Jewish actresses

Jaclyn Linetsky was born on 8 January 1986 in Montréal, Québec, Canada. She was an actress, known for Evolution Worlds (2002), Caillou (1997) and What's with Andy? (2001). She died on 8 September 2003 in Montréal, Québec, Canada.

Nicole Appleton was born on 7 December 1974 in Hamilton, Ontario, Canada. She is an actress and composer, known for Honest (2000), Scream for Christmas (2000) and Appleton: Everything Eventually (2003). She has been married to Stephen Haines since October 2021. They have one child. She was previously married to Liam Gallagher.

Cute, tiny, and prolific little old lady character actress Frances Bay worked constantly in both films and TV shows alike after making her debut at the age of 59 in life with a small part in the comedy Foul Play (1978) in 1978.

She frequently portrayed eccentric elderly women and good-hearted grandmothers in all kinds of pictures and television programs. Frances acted several times for David Lynch: she's Kyle MacLachlan's sweet doddery aunt in Blue Velvet (1986), a gruff, profane whorehouse madam in Wild at Heart (1990), and the spooky Mrs. Tremond in the cult TV series Twin Peaks (1990) and its spin-off feature Twin Peaks: Fire Walk with Me (1992). Frances popped up in two movies for director Stuart Gordon: she's a kind witch in The Pit and the Pendulum (1991) and a fortune teller in Edmond (2005).

Other notable film roles include a snippy librarian in The Attic (1980), a mysterious blind nun in the offbeat Nomads (1986), another librarian in In the Mouth of Madness (1994), and Adam Sandler's loving grandmother in the hit comedy Happy Gilmore (1996). Frances had the unique distinction of guesting on the final episodes of the TV shows Happy Days (1974), Who's the Boss? (1984), and Seinfeld (1989).

Among the many TV series Bay had guest spots on are Charmed (1998), ER (1994), Matlock (1986), The X-Files (1993), Murder, She Wrote (1984), The Commish (1991), L.A. Law (1986), Hill Street Blues (1981), Touched by an Angel (1994), The Golden Girls (1985), and Amazing Stories (1985).

She won a Gemini Award for her performance in the Disney TV program Avonlea (1990). Frances was also in the music video for Jimmy Fallon's "Idiot Boyfriend." In addition to her substantial movie and TV credits, Bay also acted in both Off-Broadway stage productions and regional theater; these plays include "Finnegan's Wake," "Grease," "Genuis," "The Caucasion Chalk Circle," "Number Our Days," "Uncommon Women," "Sarcophagus," and "The Pleasure of His Company." Frances won two DramaLogue Awards and was nominated for a Los Angeles Dramatic Critics' Award.

In 2002 Bay was the unfortunate victim of an automobile accident which resulted in having part of her right leg amputated. Her husband Charles sadly died in 2002 as well.

In real life Frances Bay was a very practical and unassuming woman with an avid love for jazz music.

Lauren Collins was born in Thornhill, Ontario, Canada. She is an actress and producer, known for Degrassi: The Next Generation (2001), Kroll Show (2013) and What We Do in the Shadows (2019). She has been married to Jonathan Malen since October 2018. They have two children.

Jessalyn Gilsig has an extensive list of theater credits to her name. A graduate of McGill University in Montreal, Canada, Gilsig received her theatrical training at the American Repertory Theatre's Institute for Advanced Theatre Training at Harvard University. Among the American Repertory Theatre projects in which she appeared are "The Cherry Orchard," "Henry V," "The Oresteia," "Tartuffe" and "The Tempest." She also appeared in the Alliance Theatre production of "The Last Night of Ballyhoo," and in numerous other live productions and television commercials.

Mia Kirshner was born in Toronto, Ontario, to Etti, a teacher, and Sheldon Kirshner, a journalist. Her father is of Polish Jewish descent and her mother is a Bulgarian Jewish immigrant. Mia had a middle class upbringing and graduated from McGill University with a degree in English Literature. She had a love for acting from her school days at the Jarvis Institute, and her parents helped find her a talent agent at the age of 12, then began acting in several Canadian television series.

By the age of 14, Mia was acting professionally and made her film debut in 1993 in Denys Arcand's Love and Human Remains (1993). Kirshner won a Genie nomination for Best Performance by an Actress in a supporting role for her part in the film. Mia's performance also brought her to the attention of Atom Egoyan, who cast her as the female lead in the 1994 film Exotica (1994). Mia's depiction of a sexy stripper in the film, won her critical acclaim, and by 1996 she established herself with an equally inspiring performance in The Crow: City of Angels (1996).

Having established herself in Hollywood as a leading and versatile performer, Mia also appeared in the first three episodes of 24 (2001) as the assassin Mandy in 2001. She would later reprise the role for the second season's finale and in the latter half of the show's fourth season. Also in 2001, Kirshner played Catherine Wyler, The Cruelest Girl in School, in Not Another Teen Movie (2001). The character is primarily a spoof of Kathryn Merteuil (played by Sarah Michelle Gellar) in Cruel Intentions (1999), and was partially based on Mackenzie Siler (played by Anna Paquin) from She's All That (1999). In the music video for Marilyn Manson: Tainted Love (2001), which was featured on the movie's soundtrack, she made a cameo appearance as her character Catherine Wyler.

In 2004, Kirshner was cast as author Jenny Schecter, a main character in the drama series The L Word (2004). She remained with the show for all of the show's six seasons through 2009. She won several awards for her role as Jenny Schecter, and a world-wide fan base which followed her character throughout the seasons of the L Word.

In 2006, Mia starred in Brian De Palma's The Black Dahlia (2006) in which she plays the young aspiring actress, Elizabeth Short, who was mysteriously mutilated and murdered in 1947. While the film itself was critically panned, many reviews singled out her performance for acclaim. In 2010, Kirshner co-starred in the film 30 Days of Night: Dark Days (2010) which began filming in the fall of 2009. In 2010, she was cast as Isobel Fleming, a guest role on The Vampire Diaries (2009).

In 2011, she voiced the title character in Bear 71 (2012), a National Film Board of Canada web documentary that premiered at the Sundance Film Festival.

On April 20, 2012, it was announced that Kirshner would join the new Syfy series Defiance (2013).

Kirshner was ranked #43 on the Maxim Hot 100 Women of 2002. She and Beverly Polcyn were nominated for Best Kiss at the 2002 MTV Movie Awards (2002) for Not Another Teen Movie (2001). In 2012 it was announced that Kirshner would be the face of Monica Rich Kosann's jewelry collection.

Already established as Canada's most decorated female performer, Mia is also a decorated writer, winning acclaim for her 2007 book I Live Here.

She won a beauty contest at age fourteen. In 1920 her mother, Edith Shearer, took Norma and her sister Athole Shearer (Mrs. Howard Hawks) to New York. Ziegfeld rejected her for his "Follies," but she got work as an extra in several movies. She spent much money on eye doctor's services trying to correct her cross-eyed stare caused by a muscle weakness. Irving Thalberg had seen her early acting efforts and, when he joined Louis B. Mayer in 1923, gave her a five year contract. He thought she should retire after their marriage, but she wanted bigger parts. In 1927, she insisted on firing the director Viktor Tourjansky because he was unsure of her cross-eyed stare. Her first talkie was in The Trial of Mary Dugan (1929); four movies later, she won an Oscar in The Divorcee (1930). She intentionally cut down film exposure during the 1930s, relying on major roles in Thalberg's prestige projects: The Barretts of Wimpole Street (1934) and Romeo and Juliet (1936) (her fifth Oscar nomination). Thalberg died of a second heart attack in September, 1936, at age 37. Norma wanted to retire, but MGM more-or-less forced her into a six-picture contract. David O. Selznick offered her the part of Scarlett O'Hara in Gone with the Wind (1939), but public objection to her cross-eyed stare killed the deal. She starred in The Women (1939), turned down the starring role in Mrs. Miniver (1942), and retired in 1942. Later that year she married Sun Valley ski instructor Martin Arrouge, eleven years younger than she (he waived community property rights). From then on, she shunned the limelight; she was in very poor health the last decade of her life.

Anna Silk is a Canadian actress born in New Brunswick, Canada who graduated from St. Thomas University with a Bachelor of Arts degree in 1997. She appeared in at least two productions at the St. Thomas Theatre, "Seven Menus" and "The Kitchen."

Anna has guest starred in numerous television shows but most famously known for playing Bo, the lead role in the hit television series Lost Girl (2010).

Tara Strong began her acting career at the age of 13 in Toronto, Canada. She landed several TV, film, and musical theater roles as well as her first lead in an animated series as the title role of "Hello Kitty." After a short run at Toronto's Second City theater company, she moved to Los Angeles with an extensive resume that included her own sit-com and well over 20 animated series. Upon arriving in Hollywood, she quickly made her mark in several TV and Film projects, such as "Party of Five," "National Lampoon's Senior Trip," "Sabrina the Teenage Witch," and more. She has an iconic voice-over career, including roles such as Bubbles in "The Powerpuff Girls," Timmy Turner in "The Fairly OddParents," Dil Pickles in "Rugrats," Raven in "Teen Titans," "Batgirl," "Family Guy," "Drawn Together," "Ben 10," Melody in "The Little Mermaid 2," "Spirited Away," etc. She is Miss Collins on Nickelodeon's "Big Time Rush" and the current voice of "Harley Quinn." She is Emmy nominated, a Shorty Award winner, Twilight Sparkle in "My Little Pony: Friendship is Magic" and currently playing "Unikitty" in the new hit series. She appeared in the Hallmark Christmas movie, "A Very Merry Toy Store." She has 350,000 Twitter followers (@tarastrong) and has used her social media to raise several hundred thousand dollars for kids with cancer and animal rescue groups, as well as using her commanding voices for her anti-bullying platform. She lives in Los Angeles. From between 2000 and 2019 she was married to former actor and real estate agent Craig Strong. However, the couple went their separate ways in July 2019 and, eventually, they formally divorced in January 2022. They have two sons together.

Three-time Emmy-nominated actress Arianne Zucker has played many roles, but she is best known for the character of "Nicole Walker" on NBC's hit daytime drama, Days of Our Lives (1965). Arianne began playing her role in 1998 and has received three Daytime Emmy nominations and one Soap Opera Digest Award win for her portrayal as the unlucky-in-love vixen. Arianne began her career in modeling, when she was 16 years old. She immediately traveled to Paris, France after winning her first modeling contest. From there, she has traveled to Australia, Japan and finally back to New York City. During this time, Arianne also booked many national and international commercials, such as Mazda Miata and McDonald's. Arianne's independent film career started with a short film called Looking for Bobby D (2001) and she began to generate work in television by landing the role of "Brenda Collette" in CSI: Miami (2002). Her work was noticed by writer Karen Harris (General Hospital (1963), All My Children (1970)) and was asked to play the role of "Winnifred Marshall" in Life in General (2008), a comedy based on the life of a writer and the behind the scenes of the making of a television show. Arianne continued on as "Jessica" in the horror film, The Last Resort (2009), directed by Brandon Nutt. 'Devantiy', an Emmy-nominated web series chose Arianne to guest star as Julie Regis (2013) as the uptight sister of Andrew Regis, the ruthless jewelry scion. Her latest film role in The Contractor (2013), she played Kate, the best friend of "Elizabeth Chase" (Christina Cox). Her latest film role is in post-production for Lifetime called The Assistant (2016). Zucker plays the lead role of "Suzanne Austin" (2016). While not working on "Days of Our Lives", Arianne co-created the non-profit organization, Arrow-Heart Adventure Camps, in September of 2007 with her brother, Todd Zucker. They are a brother-sister team that believe in positively, mentor-ship and giving teens a chance to live to their full potential. Todd and Arianne have since tested the adventure camp in three different countries, U.S. London, England, and South Africa. We are committed to enriching the lives of young teens through a challenging outdoor adventure. We inspire kids to want to make better choices, build character, confidence, credibility and critical thinking skills.

Sasha Spielberg was born on 14 May 1990 in Los Angeles, California, USA. She is an actress and writer, known for The Terminal (2004), The Art of Getting By (2011) and Licorice Pizza (2021). She has been married to Harry McNally since 21 May 2022.

Dora Gerson was born on 23 March 1899 in Berlin, Germany. She was an actress, known for Auf den Trümmern des Paradieses (1920) and Caravan of Death (1920). She was married to Max Sluizer and Veit Harlan. She died on 14 February 1943 in Auschwitz-Birkenau Concentration Camp, Oswiecim, Malopolskie, Poland.

Sarah Solemani was born on 4 September 1982 in Camden, London, England, UK. She is an actress and writer, known for Bridget Jones's Baby (2016), Mrs. Henderson Presents (2005) and Barry (2018). She has been married to Daniel Ingram since 3 June 2012. They have two children.

Rosy Barsony (born as Miss Schustek) was a child actress, dancer and soubrette. In 1931, in Berlin, she appeared in Paul Abraham's operettas "Viktoria und ihr Husar" ("Victoria and Her Hussar"), "Die Blume von Hawaii" ("The Flower of Hawaii", "Fleur d'Hawai") and Ball im Savoy (1935) ("Ball At The Savoy", "Bale au Savoy").

During her acting career, she was cast in more than 15 movies. Married to Oszkár Dénes, she lived and worked in Italy, travelling to Vienna in 1956 to appear in several stage plays and operettas. She later worked in Paris for French television, and in 1959 played at the Stadttheater Klagenfurt, Austria.

Age has not taken the flower off this Bloom. The well-known and highly respected stage, screen and television actress Claire Bloom continues to be in demand as an octogenarian actress and looks as beautiful as ever.

She was born Patricia Claire Blume on February 15, 1931, in Finchley, North London, to Elizabeth (Grew) and Edward Max Blume, who worked in sales. Her parents were from Jewish families from Belarus. Educated at Badminton School in Bristol and Fern Hill Manor in New Milton, Claire expressed early interest in the arts and was stage trained as an adolescent at the Guildhall School, under the guidance of Eileen Thorndike, and then at the Central School of Speech and Drama.

Marking her professional debut on BBC radio, she subsequently took her first curtain call with the Oxford Repertory Theatre in 1946 in the production of "It Depends What You Mean". She then received early critical accolades for her Shakespearean ingénues in "King John", "The Winter's Tale" and, notably, her Ophelia in "Hamlet" at age 17 at Stratford-on-Avon opposite alternating Hamlets Paul Scofield and Robert Helpmann. By 1949 Claire was making her West End debut with "The Lady's Not For Burning" with the up-and-coming stage actor Richard Burton.

A most becoming and beguiling dark-haired actress whose photogenic, slightly pinched beauty was accented by an effortless elegance and poise, Claire's inauspicious film debut came with a prime role in the British courtroom film drama The Blind Goddess (1948). It was her second film, when Charles Chaplin himself selected her specifically to be his young leading lady in the classic sentimental drama Limelight (1952), that propelled her to stardom. Her bravura turn as a young suicide-bent ballerina saved from despair by an aging music hall clown (Chaplin) was exquisitely touching and sparked an enviable but surprisingly sporadic career in films.

Despite the sudden film attention, Claire continued her formidable presence on the Shakespearean stage. Joining the Old Vic Company for the 1952-53 and 1953-54 seasons, she appeared as Helena, Viola, Juliet, Jessica, Miranda, Virgilia, Cordelia and (again) Ophelia in a highly successful tenure. Touring Canada and the United States as Juliet, she made her Broadway bow in the star-crossed-lover role in 1956, also playing the Queen in "Richard II". A strong presence on both the London and New York stages over the years, she gave other powerful performances with "The Trojan Women", "Vivat! Vivat! Regina!", "Hedda Gabler", "A Doll's House" and "A Streetcar Named Desire". Much later in life she performed in a superb one-woman show entitled "These Are Women: A Portrait of Shakespeare's Heroines" that included monologues from several of her acclaimed stage performances.

Claire's stylish and regal presence was simply ideal for mature period films, and she appeared opposite a roster of Hollywood's most talented leading men, including Laurence Olivier in the title role of Richard III (1955), Richard Burton and Fredric March in Alexander the Great (1956), Yul Brynner in The Brothers Karamazov (1958), and Brynner and Charlton Heston in the DeMille epic The Buccaneer (1958), in which she had a rare dressed-down role as a spirited pirate girl. On the more contemporary scene, she appeared with Burton in two classic film dramas: the stark "kitchen sink" British stage piece Look Back in Anger (1959) and the Cold War espionage thriller The Spy Who Came in from the Cold (1965). In addition she courted tinges of controversy, playing a housewife gone bonkers in the offbeat sudser The Chapman Report (1962) and a lesbian in the supernatural chiller The Haunting (1963).

Claire met first husband Rod Steiger while performing with him on stage in 1959's "Rashomon". They married that year and in 1960 had a daughter, Anna, who grew up to become a well-regarded opera singer. Claire and Rod appeared in two lesser films together, The Illustrated Man (1969) and Three Into Two Won't Go (1969), in 1969. That same year, they divorced after 10 tumultuous years.

As with other maturing actresses during the 1970s, Claire looked toward classy film roles in TV movies for sustenance, appearing in Backstairs at the White House (1979) as First Lady Edith Wilson and in Brideshead Revisited (1981), for which she was nominated for an Emmy. Also lauded were the epic miniseries Ellis Island (1984); a remake of Terence Rattigan's Separate Tables (1983); The Ghost Writer (1984), an acclaimed adaption of Philip Roth's novel ; and Shadowlands (1985), the latter earning her a British Television Award. Claire married Roth the writer (her third marriage) in 1990 after a brief second marriage to producer Hillard Elkins (1969-1972). The union with Roth lasted five years.

Claire appeared in several Shakespearean teleplays over the decades while also portraying a choice selection of historical royals, including Czarina Alexandra and Katherine of Aragon. On daytime drama, she delightfully played matriarch and murderess Orlena Grimaldi on the daytime drama As the World Turns (1956) starting in 1993. She left the role in 1995 and was replaced.

Continuing sporadically in films from the 1970s on, Claire graced such films as the stylish British social comedy A Severed Head (1971), the tender coming-of-age drama Red Sky at Morning (1971) as Richard Thomas's mother, and one of that year's versions of Ibsen's A Doll's House (1973) (Jane Fonda starred as Nora in the other). She also movingly played George C. Scott's estranged wife in Islands in the Stream (1977) and had a very brief cameo as Hera in Clash of the Titans (1981), a small part as a manipulative mother in Déjà Vu (1985), and mature parts in the romantic dramedy Sammy and Rosie Get Laid (1987) and classic Woody Allen drama Crimes and Misdemeanors (1989).

In the new millennium, Claire has been seen in such quality films as and The Book of Eve (2002), Imagining Argentina (2003), The King's Speech (2010) (as Queen Mary), And While We Were Here (2012), Max Rose (2013) starring a dramatic Jerry Lewis, and Miss Dalí (2018). She has also made appearances on such TV miniseries as The Ten Commandments (2006) and Summer of Rockets (2019).

Claire wrote two memoirs. The first was the more career-oriented "Limelight and After: The Education of an Actress," released in 1982. Her more controversial second book, "Leaving a Doll's House: A Memoir," published in 1996, focused on her personal life.

Sue Carol was born Evelyn Jeannette Lederer on October 30, 1906 in Chicago, Illinois to Caroline (Schmidt) and Samuel Lederer. Her parents were Jewish immigrants from Bohemia and Germany. She was 20 years old when she entered film work. Her first role was a bit part in Soft Cushions (1927) in 1927. Directors liked the way she took instruction and gave her a more substantial part later that year in Slaves of Beauty (1927). While she didn't land the roles her contemporaries did, Sue was a very competent actress. She was married to actor Alan Ladd. Actor/producer David Ladd is one of her children, and actress Jordan Ladd is one of her grandchildren. Sue died in Los Angles, California on February 4, 1982.

Sally Eilers enjoyed lunch with a classmate from drama school, Jane Peters (who would later become known as Carole Lombard), at the Sennett Studios cafeteria. There she was spotted by Mack Sennett and instantly became one of his "discoveries". Having already appeared in several bit parts, beginning with The Red Mill (1927) in 1927, she was offered a role in The Good-Bye Kiss (1928), a rare dramatic feature for the studio. Either Sennett or Florenz Ziegfeld Jr. (depending on which version of the story is to be believed) tagged Sally with the publicity line "the most beautiful girl in movies".

The vivacious former brunette (quickly transformed by Hollywood into a blonde) spent her apprenticeship as a leading actress co-starring in westerns with her future husband Hoot Gibson and with Buster Keaton in Doughboys (1930). In 1931 director Frank Borzage cast her (instead of established star Janet Gaynor) in the depression-era film Bad Girl (1931). What could have been maudlin melodrama was enlivened by excellent direction and some snappy dialogue (winning Academy Awards for both direction and screenplay) and elicited from Sally in the title role (as "Dot Haley") the best performance of her career. There were to be other films of note: Reducing (1931) with Marie Dressler, the original State Fair (1933) with Will Rogers (with Sally playing a "carny") and Sailor's Luck (1933), with her Bad Girl (1931) co-star James Dunn, in which a reviewer described her performance as "highly satisfactory".

Alas, most of her subsequent parts were in lesser features and she never made the grade as a top star. Sally continued to act in films, eventually reduced to supporting roles, until the late 1940s. She was married four times.

Nora Gregor was an operetta diva, stage and film actress. She made her debut in Graz, Austria, and from there went to the Volksbühne an das Raimund-Theater in Vienna. She also worked at the Reinhardt Bühne in Berlin. From 1930 to 1933 she lived in Hollywood and also in Berlin. She made her first silent movie in 1921 and her first talkie in 1930 (Olympia (1930)). In 1937 she worked at the Burgtheater in Vienna and emigrated to Switzerland, France and Chile, where she died in Vina del Mar.

Musical theater devotees will undoubtedly know that the song "Let Me Entertain You" was from the classic musical "Gypsy", the born-in-a-trunk story of resilient kid troopers Gypsy Rose Lee and June Havoc who were mercilessly pushed into vaudeville careers by an unbearably headstrong mother. While the lesser-talented Gypsy, of course, became the legendary ecdysiast who turned stripping into an art form, sister June survived her "Baby June" vaudeville child days of old and the tougher road of Depression-era dance marathons to become a reputable actress of stage, screen and TV, among other things. While June may have immortalized in "Gypsy," based on her older sister's memoirs, it was a bittersweet notoriety as she felt it was a very unjust, hurtful and highly inaccurate portrait of her. It also caused a deep rift between the sisters that lasted for well over a decade.

The Canadian-born actress (she was born in Vancouver, not Seattle) entered the world in 1912 (some sources insist 1913 or 1916, but Havoc confirmed her true birth date in 2006), the younger daughter of audacious "stage mother" Rose Thompson Hovick and her husband, John Olaf Hovick, a cub reporter for a Seattle newspaper. Baby June was primed for stardom by Rose by age 2 and was soon dancing with the great ballerina Anna Pavlova and appearing in Hal Roach film shorts (1918-1924) with Harold Lloyd. A flexible, high-kicking vaudeville sensation at 5, she was featured front-and-center in an act completely built around her ("Dainty June and Her Newsboys"). Earning around $1,500 a week at her peak, the delightful child star had audiences eating out of the palm of her little hand while sharing the stage with the likes of "Red-Hot Mama" Sophie Tucker and "Baby Snooks" Fanny Brice. The unrelenting pressures and suffocating dominance of her mother, however, led to a capricious elopement at age 13 with a young boy from the act (Bobby Reed, who inspired the dancing character of Tulsa in "Gypsy"). They married in North Platte, Nebraska with each lying about their age. By the time the Depression hit, however, vaudeville, the nation's economy and her marriage had all collapsed.

Now a mother of a young daughter, April (born out of wedlock in 1930, April Kent acted briefly in the 1950s and died of a heart attack in 1998), June made ends meet by modeling, posing and toiling in dance marathons. The blonde, blue-eyed stunner also found work in stock musicals and on the Borscht Belt circuit. She made her Broadway debut in the musical "Forbidden Melody in 1936". Years passed before she earned her big break as Gladys in Rodgers and Hart's classic musical "Pal Joey" opposite Van Johnson and Gene Kelly in 1940. As a result of their scene-stealing work, the trio earned movie contracts - the two men heading off to the MGM studio and June to RKO.

Unlike her male counterparts, June found herself inextricably caught up in "B" level material. Her film debut in the war-era Four Jacks and a Jill (1942) was followed by the equally ho-hum Powder Town (1942) and Sing Your Worries Away (1942), neither requiring much in the line of acting. Her personality was big for the screen due to her broad vaudeville background, but she nevertheless could show some true grit and talent on occasion, particularly with her support role in My Sister Eileen (1942).

For the next few years she experienced both highs and lows. Her Broadway shows were either hits, such as the musical "Mexican Hayride" (1944) (for which she won the Donaldson Award), and the dramatic "The Ryan Girl" (1945), or complete misses, which included a musical version of the Sadie Thompson saga Rain. June's film acting continued to be a stumbling block, scoring best when asked to play brassy, cynical dames. While she fared well as the femme fatale in Intrigue (1947), the racist secretary in Gentleman's Agreement (1947), and the gun moll The Story of Molly X (1949), more often than not, she was handed second-rate fodder to flounder in such as The Iron Curtain (1948), Once a Thief (1950) and Follow the Sun (1951). She appeared on TV in the early 50s, and she received her own short-lived vehicles as a lawyer in Willy (1954) and as host of her own show The June Havoc Show (1964).

After completing her last film Three for Jamie Dawn (1956), June refocused on stage and TV - particularly the former. She earned some of her best reviews both here and abroad in later years: Titania in "A Midsummer Night's Dream," Mistress Sullen in "The Beaux' Stratagem," Sabina in "The Skin of Our Teeth," Millicent in "Dinner at Eight," Jenny in "The Threepenny Opera," Mrs. Swabb in "Habeas Corpus," and Mrs. Lovett in "Sweeney Todd". In 1982 she pulled out all the stops on Broadway and gave a real Rose's Turn as a Miss Hannigan replacement in "Annie".

June expanded her talents to include both playwriting and directing. In addition to "I Said the Fly," she wrote "Marathon '33" (based on her Depression-era struggles) and received a 1964 Tony nomination for directing the play. June became the artistic director of the New Orleans Repertory Theatre in 1970, and later went on tour with her own one-woman show "An Evening with June Havoc". On stage and broaching age 80, the never-say-die actress appeared in a production of "Love Letters" and "An Old Lady's Guide to Survival".

June's mid-career biography "Early Havoc" was published in 1959. Married three times (her last husband, producer/director/writer William Spier died in 1973), June was long estranged from her sister, none too happy with Gypsy's portrayal of her in the best-selling memoir, "Gypsy" and equally dismayed of her Baby June character in the smash musical hit. The girls, noted for their trademark elongated faces and shapely gams, were estranged as children as well, but eventually patched things up for a time as adults. The sisters didn't truly grow close until Gypsy told June that she was dying of lung cancer in 1970. June elaborated more about her relationship with her sister in her second autobiography, "More Havoc" in 1980.

Ms. Havoc died peacefully on March 28, 2010, at her home in Stamford, Connecticut of natural causes. She was 97 years young.

Pola Illéry was an exotic silent film star in France and Romania during the 1920s and made a modest transition to sound films in the 1930s. She was known for portraying sexually liberated women and was considered the most glamorous film star in Romania. After she left films feeling she achieved her time in the spotlight she fled to America in 1939 with the rise of Nazism. After moving between New York and Maryland she settled in Pennsylvania and spent her life living modestly with the family she had created and raised until her death from old age.

Grete Mosheim was born on 8 January 1905 in Berlin, Germany. She was an actress, known for Car of Dreams (1935), The Dreyfus Case (1930) and Poor as a Church Mouse (1931). She was married to Robert Cooper, Howard Gould and Oscar Homolka. She died on 29 December 1986 in New York City, New York, USA.

A charming, elegant, and exceedingly popular international film star with a gentle, understated beauty, actress Lilli Palmer was born as Lilli Marie Peiser on May 24, 1914, in Posen, Prussia. She was the daughter of Rose Lissman, an Austrian Jewish actress, and Alfred Peiser, a German Jewish surgeon. In addition to her native German, she grew up becoming fluent in French and English as well. Of her two sisters, older sister Irene Prador became an actress and singer in her own right. Lilli studied drama in Berlin and made her theatrical debut there in 1932 at age 18. Within a short time, however, the family was forced to flee their native homeland with the rise of Hitler and settled in Paris. Eventually Lilli moved to England to rebuild the career she had started on stage and film.

She made her British movie debut co-starring in the "B" mystery drama Crime Unlimited (1935), playing the distaff member of a syndicate of jewel thieves who becomes a romantic pawn for a policeman (Esmond Knight) who has infiltrated the crime ring as a plant. Throughout the rest of the decade she upped the value of her name in both "A" and "B" material, notably Alfred Hitchcock's Secret Agent (1936), Silent Barriers (1937) and The Man with 100 Faces (1938) where she provided the usual element of feminine mystery.

Lilli's career took a major upswing during the early to mid 1940s. Several of her pictures centered around the omnipresent war, particularly Thunder Rock (1942), her film career-maker), which starred Michael Redgrave as an anti-fascist journalist who retreats to Canada, and Notorious Gentleman (1945), with Rex Harrison as a idle bounder who sees the error of his ways and becomes a war sacrifice. This was Lilli's first movie with husband Harrison; they married in 1943 and she bore him a son, Carey Harrison, the following year. Carey grew up to became a writer and director.

The family moved to America in 1945 to further their careers. Rex and Lilli became a prominent acting couple, appearing together on the early 50s Broadway stage with "Bell, Book and Candle" (1950), "Venus Observed" (1952) and "The Love of Four Colonels" (1953), the last mentioned directed by Harrison. In movies, they co-starred in the murky crimer The Long Dark Hall (1951) and the vastly superior The Four Poster (1952), which later gave rise to the musical adaptation "I Do! I Do!". Lilli was award the Venice Film Festival Award for this performance and represented herself well with other handsome male acting partners, notably Gary Cooper in her debut American film Cloak and Dagger (1946) and John Garfield in the classic boxing film Body and Soul (1947), leaving audiences enthralled with one of its newer foreign imports. At one point, she was given her own own (short-lived) TV show to host, The Lilli Palmer Show (1951).

Somewhat typecast by this time as heartless cads and opportunists on film, "Sexy Rexy", as husband Harrison was known in the tabloids, developed quite a reputation off-camera as well. A particularly disastrous romance with actress Carole Landis led to that actress's tragic suicide in 1948. Lilli took the high road and came off the better for it in the public's eye. She eventually called it quits, however, with both Harrison and Hollywood and returned to Europe in 1954. In 1956 Lilli filmed Between Time and Eternity (1956) [Between Time and Eternity] and fell in love with handsome Argentine co-star Carlos Thompson, who had developed matinée idol status in Germany. They married in September of 1957, several months after her divorce from Harrison became final. This marriage endured.

Lilli matured gracefully in films, the epitome of poise and class, but she lost any potential for top stardom after leaving Hollywood. She made international productions for the rest of her career, primarily German and French, but they did not live up to her early successes and were not seen all that much outside of Europe. She managed to work, however, opposite a "Who's Who" of European male stars of the time, including Curd Jürgens, James Mason, Louis Jourdan, Jean Gabin, Jean Marais, Jean Sorel, Gérard Philipe and Klaus Kinski. Of those few movies she made in Hollywood, she played the prickly wife of Clark Gable, who has a May-December affair with young Carroll Baker in But Not for Me (1959); was a sparkling and witty standout in the ensemble cast of The Pleasure of His Company (1961); and proved quite moving in the William Holden spy thriller The Counterfeit Traitor (1962). On TV here, she was touchingly effective as Mrs. Frank in a production of The Diary of Anne Frank (1967) with Max von Sydow, and enjoyed one of her last roles in the acclaimed miniseries Peter the Great (1986).

The final decade and a half played out rather routinely with supporting roles in such films as diverse as Oedipus the King (1968), De Sade (1969), and The Boys from Brazil (1978). She demonstrated her writing talents with her popular bestselling biography "Change Lobsters and Dance" in 1975, and later published a novel "The Red Raven" in 1978. Dying of cancer in 1986 at age 71 in Los Angeles, Lilli's surviving second husband Thompson, who had abandoned acting in the late 60s and turned to turned TV writing/producing, committed suicide four years later back in his native Argentina.

Lilyan Tashman was born on October 23, 1896 in Brooklyn, New York to Rose (Cook) from Germany and Morris Tashman from Bialystock, Poland. After toying with stage work, Lilyan made her film debut with Experience (1921), followed the next year by Head Over Heels (1922) (this was at a time when some studios and their performers were turning out one film per week. She had no other offers for 1923, but her constant rounds of the casting offices finally did some good. In 1924 she appeared in no fewer than 6 films. For a while she averaged 7 films per year. She was one of relatively few performers who easily made the transition to the sound era, In 1934 she finished filming Frankie and Johnnie (1936) and went into a New York City hospital to have some tumors removed; she died there on March 21, 1934 at age 37. The film was released two years after her death.

French actress and model Eva Gaëlle Green was born on July 6, 1980, in Paris, France. Her father, Walter Green, is a dentist who appeared in the 1966 film Au hasard Balthazar (1966). Her mother, Marlène Jobert, is an actress turned children's book writer. Eva's mother was born in Algeria, of French, Spanish, and Sephardic Jewish heritage (during that time, Algeria was part of France), and Eva's father is of Swedish, French, and Breton descent. She has a fraternal twin sister, Joy. Eva left French school at 17. She switched to the American School in France for one year. She left the American School and studied acting at Saint Paul Drama School in Paris for three years, then had a 10-week polishing course at the Weber Douglas Academy of dramatic Art in London. She returned to Paris as an accomplished young actress, and played on stage in several theater productions: "La Jalousie en Trois Fax" and "Turcaret". There, she caught the eye of director Bernardo Bertolucci. Green followed a recommendation to work on her English. She studied for two months with an English coach before doing The Dreamers (2003) with Bernardo Bertolucci. During their work, Bertolucci described Green as being "so beautiful it's indecent".

Green won critical acclaim for her role in The Dreamers (2003). After "The Dreamers", Green played the love interest of cult French gentleman-thief, Arsène Lupin (2004), opposite Romain Duris. In 2005, she co-starred, opposite Orlando Bloom and Liam Neeson, in Kingdom of Heaven (2005), produced and directed by Ridley Scott. The film brought her a wider international exposure. She turned down the femme fatale role in The Black Dahlia (2006), that went to Hilary Swank, because she didn't want to end up typecast after her role in "The Dreamers". Instead, Eva accepted the prestigious role of "Vesper Lynd", one of three Bond girls, opposite Daniel Craig, in Casino Royale (2006) and became the fifth French actress to play a James Bond girl, after Claudine Auger in Thunderball (1965), Corinne Cléry in Moonraker (1979), Carole Bouquet in For Your Eyes Only (1981) and Sophie Marceau in The World Is Not Enough (1999). She achieved international recognition for the film, one of the highest-grossing Bond movies ever.

Since then, Green has starred in the films Dark Shadows (2012), 300: Rise of an Empire (2014), Sin City: A Dame to Kill For (2014), and Miss Peregrine's Home for Peculiar Children (2016). She also starred as Vanessa Ives in Showtime's horror drama Penny Dreadful (2014). Her performance in the series earned her a nomination for Best Actress in a Television Series - Drama at the 73rd Golden Globe Awards.

Since her school years, Green has been a cosmopolitan multilingual and multicultural person. Yet, since her father always lived in France with them and her mother, she and her twin sister can't speak Swedish. She developed a wide scope of interests beyond her acting profession and became an aspiring art connoisseur and an avid museum visitor. Her other activities, outside of acting, include playing and composing music, cooking at home, walking her terrier, and collecting art. She shares time between her two residencies, one is in Paris, France, and one in London, England.