite all. The book claims that a large amount of previously-published information about Ms. Stevens is either untrue or distorted.

A strong talent and consummate dramatic player of the late 50s and 60s, she was born Inger Stensland, the eldest of three children, of Swedish parentage. A painfully shy and sensitive child, she was initially drawn to acting as a girl after witnessing her father perform in amateur theater productions. Her rather bleak childhood could be directed at a mother who abandoned her family for another man when Inger was only 6. Her father moved to the States, remarried, and eventually summoned for Inger and a younger brother in 1944 to join him and his new bride. Family relations did not improve. As a teenager, she ran away from home and ended up in a burlesque chorus line only to be brought home by her father. After graduation and following some menial jobs here and there, she moved to New York and worked briefly as a model while studying at the Actors Studio. She broke into the business through TV commercials and summer stock, rising in the ingénue ranks as a guest in a number of weekly series.

Often viewed as the beautiful loner or lady of mystery, an innate sadness seemed to permeate many of her roles. Inger made her film debut at age 22 opposite Bing Crosby in Man on Fire (1957). Serious problems set in when Inger began falling in love with her co-stars. Broken affairs with Crosby, James Mason, her co-star in Cry Terror! (1958), Anthony Quinn, her director in Cecil B. DeMille's The Buccaneer (1958), and Harry Belafonte, her co-star in The World, the Flesh and the Devil (1959), left her frequently depressed and ultimately despondent. An almost-fatal New Year's day suicide attempt in 1959 led to an intense period of self-examination and a new resolve. A brief Broadway lead in "Roman Candle," an Emmy-nominated role opposite Peter Falk in Price of Tomatoes (1962), and popular appearances on such TV shows as Bonanza (1959), The Twilight Zone (1959) and Route 66 (1960) paved the way to a popular series as "Katy Holstrum," the Swedish governess, in The Farmer's Daughter (1963). This brisk, change-of-pace comedy role earned her a Golden Globe award and Emmy nomination, and lasted three seasons.

Now officially a household name, Inger built up her momentum once again in films. A string of parts came her way within a three-year period including the sex comedy A Guide for the Married Man (1967) as roving eye husband Walter Matthau's unsuspecting wife; Clint Eastwood's first leading film role in Hang 'Em High (1968); the crime drama, Madigan (1968) with Henry Fonda and Richard Widmark; the westerns Firecreek (1968) with Fonda again plus James Stewart, and 5 Card Stud (1968) opposite Dean Martin and Robert Mitchum; the political thriller House of Cards (1968) starring George Peppard and Orson Welles; and A Dream of Kings (1969) which reunited her with old flame Anthony Quinn. Although many of her co-starring roles seemed to be little more than love interest filler, Inger made a noticeable impression in the last movie mentioned, by far the most intense and complex of her film career. Adding to that mixture were a number of well-made TV mini-movies. On the minus side, she also resurrected the bad habit of pursuing affairs with her co-stars, which would include Dean Martin and, most notably, Burt Reynolds, her last.

In April of 1970, Inger signed on as a series lead in a crime whodunit The Most Deadly Game (1970) to be telecast that September. It never came to be. Less than a week later, she was found unconscious on the floor of her kitchen by her housekeeper and died en route to the hospital of acute barbiturate intoxication -- a lethal combination of drugs and alcohol. Yvette Mimieux replaced her in the short-lived series that fall. For all intents and purposes, Ms. Stevens' death was a suicide but Patterson's bio indicates other possibilities. Following her death, it came out in the tabloids that she had been secretly married to a Negro, Ike Jones, since 1961. The couple was estranged at the time of her death.

The Academy Award-nominated film actor Chester Morris, who will forever be associated with the character Boston Blackie, was born John Chester Brooks Morris on February 16 1901 in New York City, the son of actor William Morris and comedienne Etta Hawkins.

Chester Morris made his Broadway debut as a teenager in 1918 in the play "The Copperhead," in support of the great Lionel Barrymore, who coincidentally would play Boston Blackie in a silent picture (The Face in the Fog (1922)) a generation before Morris would make that role his own. A year earlier, Chester Morris had made his movie debut in Van Dyke Brooke's An Amateur Orphan (1917), but he didn't really become a movie actor until the sound era. Instead, Morris made his acting bones on the boards, appearing on Broadway in the plays "Thunder" and "The Mountain Man" in 1919. He returned to the Great White Way in 1922 in the comedy "The Exciters" following it up with the comedy-drama "Extra" in 1923. Now established, Chester Morris began billing himself as "the youngest leading man in the country."

He appeared without credit in 'Cecil B. DeMille's The Road to Yesterday (1925), though his dark, good-looks and chiseled jaw made him a natural for movie stardom, it wasn't until the transition of the movies from silent pictures to the talkies that he became a movie actor. He was one of the first actors to be nominated for an Academy Award when in 1930 (the second year of the as-yet non-nicknamed Oscars) he was recognized with a nod as Best Actor for Alibi (1929), his first talking picture. But it was his appearance in The Big House (1930), the film for which he is best known (other than his portrayal of Boston Blackie in the eponymous detective series of the 1940s) that he broke through to stardom.

From 1930 through the middle of the decade, he was a star with good roles in first-rate pictures, usually assaying a tough guy. However, his star dimmed and by the end of the decade he was appearing in B-pictures, but beginning in 1941, the Boston Blackie series at Columbia Pictures revived his career. In all, he appeared in 14 pictures as the detective. He later segued to TV work in the 1950s and '60s, appearing in the occasional film such as his last, The Great White Hope (1970), which meant he had been a working movie actor for seven decades.

Although he was afflicted with cancer, it is unclear whether he took his own life as he was apparently in good spirits and left no note September 11, 1970.

One of the brightest, most tragic movie stars of Hollywood's Golden Era, Judy Garland was a much-loved character whose warmth and spirit, along with her rich and exuberant voice, kept theatre-goers entertained with an array of delightful musicals.

She was born Frances Ethel Gumm on 10 June 1922 in Minnesota, the youngest daughter of vaudevillians Ethel Marian (Milne) and Francis Avent "Frank" Gumm. She was of English, along with some Scottish and Irish, descent. Her mother, an ambitious woman gifted in playing various musical instruments, saw the potential in her daughter at the tender age of just 2 years old when Baby Frances repeatedly sang "Jingle Bells" until she was dragged from the stage kicking and screaming during one of their Christmas shows and immediately drafted her into a dance act, entitled "The Gumm Sisters," along with her older sisters Mary Jane Gumm and Virginia Gumm. However, knowing that her youngest daughter would eventually become the biggest star, Ethel soon took Frances out of the act and together they traveled across America where she would perform in nightclubs, cabarets, hotels and theaters solo.

Her family life was not a happy one, largely because of her mother's drive for her to succeed as a performer and also her father's closeted homosexuality. The Gumm family would regularly be forced to leave town owing to her father's illicit affairs with other men, and from time to time they would be reduced to living out of their automobile. However, in September 1935 the Gumms', in particular Ethel's, prayers were answered when Frances was signed by Louis B. Mayer, mogul of leading film studio MGM, after hearing her sing. It was then that her name was changed from Frances Gumm to Judy Garland, after a popular '30s song "Judy" and film critic Robert Garland.

Tragedy soon followed, however, in the form of her father's death of meningitis in November 1935. Having been given no assignments with the exception of singing on radio, Judy faced the threat of losing her job following the arrival of Deanna Durbin. Knowing that they couldn't keep both of the teenage singers, MGM devised a short entitled Every Sunday (1936) which would be the girls' screen test. However, despite being the outright winner and being kept on by MGM, Judy's career did not officially kick off until she sang one of her most famous songs, "You Made Me Love You," at Clark Gable's birthday party in February 1937, during which Louis B. Mayer finally paid attention to the talented songstress.

Prior to this her film debut in Pigskin Parade (1936), in which she played a teenage hillbilly, had left her career hanging in the balance. However, following her rendition of "You Made Me Love You," MGM set to work preparing various musicals with which to keep Judy busy. All this had its toll on the young teenager, and she was given numerous pills by the studio doctors in order to combat her tiredness on set. Another problem was her weight fluctuation, but she was soon given amphetamines in order to give her the desired streamlined figure. This soon produced the downward spiral that resulted in her lifelong drug addiction.

In 1939, Judy shot immediately to stardom with The Wizard of Oz (1939), in which she portrayed Dorothy, an orphaned girl living on a farm in the dry plains of Kansas who gets whisked off into the magical world of Oz on the other end of the rainbow. Her poignant performance and sweet delivery of her signature song, 'Over The Rainbow,' earned Judy a special juvenile Oscar statuette on 29 February 1940 for Best Performance by a Juvenile Actor. Now growing up, Judy began to yearn for meatier adult roles instead of the virginal characters she had been playing since she was 14. She was now taking an interest in men, and after starring in her final juvenile performance in Ziegfeld Girl (1941) alongside glamorous beauties Lana Turner and Hedy Lamarr, Judy got engaged to bandleader David Rose in May 1941, just two months after his divorce from Martha Raye. Despite planning a big wedding, the couple eloped to Las Vegas and married during the early hours of the morning on July 28, 1941 with just her mother Ethel and her stepfather Will Gilmore present. However, their marriage went downhill as, after discovering that she was pregnant in November 1942, David and MGM persuaded her to abort the baby in order to keep her good-girl image up. She did so and, as a result, was haunted for the rest of her life by her 'inhumane actions.' The couple separated in January 1943.

By this time, Judy had starred in her first adult role as a vaudevillian during WWI in For Me and My Gal (1942). Within weeks of separation, Judy was soon having an affair with actor Tyrone Power, who was married to French actress Annabella. Their affair ended in May 1943, which was when her affair with producer Joseph L. Mankiewicz kicked off. He introduced her to psychoanalysis and she soon began to make decisions about her career on her own instead of being influenced by her domineering mother and MGM. Their affair ended in November 1943, and soon afterward Judy reluctantly began filming Meet Me in St. Louis (1944), which proved to be a big success. The director Vincente Minnelli highlighted Judy's beauty for the first time on screen, having made the period musical in color, her first color film since The Wizard of Oz (1939). He showed off her large brandy-brown eyes and her full, thick lips and after filming ended in April 1944, a love affair resulted between director and actress and they were soon living together.

Vincente began to mold Judy and her career, making her more beautiful and more popular with audiences worldwide. He directed her in The Clock (1945), and it was during the filming of this movie that the couple announced their engagement on set on January 9, 1945. Judy's divorce from David Rose had been finalized on June 8, 1944 after almost three years of marriage, and despite her brief fling with Orson Welles, who at the time was married to screen sex goddess Rita Hayworth, on June 15, 1945 Judy made Vincente her second husband, tying the knot with him that afternoon at her mother's home with her boss Louis B. Mayer giving her away and her best friend Betty Asher serving as bridesmaid. They spent three months on honeymoon in New York and afterwards Judy discovered that she was pregnant.

On March 12, 1946 in Los Angeles, California, Judy gave birth to their daughter, Liza Minnelli, via cesarean section. It was a joyous time for the couple, but Judy was out of commission for weeks due to the cesarean and her postnatal depression, so she spent much of her time recuperating in bed. She soon returned to work, but married life was never the same for Vincente and Judy after they filmed The Pirate (1948) together in 1947. Judy's mental health was fast deteriorating and she began hallucinating things and making false accusations toward people, especially her husband, making the filming a nightmare. She also began an affair with aspiring Russian actor Yul Brynner, but after the affair ended, Judy soon regained health and tried to salvage her failing marriage. She then teamed up with dancing legend Fred Astaire for the delightful musical Easter Parade (1948), which resulted in a successful comeback despite having Vincente fired from directing the musical. Afterwards, Judy's health deteriorated and she began the first of several suicide attempts. In May 1949, she was checked into a rehabilitation center, which caused her much distress.

She soon regained strength and was visited frequently by her lover Frank Sinatra, but never saw much of Vincente or Liza. On returning, Judy made In the Good Old Summertime (1949), which was also Liza's film debut, albeit via an uncredited cameo. She had already been suspended by MGM for her lack of cooperation on the set of The Barkleys of Broadway (1949), which also resulted in her getting replaced by Ginger Rogers. After being replaced by Betty Hutton on Annie Get Your Gun (1950), Judy was suspended yet again before making her final film for MGM, entitled Summer Stock (1950). At 28, Judy received her third suspension and was fired by MGM, and her second marriage was soon dissolved.

Having taken up with Sidney Luft, Judy traveled to London to star at the legendary Palladium. She was an instant success and after her divorce from Vincente Minnelli was finalized on March 29, 1951 after almost six years of marriage, Judy traveled with Sid to New York to make an appearance on Broadway. With her newfound fame on stage, Judy was stopped in her tracks in February 1952 when she became pregnant by her new lover, Sid. At the age of 30, she made him her third husband on June 8, 1952; the wedding was held at a friend's ranch in Pasadena. Her relationship with her mother had long since been dissolved by this point, and after the birth of her second daughter, Lorna Luft, on November 21, 1952, she refused to allow her mother to see her granddaughter. Ethel then died in January 1953 of a heart attack, leaving Judy devastated and feeling guilty about not reconciling with her mother before her untimely demise.

After the funeral, Judy signed a film contract with Warner Bros. to star in the musical remake of A Star Is Born (1937), which had starred Janet Gaynor, who had won the first-ever Academy Award for Best Actress in 1929. Filming soon began, resulting in an affair between Judy and her leading man, British star James Mason. She also picked up on her affair with Frank Sinatra, and after filming was complete Judy was yet again lauded as a great film star. She won a Golden Globe for her brilliant and truly outstanding performance as Esther Blodgett, nightclub singer turned movie star, but when it came to the Academy Awards, a distraught Judy lost out on the Best Actress Oscar to Grace Kelly for her portrayal of the wife of an alcoholic star in The Country Girl (1954). Many still argue that Judy should have won the Oscar over Grace Kelly. Continuing her work on stage, Judy gave birth to her beloved son, Joey Luft, on March 29, 1955. She soon began to lose her millions of dollars as a result of her husband's strong gambling addiction, and with hundreds of debts to pay, Judy and Sid began a volatile, on-off relationship resulting in numerous divorce filings.

In 1961, at the age of 39, Judy returned to her ailing film career, this time to star in Judgment at Nuremberg (1961), for which she received an Oscar nomination for Best Supporting Actress, but this time she lost out to Rita Moreno for her performance in West Side Story (1961). Her battles with alcoholism and drugs led to Judy's making numerous headlines in newspapers, but she soldiered on, forming a close friendship with President John F. Kennedy. In 1963, Judy and Sid finally separated permanently, and on May 19, 1965 their divorce was finalized after almost 13 years of marriage. By this time, Judy, now 41, had made her final performance on film alongside Dirk Bogarde in I Could Go on Singing (1963). She married her fourth husband, Mark Herron, on November 14, 1965 in Las Vegas, but they separated in April 1966 after five months of marriage owing to his homosexuality. It was also that year that she began an affair with young journalist Tom Green. She then settled down in London after their affair ended, and she began dating disk jockey Mickey Deans in December 1968. They became engaged once her divorce from Mark Herron was finalized on January 9, 1969 after three years of marriage. She married Mickey, her fifth and final husband, in a register office in Chelsea, London, England on March 15, 1969.

She continued working on stage, appearing several times with her daughter Liza. It was during a concert in Chelsea, London, England that Judy stumbled into her bathroom late one night and died of an overdose of barbiturates, the drug that had dominated her much of her life, on June 22, 1969 at the age of 47. Her daughter Liza Minnelli paid for her funeral, and her former lover James Mason delivered her touching eulogy. She is still an icon to this day with her famous performances in The Wizard of Oz (1939), Meet Me in St. Louis (1944), Easter Parade (1948), and A Star Is Born (1954).

Nick Adams, best known to audiences as Johnny Yuma of the TV series The Rebel (1959), played leads and supporting parts in many films of the 1950s, often cast in the same "troubled young man" mold as his good friend, James Dean. He was nominated for an Oscar for his performance in Twilight of Honor (1963). He died in 1968 due to an overdose of drugs he was taking for a nervous disorder.

Tony Hancock was born in Birmingham, England, the son of John and Lillian Hancock. He was educated at Durlston Court, Swanage, and Bradfield College, Reading. He served in the R.A.F. (ground crew) during the war. In 1942 he was in the R.A.F. Gang Show. He was de-mobbed in 1946. He appeared at the Windmill Theatre, London in 1948. His radio show "Hancock's Half Hour" ran from 1954 - 1959, written by Ray Galton and Alan Simpson with co-stars Hattie Jacques, Kenneth Williams, Sidney James and Bill Kerr. This popular show was adopted by TV and the shows were re-recorded and broadcast 1956-1960.

Lenny Bruce was born Leonard Alfred Schneider on October 13, 1925, in Mineola, Long Island, New York. His British-born father, Myron, was a shoe clerk, his mother, Sadie, was a dancer. Lenny's parents were divorced when he was a child. To support herself and her son, Sadie Schneider pursued a career in show business and sent Lenny to live with various aunts, uncles and grandparents.

Dropping out of high school, Lenny enlisted in the U.S. Navy in 1942, which he almost disliked. He got himself discharged after convincing a team of Navy psychologists that he was experimenting with homosexual urges. With some help from his mother, Lenny began doing impressions, one-liners and movie parodies in small nightclubs. In 1948, he obtained some booking as a result of his appearance on the TV show Arthur Godfrey's Talent Scouts. Lenny married a red-headed stripper named Honey Harlow in 1951, but they were divorced five years later. After Honey was arrested and sent to jail for a narcotics violation, Lenny raised their daughter, Kitty, by himself.

Slowly, Lenny began working his way up from performing stand-up comedy in seedy New York City strip clubs and jazz clubs. Gradually his act evolved into something wholly different from that of other comics. Onstage, he was a dark, slender, and intense figure who prowled around like a caged animal and spoke into a hand-held microphone. His monologues were peppered with four-letter curse words and Yiddish expressions. In his act, Lenny liked to expose racist attitudes by forcing his audiences to examine their own racial prejudices. In another act bashing religions, Lenny acted out a conversation between Oral Roberts and the Pope, with both talking in the vernacular of glib show-business personalities. When jazz critic Ralph J. Gleason and San Francisco Chronicle columnist Herb Caen wrote about Lenny, be began to get the recognition he so badly wanted. Unfortunately, the seedy subculture of strip joints, clubs, and dives had introduced him to hard drugs and fast times.

Through his nightclub acts and record albums, Lenny became the hipster saint of the comedy world, crossing into the line of propriety where others feared to tread. But his foul-speaking acts began to catch up with him when he was arrested in 1961 on obscenity charges following an appearance at the Jazz Workshop in San Francisco, but a jury found him not guilty. Problems with the authorities and religious groups trying to silence him began to plague him as he appeared in clubs all over the country. In 1964, he was arrested again in New York City on more obscenity charges. During his trial a police officer read notes about Lenny's profane act, which caused the desperate comic to ask the judge to let him do the act in court so the judge could understand his callous humor in context, but the judge refused. Despite support from noted writers, critics, educators and politicians, Lenny was found guilty and sentenced to several months in prison, and was paroled just a few months later. Continually harassed by the police, Lenny became depressed and paranoid. Further prosecutions for obscenity and his drug use drove him toward instability. By 1965, he was broke and in debt. He claimed that every time he got a gig, the local police, wherever he was, would threaten to arrest the club owner if Lenny went onstage.

In February 1966, Lenny traveled to Los Angeles and appeared onstage for the first time in years. He performed for a very small crowd who included a few hecklers and vice cops waiting to arrest him if he should use profanity again. Lenny by this time was bearded, overweight, and haggard, and his performance centered on his current obsessions: his constitutional right of free speech, free assembly, and freedom from unreasonable search and seizure. When a friend asked him afterwards why he had turned his back on comedy he replied, "I'm not a comedian anymore. I'm Lenny Bruce." On August 3, 1966, Lenny was found dead on the bathroom floor of his Hollywood home. Whatever the details or reasons why, Lenny Bruce was found dead from a drug overdose at the age of 40.

Kentucky-born Marie McDonald, born Cora Marie Frye in 1923, was a leggy, voluptuous blonde starlet who pursued her career with a vengeance but found little reward in the end. Her mother was a former Ziegfeld girl and her grandmother an operatic singer. Her father, on the other hand, was not so artistically inclined, earning a living as a warden at Leavenworth Prison. Her parents divorced when Marie was just 6 years old. Marie's mother remarried and the new family moved to Yonkers, New York, where she attended Roosevelt High School and excelled in piano and wrote for the school newspaper.

Although Marie was offered a college scholarship by Columbia University in journalism, Marie's impressive beauty and physical assets propelled her to try a show business career. A Powers model at 15 (she lied about her age), she quit high school and started entering beauty contests, winning the "Miss Yonkers" and "The Queen of Coney Island" titles, among others. In 1939 she was crowned "Miss New York," but subsequently lost at the "Miss America" pageant.

The attention she received from her beauty titles, however, pointed her straight to the Broadway stage and the "George White's Scandals of 1939." This in turn led to her move to Los Angeles, finding work in the chorus line while trying to break into pictures. She found her first singing work with Tommy Dorsey & His Orchestra on his radio show and eventually joined other bands as well. Although Universal signed her up, she couldn't get past a few one-line jobs. She knew publicity would have to be her mode of operation if she was to draw the necessary attention and advance her career.

Press agents dubbed Marie "The Body" and the tag eventually stuck. Though her physical attributes were impressive, her talent was less so. Managing to come her way were the films Guest in the House (1944), Living in a Big Way (1947) with Gene Kelly and Tell It to the Judge (1949). Marie was once in contention for the Billie Dawn role in "Born Yesterday," which could have been her big break, but she lost out to Judy Holliday. The audience simply didn't latch on to Marie and she ended up more on the road doing bus-and-truck shows than anything else.

Despite a plethora of tabloid attention, which included her seven marriages and numerous sex scandals in addition to the publicity hijinks she managed to muster up, notoriety that would have made the late Jayne Mansfield envious, Marie's career eventually stalled and she turned to drink, drugs and despair. This led to frequent skirmishes with the law and more than a few nervous breakdowns. Her last effective role was in the Jerry Lewis starrer The Geisha Boy (1958) where she gamely played a snippy movie star at the mercy of the comedian's outrageous slapstick. In 1965, at age 42, the never-say-die gal finally decided enough was enough and she ended it all with an overdose of pills.

Dorothy Jean Dandridge was born on November 9, 1922 in Cleveland, Ohio, to Ruby Dandridge (née Ruby Jean Butler), an entertainer, and Cyril H. Dandridge, a cabinet maker and minister. Under the prodding of her mother, Dorothy and her sister Vivian Dandridge began performing publicly, usually in black Baptist churches throughout the country. Her mother would often join her daughters on stage. As the depression worsened, Dorothy and her family picked up and moved to Los Angeles where they had hopes of finding better work, perhaps in film. Her first film was in the Marx Brothers comedy, A Day at the Races (1937). It was only a bit part but Dandridge hoped it would blossom into something better. She only appeared in another film in 1940, in Four Shall Die (1940).

Meanwhile, she dropped out of high school and became part of a musical trio which performed with the orchestra of Jimmie Lunceford. During the late 30s, she dated music composer Phil Moore, who was instrumental in launching her career as a nightclub singer and big band vocalist.

Her next few screen roles in the early 1940s tended to be small stereotypical roles of black girls or princesses - such as Bahama Passage (1941) and Drums of the Congo (1942), She was the singing star of the western themed all-black-cast "soundie" (short musical) Cow-Cow Boogie (1942) and appeared in movies that showcased her talents as actress and singer, like Hit Parade of 1943 (1943) as the vocalist of Count Basie's Band, and twice as the vocalist of Louis Armstrong's Band in Pillow to Post (1945) and Atlantic City (1944).

Those brought her headline acts in the nation's finest hotel nightclubs in New York, Miami, Chicago and Las Vegas. She may have been allowed to sing in these fine hotels but, because of racism, she couldn't have a room in any of them. It was reported that one hotel drained its swimming pool to keep her from enjoying that amenity.

In 1954, she appeared in the all-black production of Carmen Jones (1954) in the title role. She was so superb in that picture that she garnered an Academy Award nomination but lost to Grace Kelly in The Country Girl (1954). She did not get another movie role until Tamango (1958), an Italian film. She did six more films, including, most notably, Island in the Sun (1957) and Porgy and Bess (1959). The last movie in which she would ever appear was The Murder Men (1962) (1961).

Dandridge faded quickly after that, due to an ill-considered marriage to Jack Dennison (her first husband was Harold Nicholas), poor investments, financial woes, and alcoholism.

She was found dead in her apartment at 8495 Fountain Avenue, West Hollywood, on September 8, 1965, aged 42, from barbiturate poisoning. She left $2.14 in her bank account, and a handwritten letter: "In case of my death - whoever discovers it - Don't remove anything I have on - scarf, gown, or underwear. Cremate me right away - if I have any money, furniture, give it to my mother, Ruby Dandridge - She will know what to do.". She was cremated and her ashes were interred in the Freedom Mausoleum at Forest Lawn Memorial Park in Glendale, California.

She was posthumously awarded a Star on the Hollywood Walk of Fame at 6719 Hollywood Blvd. on January 18, 1983.

Dai Lin was born on 26 December 1934 in Guilin, Guangxi Zhuang Autonomous Region, China. She was an actress, known for Les Belles (1961), Love Without End (1961) and Madame White Snake (1962). She was married to Shun-shing Lung. She died on 17 July 1964 in Hong Kong.

Considered to be a man ahead of his time, Guru Dutt was one of the greatest icons of commercial Indian cinema. Although he made less than ten films, they are believed to be the best to come from Bollywood's Golden Age, known both for their ability to reach out to the common man and for their artistic and lyrical content, and they went on to become trend-setters that have influenced Bollywood ever since. But for all his genius, there was a shroud of tragedy that overshadowed his career and life.

Dutt was born in Mysore on July ninth, 1925, the eldest son of a headmaster and a housewife who was a part-time writer. As a child, he had to deal with a strained relationship between his parents, hostility from his mother's family, and the death of a close relative. He received his early education in Calcutta, and in 1941, he joined the Uday Shankar India Culture Center, where he received basic training in the performing arts under dance maestro Uday Shankar. Afterward, in 1944, he had a short stint as a telephone operator.

Dutt entered the Indian film industry in 1944, working as a choreographer in Prabhat Studios. There, he became friends with Dev Anand (whom he met when they worked on the film Hum Ek Hain (1946)) and Rehman Khan. These early friendships helped ease his way into Bollywood. After Prabhat went under in 1947, Dutt moved to Mumbai, where he worked with the leading directors of the time: Amiya Chakrabarty in Girls' School (1949) and Gyan Mukherjee in Sangram (1946).

He got his big break when Dev Anand invited him to direct a film in his newly formed company Navketan Films. Dutt made his directorial debut with Gamble (1951), which starred Dev Anand. The film was an urban crime thriller that paid homage to classic film noir. However, it also carried its own elements that ensured it was not a remake of a Hollywood film: notably, songs were used to further the story's narrative, and close-up shots were used frequently. The film was a success and became a trend-setter for future crime films. On the personal front, Dutt met his wife, playback singer Geeta Dutt (née Roy), during the song-recording sessions of Gamble (1951), and they married May twenty-sixth, 1953.

Dutt's next releases were The Trap (1952) and Falcon (1953). Dutt made his acting debut in the latter film, which he also directed. But while they were average successes, he finally tasted success with This or That (1954), another crime thriller, but with a far more polished story and look. Then came Mr. & Mrs. '55 (1955), a frothy romantic comedy focusing on women's' rights; and C.I.D. (1956), yet another crime thriller in which Waheeda Rehman made her debut.

His next films, Thirst (1957) and Paper Flowers (1959), are regarded as his best work. Thirst (1957) was his masterpiece, about a poet trying to achieve success in a hypocritical, uncaring world. It was a box-office hit and is ranked as his greatest film ever. In contrast, Paper Flowers (1959) was a miserable flop at the box office: the semi-autobiographical story of a tragic love affair set against the backdrop of the film industry was deemed too morbid for the audience to swallow and went right over audience's heads. Although in later years the film received critical acclaim for its cinematography and has gained a cult following, Dutt, who had put his soul into the film, was devastated over its failure and never directed another film.

Although he had sworn off directing, Dutt continued to produce and act in films, notably the period dramas Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). The latter film, interestingly, is controversial because it is debated whether Dutt had ghost-directed the film. Dutt's personal life had become complicated: he had gotten romantically involved with his protégé Waheeda Rehman and his wife Geeta Dutt had separated from him as a result. Rehman too had distanced herself from him. Also, Dutt, an ambitious person, felt he had achieved too much too soon professionally - there was nothing better to be achieved, and this caused a vacuum in his life. Unable to cope with all the trauma and emptiness, he took to heavy drinking.

On October tenth, 1964, Dutt was found dead in his bed. The cause of death was deemed a combination of alcohol and sleeping pills, although a debate still lingers over whether his death was by accident or a successful suicide attempt. Geeta Dutt suffered a nervous break-down as a result of his death and also took to alcohol, eventually drinking herself to death, dying in 1972 as a result of cirrhosis of the liver.

His death was an irreplaceable loss to Indian cinema. And it was a tragic twist of fate that his films, most of which were discounted in his life-time, would be regarded as cult classics after his death. Guru Dutt would always be known, even if posthumously, as the Guru of Bollywood's Golden Age and one of the world's most important international auteurs.

Alan Walbridge Ladd was born in Hot Springs, Arkansas, the only child of Ina Raleigh (aka Selina Rowley) and Alan Harwood Ladd, a freelance accountant. His mother was English, from County Durham. His father died when he was four. At age five, he burned his apartment playing with matches, and his mother moved them to Oklahoma City. He was malnourished, undersized and nicknamed Tiny. His mother married a house painter who moved them to California--a la "The Grapes of Wrath"--when he was eight. He picked fruit, delivered papers, and swept stores. In high school he discovered track and swimming. By 1931 he was training for the 1932 Olympics, but an injury put an end to those plans. He opened a hamburger stand called Tiny's Patio, and later worked as a grip at Warner Brothers Pictures. He married his friend Midge in 1936, but couldn't afford her, so they lived apart. In 1937, they shared a friend's apartment. They had a son, Alan Ladd Jr., and his destitute alcoholic mother moved in with them, her agonizing suicide from ant poison witnessed a few months later by her son. His size and coloring here regarded as not right for movies, so he worked hard at radio, where talent scout and former actress Sue Carol discovered him early in 1939. After a string of bit parts in "B" pictures--and an unbilled part in Orson Welles' classic Citizen Kane (1941)--he tested for This Gun for Hire (1942) late in 1941. His fourth-billed role as psychotic killer Raven made him a star. He was drafted in January 1943 and discharged in November with an ulcer and double hernia. Throughout the 1940s his tough-guy roles packed audiences into theaters and he was one of the very few males whose cover photos sold movie magazines. In the 1950s he was performing in lucrative but unrewarding films (an exception being what many regard as his greatest role, Shane (1953)). By the end of the 1950s liquor and a string of so-so films had taken their toll. In November 1962 he was found unconscious lying in a pool of blood with a bullet wound near his heart, a probable suicide attempt. In January 1964 he was found dead, apparently due to an accidental combination of alcohol and sedatives.

Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.

She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.

Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.

She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.

When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.

On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.

Clara Blandick was an American actress born as Clara Dickey and born aboard an American ship off the coast of Hong Kong on June 4, 1880. Little is known about her early life until she became an actress. She grew up in Boston and first acted on stage in E.H. Sothern's 'Richard Lovelace'. Although she appeared in 118 films, she was primarily a stage actress. She began her film career at a late age. She was 33 when she was picked for the role as Emily Mason in Mrs. Black Is Back (1914). Her next film was The Stolen Triumph (1916), after which she returned to the stage, where she seemed more comfortable. She did not make another film until the age of 48, when she appeared in Poor Aubrey (1930).

She had only three films under her belt by this time but would appear in more than 100 over the next 20 years. She made nine films in 1930, and thirteen the following year. The role that was to immortalize her, however, was "Auntie Em" in The Wizard of Oz (1939). She continued in films until 1950, when she appeared on the screen for the final time in Key to the City (1950).

By this time Blandick had been suffering from poor health for years, especially painful arthritis and failing eyesight, and retired from the screen. On Palm Sunday, April 15, 1962, aged 85, she went to church in Hollywood. When she returned she wrote a note stating she was about to take the greatest adventure of her life. She took an overdose of sleeping tablets and pulled a plastic bag over her head, thus ending her life.

Gail Russell was born in Chicago, Illinois, on September 21, 1924. She remained in the Windy City, going to school until her parents moved to California when she was 14. She was an above-average student in school and upon graduation from Santa Monica High School was signed by Paramount Studios.

Because of her ethereal beauty, Gail was to be groomed to be one of Paramount's top stars. She was very shy and had virtually no acting experience to speak of, but her beauty was so striking that the studio figured it could work with her on her acting with a studio acting coach.

Gail's first film came when she was 19 years old with a small role as "Virginia Lowry" in Henry Aldrich Gets Glamour (1943) in 1943. It was her only role that year, but it was a start. The following year she appeared in another film, The Uninvited (1944) with Ray Milland (it was also the first time Gail used alcohol to steady her nerves on the set, a habit that would come back to haunt her). It was a very well done and atmospheric horror story that turned out to be a profitable one for the studio. Gail's third film was the charm, as she co-starred with Diana Lynn in Our Hearts Were Young and Gay (1944) that same year. The film was based on the popular book of the time and the film was even more popular.

In 1945 Gail appeared in Salty O'Rourke (1945), a story about crooked gamblers involved in horse racing. Although she wasn't a standout in the film, she acquitted herself well as part of the supporting cast. Later that year she appeared in The Unseen (1945), a story about a haunted house, starring Joel McCrea. Gail played Elizabeth Howard, a governess of the house in question. The film turned a profit but was not the hit that Paramount executives hoped for.

In 1946 Gail was again teamed with Diana Lynn for a sequel to "Our Hearts Were Young and Gay"--Our Hearts Were Growing Up (1946). The plot centered around two young college girls getting involved with bootleggers. Unfortunately, it was not anywhere the caliber of the first film and it failed at the box-office. With Calcutta (1946) in 1947, however, Gail bounced back with a more popular film, this time starring Alan Ladd. Unfortunately, many critics felt that Gail was miscast in this epic drama. That same year she was cast with John Wayne and Harry Carey in the western Angel and the Badman (1947). It was a hit with the public and Gail shone in the role of Penelope Worth, a feisty Quaker girl who tries to tame gunfighter Wayne. Still later Gail appeared in Paramount's all-star musical, Variety Girl (1947). The critics roasted the film, but the public turned out in droves to ensure its success at the box-office. After the releases of Song of India (1949), El Paso (1949), and Captain China (1950), Gail married matinée idol Guy Madison, one of the up-and-coming actors in Hollywood.

After The Lawless (1950) in 1950 Paramount decided against renewing her contract, mainly because of Gail's worsening drinking problem. She had been convicted of operating a motor vehicle while under the influence of alcohol, and the studio didn't want its name attached to someone who couldn't control her drinking. Being dumped by Paramount damaged her career, and film roles were coming in much more slowly. After Air Cadet (1951) in 1951, her only film that year, she disappeared from the screen for the next five years while she attempted to get control of her life. She divorced Madison in 1954.

In 1956 Gail returned in 7 Men from Now (1956). It was a western with Gail in the minor role of Annie Greer. The next year she was fourth-billed in The Tattered Dress (1957), a film that also starred Jeanne Crain and Jeff Chandler. The following year she had a reduced part in No Place to Land (1958), a low-budget offering from "B" studio Republic Pictures.

By now the demons of alcohol had her in its grasp. She was again absent from the screen until 1961's The Silent Call (1961) (looking much older than her 36 years). It was to be her last film. On August 26, 1961, Gail was found dead in her small studio apartment in Los Angeles, California.

Born in Norfolk, Virginia to wealthy stockbroker Cornelius Hancock Sullavan and heiress Garland Council Sullavan, Margaret Brooke overcame a muscle weakness in her childhood to go on to become a rebellious teenager at posh private schools. She went on to perform with the University Players at Harvard and made her Broadway debut in Hello, Lola in 1926. Her Christmas Day marriage in 1931 to Henry Fonda lasted only 15 months, and her later marriages to director William Wyler and agent Leland Hayward were also tempestuous. Two of her three children, Bridget and Bill, would spend some time in mental institutions, and commit suicide. Friends noted that the collapse of her family life led to her breakdown. Her condition worsened over time, until she was discovered unconscious from barbiturate poisoning in a hotel room. Her death was ruled accidental by the county coroner.