Living Celebrities born in the 1930s

From working for the exacting Alfred Hitchcock to a film written by Edward D. Wood Jr., Tippi Hedren, the Minnesota girl of Scandinavian descent, has had a distinctive career. She was working as a New York fashion model when she married her first husband, four-years-younger Peter Griffith, in 1952 (they divorced in 1960). She gave birth to her only child, future star Melanie Griffith, on August 9, 1957. Alfred Hitchcock discovered Tippi, the pretty cover girl, while viewing a commercial on NBC's Today (1952) show. He put her under personal contract and cast her in The Birds (1963). In a cover article about the movie in Look magazine (Dec. 4, 1962), Hitchcock praised her; he also told the Associated Press: "Tippi Hedren is really remarkable. She's already reaching the lows and highs of terror". Her performance in the film earned her both the Golden Globe award and the Photoplay award as Most Promising Newcomer. Her next film was playing the title role in Hitchcock's Marnie (1964), where she played a challenging and difficult role of a frigid, habitual thief. The film wasn't as big a hit as "The Birds," and it would take years before she won well-deserved admiration for her work. The professional relationship with Hitchcock ended with mutual bitterness and disappointment during the filming of "Marnie." That year, she married her agent, Noel Marshall (married until 1982). Charles Chaplin cast her in a supporting role in his final film A Countess from Hong Kong (1967), which flopped. Thereafter, Tippi and her husband Marshall collected big cats and other wildlife for the film Roar (1981), which they starred in and produced. The film took 11 years and $17 million to make, but it only made $2 million worldwide. Nevertheless, the film was a turning point in her life; she became actively involved in animal rights, as well as a wide variety of humanitarian and environmental causes. She married her third husband, businessman Luis Barrenecha, in 1985 but divorced him seven years later. In 2002, she became engaged to veterinarian Martin Dinnes, but after six years and no wedding, the couple called it quits. Tippi has devoted much time and effort to charitable causes: she is a volunteer International Relief Coordinator for "Food for the Hungry". She has traveled worldwide to set up relief programs following earthquakes, hurricanes, famine and war, and has received numerous awards for her efforts, including the Humanitarian Award presented to her by the Baha'i Faith. As for animal causes, she is founder and president of The Roar Foundation. Onscreen, she continues to work frequently in films, theater and TV. She appeared in I Woke Up Early the Day I Died (1998), finally bringing to the big screen the last screenplay written by the late Edward D. Wood Jr. in 1974 (and featuring Wood regulars Maila Nurmi and Conrad Brooks, just about the only surviving members of Wood's stock company). She also enjoyed playing comedic roles, such as an abortion rights activist in Alexander Payne's satire Citizen Ruth (1996) and slapping Jude Law in I Heart Huckabees (2004). Tippi's contributions to world cinema have been honored with Life Achievement awards in France at The Beauvais Film Festival Cinemalia 1994; in Spain, by The Fundacion Municipal De Cine in 1995; and at the Riverside International Film Festival in 2007. In 1999, Tippi was honored as "Woman of Vision" by Women in Film and Video in Washington, D.C., and received the Presidential Medal for her work in film from Hofstra University. She enjoys spending time with her daughter and grandchildren: Alexander Bauer, Dakota Johnson and Stella Banderas.

Buzz Aldrin (born Edwin Eugene Aldrin Jr.; January 20, 1930) is an American former astronaut, engineer and fighter pilot. He made three spacewalks as pilot of the 1966 Gemini 12 mission, and, as Lunar Module Eagle pilot on the 1969 Apollo 11 mission, he and mission commander Neil Armstrong were the first two people to land on the Moon.

R.J. Wagner was born 1930 in Detroit, the son of a steel executive. His family moved to L.A. when he was six. Always wanting to be an actor, he held a variety of jobs (including one as a golf caddy for Clark Gable) while pursuing his goal, but it was while dining with his parents at a Beverly Hills restaurant that he was discovered by a talent scout. After making his uncredited screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it was not until he essayed the two-scene role of a shell-shocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1957), and portrayed a cold-blooded murderer in A Kiss Before Dying (1956). In the mid-'60s, however, his film career skidded to a stop after The Pink Panther (1963). Several years of unemployment followed before Wagner made a respectable transition to television as star of the lighthearted espionage series It Takes a Thief (1968). He also starred on the police series Switch (1975), but Wagner's greatest success was opposite Stefanie Powers on the internationally popular Hart to Hart (1979), which ran from 1979 through 1984 and has since been sporadically revived in TV-movie form (another series, Lime Street (1985), was quickly canceled due to the tragic death of Wagner's young co-star, Samantha Smith). Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career; he has also launched a latter-day stage career, touring with Stefanie Powers in the readers' theater presentation "Love Letters". He found success playing Number Two, a henchman to Dr. Evil in Austin Powers: International Man of Mystery (1997) and its sequels, and in 2007, he began playing Teddy Leopold, a recurring role on the CBS sitcom Two and a Half Men (2003). Wagner is married to Jill St. John and lives in Aspen.

Joanne Gignilliat Trimmier Woodward was born in Thomasville, Georgia on February 27, 1930 to Elinor Gignilliat Trimmier Woodward and Wade Woodward and raised in a modest household. Her one older brother, Wade Jr., their father's favorite, eventually became an architect. Elinor was a serious movie buff and enjoyed going to picture shows often. Joanne claims that she was nearly born in the middle of a Joan Crawford movie, (Our Modern Maidens (1929)). Her mother wanted to name her Joan, but being Southern, she changed it to Joanne.

Thomasville was a typical small town in southern Georgia, about 10 miles from the Florida border. Joanne was born right into the Great Depression. Her father was an administrator in the Thomasville school system, and her family was raised Episcopalian. As her mother was an avid movie lover, it wasn't surprising that Joanne wanted to go into the acting profession. Her father wasn't keen on the idea, but her mother saw it coming and was thrilled. Joanne and her mother both adored Wuthering Heights (1939) starring Laurence Olivier, and in 1939 Elinor took her daughter to the premiere of Gone with the Wind (1939) in Atlanta. Pulling up in a limo with the love of his life, Vivien Leigh (who starred in Gone with the Wind (1939)), Laurence Olivier was shocked when 9-year-old Joanne hopped right into the limo and sat in his lap with no warning. Years later when Joanne was famous, Olivier keenly remembered this incident. She later worked with Olivier in Come Back, Little Sheba (1977).

In her teens, Joanne entered and won many Georgia beauty contests. Her mother said that "she was the prettiest girl in town". But all Joanne wanted to do was act, and she saw beauty contests as the first step toward her dream. When she was of age, she enrolled in Louisiana State University, majoring in drama. After graduation and doing small plays, Joanne headed to New York and studied acting with Sanford Meisner. The first thing he tackled was Joanne's southern drawl.

Joanne was soon starring in television productions and theater. One day, she was introduced by her agent to another young actor at her level by the then-unknown name of Paul Newman. Paul's first reaction was, "Jeez, what an extraordinarily pretty girl". Joanne, while admitting that he was very good-looking, didn't like him at first sight, but she couldn't resist him. Soon they were working closely together as understudies for the Broadway production of "Picnic" and got along very well. They would have long conversations about anything and everything. Then both their movie careers took off: Joanne with Count Three and Pray (1955) and Paul with The Silver Chalice (1954). Also adding to the tension was Paul's wife, Jackie, who refused to get a divorce when Paul asked her for one. He wanted to marry Joanne; Jackie would simply not have it. Eventually, Jackie saw the anguish this was causing Paul and agreed to a divorce. Less than a week after the divorce was final, Paul married Joanne in Las Vegas on January 29, 1958, just months before Joanne won her Best Actress Oscar for The Three Faces of Eve (1957), in which she plays a woman with multiple personality disorder.

On April 8, 1959, Joanne gave birth to their first child, Elinor Teresa Newman, named after her and Paul's mothers. They both continued on with their careers, doing movies both together and apart. Two more children followed: Melissa Steward Newman on September 17, 1961, and Claire Olivia Newman on April 21, 1965. Since then, Joanne has been extremely busy in theater, film and television as well as ballet performances and very involved with charities and taking care of her family. In 2003, Joanne starred in a movie with Paul on HBO.

Dark-haired, usually-mustachioed American actor with a cheeky grin, who achieved pop culture status through his portrayal of the kooky patriarch "Gomez Addams" in the hit TV series The Addams Family (1964), John Astin was born on March 30, 1930 in Baltimore, Maryland. He studied mathematics at Johns Hopkins University, but he discovered a passion for the theater and began to perform in minor plays and do voice-over work for commercials. He first got noticed thanks to a small role in West Side Story (1961), then appeared in several other films before being cast as "Gomez Addams". While "The Addams Family" was initially a huge hit, its popularity petered out after two years, and Astin moved on to other work including the offbeat Bunny O'Hare (1971), playing a grizzled but not- particularly-bright gunfighter in the Western spoof Evil Roy Slade (1972), an appearance in the Disney comedy Freaky Friday (1976) and dual roles in National Lampoon's European Vacation (1985).

He has since lent his comedic talents to numerous appearances as "Dr. Gangreen" in several corny "Killer Tomato" movies, and has contributed his voice to recreate "Gomez Addams" in the animated series The Addams Family (1992), then played "Grandpa Addams" in the successful TV series The New Addams Family (1998). In addition, Astin has contributed voices to several animated shows, and he still appears in films regularly.

Lanky and likable, Will Hutchins was born in 1930 in Los Angeles, California, as Marshall Hutchason. He attended Pomona College and UCLA after spending two years as a cryptographer in the U.S. Army. Out of nowhere, he was discovered by a Warner Bros. TV talent scout and signed, despite having no previous experience. Aside from appearing as a guest on many TV Westerns, such as Maverick (1957) and Cheyenne (1955), he starred in his own TV series, Sugarfoot (1957), in which he played an unlikely Western hero. The series ran for a respectable four seasons.

In its aftermath, he focused on films, the most important being Merrill's Marauders (1962), and co-starred in a two-year stage tour of "Never Too Late". His gawky comedy style was put to the test as well in the 1960s with two short-lived TV series, Hey, Landlord (1966) and Blondie (1968), with him playing Dagwood Bumstead in the latter. He also backed up Elvis Presley in three of his mediocre film efforts. Hutchins wed Carol Burnett's younger sister, Chrissie Burnett; they were later divorced.

As is often the case with an instant TV star, there was an eventual downswing, and in the late 1960s, Hutchins started to flounder badly. He turned his back on Hollywood and became, of all things, a ringmaster and a clown for various circuses. He has also worked behind the scenes for NBC and still attends conventions on occasion, more recently the 2004 Cincinnati Old Time Radio Convention, where he received the "Stone-Waterman Award". A nonagenarian, he resides in Glen Head, New York.

Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.

During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.

Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.

1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.

Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).

Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.

Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).

Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).

Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.

His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.

Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.

Warren Edward Buffett born in Omaha ( August 30, 1930 ). He developed an interest in business and investing in his youth, eventually entering the Wharton School of the University of Pennsylvania in 1947 before transferring and graduating from University of Nebraska-Lincoln at the age of 19. Buffett went on to enroll and graduate from Columbia University where he learned and eventually molded his investment philosophy around a concept pioneered by Benjamin Graham-value investing. He attended New York Institute of Finance to specialize his economics background and soon after began various business partnerships, including one with Graham. After meeting Charlie Munger, Buffett created the Buffett Partnership. His firm would eventually acquire a textile manufacturing firm called Berkshire Hathaway and assume its name to create a diversified holding company.

Filmography : Buffett's work even earned him a glamorous foray into the movie business when he made a appearance in the 2015 movie 'Wall Street: Money Never Sleeps' (2010), 'The Billionaires' Pledge' (2012) and 'The Berkshire Apprentice' (2016). HBO recently created a documentary "Becoming Warren Buffett,"( January, 2017 ) which provides a fresh overview of the "Oracle of Omaha," the subject of a best-selling 'The Snowball' ( 2008 ) biography for which he also extensively cooperated. Directed by Peter Kunhardt, whose film subjects have included President Richard Nixon and media mogul Oprah Winfrey, the documentary was largely narrated by Buffett and contains interviews with people close to him, including his sisters, three children, Berkshire Vice Chairman Charlie Munger, and philanthropists Bill and Melinda Gates.

Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.

Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.

He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.

Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).

It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"

Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.

His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).

The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).

Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.

Mamie Van Doren was born on 6 February 1931 in Rowena, South Dakota, USA. She is an actress, known for Teacher's Pet (1958), Voyage to the Planet of Prehistoric Women (1968) and The Navy vs. the Night Monsters (1966). She has been married to Thomas Dixon since 26 June 1979. She was previously married to Ross McClintock, Lee Meyers, Ray Anthony and Jack Newman.

Age has not taken the flower off this Bloom. The well-known and highly respected stage, screen and television actress Claire Bloom continues to be in demand as an octogenarian actress and looks as beautiful as ever.

She was born Patricia Claire Blume on February 15, 1931, in Finchley, North London, to Elizabeth (Grew) and Edward Max Blume, who worked in sales. Her parents were from Jewish families from Belarus. Educated at Badminton School in Bristol and Fern Hill Manor in New Milton, Claire expressed early interest in the arts and was stage trained as an adolescent at the Guildhall School, under the guidance of Eileen Thorndike, and then at the Central School of Speech and Drama.

Marking her professional debut on BBC radio, she subsequently took her first curtain call with the Oxford Repertory Theatre in 1946 in the production of "It Depends What You Mean". She then received early critical accolades for her Shakespearean ingénues in "King John", "The Winter's Tale" and, notably, her Ophelia in "Hamlet" at age 17 at Stratford-on-Avon opposite alternating Hamlets Paul Scofield and Robert Helpmann. By 1949 Claire was making her West End debut with "The Lady's Not For Burning" with the up-and-coming stage actor Richard Burton.

A most becoming and beguiling dark-haired actress whose photogenic, slightly pinched beauty was accented by an effortless elegance and poise, Claire's inauspicious film debut came with a prime role in the British courtroom film drama The Blind Goddess (1948). It was her second film, when Charles Chaplin himself selected her specifically to be his young leading lady in the classic sentimental drama Limelight (1952), that propelled her to stardom. Her bravura turn as a young suicide-bent ballerina saved from despair by an aging music hall clown (Chaplin) was exquisitely touching and sparked an enviable but surprisingly sporadic career in films.

Despite the sudden film attention, Claire continued her formidable presence on the Shakespearean stage. Joining the Old Vic Company for the 1952-53 and 1953-54 seasons, she appeared as Helena, Viola, Juliet, Jessica, Miranda, Virgilia, Cordelia and (again) Ophelia in a highly successful tenure. Touring Canada and the United States as Juliet, she made her Broadway bow in the star-crossed-lover role in 1956, also playing the Queen in "Richard II". A strong presence on both the London and New York stages over the years, she gave other powerful performances with "The Trojan Women", "Vivat! Vivat! Regina!", "Hedda Gabler", "A Doll's House" and "A Streetcar Named Desire". Much later in life she performed in a superb one-woman show entitled "These Are Women: A Portrait of Shakespeare's Heroines" that included monologues from several of her acclaimed stage performances.

Claire's stylish and regal presence was simply ideal for mature period films, and she appeared opposite a roster of Hollywood's most talented leading men, including Laurence Olivier in the title role of Richard III (1955), Richard Burton and Fredric March in Alexander the Great (1956), Yul Brynner in The Brothers Karamazov (1958), and Brynner and Charlton Heston in the DeMille epic The Buccaneer (1958), in which she had a rare dressed-down role as a spirited pirate girl. On the more contemporary scene, she appeared with Burton in two classic film dramas: the stark "kitchen sink" British stage piece Look Back in Anger (1959) and the Cold War espionage thriller The Spy Who Came in from the Cold (1965). In addition she courted tinges of controversy, playing a housewife gone bonkers in the offbeat sudser The Chapman Report (1962) and a lesbian in the supernatural chiller The Haunting (1963).

Claire met first husband Rod Steiger while performing with him on stage in 1959's "Rashomon". They married that year and in 1960 had a daughter, Anna, who grew up to become a well-regarded opera singer. Claire and Rod appeared in two lesser films together, The Illustrated Man (1969) and Three Into Two Won't Go (1969), in 1969. That same year, they divorced after 10 tumultuous years.

As with other maturing actresses during the 1970s, Claire looked toward classy film roles in TV movies for sustenance, appearing in Backstairs at the White House (1979) as First Lady Edith Wilson and in Brideshead Revisited (1981), for which she was nominated for an Emmy. Also lauded were the epic miniseries Ellis Island (1984); a remake of Terence Rattigan's Separate Tables (1983); The Ghost Writer (1984), an acclaimed adaption of Philip Roth's novel ; and Shadowlands (1985), the latter earning her a British Television Award. Claire married Roth the writer (her third marriage) in 1990 after a brief second marriage to producer Hillard Elkins (1969-1972). The union with Roth lasted five years.

Claire appeared in several Shakespearean teleplays over the decades while also portraying a choice selection of historical royals, including Czarina Alexandra and Katherine of Aragon. On daytime drama, she delightfully played matriarch and murderess Orlena Grimaldi on the daytime drama As the World Turns (1956) starting in 1993. She left the role in 1995 and was replaced.

Continuing sporadically in films from the 1970s on, Claire graced such films as the stylish British social comedy A Severed Head (1971), the tender coming-of-age drama Red Sky at Morning (1971) as Richard Thomas's mother, and one of that year's versions of Ibsen's A Doll's House (1973) (Jane Fonda starred as Nora in the other). She also movingly played George C. Scott's estranged wife in Islands in the Stream (1977) and had a very brief cameo as Hera in Clash of the Titans (1981), a small part as a manipulative mother in Déjà Vu (1985), and mature parts in the romantic dramedy Sammy and Rosie Get Laid (1987) and classic Woody Allen drama Crimes and Misdemeanors (1989).

In the new millennium, Claire has been seen in such quality films as and The Book of Eve (2002), Imagining Argentina (2003), The King's Speech (2010) (as Queen Mary), And While We Were Here (2012), Max Rose (2013) starring a dramatic Jerry Lewis, and Miss Dalí (2018). She has also made appearances on such TV miniseries as The Ten Commandments (2006) and Summer of Rockets (2019).

Claire wrote two memoirs. The first was the more career-oriented "Limelight and After: The Education of an Actress," released in 1982. Her more controversial second book, "Leaving a Doll's House: A Memoir," published in 1996, focused on her personal life.

A familiar name thanks to his handsome, brush-mustachioed titular cop on a popular '70s TV show, Bronx-born actor/singer/musician Hal Linden (né Harold Lipschitz, March 20, 1931) was the son of Lithuanian immigrant Charles Lipschitz and his wife Frances Rosen. He had one older brother, Bernard, who would become a future Professor of Music at Bowling Green State University, Ohio. Similarly musical, Hal took up classical clarinet in his late teens and went on to play regularly with symphony orchestras. After graduating from the High School of Music and Art in Manhattan, he studied music at Queens College, moving later to City College where he earned a degree in business. Hal supplemented his income playing in dance bands and was asked, at one point, to join Sammy Kaye on tour. Around this time he changed his marquee name to the more inviting "Hal Linden."

This mild invitation into professional show business sparked an interest in acting. Upon receiving his discharge, Hal enrolled at New York's American Theatre Wing where he trained in voice and drama. Eventually drafted into the Army in 1952, he utilized his talents by singing and providing entertainment for the troops. Discharged in 1954, he turned to summer stock and met Frances Martin, a dancer, the following year while both were in the chorus of "Mr. Wonderful" in Cape Cod. They married three years later and she willingly gave up her career to raise a family (four children).

During the early 1950s, he toured with Sammy Kaye and Bobby Sherwood and His Orchestra, among other bands. Hal's first Broadway show was with the 1956 musical "Bells Are Ringing" where he understudied lead Sydney Chaplin in the role of Jeff Moss. He later took over the role. He would make a bigger impression as Billy Crocker in the Broadway revival of Cole Porter in 1962. Hal accumulated more musical credits with leads in "Something More," "Ilya, Darling" and "The Apple Tree" (as the Devil).

Although Hal also appeared in a couple of straight plays during this time ("Angel in the Pawnshop," "Three Men on a Horse"), he would win the 1971 Tony award for his earnest portrayal of Mayer Rothschild in the musical "The Rothschilds." This was quickly followed by the title role in the musical "The Sign in Sidney Brustein's Window," "The Enclave," "The Pajama Game," and other stage roles.

Hal's musical prominence finally led to legit television parts in the early 1970s with guest appearances on "Circle of Fear," "Mr. Inside/Mr. Outside" and "The F.B.I." This, in turn, gave him the clout to be tested in a star role, that of the personable precinct boss on the highly popular Barney Miller (1975) sitcom. The long-running comedy program lasted eight seasons and Hal was subsequently Emmy-nominated each year, becoming a highly pleasant household name thanks to his warmly masculine looks, easy charm and dazzling smile.

Accommodating this TV triumph was several light and heavy TV-movie vehicles, including How to Break Up a Happy Divorce (1976), Father Figure (1980), The Other Woman (1983) and the two-person musical I Do! I Do! (1983) co-starring Lee Remick. Following that, Hal has appeared in other shorter-run TV series -- the title magician in Blacke's Magic (1986), title restaurateur in Jack's Place (1992) and as the beleaguered patriarch in the domestic sitcom The Boys Are Back (1994).

Although film stardom eluded Hal, he has supported a handful of films, including A New Life (1988), Just Friends (1996), Out to Sea (1997), Dumb Luck (2001), Time Changer (2002), Light Years Away (2006), Stevie D (2016), The Samuel Project (2018) and Grand-Daddy Day Care (2019). A much bigger presence on TV, Hal dominated with a number of guest appearances -- "The Golden Girls," "The Nanny," "Touched by an Angel," "Law & Order," "Will & Grace," "The King of Queens," "Hot in Cleveland," "2 Broke Girls" and "Grey's Anatomy." In 2006 and 2007, he enjoyed a recurring role on the daytime soap The Bold and the Beautiful (1987).

In between, he continued to impress on the stage with performances in such acclaimed plays and musicals as "Company," "Cabaret," "I'm Not Rappaport," "Tuesdays With Morrie," "The Sisters Rosenzweig" and "A Christmas Carol," while continuing musical tours as a clarinetist. The national chairman of the March of Dimes for many years, Hal's career length has now surpassed six decades. His wife Frances died in 2010.

William Shatner has notched up an impressive 70-plus years in front of the camera, displaying heady comedic talent and being instantly recognizable to several generations of cult television fans as the square-jawed Captain James T. Kirk, commander of the starship U.S.S. Enterprise.

Shatner was born in Côte Saint-Luc, Montréal, Québec, Canada, to Anne (Garmaise) and Joseph Shatner, a clothing manufacturer. His father was a Jewish emigrant from Bukovina in the Austro-Hungarian Empire, while his maternal grandparents were Lithuanian Jews. After graduating from university, he joined a local Summer theatre group as an assistant manager. He then performed with the National Repertory Theatre of Ottawa and at the Stratford, Ontario, Shakespeare Festival as an understudy working with such as Alec Guinness, James Mason, and Anthony Quayle. He came to the attention of New York critics and was soon playing important roles in major shows on live television.

Shatner spent many years honing his craft before debuting alongside Yul Brynner in The Brothers Karamazov (1958). He was kept busy during the 1960s in films such as Judgment at Nuremberg (1961) and The Intruder (1962) and on television guest-starring in dozens of series such as Alfred Hitchcock Presents (1955), The Defenders (1961), The Outer Limits (1963) and The Twilight Zone (1959). In 1966, Shatner boarded the USS Enterprise for three seasons of Star Trek (1966), co-starring alongside Leonard Nimoy, with the series eventually becoming a bona-fide cult classic with a worldwide legion of fans known variously as "Trekkies" or "Trekkers".

After "Star Trek" folded, Shatner spent the rest of the decade and the 1970s making the rounds, guest-starring on many prime-time television series, including Hawaii Five-O (1968), Marcus Welby, M.D. (1969) and Ironside (1967). He has also appeared in several feature films, but they were mainly B-grade (or lower) fare, such as the embarrassingly bad Euro western White Comanche (1968) and the campy Kingdom of the Spiders (1977). However, the 1980s saw a major resurgence in Shatner's career with the renewed interest in the original Star Trek (1966) series culminating in a series of big-budget "Star Trek" feature films, including Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989) and Star Trek VI: The Undiscovered Country (1991). In addition, he starred in the lightweight police series T.J. Hooker (1982) from 1982 to 1986, alongside spunky Heather Locklear, and surprised many fans with his droll comedic talents in Airplane II: The Sequel (1982), Loaded Weapon 1 (1993) and Miss Congeniality (2000).

He has most recently been starring in the David E. Kelley television series The Practice (1997) and its spin-off Boston Legal (2004).

Outside of work, he jogs and follows other athletic pursuits. His interest in health and nutrition led to him becoming spokesman for the American Health Institute's 'Know Your Body' program to promote nutritional and physical health.

After endless stage and television work, Barrie received a Cannes Film Festival Award for Best Actress for her performance in the ground-breaking racial drama One Potato, Two Potato (1964), as Julie, a young, white mother who marries a black man after she and her daughter are abandoned by her husband. The following decade, Barrie portrayed Evelyn in Breaking Away (1979), which earned her an Academy Award nomination for Best Supporting Actress, and later, an Emmy nomination, when she reprised the role in the television series based on the film. Later in her career, Barrie also was nominated for an Independent Spirit Award for Best Supporting Female for her performance as Sue Berlin, mother to the title character, Judy Berlin (1999).

Armed with an acid dry wit and a full arsenal of sarcasm and sass, African-American character comedienne Marla Gibbs showed up on 1970s television with a bang in middle age (44). Landing the feisty maid role on the popular ground-breaking CBS sitcom The Jeffersons (1975), eventually led to her very own sitcom 227 (1985) a decade later and international celebrity. A divorced mother with three children (Angela Elayne Gibbs, Dorian Gibbs, Joseph Gibbs) at the time of her initial success, it was a job transfer from Detroit to Los Angeles, while working as a United Airlines reservation clerk, that set up this more-than-welcome surprise and change of destiny.

Born in Chicago on June 14, 1931, Marla attended Peters Business School (1950-1952) following high school and toiled for a time as a receptionist and switchboard operator in the Detroit area. Eventually, she secured work with United Airlines. After moving to Southern California on a transfer, Marla gave acting a try and initially studied at the Mafundi Institute and Watts Writers Workshop, located in the Watts area of L.A.

Bitten hard by the acting bug, Marla went on to appear in a number of local productions, including "Medea", "The Amen Corner" and "The Gingerbread Lady". After only a couple of minor film roles, including the blaxploitation film, Black Belt Jones (1974), she nabbed the role of Florence Johnston and television stardom.

On The Jeffersons (1975), the role of Florence, the maid, was initially set up as a mere one-shot guest role but Marla showed the character's potential. And, so it came to be that Florence Johnston became THE scene-stealing foil to Sherman Hemsley's equally mouthy, money-minded George Jefferson. Until the sitcom became a certified hit, Marla cautiously kept her job with the Airlines. However, with wisecracks and Emmy Award nominations (totaling 5) a plenty, Marla never really had to look back. The role of Florence was a natural for a spin-off series and it happened with the sitcom, Checking In (1981), in which the character becomes a housekeeper for a very swanky hotel. However, the sitcom was harmed by a writer's strike before it could gain a core audience. Fortunately for Marla, she was ushered right back into the Jefferson household following its quick demise (four episodes). Two months after the last "Jeffersons" episode aired in July 1985, 227 (1985) was included in that year's fall schedule.

Daughter Angela Elayne Gibbs produced an award-winning play by Christine Houston entitled "227", with Marla as the lead, at Marla's own local Crossroads Theatre, which the actress founded in 1981. The award-winning play was a solid hit and Marla wisely purchased the television rights. Once "The Jeffersons" was over, she pushed for "227" as a sitcom vehicle. Producer Norman Lear gave it the green light and Marla settled right back in for another popular series ride (for NBC), this time as resident gossip Mary Jenkins, whose demeanor was warmer and more approachable than the feisty Florence Johnson. This sitcom, which featured spitfire Jackée Harry as vampish neighbor Sandra Clark, ran for five years.

An eight-time NAACP Image Award winner, Marla has received several honors over the years, including Essence Woman of the Year. She has not carried a series since "227", but has been seen from time to time on other popular shows, including ER (1994), Cold Case (2003), Chappelle's Show (2003), Judging Amy (1999), Touched by an Angel (1994), The King of Queens (1998) and Dawson's Creek (1998). She has also had recurring roles on daytime (Passions (1999)) as well as prime-time (Pryor's Place (1984), The Hughleys (1998)) and gave a knowing portrayal as Natalie Cole's mother in the heart-warming television movie, Lily in Winter (1994).

In later years, Marla turned up again on the big screen with plucky roles in Up Against the Wall (1991), The Meteor Man (1993), Lost & Found (1999), Foolish (1999), Border to Border (1998), The Brothers (2001), and standout roles in The Visit (2000) and Stanley's Gig (2000).

Elsewhere, Marla's voice has been heard on the animated series 101 Dalmatians: The Series (1997) and, in addition to acting, sang the theme song to the film Stanley's Gig (2000), "In the Memory of You", which will be included on a CD, entitled "Scenes In Jazz". Marla owned a jazz club for some time in South Central L.A. called "Marla's Memory Lane, a jazz and supper club that ran from 1981 to 1999. She released her own CD of music, "It's Never Too Late", in May 2006, and co-wrote with Ray Colcord, the theme song to her starring series "227".

Into the millennium, Marla suffered both personal and professional setbacks. Her older sister, Susie Garrett, who co-starred on the hit sitcom Punky Brewster (1984), died of cancer in 2002. A few years later, in 2006, Marla suffered a small aneurysm followed by a stroke. She recovered and made a gradual comeback as a guest on such TV shows as Lincoln Heights (2006), House of Payne (2006), Mr. Box Office (2012), Scandal (2012), Hot in Cleveland (2010), The Blexicans (2015), American Horror Story (2011), This Is Us (2016), Black-ish (2014), NCIS (2003), Bless This Mess (2019) and the revamped One Day at a Time (2017). At one point, she played the recurring role of Grandma Eddy on the comedy series The First Family (2012) which starred her old "227" castmate Jackée Harry. On stage, Marla appeared in such comedies as "Boeing, Boeing" and was featured in such comedy films as C'mon Man (2012), Madea's Witness Protection (2012), Grantham & Rose (2014), Lemon (2017), Please Stand By (2017), Love Jacked (2018) and She Ball (2020).

French ballet dancer Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie's gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film's "Golden Age" had passed.

Leslie Claire Margaret Caron was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents' estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in "The Pearl Diver," a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.

Leslie's talent and reputation as a dancer had already been recognized when on opening night of Petit's 1948 ballet "La Rencontre," which was based on the theme of Orpheus and featured the widely-acclaimed dancer 'Jean Babilee', she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie's performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.

Kelly and newcomer Caron's touching performances and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers, as well as the dazzling 17-minute ballet to the title song) had critics and audiences simply enthralled. The film, directed by Vincente Minnelli, won a total of six Oscar awards, including "Best Picture," plus a Golden Globe for "Best Picture in a Musical or Comedy". Leslie was put under a seven-year MGM contract where her luminous skills would also be featured in non-musical showcases.

While Leslie's dramatic mettle was tested as a New Orleans nightclub entertainer opposite Ralph Meeker's boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the child-like urchin who falls for a cruel carnival puppeteer (Mel Ferrer) in Lili (1953) that finally lifted Leslie to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film Award for "Best Actress" as well. At her waif-like best once again in the musical Daddy Long Legs (1955), Leslie was paired this time with the "other" MGM male dancing legend Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was partly choreographed by Roland Petit, who founded the Ballet des Champs-Elysees, Leslie's former dance company.

While the actress gave poignant life to the ugly-duckling-turned-swan tale, The Glass Slipper (1955), choreographed by Petit and co-starring Britisher Michael Wilding as Prince Charming, Leslie also played a ballerina in love with WWII soldier John Kerr in Gaby (1956), a lukewarm remake of the superior Waterloo Bridge (1940). It took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie's unique, international appeal. Audrey Hepburn, who had played the title part on Broadway, was keen on doing the film, but producer Arthur Freed wrote the part expressly for Leslie. It was also Freed who called up Fred Astaire to suggest her as his leading lady in Gigi (1958). Leslie tried the role out on the London stage prior to doing the film version. The musical wound up receiving nine Academy Awards, including "Best Picture," and Leslie herself was nominated for a Golden Globe as "Best Musical/Comedy Actress".

A few more forgettable film roles came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 Broadway musical. The film version of Fanny (1961) was more adult in nature for Leslie and was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans, Maurice Chevalier, Charles Boyer, and Horst Buchholz. At the movie's centerpiece is a child-like Leslie (at age 30!) who is mesmerizing as a young girl with child who is deserted by her sailor/boyfriend. Even more adult in scope was the shattering British drama The L-Shaped Room (1962) wherein the actress plays a pregnant French refugee who is abandoned yet again. She earned her a second British Academy Award and a second Oscar nomination for this superb performance.

On stage in London with the Royal Shakespeare Company, Leslie earned applause in another Audrey Hepburn Broadway vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a Hollywood detour into breezy comedy with a number of lightweight fare opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, she managed to shine with a complex working class mother role in the remarkable Italian film Il padre di famiglia (1967) starring Nino Manfredi and Ugo Tognazzi, and was spotted in the popular crossover film Valentino (1977) starring iconic Russian ballet star Rudolf Nureyev.

In the 1980s, Leslie appeared in stage productions of "Can-Can", "On Your Toes" and "One for the Tango". She also was invited and accepted to appear on American TV. At the age of 75, the actress won her first Emmy Award with her very moving portrayal of an elderly woman and closeted rape victim in a 2006 episode of Law & Order: Special Victims Unit (1999). More recent filming have included Damage (1992) by Louis Malle, Chocolat (2000) by Lasse Hallström, and the Merchant Ivory romantic comedy/drama The Divorce (2003).

Leslie's private life has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royal Shakespeare director Peter Hall, by whom she has two children, Christopher and Jennifer (both of whom have careers in the entertainment field); and from her Chandler (1971) movie producer Michael Laughlin.

One of the few MGM post-musical stars to enjoy a long, lasting and formidable dramatic career, Leslie Caron is still continuing today though on a much more limited basis. In 2008, the actress published her memoirs, "Thank Heaven," later translated to French as "Une Francaise à Hollywood". In 2010, she triumphed on the Chatelet Theater stage in Paris with her portrayal of Madame Armfeldt in Stephen Sondheim's "A Little Night Music. More recently the still mesmerizing octogenarian had a recurring role as a countess in the British TV series The Durrells (2016). Over the years, she has received a number of "Life Achievement" awards for her contributions to both film and dance.

Don King coined the phrase, "Only in America." He lives it. He breathes it. He believes it. It's part of his soul. "Only in America can a Don King happen," explains Don. "America is the greatest country in the world-I love America. What I've accomplished could not have been done anywhere else." Indeed, the odds have always been long for King. A product of the hard-core Cleveland ghetto, he beat those odds to become the world's greatest promoter. His shocking hairstyle, infectious smile, booming laugh and inimitable vocabulary have made Don King universally recognizable. He has been featured on the covers of Time, Sports Illustrated, Ebony, Jet, and countless other magazines. He has appeared in movies, television shows and on numerous television and radio talk shows. There was even an award-winning unauthorized movie loosely based on his life and numerous other attempts by Hollywood to depict his larger-than-life personality. Don's promotions have entertained billions around the globe. His life has been devoted to staging the best in world-championship boxing as well as always giving something back to the people. Don King-promoted events have given the sports and entertainment world some of its most thrilling and memorable moments. Inducted into the Boxing Hall of Fame in 1997, King was the only boxing promoter named to Sports Illustrated's list of the "40 Most Influential Sports Figures of the Past 40 Years." The following year as part of New York City's centennial celebration, King, along with such notables as Associate Justice of the Supreme Court Thurgood Marshall, musician Duke Ellingon, and poet Maya Angelou, was named by the Schomburg Center for Research in Black Culture as one of the New York City's 100 top black achievers of the century.

Barbara Eden, born Barbara Jean Morehead in Tucson, Arizona, became one of America's most endearing and enduring actresses. A graduate of Abraham Lincoln High School in San Francisco, California, Eden would go on to study at San Francisco's City College as well as the San Francisco Conservatory of Music and the Elizabeth Holloway School of Theatre. While her aspirations as a singer motivated her during her early years for a career in music, it was her starring role in the NBC TV comedy series, I Dream of Jeannie (1965) where Barbara Eden immediately gained international acclaim.

Although most remembered for her role as "Jeannie", Barbara Eden has starred in more than 20 theatrical feature films and made-for-television films for at least four different movie studios: 20th Century Fox, Metro-Goldwyn-Mayer, Columbia Studios, and Universal Studios, most notably in the film Flaming Star (1960), when she acted as Elvis Presley's leading lady. Other films in which Barbara Eden had a leading role were Voyage to the Bottom of the Sea (1961), The Wonderful World of the Brothers Grimm (1962), Five Weeks in a Balloon (1962), 7 Faces of Dr. Lao (1964) and The Brass Bottle (1964). The Brass Bottle comedy movie led to Sidney Sheldon's creation of I Dream of Jeannie (1965) comical TV series.

In television, Eden made her first featured appearance on Country Club Dance (1957), as the series was nearing cancellation (there were just two more episodes). Eden immediately landed a starring role in the television version of How to Marry a Millionaire (1957), where she portrayed the same character role originated by Marilyn Monroe. Another memorable appearance came on The Manicurist (1962), featuring her in the character role, special guest-star, as well as her occupation being titled.

In 1965, Barbara Eden was cast the leading role in Sidney Sheldon's NBC sitcom, I Dream of Jeannie (1965). It televised weekly, for five successful and humorous seasons with 139 episodes. After "Jeannie," Barbara Eden went on to star in many other comical and family productions including Harper Valley P.T.A. (1978) and Chattanooga Choo Choo (1984) among other numerous highly rated made-for-television movies well into the 1990s. She has also acted in multiple western series and thrillers.

Outside of her film and television works, Barbara Eden headlined major hotel resorts and casinos including Lake Tahoe, Atlantic City and Las Vegas. She also was the star attraction at the MGM Grand, Harrah's, Caesar's Palace and on concert stages and legitimate theaters across the country.

Utilizing her singing ability, Eden released an album titled "Miss Barbara Eden" in 1967, for record company, Dot Records. She has also been a musical guest star in a wide range of variety television shows. Eden's appearances included 21 Bob Hope special shows, along with The Carol Burnett Show (1967), The Jonathan Winters Show (1967), The Sonny and Cher Show (1976), The Jerry Lewis Show (1963), This Is Tom Jones (1969), Tony Orlando and Dawn (1974), and Donny and Marie (1975).

During the Persian Gulf War, she traveled with Bob Hope to the middle-east to perform for the combat troops and then continued on with Hope in a whirlwind eight-day, around-the-world USO tour entertaining servicemen during the Christmas season.

To celebrate the 2002 Yuletide season, she responded to an invitation from President George Bush; Barbara journeyed to Washington D.C. and sang "Have Yourself a Merry Little Christmas" at the annual White House "Lighting of the National Christmas Tree" event where she also hosted the show and pageant with President and Mrs. Bush for an audience of 6,000 cheering fans on the Ellipse near the White House.

A multi-talent, Eden starred in the national touring musicals The Sound of Music (1965) and Gentlemen Prefer Blondes (1998). In the latter production, she played Lorelei Lee, the character created on Broadway by Carol Channing and performed by Marilyn Monroe in the 20th Century Fox film version. Eden also toured vastly in various stage productions like Neil Simon's Last of the Red Hot Lovers (1972), The Best Little Whorehouse in Texas (1982), Annie Get Your Gun (1967), Wild Pacific (2009) and Nite Club Confidential (1996). In the play "Love Letters," Eden reunited with her I Dream of Jeannie (1965) co-star, Larry Hagman. The duo toured metropolitan and major cities, across the United States. Eden starred in Neil Simon's "The Odd Couple: Female Version", and "Social Security" (1985). She has also been seen in TV series like, All Star Blitz (1985), Entertainment Tonight (1981) and Larry King Live (1985).

In 2011, Crown Archetype, a division of Random House, published Barbara's memoir, "Jeannie Out of the Bottle," which debuted at number 14 on the New York Times Best Seller List and on Australia's Best Seller List, published there by Harper-Collins, Inc. The autobiography chronicle's Eden's colorful life and remarkable Hollywood career that spans more than 50 years.

One of Hollywood's busiest actresses, Barbara filmed a starring role in Always and Forever (2009), a movie filmed by and for the Hallmark Channel. The move was televised numerous times during the year it was filmed and released. On the road, she hosted productions of Ballets with a Twist (1996), the new groundbreaking show that stars rotating celebrity emcees and dancers from Dancing with the Stars (2010). Barbara Eden has appeared recently in a recurring role on Lifetime's Army Wives (2007) series, guest-starred on ABC's George Lopez (2002), and enacted a recurring role on Sabrina the Teenage Witch (1996). During her long career, Barbara has starred in 25 feature films, five network TV series and 19 top-rated network made-for-television movies.

Barbara has been featured in TV commercials for Old Navy, AT&T, and she introduced the Lexus SUV, which was later named Car of the Year by Motor Trend Magazine.

People Magazine named Barbara "One of America's 200 Greatest Pop Icons of the 20th Century." She has been honored with a star on the Hollywood Walk of Fame at 7003 Hollywood Boulevard near the front of the world famous Grauman's Chinese Theatre. She was named one of TV Guide's Most Popular Comedy Stars and has received Lifetime Achievement Awards from the Broadcasters Hall of Fame, The Hollywood Chamber of Commerce, and the TV Land Television Network.

When there is time in her crowded schedule, Eden works actively on behalf of numerous charities including The Trail of Painted Ponies Breast Cancer Research, American Cancer Society, the Wellness Community, the Make-A-Wish Foundation, the March of Dimes, the American Heart Association, Save the Children and Childhelp USA.

Barbara Eden resides with her architect/real estate developer husband Jon Eicholtz in the Benedict Canyon area of Beverly Hills.

Barbara Bain was born in Chicago, graduating from the University of Illinois with a Bachelor's Degree in Sociology. She then relocated to New York City where she gained work as a dancer and high-fashion model. Ms. Bain studied with Martha Graham, permanently cementing her love of dance; however, it was with Lee Strasberg at the prestigious Actors Studio that she discovered her true first love - acting. She is probably best known for her work in the landmark television series Mission: Impossible (1966), created by Bruce Geller, where she created the pivotal role of Impossible Missions Force Agent "Cinnamon Carter", and, in the process, became the first actress in the history of television to receive three consecutive Emmy Awards for Best Dramatic Actress. Ms. Bain followed with the role of "Dr. Helena Russell" in the now classic British syndicated science fiction television series Space: 1999 (1975), created by Gerry Anderson and Sylvia Anderson. Her stage work has garnered her Los Angeles Critic's Circle and DramaLogue Awards for her work on Arthur Kopit's "Wings", Samuel Beckett's "Happy Days" and Eugène Ionesco's "The Chairs". Ms. Bain has worked on behalf of numerous charitable causes and is the founder of the Screen Actors Guild's "BookPals" Program which currently has some 300 of her colleagues reading to children in Los Angeles schools. Following the success of the program there, she helped the program to develop in other major cities throughout North America.

Angie Dickinson was born in Kulm, North Dakota, in 1931, the daughter of Mr. and Mrs. L. H. Brown. Mr. Brown was the publisher of The Kulm Messenger. The family left North Dakota in 1942 when Angie was 11 years old, moving to Burbank, California. In December of 1946, when she was a senior at Bellamarine Jefferson High School in Burbank, she won the Sixth Annual Bill of Rights Contest. Two years later her sister Janet, did likewise. Being the daughter of a printer, Angie at first had visions of becoming a writer, but gave this up after winning her first beauty contest. After finishing college she worked as a secretary in a Burbank airplane parts factory for 3-1/2 years. In 1953 she entered the local Miss America contest one day before the deadline and took second place. In August of the same year she was one of five winners in a beauty contest sponsored by NBC and appeared in several TV variety shows. She got her first bit part in a Warner Brothers movie in 1954 and gained television fame in the TV series The Millionaire (1955) and got her first good film role opposite John Wayne and Dean Martin in Rio Bravo (1959). Her success then climbed until she became one of the nation's top movie stars.

Dan Irvin Rather Jr. was born in Wharton, Texas, to Byrl Veda (Page) and Dan Irvin Rather Sr., a ditch digger. He graduated from Sam Houston State University in Huntsville, where he wanted to play football. He worked at local radio station KSAM in Huntsville during his college years. Following graduation he worked for radio station KTRK in Houston and went to work for KHOU-TV, the CBS affiliate in Houston. In 1961, he covered Hurricane Carla for KHOU-TV in Houston, Texas, and it caught the eye of CBS News executives, who hired him in 1962. He was in Dallas on November 22, 1963 and was CBS' lead anchor from Dallas during the coverage of the Kennedy assassination. In 1975, he became co-anchor of 60 Minutes (1968) and in 1981 was selected to replace Walter Cronkite as anchor of The CBS Evening News (1941), where he remained as anchor until 2005. The Communications Building on the campus of Sam Houston State University is named for Rather.

Sassy, dusky-voiced entertainer Jaye P. Morgan was not always so sassy, but today this is for which she is fondly remembered. She was born Mary Margaret Morgan in 1931 and began performing at an early age for family and friends. She eagerly entertained at school assemblies and, when she graduated from Verdugo Hills High School (California) in 1949, left to seek her fame and fortune on the cabaret circuit. She quickly got a regular singing gig with the Frank De Vol Orchestra and was soon charting her recordings. She first hit big with "Life Is Just a Bowl of Cherries" in 1951. Other hits to follow were "The Longest Walk" and "That's All I Want from You". The now-popular song stylist soon took to TV, making her debut as a regular vocalist on Stop the Music (1949). She was a consistent guest performer on all the best variety showcases, including Perry Como and Ed Sullivan's shows, and in 1956 even managed to hostess her own variety program, The Jaye P. Morgan Show (1956), accompanied by her singing siblings "The Morgan Brothers (Duke, Bob, Charlie and Dick). She maintained a very proper, wholesome image, as expected, during these vital years. In the 60s, Jaye P. took a long sabbatical from the industry to regroup, with only occasional night club appearances to show for it. But, she came back swinging in the next decade, reinventing herself to a whole new generation. The new package was hipper, fresher, saucier, sexier, funnier and definitely crazier. She focused this time as an actress and comedienne. Wild-and-crazy producer Chuck Barris took a huge liking to this racy new package and made her household name all over again with his cult TV program The Gong Show (1976) and their zany offshoots. Jaye P. let it all hang out this time and Barris' shows were the perfect formats for her to pull out all the stops. Now 92 (2023), she has lost little of her zing. Her last appearance was a cameo in George Clooney's film Confessions of a Dangerous Mind (2002), an off-centered semi-biopic about Barris. Jaye P. Morgan...one of a kind and one heck of a dame. She definitely did it her way.

Rita Moreno is one of the very few performers to win an Oscar, an Emmy, a Tony and a Grammy, thus becoming an EGOT. She was born Rosita Dolores Alverío in the hospital in Humacao, Puerto Rico on December 11, 1931 (but raised in nearby, smaller Juncos, which had no hospital), to seamstress Rosa María (Marcano) and farmer Francisco José "Paco" Alverío. Her mother moved to New York City in 1937, taking Rita with her while leaving her reportedly unfaithful husband and Rita's younger brother behind. Rita's professional career began before she reached adolescence.

From the age of nine, she performed as a professional dancer in New York night clubs. At age 11, she landed her first movie experience, dubbing Spanish-language versions of US films. Less than a month before her 14th birthday on November 22, 1945, she made her Broadway debut in the play "Skydrift" at the Belasco Theatre, costarring with Arthur Keegan and a young Eli Wallach. Although she would not appear again on Broadway for almost two decades, Rita Moreno, as she was billed in the play, had arrived professionally. In 1950, she was signed by MGM, but the studio dropped her option after just one year.

The cover of the March 1, 1954, edition of "Life Magazine" featured a three-quarters, over-the-left-shoulder profile of the young Puerto Rican actress/entertainer with the provocative title "Rita Moreno: An Actresses' Catalog of Sex and Innocence". It was sexpot time, a stereotype that would plague her throughout the decade. If not cast as a Hispanic pepper pot, she could rely on being cast as another "exotic", such as her appearance on Father Knows Best (1954) as an exchange student from India. Because of a dearth of decent material, Moreno had to play roles in movies that she considered degrading. Among the better pictures she earned featured roles in were the classic Singin' in the Rain (1952) and The King and I (1956).

Director Robert Wise, who was chosen to co-direct West Side Story (1961) (the film version of the smash Broadway musical, a retelling of William Shakespeare's "Romeo & Juliet" with the warring Venetian clans the Montagues and Capulets re-envisioned as Irish/Polish and Puerto Rican adolescent street gangs, the Jets and the Sharks), cast Moreno as "Anita", the Puerto Rican girlfriend of Sharks' leader Bernardo, whose sister Maria is the piece's Juliet.

However, despite her talent, roles commensurate with that talent were not forthcoming in the 1960s. The following decade would prove kinder, possibly because the beautiful Moreno had aged gracefully and could now be seen by filmmakers, TV producers and casting directors as something other than the spitfire/sexpot that Hispanic women were supposed to conform to. Ironically, it was in two vastly diverging roles--that of a $100 hooker in director Mike Nichols' brilliant realization of Jules Feiffer's acerbic look at male sexuality, Carnal Knowledge (1971), and Milly the Helper in the children's TV show The Electric Company (1971)--that signaled a career renaissance.

Moreno won a 1972 Grammy Award for her contribution to "The Electric Company"'s soundtrack album, following it up three years later with a Tony Award as Best Featured Actress in a Musical for "The Ritz" (a role she would reprise in the film version, The Ritz (1976)). She then won Emmy Awards for The Muppet Show (1976) and The Rockford Files (1974).

She has continued to work steadily on screen (both large and small) and on stage, solidifying her reputation as a national treasure, a status that was officially ratified with the award of the Presidential Medal of Freedom by President George W. Bush in June 2004.

Born in Richmond, California on December 23, 1931, and raised there, light comedian Ronnie Schell's first choice of careers was to play professional baseball. He got as far as the semis before enlisting in the United States Air Force, where he performed as an emcee and comic in variety shows.

Ronnie studied at San Francisco State University and formed a nightclub comedy duo. He then turned solo and perfected his routine at the popular nightclub The Purple Onion. During his college senior year in 1958, he received a major boost when he toured as an opening act for the highly popular The Kingston Trio. This break led to the gradual rise of a family-oriented comedy career that earned him the eventual title of "America's Slowest-Rising Comedian." Down the road Ronnie would serve to open for several stars, including Andy Griffith and Don Knotts, on the Las Vegas strip, at Lake Tahoe casinos and other notable niteries.

TV finally opened its doors to him in 1964 and an acting career was born when Ronnie won the regular role of Jim Nabors' Marine bunk mate "Duke Slater" on the highly popular comedy series Gomer Pyle: USMC (1964). Betwixt and between was a recurring role on That Girl (1966) playing Marlo Thomas' acting agent. He left the Gomer Pyle show after a few years when he was handed a series lead of his own as a disc jockey on the sitcom Good Morning World (1967) which co-starred pre-Rowan & Martin's Laugh-In (1967) ditz Goldie Hawn. Unfortunately, the show was canceled before it could make any kind of enduring star impact.

Short, compact, extremely easy-going and quite likable in nature, Ronnie moved easily into featured roles for Disney including The Strongest Man in the World (1975), The Shaggy D.A. (1976), Gus (1976), The Cat from Outer Space (1978) and The Devil and Max Devlin (1981).

Ronnie reunited with Nabors when he appeared as a regular on the singer's short-lived variety show, The Jim Nabors Hour (1968). He also moved into several decades worth of comedy guest spots on such shows as "The Patty Duke Show," "The Andy Griffith Show," "Love, American Style," "The New Dick Van Dyke Show," "Adam-12," "Happy Days," "Emergency!," "Sanford and Son," "The Dukes of Hazzard," "Charlie's Angels," "One Day at a Time," "Mork & Mindy," "Alice," "The Love Boat," "Madame's Place," "She's the Sheriff," "Mr. Belvedere," "Empty Nest," "Saved by the Bell," "227," "The Golden Girls," "Coach," "The Wayans Bros." and the daytime soaper "Santa Barbara."

Ronnie's well-crafted skill as a voice artist has been extensively utilized on TV, radio, films and commercials. Working notably for Hanna-Barbera, his many TV animated programs have included Goober and the Ghost Chasers (1973), Yogi's Space Race (1978), Battle of the Planets (1978), Captain Caveman and the Teen Angels (1977), Shirt Tales (1982), Snorks (1984), The Flintstone Kids (1986), The Smurfs (1981), Midnight Patrol: Adventures in the Dream Zone (1990), Yo Yogi! (1991), Recess (1997) and The Grim Adventures of Billy & Mandy (2003).

As for stage work in later years, Schell was one of the stars of a 2007 touring cabaret show entitled, "5 Star Revue" and starred off-Broadway in the 2009 musical comedy revue "Don't Leave it All to Your Children!" He also continued to perform in comedy clubs throughout his career. As an octogenarian he was, at one point, the oldest regularly appearing comedian in Las Vegas and would hold another record as having worked the strip every year for over 50 plus straight years.

Into the millennium, Ronnie found sporadic film work with featured roles in both comedies and dramas -- Family Jewels (2000), The Biggest Fan (2005), Soupernatural (2010) -- as well as TV episodes of "Yes, Dear," "Easy to Assemble," "Jessie," "You'll Be Fine," "See Ya" and "Kaplan's Korner."

Long married with two children, Ronnie continues to live in the Los Angeles area where, for years, he served as the honorary mayor of Encino.

As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...

Born in Floral Park, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.

He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.

Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.

The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).

During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.

E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Tom Llamas (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).

Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.

In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.