Actors Involved in Politics

Ronald Reagan had quite a prolific career, having catapulted from a Warner Bros. contract player and television star, into serving as president of the Screen Actors Guild, the governorship of California (1967-1975), and lastly, two terms as President of the United States (1981-1989).

Ronald Wilson Reagan was born in Tampico, Illinois, to Nelle Clyde (Wilson) and John Edward "Jack" Reagan, who was a salesman and storyteller. His father was of Irish descent, and his mother was of half Scottish and half English ancestry.

A successful actor beginning in the 1930s, the young Reagan was a staunch admirer of President Franklin D. Roosevelt (even after he evolved into a Republican), and was a Democrat in the 1940s, a self-described 'hemophiliac' liberal. He was elected president of the Screen Actors Guild in 1947 and served five years during the most tumultuous times to ever hit Hollywood. A committed anti-communist, Reagan not only fought more-militantly activist movie industry unions that he and others felt had been infiltrated by communists, but had to deal with the investigation into Hollywood's politics launched by the House Un-American Activities Committee in 1947, an inquisition that lasted through the 1950s. The House Un-American Activities Committee investigations of Hollywood (which led to the jailing of the "Hollywood Ten" in the late '40s) sowed the seeds of the McCarthyism that racked Hollywood and America in the 1950s.

In 1950, U.S. Representative Helen Gahagan Douglas (D-CA), the wife of "Dutch" Reagan's friend Melvyn Douglas, ran as a Democrat for the U.S. Senate and was opposed by the Republican nominee, the Red-bating Congressman from Whittier, Richard Nixon. While Nixon did not go so far as to accuse Gahagan Douglas of being a communist herself, he did charge her with being soft on communism due to her opposition to the House Un-American Activities Committee. Nixon tarred her as a "fellow traveler" of communists, a "pinko" who was "pink right down to her underwear." Gahagan Douglas was defeated by the man she was the first to call "Tricky Dicky" because of his unethical behavior and dirty campaign tactics. Reagan was on the Douglases' side during that campaign.

The Douglases, like Reagan and such other prominent actors as Humphrey Bogart and Edward G. Robinson, were liberal Democrats, supporters of the late Franklin D. Roosevelt and his New Deal, a legacy that increasingly was under attack by the right after World War II. They were NOT fellow-travelers; Melvyn Douglas had actually been an active anti-communist and was someone the communists despised. Melvyn Douglas, Robinson and Henry Fonda - a registered Republican! - wound up "gray-listed." (They weren't explicitly black-listed, they just weren't offered any work.) Reagan, who it was later revealed had been an F.B.I. informant while a union leader (turning in suspected communists), was never hurt that way, as he made S.A.G. an accomplice of the black-listing.

Reagan's career sagged after the late 1940s, and he started appearing in B-movies after he left Warner Bros. to go free-lance. However, he had a eminence grise par excellence in Lew Wasserman, his agent and the head of the Music Corp. of America. Wasserman, later called "The Pope of Hollywood," was the genius who figured out that an actor could make a killing via a tax windfall by turning himself into a corporation. The corporation, which would employ the actor, would own part of a motion picture the actor appeared in, and all monies would accrue to the corporation, which was taxed at a much lower rate than was personal income. Wasserman pioneered this tax avoidance scheme with his client James Stewart, beginning with the Anthony Mann western Winchester '73 (1950) (1950). It made Stewart enormously rich as he became a top box office draw in the 1950s after the success of "Winchester 73" and several more Mann-directed westerns, all of which he had an ownership stake in.

Ironically, Reagan became a poor-man's James Stewart in the early 1950s, appearing in westerns, but they were mostly B-pictures. He did not have the acting chops of the great Stewart, but he did have his agent. Wasserman at M.C.A. was one of the pioneers of television syndication, and this was to benefit Reagan enormously. M.C.A. was the only talent agency that was also allowed to be a producer through an exemption to union rules granted by S.A.G. when Reagan was the union president, and it used the exemption to acquire Universal International Pictures. Talent agents were not permitted to be producers as there was an inherent conflict of interest between the two professions, one of which was committed to acquiring talent at the lowest possible cost and the other whose focus was to get the best possible price for their client. When a talent agent was also a producer, like M.C.A. was, it had a habit of steering its clients to its own productions, where they were employed but at a lower price than their potential free market value. It was a system that made M.C.A. and Lew Wasserman, enormously wealthy.

The ownership of Universal and its entry into the production of television shows that were syndicated to network made M.C.A. the most successful organization in Hollywood of its time, a real cash cow as television overtook the movies as the #1 business of the entertainment industry. Wasserman repaid Ronald Reagan's largess by structuring a deal by which he hosted and owned part of General Electric Theater (1953), a western omnibus showcase that ran from 1954 to 1961. It made Reagan very comfortable financially, though it did not make him rich. That came later.

In 1960, with the election of the Democratic President John F. Kennedy, the black and gray lists went into eclipse. J.F.K. appointed Helen Gahagan Douglas Treasurer of the United States. About this time, as the civil rights movement became stronger and found more support among Democrats and the Kennedy administration, Reagan - fresh from a second stint as S.A.G. president in 1959 - was in the process of undergoing a personal and political metamorphosis into a right-wing Republican, a process that culminated with his endorsing Barry Goldwater for the Republican presidential nomination in 1964. (He narrated a Goldwater campaign film played at the G.O.P. Convention in San Francisco.) Reagan's evolution into a right-wing Republican sundered his friendship with the Douglases. (After Reagan was elected President of the United States in 1980, Melvyn Douglas said of his former friend that Reagan turned to the right after he had begun to believe the pro-business speeches he delivered for General Electric when he was the host of the "G.E. Theater.")

In 1959, while Reagan was back as a second go-round as S.A.G. president, M.C.A.'s exemption from S.A.G. regulations that forbade a talent agency from being a producer was renewed. However, in 1962, the U.S. Justice Department under Attorney General Robert F. Kennedy successfully forced M.C.A. - known as "The Octopus" in Hollywood for its monopolistic tendencies - to divest itself of its talent agency.

When Reagan was tipped by the California Republican Party to be its standard-bearer in the 1965 gubernatorial election against Democratic Governor Pat Brown, Lew Wasserman went back in action. Politics makes strange bedfellows, and though Wasserman was a liberal Democrat, having an old friend like Reagan who had shown his loyalty as S.A.G. president in the state house was good for business. Wasserman and his partner, M.C.A. Chairman Jules Styne (a Republican), helped ensure that Reagan would be financially secure for the rest of his life so that he could enter politics. (At the time, he was the host of "Death Valley Days" on TV.)

According to the Wall Street Journal, Universal sold Reagan a nice piece of land of many acres north of Santa Barbara that had been used for location shooting. The Reagans sold most of the ranch, then converted the rest of it, about 200 acres, into a magnificent estate overlooking the valley and the Pacific Ocean. The Rancho del Cielo became President Reagan's much needed counterpoint to the buzz of Washington, D.C. There, in a setting both rugged and serene, the Reagans could spend time alone or receive political leaders such as the Soviet President Mikhail Gorbachev, Margaret Thatcher, and others.

Reagan was known to the world for his one-liners, the most famous of them was addressed to Mikhail Gorbachev in 1987. "Mister Gorbachev, tear down this wall" said Reagan standing in front of the Berlin Wall. That call made an impact on the course of human history.

Ronald Reagan played many roles in his life's seven acts: radio announcer, movie star, union boss, television actor-cum-host, governor, right-wing critic of big government and President of the United States.

With an almost unpronounceable surname and a thick Austrian accent, who would have ever believed that a brash, quick talking bodybuilder from a small European village would become one of Hollywood's biggest stars, marry into the prestigious Kennedy family, amass a fortune via shrewd investments and one day be the Governor of California!?

The amazing story of megastar Arnold Schwarzenegger is a true "rags to riches" tale of a penniless immigrant making it in the land of opportunity, the United States of America. Arnold Alois Schwarzenegger was born July 30, 1947, in the town of Thal, Styria, Austria, to Aurelia Schwarzenegger (born Jadrny) and Gustav Schwarzenegger, the local police chief. From a young age, he took a keen interest in physical fitness and bodybuilding, going on to compete in several minor contests in Europe. However, it was when he emigrated to the United States in 1968 at the tender age of 21 that his star began to rise.

Up until the early 1970s, bodybuilding had been viewed as a rather oddball sport, or even a mis-understood "freak show" by the general public, however two entrepreneurial Canadian brothers Ben Weider and Joe Weider set about broadening the appeal of "pumping iron" and getting the sport respect, and what better poster boy could they have to lead the charge, then the incredible "Austrian Oak", Arnold Schwarzenegger. Over roughly the next decade, beginning in 1970, Schwarzenegger dominated the sport of competitive bodybuilding winning five Mr. Universe titles and seven Mr. Olympia titles and, with it, he made himself a major sports icon, he generated a new international audience for bodybuilding, gym memberships worldwide swelled by the tens of thousands and the Weider sports business empire flourished beyond belief and reached out to all corners of the globe. However, Schwarzenegger's horizons were bigger than just the landscape of bodybuilding and he debuted on screen as "Arnold Strong" in the low budget Hercules in New York (1970), then director Bob Rafelson cast Arnold in Stay Hungry (1976) alongside Jeff Bridges and Sally Field, for which Arnold won a Golden Globe Award for "Best Acting Debut in a Motion Picture". The mesmerizing Pumping Iron (1977) covering the 1975 Mr Olympia contest in South Africa has since gone on to become one of the key sports documentaries of the 20th century, plus Arnold landed other acting roles in the comedy The Villain (1979) opposite Kirk Douglas, and he portrayed Mickey Hargitay in the well- received TV movie The Jayne Mansfield Story (1980).

What Arnold really needed was a super hero / warrior style role in a lavish production that utilized his chiseled physique, and gave him room to show off his growing acting talents and quirky humor. Conan the Barbarian (1982) was just that role. Inspired by the Robert E. Howard short stories of the "Hyborean Age" and directed by gung ho director John Milius, and with a largely unknown cast, save Max von Sydow and James Earl Jones, "Conan" was a smash hit worldwide and an inferior, although still enjoyable sequel titled Conan the Destroyer (1984) quickly followed. If "Conan" was the kick start to Arnold's movie career, then his next role was to put the pedal to the floor and accelerate his star status into overdrive. Director James Cameron had until that time only previously directed one earlier feature film titled Piranha II: The Spawning (1982), which stank of rotten fish from start to finish. However, Cameron had penned a fast paced, science fiction themed film script that called for an actor to play an unstoppable, ruthless predator - The Terminator (1984). Made on a relatively modest budget, the high voltage action / science fiction thriller The Terminator (1984) was incredibly successful worldwide, and began one of the most profitable film franchises in history. The dead pan phrase "I'll be back" quickly became part of popular culture across the globe. Schwarzenegger was in vogue with action movie fans, and the next few years were to see Arnold reap box office gold in roles portraying tough, no-nonsense individuals who used their fists, guns and witty one-liners to get the job done. The testosterone laden Commando (1985), Raw Deal (1986), Predator (1987), The Running Man (1987) and Red Heat (1988) were all box office hits and Arnold could seemingly could no wrong when it came to picking winning scripts. The tongue-in-cheek comedy Twins (1988) with co-star Danny DeVito was a smash and won Arnold new fans who saw a more comedic side to the muscle- bound actor once described by Australian author / TV host Clive James as "a condom stuffed with walnuts". The spectacular Total Recall (1990) and "feel good" Kindergarten Cop (1990) were both solid box office performers for Arnold, plus he was about to return to familiar territory with director James Cameron in Terminator 2: Judgment Day (1991). The second time around for the futuristic robot, the production budget had grown from the initial film's $6.5 million to an alleged $100 million for the sequel, and it clearly showed as the stunning sequel bristled with amazing special effects, bone-crunching chases & stunt sequences, plus state of the art computer-generated imagery. Terminator 2: Judgment Day (1991) was arguably the zenith of Arnold's film career to date and he was voted "International Star of the Decade" by the National Association of Theatre Owners.

Remarkably, his next film Last Action Hero (1993) brought Arnold back to Earth with a hard thud as the self-satirizing, but confusing plot line of a young boy entering into a mythical Hollywood action film confused movie fans even more and they stayed away in droves making the film an initial financial disaster. Arnold turned back to good friend, director James Cameron and the chemistry was definitely still there as the "James Bond" style spy thriller True Lies (1994) co-starring Jamie Lee Curtis and Tom Arnold was the surprise hit of 1994! Following the broad audience appeal of True Lies (1994), Schwarzenegger decided to lean towards more family-themed entertainment with Junior (1994) and Jingle All the Way (1996), but he still found time to satisfy his hard-core fan base with Eraser (1996), as the chilling "Mr. Freeze" in Batman & Robin (1997) and battling dark forces in the supernatural action of End of Days (1999). The science fiction / conspiracy tale The 6th Day (2000) played to only mediocre fan interest, and Collateral Damage (2002) had its theatrical release held over for nearly a year after the tragic events of Sept 11th 2001, but it still only received a lukewarm reception.

It was time again to resurrect Arnold's most successful franchise and, in 2003, Schwarzenegger pulled on the biker leathers for the third time for Terminator 3: Rise of the Machines (2003). Unfortunately, directorial duties passed from James Cameron to Jonathan Mostow and the deletion of the character of "Sarah Connor" aka Linda Hamilton and a change in the actor playing "John Connor" - Nick Stahl took over from Edward Furlong - making the third entry in the "Terminator" series the weakest to date.

Schwarzenegger married TV journalist Maria Shriver in April, 1986 and the couple have four children.

In October of 2003 Schwarzenegger, running as a Republican, was elected Governor of California in a special recall election of then governor Gray Davis. The "Governator," as Schwarzenegger came to be called, held the office until 2011. Upon leaving the Governor's mansion it was revealed that he had fathered a child with the family's live-in maid and Shriver filed for divorce.

Schwarzenegger contributed cameo roles to The Rundown (2003), Around the World in 80 Days (2004) and The Kid & I (2005). Recently, he starred in The Expendables 2 (2012), The Last Stand (2013), Escape Plan (2013), The Expendables 3 (2014), and Terminator Genisys (2015).

Jesse Ventura was born in Minneapolis, Minnesota, to Bernice Martha (Lenz), a nurse who was of German descent, and George William Janos, a steam fitter of Slovak ancestry. In November 1990, professional wrestler turned actor Jesse Ventura was elected to a four-year term as mayor of Brooklyn Park, Minnesota, a suburb of Minneapolis with a population of around 56,000. After his mayoral term, he purchased a small hobby farm in nearby Maple Grove, Minnesota and moved from Brooklyn Park. In November 1998, Ventura, as a member of the Reform Party, was elected Governor of Minnesota. Jesse served as governor from 1999 to 2003 and did not run for a second term.

Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.

During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.

Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.

1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.

Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).

Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.

Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).

Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).

Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.

His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.

Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.

Jerry Springer was born on 13 February 1944 in Highgate, London, England, UK. He was a producer and writer, known for Domino (2005), Austin Powers: The Spy Who Shagged Me (1999) and Ringmaster (1998). He was married to Margaret 'Micki' JoAnn Velten. He died on 27 April 2023 in Evanston, Illinois, USA.

Al Franken is best known for nearly two decades of work on Saturday Night Live (1975). During that time he wrote, performed in and produced hundreds of sketches, including "Daily Affirmations with Stuart Smalley" and "The Final Days," a piece about the last days of Richard Nixon's presidency. A noted political commentator and satirist, Franken also produced and starred in the NBC sitcom LateLine (1998) and wrote four books about politics, including "Rush Limbaugh is a Big Fat Idiot." A graduate of Harvard, Franken lives in Minnesota with his wife and two kids. In 2008, Franken ran for the Senate as a Democrat, and won after an extremely close race.

Sonny Bono was born on 16 February 1935 in Detroit, Michigan, USA. He was an actor and composer, known for The Sonny and Cher Show (1976), Kill Bill: Vol. 1 (2003) and Hairspray (1988). He was married to Mary Bono, Susie Coelho, Cher and Donna Rankin. He died on 5 January 1998 in Stateline, Nevada, USA.

Fred Thompson was born on 19 August 1942 in Sheffield, Alabama, USA. He was an actor, known for The Hunt for Red October (1990), No Way Out (1987) and Sinister (2012). He was married to Jeri Kehn Thompson and Sarah Elizabeth Lindsey. He died on 1 November 2015 in Nashville, Tennessee, USA.

Kal Penn was born and raised in Montclair, New Jersey, to Asmita, a fragrance evaluator, and Suresh Modi, an engineer. His parents are Gujarati immigrants to America from India. He attended the Freehold Regional High School District's Performing Arts High School where he participated in the school's theater productions. In 1995, he moved to Los Angeles to study at the UCLA's prestigious School of Theatre, Film and Television. He majored in film and sociology. He began his acting career in several indie films. His breakthrough film role came in the comedy Harold & Kumar Go to White Castle (2004). Several Harold & Kumar films have followed. He went on to appear for 2 years in the television series House (2004). He developed an interest in politics from his grandparents who marched for India's independence. In 2009, he joined the Obama administration as an Associate Director.

John Davis Lodge was the grandson of Massachusetts Senator Henry Cabot Lodge ) and the brother of Henry Cabot Lodge Jr.

There was a saying in Boston, portraying the capital of the Bay State as "the land of the bean & the cod/Where the Lodges talk only to the Cabots/And the Cabots talk only to God." John Lodge was both a Cabot AND a Lodge, a thorough and thoroughly bred blue-blood to boot. However, before realizing that politics flowed through his veins, John Lodge - who was born in Washington, D.C. - humored himself with acting, that other public speaking sport that ranks among the world's oldest professions, and it was as an actor that the general public first got to know him.

John was born a year after his brother, debuting in the world on October 20, 1903. His father was the patrician playwright and poet George Lodge and his mother was the former Matilda Frelinghuysen Davis. He grew up in Washington and in Paris before being educated at the Evans School in Mesa, Arizona and the Middlesex School in Concord, Massachusetts. He attended Harvard College (Class of 1925) and Harvard Law School ('29), with a year of graduate study at Paris' Ecole de Droit in between. At Middlesex, he had indulged his interest in school theatricals, and he continued as an amateur thespian while matriculating at Harvard, playing leads in Hasty Pudding Club shows and French Club productions.

It was in Cambridge, Massachusetts during his undergraduate days that he met his future wife, the Italian-born Francesca Braggioti. While men played female roles in drag at Hasty Pudding Club shows, this was not so at the French Club theatricals (where the plays were presented in the French tongue). Francesca, who was both a dancer and a choreographer, often appeared in the French Club plays when there was wont of a female. The couple were married in 1929.

The newlyweds settled in New York City, where Lodge obtained employment as a law clerk in a prestigious Wall Street firm. In 1930, the couple's daughter Lily Lodge, a future actress and drama coach, entered the world with a kick of her wee legs and a hearty scream. Lily's mama Francesca, ever the trouper, pursued her own dance career after recovering from the birth, branching out into acting on Broadway and at small theaters when she wasn't kicking up her own heels. While Lilly's papa John didn't join his wife for any professional tripping of the light fantastic, he did indulge his own acting bones by joining Francesca in the New York Amateur Comedy Club's production of Noël Coward's "The Young Idea." The Coward comedy (the credits for which claim "The Snarks" as producer) played three performances on Broadway in March 1932.

It was the Great Depression, and despite John Lodge's patrician background, Francesca felt the need to generate some coin (gold specie wasn't outlawed until 1933 by President Franklin D. Roosevelt - Groton '00; Harvard '03, though he claimed allegiance to the Class of '04 despite finishing his undergraduate studies in three years - who most people of Lodge's class considered a class traitor) by hiring on to dub Greta Garbo's newly made sound films into Italian. Garbo had been a silent-film superstar in Francesca's native Italy, and the task was an important one, as the proper presentation of a speaking Garbo was critical to her future success in Italy. The job necessitated that Francesca move to Culver City, California for six months to perform the task at the Metro-Goldwyn-Mayer studio.

Thus, fate intervened in John Lodge's life, separate from the accident of his birth. In the late summer of 1932, he took a vacation to California to join Francesca. In Santa Monica, while playing in a celebrity tennis tournament, he was spotted by talent agent Ad Schulberg. Lodge agreed to a screen-test, which was scripted by his prep school buddy John Lee Mahin, a successful screenwriter. The screen-test led to an offer of a six-month contract from Paramount Pictures at $75 a week.

Lodge's patrician family was aghast that he would even think of such as thing as leaving his law career for the then-disreputable "profession" of movie-making. For six weeks, Lodge dithered over accepting the offer. Paramount, anxious to sign the tall and handsome blue-blood, upped its offer to $275 a week (approximately $3,300/week in 2005 dollars), which at the time was a considerably greater sum than most New York City lawyers earned. Lodge signed the contact. While he did understand his family's dismay over his uprooting himself from a respectable avocation in the upright and proper Establishment East for a Prodigal Son-like journey to the Babylon on the sun-kissed and faintly wicked Left Coast to live the life of a Hollywood player, what he didn't count on was Mae West. His family was concerned over his new career route, while - if gossip was correct - Miss West was sure to be concerned over another root entirely.

As soon as the Paramount publicity department began ballyhooing the signing of their latest discovery, Mae West - who was not only Paramount's biggest star but had single-handedly taken the studio out of bankruptcy - decided she wanted the handsome young Lodge to play the male lead in her new movie, "She Done Him Wrong," an adaptation of her notorious stage hit "Diamond Lil." Lodge heard about West's interest, and as he was in no desire himself to further humiliate his family by associating with the notorious Mae West (West had been arrested and jailed for obscenity in New York in 1928 over her play "Sex"), he decided to nix the role. Lodge informed Paramount that he would not accept West's offer to co-star in her new picture and that he would prefer to learn the movie-acting craft by being cast initially in smaller parts.

No unknown had ever turned down such a big role before, but Paramount acquiesced. Lodge would later express regrets over his refusal of the part in "She Done Him Wrong," which became one of the top box office hits of 1933 and made the man whom Mae West chose to replace him in the role - Cary Grant - a star. Her first film at Paramount, "Night After Night," had introduced George Raft to Hollywood. No, John Lodge never became a star, but he did become the governor of Connecticut. Politics turned out to be his fate, after all. But before that milestone, there were movies to make, and a war to be fought.

After making three minor pictures at Paramount, the studio lent him out to R.K.O, where he made George Cukor's classic "Little Women" (1933). The apogee of his career came in 1934-35, when he appeared in two more classics: Josef von Sternberg's "The Scarlet Empress" (1934) in support of the legendary Marlene Dietrich at Paramount, and "The Little Colonel' at 20th Century-Fox, where he portrayed the father of another future actor-turned-politician (and yet another screen legend), Shirley Temple. That was about it. He made one more movie for Paramount, the mystery "Menace" (1934), and then became a freelance. In all, he appeared in 21 movies altogether between 1932 and 1940, including several that were shot in Europe, such as Maurice Tourneur's "Königsmark" (1935), which was made in France, and "Bulldog Drummond at Bay" (1937) and "Queer Cargo" (1938), which were shot in Great Britain. (John Lodge thus becomes an answer to a trivia question: name the actors who have played Bulldog Drummond.)

In January 1941, Lodge returned to Broadway after his less than auspicious 1932 interlude to appear as "The Young Man" in the musical "Night of Love." The musical, produced by the Schuberts, lasted twice as long as Lodge's previous engagement, closing after seven performances. He had better luck in his next play, Lillian Hellman's anti-fascist drama "Watch on the Rhine," in which he played David Farrelly. The play opened at the Martin Beck Theatre on April 1, 1941 and closed eleven months later, on February 21, 1942, bowing out after a total of 378 performances. John Lodge was ending his acting career with a hit.

World War II came to the United States during the run of his last play, and Lodge became a naval officer in August 1942. Capitalizing on his language skills and his molarity with Europe, the U.S. Navy made Lodge a liaison officer between the French and U.S. Fleets. In his over-three-years of service, Lodge reached the rank of Lieutenant Commander and was decorated with the rank of Chevalier in the French Legion of Honor and with the Croix de Guerre with Palm by General Charles de Gaulle. (He would later make the rank of Captain in the U.S Naval Reserve.) After he was demobilized, in January 1946, Lodge made his home in of Westport, Connecticut and joined the family business: politics.

In November 1946, he became the second movie actor ever elected to high office, winning a seat in the U.S. House of Representatives as a Republican. (The Democrat Helen Gahagan Douglas had become the first when she was elected from California's 14th District in 1944.) He won a second term in 1948, but resigned his seat in 1950 to run for governor. He was elected, and took office as Connecticut's 50th governor in January 1951. His wife, Francesca, proved to be the most active First Lady in Connecticut history, opening the governor's mansion to the public. She served as a patron of the arts, promoting concerts and theater and serving as a founding member of the American Shakespeare Festival in Stratford, Connecticut.

After his bid for a second gubernatorial term ended in defeat in 1954, President Eisenhower appointed Lodge U.S. Ambassador to Spain, where he served from 1955 to 1961. While the Republicans were out of power in Washington during the 1960s, Lodge was the National President of Junior Achievement, Inc. from 1963-64, served as a Delegate and Floor Leader at the 1965 Connecticut Constitutional Convention, and was the Chairman of the Committee on Foreign Policy Research Institute at the University of Pennsylvania from 1964-69. After Nixon was elected President in 1968, he appointed Lodge as U.S. Ambassador to Argentina, where he served from 1969 to 1974. Later, for the most successful actor-cum-politician in history, President Ronald Reagan, he served as the U.S. Ambassador to Switzerland from 1983-85 and as a member of the U.S delegation to the United Nations. (Lodge's tours as the ambassador to Spain and Switzerland were fitting, as he was a bigger star in Europe than he had ever been in the United States.)

John Davis Lodge died in New York City on October 29, 1985, nine days after his 83rd birthday, and was buried at Arlington National Cemetery. The Connecticut Turnpike (Interstate-95) was named the Governor John Davis Lodge Turnpike in his honor. His widow, Francesca Lodge, died on February 25, 1998 at her home in Marbella, Spain. She was 95 years old.

Shirley Temple was easily the most popular and famous child star of all time. She got her start in the movies at the age of three and soon progressed to super stardom. Shirley could do it all: act, sing and dance and all at the age of five! Fans loved her as she was bright, bouncy and cheerful in her films and they ultimately bought millions of dollars' worth of products that had her likeness on them. Dolls, phonograph records, mugs, hats, dresses, whatever it was, if it had her picture on there they bought it. Shirley was box-office champion for the consecutive years 1935-36-37-38, beating out such great grown-up stars as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford. By 1939, her popularity declined. Although she starred in some very good movies like Since You Went Away (1944) and the The Bachelor and the Bobby-Soxer (1947), her career was nearing its end. Later, she served as an ambassador to Ghana and Czechoslovakia. It was once guessed that she had more than 50 golden curls on her head.

After giving up college, George Murphy decided to become a dancer. Starting in 1927, he worked with his wife and partner Julie Johnson on Broadway. In 1934, after his wife retired from show business, he worked with Shirley Temple, in Hollywood, as well as Eleanor Powell, Fred Astaire, and Ronald Reagan. A Republican since 1939, in 1945 he became president of the Screen Actors Guild. He retired from the silver screen in 1952, became a TV producer and in 1964 was elected as Senator of California.

Rex Bell was born on 16 October 1903 in Chicago, Illinois, USA. He was an actor, known for Broadway to Cheyenne (1932), Lucky Larrigan (1932) and The Fugitive (1933). He was married to Clara Bow. He died on 4 July 1962 in Las Vegas, Nevada, USA.

Though not Hispanic, Autry's parents named him "Carlos" after a Louisiana politician admired by his father. The couple soon divorced, however, and Autry's mother took him to be with her family in central California. Carlos Autry now became Carlos Brown. Autry played sports in high school and earned a scholarship to the University of the Pacific where he played quarterback and then tight end on the football team. He attracted attention in the 1975 football draft and wound up playing for the Green Bay Packers. He started three games as quarterback but his efforts were disappointing and coach Bart Starr cut him from the team in 1977. Autry then moved into acting and played small parts in North Dallas Forty (1979) and Popeye (1980) under the name "Carlos Brown". While filming Southern Comfort (1981) in Louisiana in 1981, he again made contact with his father and afterwards decided to change his name back to Autry. He also dropped the "Carlos" and began to use his middle name -- Alan. His acting career peaked when he played a small-town Mississippi policeman in the In the Heat of the Night (1988) TV series which ran from 1988 to 1995. Later, Autry moved into politics and was elected mayor of Fresno, California, in 2000. In 2004, he was re-elected.

Jack Kelly started acting at age two, modeling in soap ads and garnering a lifetime supply of soap for his pay. He continued to model until the age of nine when he appeared in his first play with Hope Emerson called "Swing Your Lady". Broadway shows and radio followed until his family moved to California in 1938. He attended St. John's Military Academy and spent two years as a law student at UCLA. For three years, he dropped acting to concentrate on school and making money. He worked as a shoe salesman, gas station attendant, lifeguard, grocery delivery boy, and men's clothing salesman. In 1945, Kelly was inducted into the army taking basic training at Camp Roberts in California. He was sent to Alaska as a weather observer and was on the first B-29 to fly over the Arctic Circle. After his discharge in 1946, Kelly returned to UCLA and worked nights on such radio programs as "Lux Radio theater", "Suspense", "Tell It Again", and "Romance of the Ranchos".

Upon leaving school he joined the Circle Theater in Los Angeles appearing in "Time of Your Life", "The Adding Machine", and "Love On The Dole". In 1949, he acted in "Anna Lucasta" at the coronet Theater. This performance brought Kelly to the attention of several Hollywood directors. He then made his film debut in "Fighting Man Of The Plains", starring Randolph Scott. In 1955, Kelly was signed by Warner Bros. to star as Dr. Parris Mitchell in the "King's Row" series of "Warner Bros. Presents". The show debuted in September 1955. Kelly was best known as Bart Maverick on Maverick (1957). His hobbies included ship models, reading historical literature, sculpting, and listening to show tunes records. He also enjoyed sailing, badminton, skin diving, golf, horseback riding and flying.

Robert Dornan was born on 3 April 1933 in New York City, New York, USA. He is an actor, known for The Starfighters (1964), 12 O'Clock High (1964) and Hell on Wheels (1967). He has been married to Sallie Hansen since 16 April 1955. They have five children.

Fred is lovingly known as Gopher by his millions of fans around the world who watched him became for 9 years in the 1970s hit series The Love Boat (1977). But, before Fred became well known as an actor, he went to "Phillips Exeter Academy" with David Eisenhower. Later, he became David's best man when he married Julie Nixon. Then, Fred entered "Harvard University" at Cambridge, Massachusetts and graduated in 1970 with a Bachelor's Degree in English.

Fred is a well-educated man and can speak fluently in both French and Arabic. Before he joined the cast of The Love Boat (1977), Fred did guest shots on many shows, including Love, American Style (1969), The Mary Tyler Moore Show (1970), Phyllis (1975) (with Cloris Leachman) & Welcome Back, Kotter (1975) (with John Travolta). Then, came other guest spots on TV shows and a couple of movies, while still on The Love Boat (1977).

Fred Grandy was destined to become more than just an actor. In 1986, he decided to run for Congressman as a Republican for the state of Iowa, and won. He received 3,000 votes. He served 4 consecutive terms (1986-1995). While in Congress, he was very much involved with Agriculture, Education, Workforce, Standards of Official Conduct, House Ways and Means. In 1994, he went ahead and entered the Governor's race but lost to his opponent, Terry Branstad. In 1995, he became both President and CEO for "Goodwill Industries", a position he held until 2000. Fred even became a political commentator on National Public Radio. He has also, as a guest, taught at the "University of Maryland" (School of Public Affairs) about non-profit organizations.

In 2003, in Washington, DC., Fred became the host of the talk radio show "The WMAL Morning News" (WMAL-AM Radio). On (Friday night) May 7, 2004, while at home in Bethesda and reading his newspaper, he began to feel very uncomfortable for 3 hours. At first, he felt indigestion so bad he thought he had food poisoning. Then, he began having massive chest pains. Now, he had to call 911 and he was rushed to "Suburban Hospital" where he had an emergency Angioplasty. Fred showed amazing courage and began feeling better almost immediately. He blames his heart problems on genetics, it seems to run in his family. And, what helped was his strict diet as a vegetarian. Fred is back on the radio co-hosting his show with Andy Parks.

Ben Jones was born on 30 August 1941 in Tarboro, North Carolina, USA. He is an actor and writer, known for The Dukes of Hazzard (1979), CBS Summer Playhouse (1987) and Primary Colors (1998). He has been married to Alma Viator since 10 October 1992. They have two children.

Will Rogers Jr. was elected as a Democratic congressman for Southern California in 1942. Although he served only 17 months in congress, he is best remembered as the American politician who did the most to try and save the Jews of Europe during World War II. Rogers joined the Emergency Committee to Save the Jewish People of Europe in 1943. He also introduced a bill called the Rescue Resolution that, if passed, would have established safe havens for Jewish refugees from Europe in nearby neutral countries. The bill failed to pass, largely due to opposition from President Franklin D. Roosevelt and his administration. Rogers resigned from Congress in 1944 and returned to the US Army as a tank commander. He saw combat and was decorated for bravery during the war. In 1946 he made an unsuccessful bid for the US Senate. In the late 1940s he left politics to concentrate on show business and entertainment. In his early 80s, Rogers suffered from heart disease and a series of strokes. At the age of 81 hip implant surgery left him in great pain. To end his suffering, he drove into the desert and shot himself in the head.

Baby Boomers remember well the dark-haired, diminutive (4'10") comedienne Sheila James, who raised a smile with her portrayals of tomboyish kid sisters and boy-crazy high schoolers on late-'50s and early-'60s TV. For a while she was a huge hit, backed by her characters' plaintive, pony-tailed presences, strategies, and sheer persistence to get what they wanted. In her best known show The Many Loves of Dobie Gillis (1959), Sheila gave plain-Jane teenagers everywhere hope that they too could net the guy of their dreams.

She was born Sheila James Kuehl on February 9, 1941 in Tulsa, Oklahoma and pursued acting as an adolescent. She started things off with quite a bang at age 10 with a five-season regular role as Stuart Erwin and June Collyer's tomboy daughter Jackie in The Stu Erwin Show (1950). She appeared in her first film (using the stage name of Sheila James) at age 12 with an unbilled role in Those Redheads from Seattle (1953) and the next year was glimpsed in the MGM classic musical Seven Brides for Seven Brothers (1954). Meanwhile, Sheila made appearances on such TV series as "Mayor of the Town", "My Little Margie", "Date with the Angels", "The Bob Cummings Show", "The Millionaire", and "National Velvet" before landing the role that her famous -- squinchy-nosed high-schooler Zelda Gilroy in The Many Loves of Dobie Gillis (1959). As the obsessed student who only had eyes for the poetic, lovelorn title character (Dwayne Hickman), Zelda's confidence in hooking up with the uninterested Dobie never wavered, despite competition in the form of spoiled, dreamy blonde Tuesday Weld as Thalia Meninger.

Sheila was an instant hit as Zelda, so much so that a 1962 pilot entitled "Zelda" was filmed as a possible spinoff. However, when Hollywood gossip spread that 21-year-old Sheila was a lesbian, the powers-that-be decided to permanently shelve the project. The actress began to see her popularity, and her ability to find acting jobs, diminish after this. Despite some comedy roles in "Petticoat Junction", "Ozzie and Harriet", and "The Donna Reed Show", she found Hollywood more than reluctant to cast her. She did appear as Sally Ragsdale not to mention her appearance on a 1964 episode of Petticoat Junction (1963) as one of the singing "Ladybugs" along with the lovely "Petticoat Junction girls, Linda Henning, Jeannine Riley, and Pat Woodell. The pretty foursome even took their act to "The Ed Sullivan Show" in which they appeared as a mop-haired female version of the Beatles and performed the Fab Four's hit song "I Saw Her Standing There" with Henning as drummer "Ringo Starr," Riley as guitarist "John Lennon," Woodell as bassist "Paul McCartney", and James as guitarist "George Harrison". Sheila would appear in one more regular series, co-starring with Kathleen Nolan of "The Real McCoys" fame in the short-lived service comedy Broadside (1964), before seeing the writing on the wall.

After the show's quick demise, a practical Sheila decided to take a different direction in her life. She first found a job as a student campus adviser at UCLA which led to her appointment as the college's associate dean. At age 34 (and back to using her real name, Sheila Kuehl), she was admitted into Harvard Law School, where she rose to the top of her class and was elected student council president. Thereafter, Sheila returned on a rare occasion to TV (guest appearances on "Love American Style", "Emergency!") and film (Bring Me the Head of Dobie Gillis (1988)), a sequel to the popular comedy show in which she and Dobie (Hickman) have married and have a child!

Sheila made bold moves into the political arena on feminist issues and went on to serve as the first openly-gay member of the California State Assembly (6 years) and Senate (8 years). She later focused on community programs and policies as Director of the Public Policy Institute at Santa Monica College and played host of the West Hollywood cable show "Get Used To It", that dealt with gay people and issues. She also worked in tandem with Planned Parenthood of California in helping to develop legislation. To this day, the former child actress continues to be a strong, vital force in Los Angeles politics.

John Gavin, the American film and TV actor, businessman and diplomat who was Ronald Reagan's first Ambassador to Mexico, was born Juan Vincent Apablasa in Los Angeles, California.

The future "Jack" Gavin was a fifth-generation Angeleno, the son of Delia Diana Pablos and Juan Vincent Apablasa, and was of Mexican, Chilean, and Spanish ancestry, a descendant of early landowners in Spanish California and the powerful Pablos family of the Mexican state of Sonora. His stepfather was Herald Ray Golenor. John had a fluency in Spanish that aided him in his career in diplomacy. He graduated with honors from Stanford University, majoring in Latin American economic history. "Law, Latin America and diplomacy were my early interests," Gavin later remembered. Too young to participate in World War II, he did serve in the military during the Korean Conflict. He was commissioned an officer in the U.S. Navy in 1952, where he served in naval air intelligence until his 1955 discharge. After his hitch in the Navy, Universal -- the home studio of 6'5" heartthrob Rock Hudson, who was on his way to becoming the top box office star in America -- offered the 6'4" Gavin a screen-test and a contract with the studio. Studio bosses always liked internal competition to keep the pressure on their major stars; Metro-Goldwyn-Mayer signed Robert Taylor as a young backup to the King of Hollywood Clark Gable, and similarly, Gavin was positioned as the "next Rock Hudson".

Tall, dark and handsome, Gavin debuted in Behind the High Wall (1956), and three years later, in 1959, he had his first major lead in Douglas Sirk's remake of Imitation of Life (1959) opposite Lana Turner. Sirk, whose Ross Hunter-produced melodramas of the mid-1950's made Hudson a superstar, first directed Gavin in the role of a German soldier in his adaptation of Erich Maria Remarque's A Time to Love and a Time to Die (1958) the year before. Imitation of Life (1959), which was produced by Ross Hunter in his typical lavish style, was a huge hit. Gavin was on the road to becoming a major Hudson-style heart-throb, it seemed.

The following year, Gavin achieved cinematic immortality by appearing in two classics in supporting roles, as Sam Loomis in Alfred Hitchcock's Psycho (1960) and as Julius Caesar in Stanley Kubrick's Spartacus (1960). Of Psycho (1960) and Spartacus (1960), he has said, "I didn't have an inkling they would be classics. Had I realized that, perhaps I would have paid more attention." The momentum of his cinema career petered out after appearing opposite Susan Hayward in the 1961 remake of Fannie Hurst's Back Street (1961), though he did move on to star in two television series during the 1960s, Destry (1964) and Convoy (1965). Both series were produced by companies that were subsidiaries of the Universal-M.C.A., Revue Studios and Universal TV, created by the legendary agent and studio boss Lew Wasserman, the éminence grise behind Ronald Reagan's movie, TV and political careers. More importantly, in 1961, he was appointed special adviser to the secretary general of the Organization of American States, a position he held until 1973. He also performed task-group work for the Department of State and the Executive Office of the President. From 1966 to 1973, he also served on the board of the Screen Actors Guild and was guild president from 1971-1973. For the next eight years, he was engaged in business activities, many of which took him to Mexico and other Latin American countries. The producers of the James Bond series signed him to replace George Lazenby as James Bond in Diamonds Are Forever (1971), until they convinced Sean Connery to reprise the role with a $1 million charitable contribution and a $1 million salary. Thus, Gavin lost out on what could have been his career break into the big-time. However, he did not lament the loss of the role. If he had been a more successful actor, it "might have prevented me from fulfilling my real childhood dream: to be U.S. ambassador to Mexico."

During the 1970s, Gavin made some more movies, toured in summer stock in a production of The Fantasticks (Gavin has a fine baritone voice), and appeared on Broadway and in the touring show of the musical Seesaw (1973). He ended the decade by starring in TV mini-series Doctors' Private Lives (1979); he left show business to pursue business interests. The 1980s brought America a new president, and on May 7, 1981, Republican Gavin was appointed Ambassador to Mexico by President Reagan, serving until June 10, 1986. The American diplomatic mission in Mexico, one of the largest in the world, employed more than 1,000 American and Mexican employees tasked by over a dozen U.S. government agencies in consulates and offices throughout Mexico.

Gavin married the former stage and television actress Constance Towers in 1974. Each partner had two children from previous marriages. Gavin's daughter, Christina Gavin, followed in his footsteps and became an actress.

Since leaving government service, Gavin has become a successful businessman and civic leader, co-founding and managing successful ventures in the U.S. and Latin America. In 1986, Gavin was named president of Univisa Satellite Communications, a subsidiary of Univisa, Inc. He is founder/chairman of Gamma Holdings and serves on the boards of Apex Mortgage Capital, International Wire Holdings, and KKFC. Inc, and is a trustee and director of certain Merrill Lynch mutual funds. He is also a member of the Latin America Strategy Board of Hicks, Muse, Tate & Furst. Previously he was a managing director and partner of Hicks, Muse, Tate & Furst (Latin America) as well as a director of Atlantic Richfield (where he had served as vice president of federal and international relations). He also served on the boards of Dresser Industries, Claxson and several other major corporations. Gavin also serves on the boards of several non-profit corporations, pro bono, including The Anderson Graduate School of Management at UCLA, Loyola Marymount University, and the California Community Foundation. Gavin also is a member of the Congressional Policy Advisory Board as a defense and foreign policy expert.

Gavin served as founding Chairman and Chief Executive Officer of The Century Council's from May 1991 until December 1994, then served on the Council's Advisory Board until 1996. The Century Council, a non-profit organization dedicated to fighting alcohol abuse, focuses on drunk driving and underage drinking problems and is supported by America's leading distillers.

John died on February 9, 2018 in Beverly Hills.

Morgan Mason was born on 26 June 1955 in Los Angeles, California, USA. He is an actor and producer, known for Sex, Lies, and Videotape (1989), The Sandpiper (1965) and No Secrets (1991). He has been married to Belinda Carlisle since 12 April 1986. They have one child.

Wendell Corey was a hard-working American character actor who appeared in numerous movies and television productions in the 1940s, '50s and '60s. Born on March 20, 1914 in Dracut, Massachusetts, in the northeastern part of the Commonwealth near the New Hampshire border, Corey was the son of a Congregationalist clergyman. After receiving his education, Corey began his acting career in summer stock. During the Depression he worked with the Federal Theater Project, part of the Works Progress Administration that had been created by President Franklin D. Roosevelt to put the unemployed to work. It was while working with the Federal Theater Project in the late 1930s that he met his wife, Alice Wiley.

He made his Broadway debut in "Comes the Revelation" in 1942, a flop that lasted only two performances. His next play, "Strip for Action" (1942-43), was more successful, lasting 110 performances. He appeared in more plays in supporting roles from 1943-45, before making his reputation as the cynical newspaperman in Elmer Rice's hit comedy "Dream Girl," which ran for 341 performances in the 1945-46 season. He was discovered during the run of the play by producer Hal B. Wallis, the former head of production at Warner Bros. who was an independent producer affiliated with Paramount Pictures. Wallis, who discovered Burt Lancaster shortly after the war, signed Corey to a Paramount contract.

It was at Paramount that he made his movie debut in Desert Fury (1947). He went on to a career as a supporting player in the '40s and '50s in A-level productions with top Hollywood stars. He also carved a niche for himself in television and in the late 1950s starred in the TV series Peck's Bad Girl (1959). In the 1960s he worked mostly in television.

Like Ronald Reagan, who was then a Democrat, the Republican Corey was interested in politics. He was elected to membership on the board of directors of the Screen Actors Guild and served as president of the Academy of Motion Picture Arts and Sciences from 1961 to 1963. As a Republican, he was elected to the City Council in Santa Monica, California, in 1965. He made a bid for the Republican nomination to contest a seat in Congress in 1966, but was defeated in the primary.

Corey was still serving on the Santa Monica City Council when he died on November 8, 1968 at the Motion Picture & Television Hospital in Woodland Hills, California. He was 54 years old.

Ben Stein (Benjamin J. Stein) was born on Nov. 25, 1944 in Washington, D.C. The son of noted economist and writer Herbert Stein, he grew up in Silver Spring, Md., and attended Montgomery Blair High School. Some of his classmates included journalist Carl Bernstein, and actors Goldie Hawn and Sylvester Stallone. He graduated from Columbia University in 1966 with honors in economics and as valedictorian of the 1970 Yale Law School class. He has worked as a poverty lawyer, a trial lawyer, a university adjunct (American University, University of California at Santa Cruz and Pepperdine University), a speech writer for Presidents Richard Nixon and Gerald Ford and a columnist for The Wall Street Journal, The Los Angeles Herald Examiner, King Features Syndicate, Los Angeles Magazine, New York Magazine, E! Online and The American Spectator. He also writes frequently for The Washington Post. Stein has written and published 16 books (seven novels, nine nonfiction books), the most recent of which is about life with his 12-year-old son, Tommy. He has been a longtime screenwriter and was one of the creators of the TV series Fernwood Tonight (1977). He has acted and made guest appearances in numerous movies and TV series, appears in many TV commercials and is the host of two Comedy Central TV series, Win Ben Stein's Money (1997) (October, 1997-2002) and Turn Ben Stein On (1999). He is married to entertainment-industry attorney Alexandra Denman, son Tom Stein,

Without a doubt Gary Coleman was THE child TV star of the late 1970s and early 1980s. A refreshingly confident little tyke with sparkling dark, saucer-like eyes and an ingratiating, take-on-anyone burst of personality, the boy charmed the pants right off of TV viewers the minute he was glimpsed in national commercials. Amazed by how mature he came across, Gary was in truth older than he looked, which was brought upon by a congenital kidney condition. Sadly, the pint-sized phenomena outgrew his chubby-cheeked welcome and found the course of his grown-up Hollywood career brutally rough and patchy. The fragile condition of his health coupled with this lack of adult career acceptance, sparked an aggressively defensive behavior mechanism in his adult years and led to great personal unhappiness, chronic legal/financial hassles and early death.

He was born Gary Wayne Coleman on February 8, 1968, to a homeless woman, and was adopted by a fork-lift operator and his nurse practitioner wife from a Chicago hospital when he was just a few days old. Raised in Zion, Illinois, it was discovered that little Gary had severe health issues before the age of 2. Born with one atrophied kidney and an endangering weak second one, he had two kidney transplants by the time he reached age 16 and the effects of his dialysis medication permanently stunted his growth (to 4'8").

A highly precocious comedy cut-up on-camera, Gary proved a natural in local Chicago commercials. As his commercials spread nationwide, audiences began wondering just who this diminutive dynamo was. Norman Lear's talent scout spotted him in a Chicago bank commercial (he was 9 at the time) and decided to reveal to the world who the little guy was. Brought in to brighten up such Lear sitcoms as "The Jeffersons" and "Good Times" (the latter as a friend of little Janet Jackson's character), NBC quickly recognized the boy's comedy prowess and handed the 10-year-old his own prime-time sitcom playground to mug in.

While Diff'rent Strokes (1978)'s underlying approach was to preach racial and social tolerance (it revolved around two lower-class African-American brothers from Harlem who are taken in and adopted by a wealthy, debonair Park Avenue white man after their housekeeper mother dies), the show's powers-that-be smartly deduced that it was the wisecracking gifts of young Coleman, who played the youngest brother, Arnold Jackson, that gave the show its spark. Deemed "NBC's Littlest Big Man," Gary's sly, pouting-lipped delivery of, "What'chu talkin' about, Willis?" soon became a popular American catchphrase.

Legendary comics such as Bob Hope and Lucille Ball absolutely gushed about the little boy's comedy genius and Gary soon became a hit on the talk show circuit, trading clever banter with the likes of Johnny Carson among others. The boy was also outfitted with a series of lightweight TV-movie showcases which included The Kid from Left Field (1979), Scout's Honor (1980), The Kid with the Broken Halo (1982), The Kid with the 200 I.Q. (1983), The Fantastic World of D.C. Collins (1984) and Playing with Fire (1985). All of them wisely centered around Gary's adorable persona. Modest film comedies also came his way with On the Right Track (1981) and Jimmy the Kid (1982). Topping it all off, the Hanna-Barbera-produced series The Gary Coleman Show (1982) produced an animated version of the child star. Little Gary would make close to $18 million during his nearly decade-long TV reign.

Like many others in his shoes, however, the aging Coleman felt trapped and pigeonholed by his stifling juvenile image and begged to get out from under it. The 18-year-old was truly thankful when the series ended in 1986. Coleman found, however, that a very fickle public was not as receptive to seeing him grow up. Like fellow TV star Emmanuel Lewis, Coleman began aging in appearance but remained trapped in the body of a young boy and the contrast proved too strange for audiences. As a result, Hollywood had little resources as to what to do with Gary Coleman the man. It wasn't long before Coleman was reduced to making weird guest appearances and small parts in even smaller films.

This crash course in reality triggered an increasingly erratic and aggressive behavior in Gary Coleman as he became increasingly angry and bitter about his lack of work when he was so used to be on top of everything. The subsequent tragedies suffered by all three young stars from the "Diff'rent Strokes" show, in fact, was sold out as a jinx package known as the "Diff'rent Strokes curse". While distaff co-star Dana Plato fell heavily into drug addiction, petty crime and pornography before taking her own life in 1999, Todd Bridges, who played Coleman's older brother, battled major cocaine abuse and was later charged (but acquitted of) attempted murder in the late 1980s.

In addition to his life-long health issues, Gary's adult problems came in the form of scattered financial and legal entanglements, as well as scrapes with the law. He was once arrested in 1999 for punching a persistent female autograph fan, in which he was fined and ordered to take anger-management classes. This became tabloid fodder for late night comics who joked that he must have landed "several good uppercuts." He also had many disorderly conduct and reckless driving charges brought up against him at various times. He would admit that the tally of his life problems led to more than a few feigned suicide attempts. In 1989, Coleman successfully sued his adopted parents and business manager after they allegedly pilfered his youthful fortune for their own self interest totaling $3.8 million in losses, and he won $1,280,000. Despite the large settlement, all of the money was soon spent on taxes, legal fees, as well as his increasingly high medical bills for his continuing dialysis treatments. As a result by 1999 (with no steady acting work) Coleman had to declare bankruptcy, finding work outside the Hollywood industry as a security guard. For self-preservation, he went the reality-show route and became the object of self-mocking cameos to help bring in some cash. As a gag, he ran for California's 2003 governorship during its recall election.

In 2007, he married the much younger actress Shannon Price, whom he met on the set of the low budget film Church Ball (2006), but the quickly marriage dissolved quickly into domestic squabbles that put him in front of the court system yet again on domestic abuse charges. He later moved and settled in Utah.

In early 2009, Coleman managed to star in his very last film, the crude independent comedy Midgets vs. Mascots (2009) filmed in Dallas, Texas before the end came. Following heart surgery complicated by pneumonia in the fall of 2009, he suffered a heart seizure in February 2010 while performing on a Hollywood set. The 42-year-old actor died of a brain hemorrhage on May 28, 2010, after suffering an epidural haematoma from a fall at home. A sad end to a very bright and talented, but very troubled and bitter, child star who, at his peak, brought such joy to TV audiences.