Legendary Actresses Who Beautiful Back in Their Days!

Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.

Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single "I Just Don't Understand" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname "sex kitten." Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play "A Streetcar Named Desire" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.

A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.

She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").

With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).

Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.

Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.

With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.

Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.

Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.

TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).

Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).

Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.

She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.

Many well known and highly identifiable actresses have tried and failed to make the arduous crossover from fizzy TV sitcom star to mature, dramatic artist. Usually it was their hardcore fans who refused to accept them in any other light. Sally Field and Elizabeth Montgomery come first to mind as two strong actresses, with even stronger TV comedy character personas to contend with, who managed to make the none-too-easy leap to serious dramatic stardom after the fact. And then there's THAT girl ... lovely, glowing brunette Marlo Thomas ... another prime example.

Born in Detroit, Michigan on November 21, 1937, Marlo was christened Margaret Julia Thomas. Raised within the mad Beverly Hills whirl of the entertainment business as the daughter of show business legend Danny Thomas, she was initially dissuaded from an acting career and began a half-hearted adult life as a school teacher.

Quickly switching to acting, however, Marlo began with early TV appearances in the late 1950's on such series as "Dobie Gillis," "77 Sunset Strip," "Thriller" and "Zane Grey Theatre" (an appearance with her father). Her first break came when she was cast as Joey Bishop's sister and aspiring actress on the sitcom The Bob Newhart Show (1961) for one season, and she continued to build up her small screen resumé with assorted guest shots on "Bonanza," "My Favorite Martian," "McHale's Navy," "The Donna Reed Show" and "Ben Casey."

Following her delightful work on the London stage as Corey in "Barefoot in the Park" in 1965, Marlo appeared in a failed TV pilot. The pilot was seen by ABC, and they had her tested for another sitcom lead and passed with flying colors. This one stuck did not fail. Audiences adored "That Girl" with the romantic entanglements and struggling ambition of Ann Marie, a single, independent and very trendy young lady in the real world as an actress wannabe. Marlo became an instant household name (as did co-star Ted Bessell) and earned a Golden Globe ("Best TV Star") and four Emmy nominations during the five-year run of the groundbreaking show.

Cancelling the show on her own terms in 1971, the smoky-voiced actress was faced with a huge task of breaking a stereotype as a perky, fresh-faced, wide-eyed innocent. Capitalizing on her TV fame, she immediately pursued serious film roles. Playing the title dramatic role of Jenny (1970) opposite Alan Alda, she portrayed an unwed, naïve, pregnant girl who marries a filmmaker for convenience sake and earned a Golden Globe nom for "Most Promising Newcomer" in the process. Still, the box office take was mild and the public needed more convincing. When she made her Broadway debut successfully in the Herb Gardner play "Thieves" opposite Richard Mulligan in 1975, she made another stab at films by recreating her stage role. The reviews for Thieves (1977) co-starring Charles Grodin this time (who directed her in the Broadway version) were underwhelming. She would meet talk show icon Phil Donahue on his daytime TV program while a guest promoting the Thieves (1977) movie. They wed in 1980.

During this time Marlo broadened her focus and combined her deep love for children and education with her show business career. She took home bookend Emmy Awards for producing the "Outstanding Children's Specials" Free to Be... You & Me (1974) and, later, Free to Be... a Family (1988). She would also win a Grammy for her children's album "Marlo Thomas & Friends." As for TV, she earned wonderful reviews starring in the ABC holiday mini-movie comedy It Happened One Christmas (1977) playing a troubled female version of James Stewart's protagonist in It's a Wonderful Life (1946) but it was her dramatic work in the TV movies The Lost Honor of Kathryn Beck (1984) Consenting Adult (1985) (Golden Globe nomination), Nobody's Child (1986) (Emmy Award, Golden Globe nomination), and Held Hostage: The Sis and Jerry Levin Story (1991), Ultimate Betrayal (1994) and Reunion (1994) that forever erased her pristine stereotype image and saw her as a dramatic force to be reckoned with.

Marlo's subsequent return visits to Broadway with the plays "Social Security" (1986) and "The Shadow Box" (1994) added to her list of successes and continued with demanding theater roles such as Beatrice in "The Effect of Gamma Rays on Man-in-the-Moon Marigold" (1990), Martha in "Who's Afraid of Virginia Woolf" (1992) and Ouisa in "Sex Degrees of Separation" (1992).

Marlo remained actively involved on TV in everything from classic comedy (as Jennifer Aniston's mom in Friends (1994) to adult drama as a lawyer/mentor in the highly-rated crime drama Law & Order: Special Victims Unit (1999), with other TV guest appearances including "Roseanne," "Ally McBeal," "Ugly Betty," "The New Normal" and an additional recurring role on Wet Hot American Summer: Ten Years Later (2017).

Sporadic filming into the millennium included the "Odd Couple"-styled comedy In the Spirit (1990) co-starring Elaine May and featuring May's daughter Jeannie Berlin who also co-wrote, and featured roles in the romantic comedy The Real Blonde (1997), the drama Starstruck (1998), the social comedy Playing Mona Lisa (2000), the Miley Cyrus romantic dramedy LOL (2012), the witty comedy The Female Brain (2017) and the action comedy Ocean's Eight (2018) headed by Sandra Bullock.

Younger brother/producer Tony Thomas and actress/sister Terre Thomas also involved themselves in show business careers. On a more personal level, Marlo is an accomplished author, humanitarian and social activist. She has also continued the tradition of her late father as National Outreach Director for St. Jude's Children Hospital for cancer research.

Ruby Dee was an American actress, poet, playwright, screenwriter, journalist and civil rights activist. She is best known for originating the role of "Ruth Younger" in the stage and film versions of A Raisin in the Sun (1961).

She also starred in The Jackie Robinson Story (1950), Cat People (1982), Do the Right Thing (1989), and American Gangster (2007).

Her film debut was That Man of Mine (1946).

For her performance as Mahalee Lucas in American Gangster (2007), she was nominated for the Academy Award for Best Supporting Actress. As of 2019, she stands as the second oldest nominee for Best Supporting Actress, behind Gloria Stuart who was 87 when nominated for her role in Titanic for the 70th Academy Awards, 1998.

Dee died on June 11, 2014, at her home in New Rochelle, New York, from natural causes at the age of 91.

Elizabeth Rosemond Taylor was considered one of the last, if not the last, major star to have come out of the old Hollywood studio system. She was known internationally for her beauty, especially for her violet eyes, with which she captured audiences early in her youth and kept the world hooked with ever after.

Taylor was born on February 27, 1932 in London, England. Although she was born an English subject, her parents, Sara Taylor (née Sara Viola Warmbrodt) and Francis Taylor, were Americans, art dealers from St. Louis, Missouri. Her father had moved to London to set up a gallery prior to Elizabeth's birth. Her mother had been an actress on the stage, but gave up that vocation when she married. Elizabeth lived in London until the age of seven, when the family left for the US when the clouds of war began brewing in Europe in 1939. They sailed without her father, who stayed behind to wrap up the loose ends of the art business.

The family relocated to Los Angeles, where Mrs. Taylor's own family had moved. Mr. Taylor followed not long afterward. A family friend noticed the strikingly beautiful little Elizabeth and suggested that she be taken for a screen test. Her test impressed executives at Universal Pictures enough to sign her to a contract. Her first foray onto the screen was in There's One Born Every Minute (1942), released when she was ten. Universal dropped her contract after that one film, but Elizabeth was soon picked up by MGM.

The first production she made with that studio was Lassie Come Home (1943), and on the strength of that one film, MGM signed her for a full year. She had minuscule parts in her next two films, The White Cliffs of Dover (1944) and Jane Eyre (1943) (the former made while she was on loan to 20th Century-Fox). Then came the picture that made Elizabeth a star: MGM's National Velvet (1944). She played Velvet Brown opposite Mickey Rooney. The film was a smash hit, grossing over $4 million. Elizabeth now had a long-term contract with MGM and was its top child star. She made no films in 1945, but returned in 1946 in Courage of Lassie (1946), another success. In 1947, when she was 15, she starred in Life with Father (1947) with such heavyweights as William Powell, Irene Dunne and Zasu Pitts, which was one of the biggest box office hits of the year. She also co-starred in the ensemble film Little Women (1949), which was also a box office huge success.

Throughout the 1950s, Elizabeth appeared in film after film with mostly good results, starting with her role in the George Stevens film A Place in the Sun (1951), co-starring her good friend Montgomery Clift. The following year, she co-starred in Ivanhoe (1952), one of the biggest box office hits of the year. Her busiest year was 1954. She had a supporting role in the box office flop Beau Brummell (1954), but later that year starred in the hits The Last Time I Saw Paris (1954) and Elephant Walk (1954). She was 22 now, and even at that young age was considered one of the world's great beauties. In 1955 she appeared in the hit Giant (1956) with James Dean.

Sadly, Dean never saw the release of the film, as he died in a car accident in 1955. The next year saw Elizabeth co-star with Montgomery Clift in Raintree County (1957), an overblown epic made, partially, in Kentucky. Critics called it dry as dust. In addition, Clift was seriously injured during the film, with Taylor helping save his life. Despite the film's shortcomings and off-camera tragedy, Elizabeth was nominated for an Academy Award for her portrayal of Southern belle Susanna Drake. However, on Oscar night the honor went to Joanne Woodward for The Three Faces of Eve (1957).

In 1958 Elizabeth starred as Maggie Pollitt in Cat on a Hot Tin Roof (1958). The film received rave reviews from the critics and Elizabeth was nominated again for an Academy Award for best actress, but this time she lost to Susan Hayward in I Want to Live! (1958). She was still a hot commodity in the film world, though. In 1959 she appeared in another mega-hit and received yet another Oscar nomination for Suddenly, Last Summer (1959). Once again, however, she lost out, this time to Simone Signoret for Room at the Top (1958). Her Oscar drought ended in 1960 when she brought home the coveted statue for her performance in BUtterfield 8 (1960) as Gloria Wandrous, a call girl who is involved with a married man. Some critics blasted the movie but they couldn't ignore her performance. There were no more films for Elizabeth for three years. She left MGM after her contract ran out, but would do projects for the studio later down the road. In 1963 she starred in Cleopatra (1963), which was one of the most expensive productions up to that time--as was her salary, a whopping $1,000,000. The film took years to complete, due in part to a serious illness during which she nearly died.

This was the film where she met her future and fifth husband, Richard Burton (the previous four were Conrad Hilton, Michael Wilding, Mike Todd--who died in a plane crash--and Eddie Fisher). Her next films, The V.I.P.s (1963) and The Sandpiper (1965), were lackluster at best. Elizabeth was to return to fine form, however, with the role of Martha in Who's Afraid of Virginia Woolf? (1966). Her performance as the loudmouthed, shrewish, unkempt, yet still alluring Martha was easily her finest to date. For this she would win her second Oscar and one that was more than well-deserved. The following year, she and Burton co-starred in The Taming of The Shrew (1967), again giving winning performances. However, her films afterward were box office failures, including Reflections in a Golden Eye (1967), The Comedians (1967), Boom! (1968) (again co-starring with Burton), Secret Ceremony (1968), The Only Game in Town (1970), X, Y & Zee (1972), Hammersmith Is Out (1972) (with Burton again), Ash Wednesday (1973), Night Watch (1973), The Driver's Seat (1974), The Blue Bird (1976) (considered by many to be her worst), A Little Night Music (1977), and Winter Kills (1979) (a controversial film which was never given a full release and in which she only had a small role). She later appeared in some movies, both theatrical and made-for-television, and a number of television programs. In February 1997, Elizabeth entered the hospital for the removal of a brain tumor. The operation was successful. As for her private life, she divorced Burton in 1974, only to remarry him in 1975 and divorce him, permanently, in 1976. She had two more husbands, U.S. Senator John Warner and construction worker Larry Fortensky, whom she met in rehab.

In 1959, Taylor converted to Judaism, and continued to identify herself as Jewish throughout her life, being active in Jewish causes. Upon the death of her friend, actor Rock Hudson, in 1985, she began her crusade on behalf of AIDS sufferers. In the 1990s, she also developed a successful series of scents. In her later years, her acting career was relegated to the occasional TV-movie or TV guest appearance.

Elizabeth Taylor died on March 23, 2011 in Los Angeles, from congestive heart failure. Her final resting place is Forest Lawn Memorial Park, in Glendale, California.

Lynda Jean Cordova Carter is an American actress, singer, and beauty pageant titleholder who was crowned Miss World USA 1972 and finished in the top 15 at the Miss World 1972 pageant. Carter is best known as the star of the live-action television series Wonder Woman, in the role of Diana Prince / Wonder Woman. The role was based on the DC comic book fictional superhero character of the same name, and aired on ABC and later on CBS from 1975 to 1979.

Lindsay Wagner makes little distinction between her life as an actress, advocate, mother or author. What unites these various parts is a commitment through her work and her personal life to exploring and advancing human potential.

Lindsay first came to prominence in the critically-acclaimed role of Susan Fields in The Paper Chase (1973), but received household recognition worldwide when she broke the mold for women on television with her iconic portrayal of Jaime Sommers. As she collaborated with the writers, The Bionic Woman (1976) became an inspiration around the world and, in 1977, Lindsay won the Emmy for "Outstanding Lead Actress in a Drama Series".

Her now-strong influence in the media and a desire to use that as a way to communicate ideas to help people in their personal journey is demonstrated in so many of the films in which she starred, such as: The Incredible Journey of Doctor Meg Laurel (1979), the struggle between naturopathic and allopathic healthcare (1979); I Want to Live (1983), the moral dilemma regarding capital punishment (1983); Child's Cry (1986), child sexual abuse (1986); The Taking of Flight 847: The Uli Derickson Story (1988), some root complexities of terrorism (1988); Evil in Clear River (1988), the quiet rise of the Neo-Nazi movement in America (1988); Shattered Dreams (1990), on family violence, which she also co-produced (1991); Fighting for My Daughter (1995), highlighting the problem of teen prostitution (1995); Thicker Than Water (2005), expressing compassion for the animal kingdom and the importance of family (2005); Four Extraordinary Women (2006), the emotional effect of breast cancer on family members (2006). As a result of the volume of her successful productions, she was often referred to as the "Queen of TV Movies".

Lindsay has long been acknowledged as one of the top leading spokespersons in the United States, a role she took very seriously with regard to the impact it would have on the public, which in turn reinforced her position as a respected voice in the community. She was given a Genii Award as "Performer of the Year" in 1985. Lindsay has co-authored a bestselling vegetarian cookbook, "The High Road to Health" (1990) and "Lindsay Wagner's New Beauty: The Acupressure Facelift" (1986). She has recently released a meditation CD, "Open to Oneness".

Off-screen, Lindsay is passionate about the study and sharing of holistic healing modalities, integrating mind, body and spirit. For 25 years, she has been the Honorary Chair of ICAN (Inter-Agency Council on Child Abuse and Neglect). She has also been heavily involved in human rights, domestic violence, animal welfare and the environment. From 2003-2006, in collaboration with the Los Angeles County Sheriff's Department, Lindsay co-facilitated a counseling group for convicted batterers and their families. Her work utilized a range of psychological and spiritual techniques.

For the public, Lindsay facilitates experiential "Quiet the Mind & Open the Heart" workshops and retreats. These programs are designed to help overcome our own personal challenges, while accessing the peace and joy that is naturally within us. Lindsay offers these programs to the public as well as special interest groups as a way of sharing, that which has greatly impacted her life.

Whitney Elizabeth Houston was born into a musical family on 9 August 1963, in Newark, New Jersey, the daughter of gospel star Cissy Houston (née Emily Lee Drinkard) and John Russell Houston, Jr., and cousin of singing star Dionne Warwick.

She began singing in the choir at her church, The New Hope Baptist Church in Newark, as a young child and by the age of 15 was singing backing vocals professionally with her mother on Chaka Khan's 1978 hit, 'I'm Every Woman'. She went on to provide backing vocals for Lou Rawls, Jermaine Jackson and her own mother and worked briefly as a model, appearing on the cover of 'Seventeen' magazine in 1981.

She began working as a featured vocalist for the New York-based funk band Material and it was the quality of her vocal work with them that attracted the attention of the major record labels, including Arista with whom she signed in 1983 and where she stayed for the rest of her career.

Her debut album, 'Whitney Houston', was released in 1985 and became the biggest-selling album by a debut artist. Several hit singles, including 'Saving All My Love For You', 'How Will I Know', 'You Give Good Love', and 'The Greatest Love of All', were released from the album, setting her up for a Beatles-beating seven consecutive US number ones. The album itself sold 3 million copies in its first year in the US and went on to sell 25 million worldwide, winning her the first of her six Grammies.

The 1987 follow-up album, 'Whitney', which included the hits 'Where Do Broken Hearts Go' and 'I Wanna Dance With Somebody', built on her success but it was the 1992 film The Bodyguard (1992) that sealed her place as one of the best-selling artists of all time. While the movie itself and her performance in it were not highly praised, the soundtrack album and her cover of the Dolly Parton song 'I Will Always Love You' topped the singles and albums charts for months and sold 44 million copies around the world.

That same year she married ex-New Edition singer Bobby Brown with whom she had her only child, their daughter Bobbi Kristina Brown in March 1993. It was about this time that her much documented drug use began and by 1996 she was a daily user.

Her 1998 album, 'My Love Is Your Love' was well reviewed but the drug abuse began to affect her reputation and press reports at the time said that she was becoming difficult to work with, if she turned up at all. She was dropped from a performance at The 72nd Annual Academy Awards (2000) because she was "out of it" at rehearsals. Her weight fluctuated wildly - she was so thin at a 'Michael Jackson' tribute in 2001 that rumors circulated the next day that she had died - and her voice began to fail her. She was twice admitted to rehab and declared herself drug-free in 2010 but returned to rehab in May 2011.

Her 2009 comeback album 'I Look To You' was positively received and sold well, but promotional performances were still marred by her weakened voice. Her final acting performance was in Sparkle (2012) (a remake of the 1976 movie, Sparkle (1976)), released after her death.

She was found dead in a Beverly Hills hotel room on 11 February 2012.

Captivating, gifted, and sensational, Angela Bassett's presence has been felt in theaters and on stages and television screens throughout the world. Angela Evelyn Bassett was born on August 16, 1958 in New York City, to Betty Jane (Gilbert), a social worker, and Daniel Benjamin Bassett, a preacher's son. Bassett and her sister D'nette grew up in St. Petersburg, Florida with their mother. As a single mother, Betty stressed the importance of education for her children. With the assistance of an academic scholarship, Bassett matriculated into Yale University. In 1980, she received her B.A. in African-American studies from Yale University. In 1983, she earned a Master of Fine Arts Degree from the Yale School of Drama. It was at Yale that Bassett met her husband, Courtney B. Vance, a 1986 graduate of the Drama School.

Bassett first appeared in small roles on The Cosby Show (1984) and Spenser: For Hire (1985), but it was not until 1990 that a spate of television roles brought her notice. Her breakthrough role, though, was playing Tina Turner, whom she had never seen perform before taking the role, in What's Love Got to Do with It (1993). Bassett's performance earned her an Academy Award nomination and a Golded Globe Award for Best Actress.

Florence Henderson was considered by protocol executive Jerold Franks, CSA to be "...one of the most generous stars I have ever worked with." Los Angeles, New York and all parts of the country, Florence has helped raise millions of dollars for various charitable organizations.

Jerold Franks, friend and confidante to actress Mary Martin as well as producer of Ms. Martin's Celebration of Life moved the date of the tribute at the Majestic Theatre in New York out of respect to Mary and Florence's personal friendship as well as having played the role of "Maria" for hundreds of performances. Any Mary Martin tribute can never not include Florence Henderson. I love her as a performer and very proud to call her a friend. Franks was introduced to her late and second husband, John Kappas. Franks' credits his friend Florence for introducing him to certified hypnotist John Kappas to deal with the death of Franks' only son.

Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age, she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child, she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but didn't know why. At odd times, she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.

After graduation, Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.

The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).

After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over, she eyed a script that would change her life forever. Her new agent referred her to a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot starred in numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).

In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer became infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the process. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then, she resumed her career in film, television, and theatre, including appearing in a Canadian stage production of "The Vagina Monologues", and in films like The Clown at Midnight (1998).

Margot died on May 13, 2018, in Livingston, Montana.

Farrah Fawcett is a true Hollywood success story. Born in Texas, she was the daughter of Pauline Fawcett (Pauline Alice Evans), a homemaker, and James Fawcett, an oil field contractor. She was a natural athlete, something that her father encouraged, and she attended a high school with a strong arts program. She attended the University of Texas in Austin, graduating with a degree in Microbiology, but only wanted to be an actress.

Winning a campus beauty contest got her noticed by an agent, who encouraged her to pursue acting. After graduating, she moved to Los Angeles and her healthy, all-American blond beauty was immediately noticed. She quickly got roles in various television commercials for such products as Ultra-Brite toothpaste, and Wella Balsam shampoo, and also made appearances in some TV series. In 1968, she met another Southerner, actor Lee Majors, star of the popular TV series The Big Valley (1965), on a blind date set up by their publicists. He became very taken with her and also used his own standing to promote her career. In 1969, she made her film debut in Love Is a Funny Thing (1969). The next year, she appeared in the film adaptation of the Gore Vidal bestselling novel Myra Breckinridge (1970). The shooting was very unpleasant, with much feuding on the set, and Farrah was embarrassed by the finished film, which was a major failure. But Farrah was undamaged and continued to win roles. In 1973, she and Majors married, and the following year, she won a recurring role in the crime series, Harry O (1973). She had her first taste of major success when she won a supporting role in the science fiction film, Logan's Run (1976). She came to the attention of the highly successful producer Aaron Spelling, who was impressed by her beauty and vivacious personality. That won her a role in the TV series, Charlie's Angels (1976). She played a private investigator who works for a wealthy and mysterious businessman, along with two other glamorous female detectives, played by Kate Jackson and Jaclyn Smith. The show immediately became the most popular series on television, earning record ratings and a huge audience. All three actresses became very popular, but Farrah became, by far, the best known. She won the People's Choice Award for Favorite Female Performer in a New TV program in 1977. Her lush, free-wheeling, wavy blond hair also became a phenomenon, with millions of women begging their hairstylists to give them "The Farrah", as her hairstyle was called. Fawcett was also a savvy businesswoman, and she received 10% profit from the proceeds of her famous poster in a red swimsuit. It sold millions and she became the "It Girl" of the 1970s.

Fawcett was America's sweetheart and found herself on every celebrity magazine and pursued by photographers and fans. While she enjoyed the success and got along well with her co-stars (both of whom were also of Southern origin), she found the material lightweight. Also, the long hours she worked were beginning to take a toll on her marriage to Majors, who found himself eclipsed by her popularity. So the following year, when the show was at its peak, she left to pursue a movie career. Charlie's Angels' producers sued her, and the studios shied away from her, and she lost out on the lead role in the hit feature film Foul Play (1978) to Goldie Hawn. Eventually, she and the Charlie's Angels producers reached a settlement, where she would make guest appearances on the series. As a result of the negative publicity and some poor script choices, her career briefly hit a slow spot. In addition, she and Majors separated in 1979. She had starring roles in Somebody Killed Her Husband (1978), Sunburn (1979), and Saturn 3 (1980) (which she did a topless scene in), but all three failed financially. She appeared in the Burt Reynolds chase comedy The Cannonball Run (1981), which was successful financially, but it was met not only with bad reviews but also with bad publicity when Farrah's stunt double Heidi Von Beltz was involved in a stunt that went horribly wrong and left her a quadriplegic. Farrah's feature film career came to a halt, and she and Majors were drifting apart. In 1981, she met Ryan O'Neal, a friend of her husband's, and they began became friends and spent a great deal of time together. He also encouraged her to go back to television and she received good reviews in the well-received miniseries, Murder in Texas (1981). In 1982, she filed for divorce, which Majors readily agreed to. Soon, she and O'Neal were a couple and moved in together. She set on sights on becoming a serious dramatic actress. She took over for Susan Sarandon in the stage play, "Extremities", where she played a rape victim who turns the tables on her rapist. That, in turn, led her to her major comeback, when she starred in the searing story of a battered wife in The Burning Bed (1984), based on a true story. It garnered a very large audience, and critics gave her the best reviews she had ever received for her heartfelt performance. She was nominated for both an Emmy and Golden Globe and also became involved in helping organizations for battered women. The following year, she and O'Neal became the parents of a son, Redmond O'Neal. She tried to continue her momentum with a starring role in the feature film adaptation of Extremities (1986), and while she garnered a Golden Globe nomination, the film, itself, was not a hit.

She continued to seek out serious roles, appearing mainly on television. She scored success again in Small Sacrifices (1989), again based on a true crime. Portraying an unhappy woman who is so obsessed with the man she loves that she shoots her children to make herself available and disguises it as a carjacking, Farrah again won rave reviews and helped draw a large audience, and was nominated for an Emmy again. Shortly afterwards, she and O'Neal co-starred in Good Sports (1991), playing a couple who co-star in a sports news program, but O'Neal's performance was lambasted and only 9 episodes were aired. In 1995, she surprised her fans by posing for "Playboy" at the age of 48, it became the magazine's best-selling issue of that decade.

Her relationship with O'Neal was deteriorating, however, and in 1997, they broke up. The breakup took a toll, and she posed for Playboy again at the age of 50. To promote it, she appeared on Late Show with David Letterman (1993) and gave a rambling interview, sparking rumors of drug use. That same year, however, she made another comeback in The Apostle (1997), playing the neglected wife of a Pentacostal preacher, played by Robert Duvall. Both stars were praised and the film became a surprise hit. She also began dating James Orr, who had directed her earlier in the feature film, Man of the House (1995). An incident occurred between them in 1998, and Farrah suffered injuries. The scandal drew nationwide headlines, especially after the tabloids published photos of Farrah with her injuries. The authorities compelled Fawcett to testify against Orr in court, and he was found guilty of assault and given a minimum sentence. Embarrassed, she lowered her profile and her career lost momentum, but she continued to work in television and films. She and O'Neal also started seeing each other again, when he was diagnosed with leukemia. The new millennium brought her highs and lows. In 2000, she acted with Richard Gere in Robert Altman's film, Dr. T & the Women (2000). Her son Redmond has had problems with drug abuse and has been in and out of jail. In 2001, she lost her only sister, Diane Fawcett Walls, to cancer. In 2004, she received her third Emmy nomination for her performance in The Guardian (2003), and she starred in her own reality show, titled Chasing Farrah (2005), in 2005 along with Ryan O'Neal, but that ended after only 7 episodes. That same year, she was devastated when her beloved mother, Pauline Fawcett, died. In 2006, producer Aaron Spelling died, and she famously reunited with her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, at the Emmys, in a tribute to him. She looked tan and healthy, but soon, she was diagnosed with anal cancer. She asked her friend Alana Stewart to accompany her and videotape her during her doctor's visits. Those video journals resulted in the documentary Farrah's Story (2009), co-executive produced by Fawcett. It aired in 2009, and viewers were shocked to see Farrah with a shaved head and in a continuous state of pain. Ryan O'Neal and Alana Stewart were constantly by her side, and her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, also visited her, marking the final time that all three original Angels appeared together on television. The documentary became a ratings success, and it earned a Emmy nomination as Outstanding Nonfiction Special. On June 25, 2009 Farrah lost her battle with cancer and passed away at aged 62. She left the bulk of her estate to her only son Redmond, and her trust fund allowed for the creation of The Farrah Fawcett Foundation, which provides funding for cancer research and prevention. Alana Stewart is the president of the Foundation and Jaclyn Smith's husband Dr. Brad Allen is one of the Board of Directors. Ryan O'Neal and Farrah's nephew, Greg Walls, are also on the Advisory Board, keeping alive her legacy.

Jaclyn Smith was born Jacquelyn Ellen Smith on October 26, 1945 in Houston, Texas. She graduated from high school and originally aspired to be a famous ballerina. In 1973, she landed a job as a Breck shampoo model. In 1976, she was offered a chance to star in a new pilot for a planned television series, entitled Charlie's Angels (1976). The pilot was slick and the show was an instant hit when it debuted on September 22, 1976 on ABC.

Smith is the only original "Angel" to stay with the show through its entire five-season run (1976-81). She is also the only "Angel" from the television series to make an appearance in either of the movie adaptations. (She had an uncredited cameo in Charlie's Angels: Full Throttle (2003) as "Kelly Garrett", offering advice to the new generation of angels.)

After Charlie's Angels (1976), she went the TV-movie route and starred in such TV films as Jacqueline Bouvier Kennedy (1981) for which she received a Golden Globe nomination, and such miniseries as The Bourne Identity (1988), Rage of Angels (1983) and Windmills of the Gods (1988). She has had her own extremely successful clothing line at Kmart since 1985, and is often a spokesperson.

Her first two marriages to actors Roger Davis and Dennis Cole ended in divorce. She has two children from her third marriage to cinematographer Anthony B. Richmond (they divorced in 1989). Her fourth marriage is to physician Dr. Brad Allen. She married him in 1997; the two created the skincare line which Smith promotes.

Lucy Kate Jackson was born in Birmingham, AL on October 29.1948. She attended the University of Mississippi but left during her sophomore year to begin studying at the American Academy of Dramatic Arts. She was a supporting cast member on Dark Shadows (1966) (Daphne, 1970-1971) and on The Rookies (1972) (Jill Danko, 1972-1976). She starred as one of the original Angels (Sabrina Duncan, 1976-1979) on the mega-hit show Charlie's Angels (1976). She delighted fans as the dauntless Amanda King in the television show Scarecrow and Mrs. King (1983) which was partially owned by her production company, Shoot the Moon Enterprises. She appeared in numerous other film and television productions. She is an actor, director and producer.

Liza Minnelli was born on March 12, 1946, the daughter of Judy Garland and movie director Vincente Minnelli. She was practically raised at MGM studios while her parents worked long hours there and she made her film debut at 14 months of age in the movie In the Good Old Summertime (1949). Her parents divorced in 1951 and, in 1952, her mother married Sidney Luft, with sister Lorna Luft and brother Joey Luft subsequently being born. Her father, Vincente Minnelli, later married Georgette Magnani, mother of her half-sister Christiane Nina "Tina Nina" Minnelli.

At 16, Liza was on her own in New York City, struggling to begin her career in show business. Her first recognition came for the play "Best Foot Forward" which ran for seven months in 1963. The following year, Judy invited Liza to appear at a show with her at the London Palladium. This show sold out immediately and a second night was added to it. Liza's performance in London was a huge turning point in both her career and her relationship with her mother. The audience absolutely loved Liza and Judy realized that Liza was now an adult with her own career. It was at the Palladium where Liza met her first husband, Peter Allen, a friend of Judy's.

Liza won a Tony award at age 19 and was nominated for her first Academy Award at age 23 for the role of Pookie Adams in The Sterile Cuckoo (1969). Other dramatic roles followed and, in 1972, she won an Oscar for her performance as Sally Bowles in the movie Cabaret (1972). The 1970s were a busy time for Liza. She worked steadily in film, stage, and music. She and her good friend Halston were regulars at Studio 54, the trendiest disco club in the world. Marriages to filmmaker Jack Haley Jr. and Mark Gero, a sculptor who earned his living in the theater, followed. Each marriage ended in divorce.

Over the past years, her career has leaned more towards stage performances and she has a long list of musical albums to which she continues to add. She teamed with Frank Sinatra in his "Duets" CD, and Sammy Davis Jr. joined them for a series of concerts and TV shows that were extremely well-received.

She has had to deal with tabloid stories of drug abuse and ill-health and has had a number of high profile stays at drug-rehabilitation clinics. Her hectic schedule may have slowed down in recent years, but she still has a large following of immensely loyal fans who continue to cheer her on.

Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.

Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in The Deer Hunter (1978). She went on to win the Academy Award for her performances in Kramer vs. Kramer (1979) and Sophie's Choice (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.

A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Silkwood (1983); Out of Africa (1985); Ironweed (1987); and A Cry in the Dark (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in The Bridges of Madison County (1995) and as the prodigal daughter in Marvin's Room (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving ...First Do No Harm (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."

Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.

Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.

Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.

Rebecca De Mornay was born 1959 as Rebecca Jane Pearch, in Santa Rosa, CA, to Wally George and Julie Eager. Her parents divorced when she was young, and her mother moved to Pasadena and married Richard De Mornay, who adopted her. After her stepfather's untimely death in 1962, Rebecca's mother moved her and her half-brother Peter to Europe, where she was raised primarily in England and Austria. In 1977, Rebecca graduated "summa cum laude" from a German-speaking high school in the Austrian alps, and still speaks fluent German and French.

She began her acting training in Los Angeles at Lee Strasberg's Institute, became an apprentice at Francis Ford Coppola's Zoetrope Film Studio, and soon thereafter made her film debut in One from the Heart (1981). Her breakthrough came in the box office hit Risky Business (1983), in which she gave a seductive and critically acclaimed performance as a streetwise prostitute opposite Tom Cruise. She went on to international stardom with her portrayal of a chillingly twisted nanny in the hugely popular The Hand That Rocks the Cradle (1992). Other acclaimed film work includes Runaway Train (1985) (with Jon Voight), The Trip to Bountiful (1985) (with Geraldine Page), Backdraft (1991) (with Kurt Russell).

Network television work includes the tour-de-force role of Arlie in the stellar Getting Out (1994) (based on Marsha Norman's play), the tragic title character in Dominick Dunne's An Inconvenient Woman (1991) (with Jason Robards), the remake of The Shining (1997) (produced by Stephen King), a multi-episode story arc about a cancer survivor on ER (1994) and Hallmark Hall of Fame's Night Ride Home (1999) (with Ellen Burstyn).

On stage, she starred as Billie Dawn in "Born Yesterday" (1988) at the Pasadena Playhouse, as Charlotte Corday in "Marat/Sade" (1990) at the Williamstown Festival, and as Anna in "Closer" (2000) at the Mark Taper Forum.

Rebecca's directing debut was with a segment of Showtime's The Outer Limits (1995) starring John Savage and Frank Whaley. Divorced from producer/screenwriter Bruce Wagner, Rebecca has two daughters, Sophia DeMornay-O'Neal and Veronica De Mornay-O'Neal, both fathered by sportscaster Patrick O'Neal, who is eight years her junior.

A beloved, twinkly blue-eyed doyenne of stage and screen, actress Jessica Tandy's career spanned nearly six and a half decades. In that span of time, she enjoyed an amazing film renaissance at age 80, something unheard of in a town that worships youth and nubile beauty. She was born Jessie Alice Tandy in London in 1909, the daughter of Jessie Helen (Horspool), the head of a school for mentally handicapped children, and Harry Tandy, a traveling salesman. Her parents enrolled her as a teenager at the Ben Greet Academy of Acting, where she showed immediate promise. She was 16 when she made her professional bow as Sara Manderson in the play "The Manderson Girls", and was subsequently invited to join the Birmingham Repertory Theatre. Within a couple of years, Jessica was making a number of other debuts as well. Her first West End play was in "The Rumour" at the Court Theatre in 1929, her Gotham bow was in "The Matriarch" at the Longacre Theatre in 1930, and her initial film role was as a maid in The Indiscretions of Eve (1932).

Jessica married British actor Jack Hawkins in 1932 after the couple had met performing in the play "Autumn Crocus" the year before. They had one daughter, Susan, before parting ways after eight years of marriage. An unconventional beauty with slightly stern-eyed and sharp, hawkish features, she was passed over for leading lady roles in films, thereby focusing strongly on a transatlantic stage career throughout the 1930s and 1940s. She grew in stature while enacting a succession of Shakespeare's premiere ladies (Titania, Viola, Ophelia, Cordelia). At the same time, she enjoyed personal successes elsewhere in such plays as "French Without Tears", "Honour Thy Father", "Jupiter Laughs", "Anne of England" and "Portrait of a Madonna". And then she gave life to Blanche DuBois.

When Tennessee Williams' masterpiece "A Streetcar Named Desire" opened on Broadway on December 3, 1947, Jessica's name became forever associated with this entrancing Southern belle character. One of the most complex, beautifully drawn, and still sought-after femme parts of all time, she went on to win the coveted Tony award. Aside from introducing Marlon Brando to the general viewing public, "Streetcar" shot Jessica's marquee value up a thousandfold. But not in films.

While her esteemed co-stars Brando, Kim Hunter and Karl Malden were given the luxury of recreating their roles in Elia Kazan's stark, black-and-white cinematic adaptation of A Streetcar Named Desire (1951), Jessica was devastatingly bypassed. Vivien Leigh, who played the role on stage in London and had already immortalized another coy, manipulative Southern belle on celluloid (Scarlett O'Hara), was a far more marketable film celebrity at the time and was signed on to play the delusional Blanche. To be fair, Leigh was nothing less than astounding in the role and went on to deservedly win the Academy Award (along with Malden and Hunter). Jessica would exact her revenge on Hollywood in later years.

In 1942, she entered into a second marriage, with actor/producer/director Hume Cronyn, a 52-year union that produced two children, Christopher and Tandy, the latter an actor in her own right. The couple not only enjoyed great solo success, they relished performing in each other's company. A few of their resounding theatre triumphs included the "The Fourposter" (1951), "Triple Play" (1959), "Big Fish, Little Fish (1962), "Hamlet" (he played Polonius; she played Gertrude) (1963), "The Three Sisters (1963) and "A Delicate Balance." They supported together in films too, their first being The Seventh Cross (1944). In the film The Green Years (1946), Jessica, who was two years older than Cronyn, actually played his daughter! Throughout the 1950s, they built up a sturdy reputation as "America's First Couple of the Theatre."

In 1963, Jessica made an isolated film appearance in Alfred Hitchcock's classic The Birds (1963). Low on the pecking order at the time (pun intended), Hitchcock gave Jessica a noticeable secondary role, and Jessica made the most of her brittle scenes as the high-strung, overbearing mother of Rod Taylor, who witnesses horror along the California coast. It was not until the 1980s that Jessica (and Hume, to a lesser degree) experienced a mammoth comeback in Hollywood.

Alongside Hume she delighted movie audiences in such enjoyable fare as Honky Tonk Freeway (1981), The World According to Garp (1982), Cocoon (1985) and *batteries not included (1987). In 1989, however, octogenarian Jessica was handed the senior citizen role of a lifetime as the prickly Southern Jewish widow who gradually forms a trusting bond with her black chauffeur in the genteel drama Driving Miss Daisy (1989). Jessica was presented with the Oscar, Golden Globe and British Film Awards, among others, for her exceptional work in the film that also won "Best Picture". Deemed Hollywood royalty now, she was handed the cream of the crop in elderly film parts and went on to win another Oscar nomination for Fried Green Tomatoes (1991) a couple of years later.

Jessica also enjoyed some of her biggest stage hits ("Streetcar" notwithstanding) during her twilight years, earning two more Tony Awards for her exceptional work in "The Gin Game" (1977) and "Foxfire" (1982). Both co-starred her husband, Hume, and both were beautifully transferred by the couple to television. Diagnosed with ovarian cancer in 1990, Jessica bravely continued working with Emmy-winning distinction on television. She died of her illness on September 11, 1994. Her last two films, Nobody's Fool (1994) and Camilla (1994), were released posthumously.

Demi Moore was born 1962 in Roswell, New Mexico. Her father Charles Harmon left her mother Virginia Guynes (née King) before Demi was born. Her stepfather Danny Guynes didn't add much stability to her life either. He frequently changed jobs and made the family move a total of 40 times. The parents kept on drinking, arguing and beating, until Guynes finally committed suicide. Demi quit school at the age of 16 to work as a pin-up girl. At 18 she married rock musician Freddy Moore; the marriage lasted four years. At 19 she became a regular on the soap opera General Hospital (1963). From the first salaries she started partying and sniffing cocaine. That lasted more than 3 years, until director Joel Schumacher threatened to fire her from the set of St. Elmo's Fire (1985) when she turned up high. She got a withdrawal treatment and returned clean after a week, and stayed clean. With determination and a skill for publicity stunts, like the nude appearance on cover of Vanity Fair while pregnant, she made her way to fame. Since the huge commercial success of Ghost (1990) and the controversial pictures Indecent Proposal (1993) and Disclosure (1994) she's one of Hollywood's most sought-after and most expensive actresses.

Sharon Stone was born and raised in Meadville, a small town in Pennsylvania. Her strict father was a factory worker, and her mother was a homemaker. She was the second of four children. At the age of 15, she studied in Saegertown High School, Pennsylvania, and at that same age, entered Edinboro State University of Pennsylvania, and graduated with a degree in creative writing and fine arts. She was a very smart girl (with an IQ of 154), became a bookworm, and once was told that a suitable job for her (and her brains) was to become a lawyer. However, her first love was still the black-and-white movies, especially those featuring Fred Astaire and Ginger Rogers. So, the 17-year-old Sharon got herself into the Miss Crawford County and won the beauty contest.

From working part-time as a McDonald's counter girl, she worked her way up to become a successful Ford model, both in TV commercials and print ads. In 1980, she made her acting debut in Woody Allen's Stardust Memories (1980) as "pretty girl in train". Her first speaking part, though, was in Wes Craven's horror movie, Deadly Blessing (1981). She struggled through many parts in B-movies, notably King Solomon's Mines (1985) and Action Jackson (1988). She was also married in 1984 to Michael Greenburg, the producer of MacGyver (1985), but they divorced two years later.

She finally got her big break with Arnold Schwarzenegger in Total Recall (1990) and also posed nude for Playboy, a daring move for a 32-year-old actress. But it worked; she landed the breakthrough role as a sociopath novelist, "Catherine Tramell", in Basic Instinct (1992). Her interrogation scene has become a classic in film history and her performance captivated everyone, from MTV viewers, who honored her with Most Desirable Female and Best Female Performance Awards, to a Golden Globe nomination for Best Actress. After she got famous, she didn't want to be typecast, so she played a victim in Sliver (1993), and, in Intersection (1994), she was the aloof, estranged wife of Richard Gere. These movies didn't "work," so she got herself again into more aggressive roles , such as The Specialist (1994) with Sylvester Stallone and The Quick and the Dead (1995) with Gene Hackman.

But it wasn't until she played a beautiful but drug-crazy wife of Robert De Niro in Casino (1995) that she got far more than just fame and fortune--she also received the acknowledgment of the movie industry for her acting ability. She received her first Golden Globe and an Oscar nomination. She did a couple of films afterwards, teaming up with Isabelle Adjani in Diabolique (1996), and as a woman waiting for her death penalty in Last Dance (1996). In 1998, she married a newspaper editor,Phil Bronstein but they divorced later in 2004. She received her third Golden Globe nomination for The Mighty (1998), a film that her company, "Chaos", also co-executive produced. The next year, she played the title role in Gloria (1999) and entered her first comedic role in The Muse (1999), which gave her another Golden Globe nomination.

Sharon Stone, a diva who thoroughly enjoys her hard-won stardom, is now a mother of three children: Roan, Laird and Quinn.

Michelle Pfeiffer was born in Santa Ana, California to Dick and Donna Pfeiffer. She has an older brother and two younger sisters - Dedee Pfeiffer, and Lori Pfeiffer, who both dabbled in acting and modeling but decided against making it their lives' work. She graduated from Fountain Valley High School in 1976, and attended one year at the Golden West College, where she studied to become a court reporter. But it was while working as a supermarket checker at Vons, a large Southern California grocery chain, that she realized her true calling. She was married to actor/director Peter Horton ("Gary" of Thirtysomething (1987)) in 1981. They were later divorced, and she then had a three year relationship with actor Fisher Stevens. When that didn't work out, Pfeiffer decided she didn't want to wait any longer before having her own family, and in March of 1993, she adopted a baby girl, Claudia Rose. On November 13th of the same year, she married lawyer-turned-writer/producer David E. Kelley, creator of Picket Fences (1992), Chicago Hope (1994), The Practice (1997), and Boston Public (2000). On August 5, 1994 their son, John Henry was born.

Sade was born on 16 January 1959 in Ibadan, Nigeria. She is a music artist and composer, known for A Wrinkle in Time (2018), True Lies (1994) and Scott Pilgrim vs. the World (2010). She was previously married to Carlos Scola.

Gloria Estefan was born on 1 September 1957 in Havana, Cuba. She is a music artist and actress, known for Music of the Heart (1999), Poseidon (2006) and The Specialist (1994). She has been married to Emilio Estefan Jr. since 2 September 1978. They have two children.

Oprah Gail Winfrey , often known simply as Oprah, is an American talk show host, television producer, actress, author, and philanthropist. She is best known for her talk show, The Oprah Winfrey Show, broadcast from Chicago, which was the highest-rated television program of its kind in history and ran in national syndication for 25 years, from 1986 to 2011. Dubbed the "Queen of All Media", she was the richest African-American of the 20th century, was once the world's only black billionaire, and the greatest black philanthropist in U.S. history. By 2007, she was sometimes ranked as the most influential woman in the world