TCM Remembers 2011

Farley Earle Granger was born in 1925 in San Jose, California, to Eva (Hopkins) and Farley Earle Granger, who owned an automobile dealership. Right out of high school, he was brought to the attention of movie producer Samuel Goldwyn, who cast him in a small role in The North Star (1943). He followed it up with a much bigger part in The Purple Heart (1944) and then joined the army. After his release he had to wait until Nicholas Ray cast him in the low-budget RKO classic They Live by Night (1948) with Cathy O'Donnell, and then he was recalled by Goldwyn, who signed him to a five-year contract. He then made Rope (1948) for Alfred Hitchcock and followed up for Goldwyn with Enchantment (1948) with David Niven, Evelyn Keyes and Teresa Wright. Other roles followed, including Roseanna McCoy (1949) with Joan Evans, Our Very Own (1950) with Ann Blyth and Side Street (1949), again with Cathy O'Donnell. He returned to Hitchcock for the best role of his career, as the socialite tennis champ embroiled in a murder plot by psychotic Robert Walker in Strangers on a Train (1951). He then appeared in O. Henry's Full House (1952) with Jeanne Crain, Hans Christian Andersen (1952) with Danny Kaye, The Story of Three Loves (1953) with Leslie Caron and Small Town Girl (1953) with Jane Powell. He went to Italy to make Senso (1954) for Luchino Visconti with Alida Valli, one of his best films. He did a Broadway play in 1955, "The Carefree Tree", and then returned to films in The Naked Street (1955) with Anthony Quinn and Anne Bancroft and The Girl in the Red Velvet Swing (1955) with Joan Collins and Ray Milland. Over the next ten years Granger worked extensively on television and the stage, mainly in stock, and returned to films in Rogue's Gallery (1968) with Dennis Morgan. He then returned to Italy, where he made a series of films, including The Challengers (1970) with 'Anne Baxter (I)', The Man Called Noon (1973) with Richard Crenna and Arnold (1973) with Stella Stevens. More recent films include The Prowler (1981), Death Mask (1984), The Imagemaker (1986) and The Next Big Thing (2001). Since the 1950s he has continued to work frequently on American television and, in 1980, returned to Broadway and appeared in Ira Levin's successful play "Deathtrap". In 2007 he published his autobiography, "Include Me Out: My Life from Goldwyn to Broadway" with Robert Calhoun. A longtime resident of New York, Granger has recently appeared in several documentaries discussing Hollywood and, often, specifically Alfred Hitchcock.

Diane Cilento was an Australian actress from Queensland. She had partial Italian descent. She was once nominated for the Academy Award for Best Supporting Actress. For a theatrical role as Helen of Troy, Cilento was nominated for the Tony Award for Best Featured Actress in a Play.

In 1932, Cilento was born in Brisbane, Queensland's state capital, to a relatively affluent family. Her maternal grandfather was the prominent merchant Charles Thomas McGlew (1870-1931), founder of the Liberty Motor Oil Company. Cliento's father was the medical practitioner Raphael "Ray" Cilento (1893-1985). He became famous as the director of the Australian Institute of Tropical Medicine, the director of the Commonwealth Government's Division of Tropical Hygiene, the Director-General of Health and Medical Services, the president of the Queensland's Medical Board, a high-ranking member of the United Nations Relief and Rehabilitation Administration, the Director for Refugees and Displaced Persons, and director of disaster relief in Palestine. Raphael spend much of his career combating malaria and other tropical diseases.

Cilento's mother was the medical practitioner and medical journalist Phyllis Cilento (née McGlew, 1894 - 1987). Phylis became famous for advocating family planning, contraception, and the legalization of abortion in Australia. She wrote many books on health matters. Her medical research involved the use of Vitamin E in therapy, and as a method for preventing blood clots.

Cilento was the fifth of six children born to her famous parents. Four or her siblings followed their parents' footsteps as medical practitioners. Cilento's most famous sibling was the professional painter and print-maker Margaret Cilento (1923-2006). Margaret's works are preserved in both the National Gallery of Victoria and the National Gallery of Australia.

Cilento was expelled from school while living in Australia. She then studied abroad, spending part of her school years in the U.S. state of New York. She decided to follow an acting career and won a scholarship to the Royal Academy of Dramatic Art (RADA), located in London. She settled in England during the early 1950s.

Following her graduation from RADA, Cilento started a career as a theatrical actress. She was eventually offered a five-year contract by the British film producer Alexander Korda (1893-1956), and took the offer. She started out with several small roles in film. Her first leading role was playing British governess Ruth Elton in the romantic drama "Passage Home" (1955). In the film, Elton rejects a marriage proposal from Captain Lucky Ryland (played by Peter Finch), who she barely knows. Ryland then tries to rape her. She eventually marries another man, but she is secretly in love with her would-be rapist.

During the late 1950s, Cilento found steady work in British films. She played the only woman in a love triangle in the circus-themed "The Woman for Joe" (1955). She played the between maid in the castaway-themed "The Admirable Crichton" (1957), an adaptation of a play by J. M. Barrie (1860-1937). She played a free-thinker in the romantic comedy "The Truth About Women" (1957),concerning the memories of an old man. She also had a role in the aviation disaster film "Jet Storm" (1959), in which a man has placed a bomb on a passenger airplane.

In the early 1960s, Cilento continued to have notable roles. She played the female lead Denise Colby in the psychological thriller "The Full Treatment" (1960). In the film Denise's husband struggles with mood swings and the dark impulse to kill his wife, which makes him fear for his sanity. The film was one of the murder-themed films produced by Hammer Film Productions.

Cilento played the supporting role of a murder suspect's wife in the thriller film "The Naked Edge" (1961). The film is mainly remembered as the last film role for protagonist Gary Cooper (1901-1961), who died of prostate cancer following the film's completion. Cilento played the murder victim Liane Dane in the crime film "I Thank a Fool" (1962), where a female doctor is suspected of killing her own patient.

Cilento played the most acclaimed role of her career as Molly Seagrim in the comedy film "Tom Jones" (1963), the title character's first love. She was nominated for the Academy Award for Best Supporting Actress, but the award was instead won by rival actress Margaret Rutherford (1892 - 1972).

Cilento next played one of the murder suspects in the crime film "The Third Secret" (1964). In the film a well-known psychoanalyst is found murdered within his own residence, and a number of his patients are suspected of killing him. The main plot twist is that the victim was killed by someone much closer to him than his patients.

Cilento also played the prostitute Cyrenne in the comedy-drama film "Rattle of a Simple Man" (1964). The film concerns the efforts of 39-year-old virgin man to finally have sex. She next played the Italian noblewoman Contessina Antonia Romola de' Medici in the historical film "The Agony and the Ecstasy" (1965), a fictionalized version of the life of the artist Michelangelo (1475-1564). The film was critically acclaimed and nominated for awards, but under-performed at the box office. The struggling studio 20th Century Fox reportedly lost over 5 million dollars due to this box office flop.

Cilento had the supporting role of the caretaker Jessie in the revisionist Western film "Hombre" (1967). The film depicted the relations between the Apache and the white men in 19th-century Arizona. The film earned 12 million dollars in the worldwide box office, one of the greatest hits in its year for release.

Cilento's last film role in the 1960s was the photographer Reingard in the film "Negatives" (1968). The film concerned a couple who liked to role-play as part of their erotic fantasies, however they chose to play the role of famous murderer Dr. Hawley Harvey Crippen (1862-1910) and his lover. This film is remembered as the directorial debut of Hungarian expatriate Peter Medak (1937-), who later had a lengthy career.

Cilento gained her first regular television role when cast as Lady Sarah Bellasize in the prison-themed television series "Rogues' Gallery" (1968-1969). It depicted life in the famous Newgate Prison (1188 -1902) of London during the 18th century. The series lasted 2 seasons and a total of 10 episodes.

Following a hiatus in her film career, Cilento returned in the dystopian science fiction film "Z.P.G." ( "Zero Population Growth", 1972). The film depicted a future Earth suffering from overpopulation and environmental destruction. The world's government has decreed than no new child must be born over the next 30 years, but a couple decide to illegally procreate. Cilento played the supporting role of Edna Borden. Borden offers to help conceal the new baby from the world, while she actually wants to keep it for herself. The film's was well received in its time, and lead actress Geraldine Chaplin (1944-) won an award for this role.

Cilento played the role of the famous German test pilot Hanna Reitsch (1912-1979) in the historical film "Hitler: The Last Ten Days". (1973) The film depicted the last few days in the life of Adolf Hitler (1889-1945), based on the eye-witness account of Gerhard Boldt (1918 - 1981). The authenticity of the source book has since been questioned.

Cilento had a supporting role in the classic horror film "The Wicker Man" (1973), concerning a neo-pagan cult which practices Celtic paganism. The film was based on a novel by David Pinner (1940-). The film won the 1978 Saturn Award for Best Horror Film, and has often been listed among the best British films. It was one of the most acclaimed films of Cilento's career.

The lesser known film "The Tiger Lily" (1975) included Cilento's last film role in the 1970s. She gained another regular role in the television series "Tycoon" (1978), which only lasted a single season and a total of 13 episodes.

Her film career was in decline during the 1980s, and Cilento chose to return to her native Queensland. She settled in the small town of Mossman, named after the Mossman River which flows though it. She built the outdoor theater Karnak in the local rain-forest, which she operated for the rest of her life. She used the theater as a venue for experimental drama.

In 2001, Cilento was awarded with Australian's Centenary Medal for her services to theater. In 2007, Cilento published her autobiography "My Nine Lives". In her last years she was suffering from cancer. In 2011, she died due to this disease while hospitalized in the Cairns Base Hospital. The hospital was the largest major hospital in Far North Queensland. Cilento was 79-years-old at the time of her death.

Cilento was survived by her daughter Giovanna Volpe and her son Jason Connery (1963-), her only heirs. A collection of items from her personal estate was donated by her heirs to the Queensland University of Technology. The collection reportedly included "hundreds of books, memorabilia, posters, furniture". Also included were original scripts which Cilento had inherited from her last husband, the playwright Anthony Shaffer. Original scripts by both Cilento and Shaffer have been digitized, and made available to scholars through the University's digital collections.

Miriam Seegar was born on September 1, 1907, to Frank and Carrie (née Wall) Seegar, both teachers. Raised in Greentown, Indiana, in the Seegar-Sewell home on 404 S. Main Street, she was the fourth of five daughters. Her sisters, known around town as the Seegar Sisters, were educator Helen Seegar-Stone (1895-1976) stage actress and opera singer Dorothy Seegar-Hatch (1897-1999) Mildred Seegar (1905-1913) and actress Sara Seegar (1914-1990.)

Seegar viewed her first movies in Kokomo, Indiana at the age of eight. As the sisters started acting and singing, Frank Seegar left teaching to open a hardware store in efforts to support his daughters' growing singing and acting pursuits. After his death at Seegar's age of 14, her two older sisters invited her to spend summers with them in their bedbug-laden Upper West Side apartment in New York City. Helen, working in a theatrical producer's office and Dorothy, acting and singing on Broadway, sent Miriam to an agent, and she began appearing on stage in minor, uncredited roles. She would return to Greentown in the winter upon her mother's insistence to complete her schooling with her younger sister, Sara.

After finishing school, Seegar acted in her first Broadway production as a Spanish blonde in a now-forgotten play at the 48th Street Theatre, followed by five more stage stints. While playing the part of the ingenue in The Squall (1926-1927) prolific producer Albert H. Woods took notice, and offered Seegar to star with Ernest Truex in the London West End production of his hit show Crime (1928.) At the age of 18, Seegar accepted Woods' offer and moved to London, soon followed by her mother and sister Sara to live with her in the Park Lane Hotel: "All my life I had wanted to go to England. I was just beginning to get a start in New York, but I was glad to be transferred to England." Between Stage engagements with multiple productions in London, she acted in her first two films The Price of Divorce and The Valley of Ghosts (film), both released in 1928. Next Miriam was chosen to co-star with Nelson Keyes in When Knights Were Bold (1929 film), as her figure of just under 5'1 and 100lbs would make her shorter and smaller than Keyes. The film was being directed by American director Tim Whelan, whom Miriam had just met. After the film's release she and Whelan, 14 years her senior, moved to Hollwood in 1929 and started dating. She quickly went to work making three pictures in 1929, signing with Paramount for Fashions in Love and the love doctor then making Seven Keys to Baldpate for RKO. For the next three years, Seegar made 11 more films, most being B-movies.

Blonde haired, blue eyed Miriam was one of the tiniest women in pictures, standing at just under 5'1 tall and weighing 100lbs. From a 1930 Photoplay magazine: "The question of clothes is a problem to her. Everything must be specially made, since she has no desire to step out in twelve-year-old dimities from a department store. She sees a gown model she likes and has it duplicated in a more miniature form. She likes frocks of rich material, but made without fuss and furbelows." Miriam didn't consider her name good for screen purposes as she said people were inclined to accent the last syllable, as if it were "cigar." However, she refused to change it unlike some Hollywood actresses, even after being asked by Albert H. Woods while offering to send her to London for "Crime." Also from Photoplay in 1930: "Miriam has had no very serious love affairs, although she does admit that she has been in love. In fact, several times. The only trouble is that she falls out of love so easily. She says that she believes married men are far more interesting than the young eligibles, but she's an old-fashioned girl and does not care to be the "heavy" in a real life triangle drama.

Seegar married Tim Whelan in 1931, and the couple had two sons, Tim Junior and Michael(1935-1997,) born with down's syndrome. Miriam's last film, false faces, was made in 1932. It played the Times Square Paramount, where her first American picture had been premiered just three and a half years earlier. Seegar retired from acting to raise her first child, Tim Whelan Jr, and found her career at odds with her husband's: "The sort of roles I got latterly were not becoming for a woman whose husband was then a major force in motion pictures. Selznick and Cukor offered me work, but after a while I just said no."

In 1953, she received her ASID certification and began working as an interior decorator, first with Harriet Shellenberger and later on her own. She did not retire until 1995. Her husband died in 1957, and decades later, both sons died within a span of nine months. Tim Whelan, Jr. died from cancer in 1997, and son Michael, who was born with Down syndrome, died in 1998. In 2000, at the age of 93, Seegar appeared in the documentary I Used to Be in Pictures, which featured commentary from many of her contemporaries. Thereafter she made a series of guest appearances at film festivals which culminated in an award for her screen work from the Memphis Film Festival when she was 95. On her 102nd birthday she sailed from Southampton to New York on the RMS Queen Mary 2 and back again.

Miriam Seegar had two grandchildren and four great-grandchildren at the time of her death on January 2, 2011. No specific cause of death was given, but her daughter-in-law Harriet Whelan stated that Seegar was very frail and had died from "age-related causes".

Anna Massey was born on 11 August 1937 in Thakeham, West Sussex, England, UK. She was an actress, known for Peeping Tom (1960), Frenzy (1972) and The Machinist (2004). She was married to Dr. Uri Andres and Jeremy Brett. She died on 2 July 2011 in London, England, UK.

Sybil Jacobson was born on November 23, 1929, in Cape Town, South Africa. By age 2 she had learned to play the piano, and she also demonstrated a remarkable talent for singing, dancing and mimicry. She moved to Great Britain as a small child, and by age 5 was singing, dancing, playing the piano or doing uncanny imitations of Maurice Chevalier in London nightclubs. She also performed on radio with her uncle, Harry Jacobson, and his popular orchestra. During a show at the Palace Theater a movie producer noticed Sybil and cast her in her first film, Barnacle Bill (1935). Warner Bros. Pictures studio head Jack L. Warner was so impressed with her performance that in 1935 he brought Sybil to Hollywood as his studio's answer to Shirley Temple. Aware of Shirley's popularity and golden curls, Warner did not allow Sybil to see Shirley's films for fear that she might copy her. Despite her obvious talent, Sybil failed to achieve the success that Warner had anticipated, and in 1938 the studio did not renew her contract. However, during her time at Warner Brothers, Sybil made ten films and caught the eye of Darryl F. Zanuck, the head of 20th Century-Fox--the studio that had Temple under contract. Zanuck cast Sybil opposite Shirley in two films, The Little Princess (1939) and The Blue Bird (1940). Sybil's role in "The Blue Bird" was her most dramatic, and her older sister and guardian, Anita Jacobson, hoped that it would boost her career. However, many of Sybil's scenes were cut from "The Blue Bird", and it would be her final film.

Marie-France first came to the fore as an actress of the Nouvelle Vague movement in the 1960's. She had spent her early childhood in French Indochina, where her father was employed as colonial governor, but the family moved to Paris when she was twelve. Just five years later, she was spotted by a casting director, who had been tasked by François Truffaut to discover a 'fresh and cheerful' new face for his 32-minute film Antoine and Colette (1962). While finding her feet in the acting profession, Marie-France attended Paris University, eventually attaining degrees in law and political science. By the time, Truffaut cast her again as Colette in the second of two sequels, Love on the Run (1979), she was involved in the writing process of the screenplay herself. Prior to that, she had also co-written the script for Celine and Julie Go Boating (1974), in which she starred herself as an enigmatic governess.

In her private life, she held strong socio/political convictions, outspoken on women's rights and legal abortion, and taking part in student demonstrations in Paris in 1968. On screen, she displayed poise, style and femininity in abundance. She was often well cast as a seductive temptress or as women of mysterious background. She was excellent as Agathe in Surreal Estate (1976), and in the part that won her the prestigious Cesar and led to her brief sojourn in Hollywood as Karine in Cousin, Cousine (1975). Her experience in America did not prove a happy one, though she lent an undeniable touch of glamour to her roles as high fashion designers in the otherwise mediocre miniseries Scruples (1980) and (in the title role) of Chanel Solitaire (1981). More at home in the cinema of her native France, she had a few more worthy roles come her way, notably as Madame Verdurin in Marcel Proust's Time Regained (1999). She also directed two films, the first of which, Le bal du gouverneur (1990), was based on her own novel about childhood experiences in New Caledonia.

Marie-France died tragically as the result of accidental drowning at her villa at Saint-Cyr-sur-Mer, near Toulon, at the age of 66.

One of the driving, creative forces behind the legendary Hammer Studios, Jimmy Sangster was born on December 2, 1927, in Kinmel Bay, North Wales. He began in the film industry as a production assistant at age 16 during WWII. After this gig, he worked as a gofer and assistant projectionist for Norman's Film Services at London's Wardour Street. Subsequently, he became a film magazine loader and clapper boy at a small studio located on Abbey Road.

At this point, he was drafted by the R.A.F. and was posted to India. After his tour of duty came to an end, he was able to get himself a job as a 3rd assistant director for a low-budget film, that happened to be shooting near his parents' cottage. That film's producer was offered a job with Exclusive Studios, which was to become Hammer Studios. He brought Sangster along with him as an assistant producer.

Hammer Studios producer Anthony Hinds offered Sangster the assistant director job, which he performed for a while before Hinds and 'Michael Carreras' urged him to give screen-writing a go. His script for the science-fiction film X the Unknown (1956) proved to be the turning point in his career. His next project was The Curse of Frankenstein (1957), which he wanted to make his own instead of patterning it after the 1930's Universal picture; he was more interested in the role of the creator than that of the creature. Horror of Dracula (1958) (aka The Horror of Dracula)followed, which proved to be an even bigger hit for the studio. He then turned out subsequent scripts such as The Revenge of Frankenstein (1958) and The Mummy (1959) and would even write scripts for competing studios such as Blood of the Vampire (1958) and The Crawling Eye (1958) (aka The Trollenberg Terror).

By now, Sangster had tired of writing Gothic horrors and entered into a phase of his career where he concentrated on psychological thrillers which would be filmed in black & white. These included Scream of Fear (1961) and Paranoiac (1963).

Another short-lived phase of his career came when he was approached to re-write a script titled The Horror of Frankenstein (1970). Feeling that it was too much of a carbon copy of his own The Curse of Frankenstein (1957) and wanting to put a fresh spin on it, he injected his re-write with much sex and humor. His proviso for the re-write was that he get to direct for once, which Hammer allowed him to do. After "Horror of Frankenstein", he directed Lust for a Vampire (1971), filling in for frequent Hammer director Terence Fisher, after the latter had broken his leg. His final directorial effort was "Fear in the Night"; unfortunately, these three films would prove to be disappointments commercially and critically.

Around this time, Sangster moved to Hollywood where his screen-writing credits would include Whoever Slew Auntie Roo? (1972), The Legacy (1978) and Phobia (1980), as well as episodes of such television series as Banacek (1972), Cannon (1971) and Kolchak: The Night Stalker (1974) and some detective novels.

Sangster retired some time back, maintaining homes in both California and England. In 1997, his autobiography "Do You Want It Good or Tuesday?" was published. Sadly, the legendary writer passed away on August 19, 2011.

His many years in the business are indicative of the talent of a prolific and much-respected screenwriter, whose films continue to be enjoyed to this day.

American leading man famed as the star of one of the longest-running shows in U.S. television history, Gunsmoke (1955). Born of Norwegian heritage (the family name, Aurness, had formerly been Aursness) in Minneapolis, Minnesota, to Rolf and Ruth Duesler Aurness. His father was a traveling salesman of medical supplies and his mother later became a newspaper columnist. James attended West High School in Minneapolis. Although he appeared in school plays, he had no interest in performing, and dreamed instead of going to sea. After high school, he attended one semester at Beloit College before receiving his draft notice in 1943. He entered the army and trained at Camp Wheeler, Georgia, before shipping out for North Africa. At Casablanca, Arness joined the 3rd Infantry Division in time for the invasion of Anzio. Ten days after the invasion, Arness was severely wounded in the leg and foot by German machine-gun fire. His wounds, which plagued him the rest of his life, resulted in his medical discharge from the army.

While recuperating in a hospital in Clinton, Iowa, Arness was visited by his younger brother Peter (later to gain fame as actor Peter Graves), who suggested he take a radio course at the University of Minnesota. James did so, and a teacher recommended him for a job as an announcer at a Minneapolis radio station. Though seemingly headed for success in radio, he followed a boyhood friend's suggestion and went with the friend to Hollywood to find work as a film extra. Arness studied at the Bliss-Hayden Theatre School under actor Harry Hayden, and while appearing in a play there was spotted by agent Leon Lance. Lance got the actor a role as Loretta Young's brother in The Farmer's Daughter (1947). The director of that film, H.C. Potter, recommended that he drop the "u" from his last name and soon thereafter the actor was officially known as James Arness.

Little work followed this break, and Arness became sort of beach bum, living on the shore at San Onofre and spending his days surfing. He began taking his acting career more seriously when he began to receive fan mail following the release of the Young picture. He appeared in a production of "Candida" at the Pasadena Community Playhouse, and married his leading lady, Virginia Arness. She pressed him to study acting and to work harder in pursuit of a career, but Arness has been consistent in ascribing his success to luck. He began to act small roles with frequency, often due to his size, and mostly villainous characters. Most notable among these was that of the space alien in The Thing from Another World (1951).

While playing a Greek warrior in a play, Arness was spotted by agent Charles K. Feldman, who represented John Wayne. Feldman introduced Arness to Wayne, who put the self-described 6', 6" actor under personal contract. Arness played several roles over the next few years for and with Wayne, whom he considered a mentor. In 1955, Wayne recommended Arness for the lead role of Matt Dillon in the TV series Gunsmoke (1955). (Contrary to urban legend, Wayne himself was never offered the role.) Arness at first declined, thinking a TV series could derail his growing film career, but Wayne argued for the show, and Arness accepted. His portrayal of stalwart Marshal Dillon became an iconic figure in American television and the series, aired for 20 seasons, is, as of 2008, the longest-running dramatic series in U.S. television history. Arness became world-famous and years later reprized the character in a series of TV movies.

After the surprising cancellation of "Gunsmoke" in 1975, Arness jumped immediately into another successful (though much shorter-lived) Western project, a TV-movie-miniseries-series combination known as "How The West Was Won." A brief modern police drama, McClain's Law (1981), followed, and Arness played his mentor John Wayne's role in Red River (1988), a remake of the Wayne classic.

Following the aforementioned "Gunsmoke" TV movies (the last in 1994, when Arness was 71), Arness basically retired. His marriage to Virginia Chapman ended in divorce in 1960. They had three children, one of whom, Jenny Lee, committed suicide in 1975. Arness subsequently married Janet Surtrees in 1978.

Over the course of a five-decade career, she starred in nearly 150 films. She is a three-time César Award winner (1977, 1996, 2002), a two-time Molière Award winner, a BAFTA nominee, and a recipient of several international prizes including the Volpi Cup (Best actress) at the 1965 Venice Film Festival for Three Rooms in Manhattan.

Born in 1931, she was raised by her single mother, a midwife from Normandy. After studying to become a midwife like her mother, she enrolled at the prestigious Conservatoire de la rue Blanche in Paris. After graduating in 1954 with the "First Prize in Modern and Classical Comedy", she joined the Comédie Française, where she was a resident actor from 1954-57.

In 1955, she began her film career, making her film debut in Treize à table (1955), but it was with theatre that she started to attract the attention of critics. Her performance in Jean Cocteau's play La Machine à écrire in 1956 was admired by the author who called her "The finest dramatic temperament of the Postwar period"

In 1956 she was awarded the Prix Suzanne Bianchetti as best up-and-coming young actress but only with Luchino Visconti's epic Rocco and His Brothers (1960), she was able to draw the public's attention to her. In 1962, she married Italian actor Renato Salvatori. Travelling back and forth between two film careers in France and Italy, Girardot also worked with renown Italian directors, including Marco Ferreri in the scandalous The Ape Woman (1964).

Famously ignored by French New Wave directors (with the exception of Claude Lelouch), Girardot found her glory in popular cinema alongside more established and traditional directors such as Jean Delannoy, Michel Boisrond, André Cayatte, Gilles Grangier, or André Hunebelle.

By the end of the 1960s, she had become a movie star and a box-office magnet in France with such films as Vice and Virtue (1963); Live for Life (1967); Love Is a Funny Thing (1969); and Death of Love (1970), the fact-based tale of a middle-aged teacher whose affair with a much younger student made her the object of bourgeoisie ridicule. The film was nominated for a Golden Globe, and remains Girardot's biggest box office hit in France.

Throughout the 1970s, Girardot came back and forth between drama and comedy, proving herself an adept comedienne in such successful comedies as Claude Zidi's La zizanie (1978), Michel Audiard's _Elle boit pas, elle fume pas, elle drague pas, mais... elle cause! (1970)_ and Philippe de Broca's Dear Inspector (1977). She also played the mother of upcoming stars like Isabelle Adjani in the hit teen movie The Slap (1974), and Isabelle Huppert in the drama Docteur Françoise Gailland (1976).

The 1980s were less kind, as her film career floundered and parts dwindled. However, Girardot had a major comeback on the big screen playing a peasant wife in Claude Lelouch's Les Misérables (1995).

The lovely Susannah York, a gamine, blue-eyed, cropped-blond British actress, displayed a certain crossover star quality when she dared upon the Hollywood scene in the early 1960s. A purposefully intriguing, enigmatic and noticeably uninhibited talent, she was born Susannah Yolande Fletcher on January 9, 1939 in Chelsea, London, but raised in a remote village in Scotland. Her parents divorced when she was around 6. Attending Marr College, she trained for acting at London's Royal Academy of Dramatic Art, winning the Ronson Award for most promising student. She then performed classical repertory and pantomime in her early professional career.

Making an impression on television in 1959 opposite Sean Connery in a production of "The Crucible" as Abigail Williams to his John Proctor, the moon-faced beauty progressed immediately to ingénue film roles, making her debut as the daughter of Alec Guinness in the classic war drama Tunes of Glory (1960). She emerged quickly as a worthy co-star with the sensitively handled coming-of age drama Loss of Innocence (1961), the more complex psychodrama Freud (1962), as a patient to Montgomery Clift's famed psychoanalyst, and the bawdy and robust 18th century tale Tom Jones (1963), with Susannah portraying the brazenly seductive Sophie, one of many damsels lusting after the bed-hopping title rogue Albert Finney.

Susannah continued famously both here and in England in both contemporary and period drama opposite the likes of Warren Beatty, William Holden, Paul Scofield and Dirk Bogarde. Susannah was a new breed. Free-spirited and unreserved, she had no trouble at all courting controversy in some of the film roles she went on to play. She gained special notoriety as the child-like Alice in her stark, nude clinches with severe-looking executive Coral Browne in the lesbian drama The Killing of Sister George (1968). A few years later, she and Elizabeth Taylor traveled similar territory with X, Y & Zee (1972).

Award committees also began favoring her; she won the BAFTA film award as well as Oscar and Golden Globe nominations for her delusional Jean Harlow-like dance marathon participant in the grueling Depression-era film They Shoot Horses, Don't They? (1969). Her crazy scene in the shower with Oscar-winner Gig Young was particularly gripping and just one of many highlights in the acclaimed film. She also copped a Cannes Film Festival award for her performance in Images (1972) playing another troubled character barely coping with reality. On television, she was Emmy-nominated for her beautifully nuanced Jane Eyre (1970) opposite George C. Scott's Rochester.

Susannah's film career started to lose ground into the 1970s as she continued her pursuit of challengingly offbeat roles as opposed to popular mainstream work. The film adaptations of Kurt Vonnegut Jr.'s Happy Birthday, Wanda June (1971) opposite Rod Steiger and Jean Genet's The Maids (1975) with Glenda Jackson were not well-received. Her performances in such films as Gold (1974), Conduct Unbecoming (1975) which starred another famous York (Michael York), That Lucky Touch (1975), Sky Riders (1976) and The Shout (1978) were overlooked, as were the films themselves. In the one highly popular movie series she appeared in, the box-office smashes Superman (1978) and its sequel Superman II (1980), she had literally nothing to do as Lara, the wife of Marlon Brando's Jor-El and birth mother of the superhero. While the actress continued to pour out a number of quality work assignments in films and television, she failed to recapture her earlier star glow.

Wisely, Susannah began extending her talents outside the realm of film acting. Marrying writer Michael Wells in 1960, she focused on her personal life, raising their two children for a time. The couple divorced in 1980. In the 1970s, she wrote the children's books "In Search of Unicorns" and "Lark's Castle". She also found time to direct on stage and wrote the screenplay to one of her film vehicles Falling in Love Again (1980). On stage Susannah performed in such one-woman shows as "Independent State", 'Picasso's Women", "The Human Voice" and "The Loves of Shakespeare's Women", while entertaining such wide and varied theatre challenges as "Peter Pan" (title role), "Hamlet" (as Gertrude), "Camino Real", "The Merry Wives of Windsor", "A Streetcar Named Desire", "Private Lives", "Agnes of God" and the title role in "Amy's View".

At the age of 67, Susannah showed up once again on film with a delightful cameo role in The Gigolos (2006), and seemed ripe for a major comeback, perhaps in a similar vein to the legendary Judi Dench, Maggie Smith and Helen Mirren. Sadly, it was not to be. Diagnosed with bone marrow cancer, the actress died on January 15, 2011, six days after her 72nd birthday. Her final films, Franklyn (2008) and The Calling (2009), proved that she still possessed the magnetism of her earlier years.

William Campbell was born on 30 October 1923 in Newark, New Jersey, USA. He was an actor, known for The High and the Mighty (1954), Star Trek (1966) and Escape from Fort Bravo (1953). He was married to Tereza Pavlovic, Barbara Bricker and Judith Campbell Exner. He died on 28 April 2011 in Woodland Hills, California, USA.

Linda Christian was born Blanca Rosa Welter, to a Dutch father, Gerardus Jacob Welter, and a Mexican-born mother, Blanca Rosa Vorhauer. Her Father was an executive with Royal Dutch Shell and Christian traveled extensively as a result living in South Africa, Romania, Germany, France, Switzerland, England, and Palestine at various times during her childhood This was beneficial in that the little girl - a very good pupil at school - eventually was able to speak seven languages. She also turned into a shapely young lady who won a beauty contest. She started studying medicine in Palestine but had to be repatriated to the USA due to the international situation. She landed in Los Angeles and naturally considered a movie career there. She studied drama but got only minor parts for years. She really became famous when she married Tyrone Power, and her career somewhat improved. But it is scandal more than her film roles that long made her a favorite of the celebrity press rather than of specialized movie magazines.

Ernestine Jane Geraldine Russell was born on June 21, 1921, in Bemidji, Minnesota.

Her father was a United States Army lieutenant and her mother had been a student of drama and an actress with a traveling troupe.

Once Mr. Russell was mustered out of the service, the family took up residence in Canada but moved to California when he found employment there.

The family was well-to-do and although Jane was the only girl among four brothers, her mother saw to it that she took piano lessons. In addition to music, Jane was interested in drama much as her mother had been and participated in high school stage productions.

Upon graduation, Jane took a job as a receptionist for a doctor who specialized in foot disorders. Although she had originally planned on being a designer, her father died, and she had to go to work to help the family.

Jane modeled on the side and was very much sought-after especially because of her figure.

She managed to save enough money to go to drama school, with the urging of her mother. She was signed by Howard Hughes for his production of The Outlaw (1943) in 1941, the film that was to make Jane famous. The film was not a classic by any means but was geared through its marketing to show off Jane's ample physical assets rather than acting abilities. Although the film was made in 1941, it was not released until two years later and then only on a limited basis due to the way the film portrayed Jane's assets. It was hard for the flick to pass the censorship board. Finally, the film gained general release in 1946. The film was a smash at the box office.

Jane did not make another film until 1945 when she played Joan Kenwood in Young Widow (1946). She had signed a seven-year contract with Hughes, and it seemed the only films he would put her in were those that displayed Jane in a very flattering light due to her body. Films such as His Kind of Woman (1951) and The Las Vegas Story (1952) did nothing to highlight her true acting abilities. The pinnacle of her career was in Gentlemen Prefer Blondes (1953) as Dorothy Shaw, with Marilyn Monroe. This film showed Jane's comedic side very well. Jane did continue to make films throughout the 1950s, but the films were at times not up to par, particularly with Jane's talents being wasted in forgettable movies to show off her sexy side. Films such as Gentlemen Marry Brunettes (1955) and The Revolt of Mamie Stover (1956) did do Jane's justice and were able to show exactly the fine actress she was.

After The Fuzzy Pink Nightgown (1957) (a flop), Jane took a hiatus from films, to dabble a little in television, returning in 1964 to film Fate Is the Hunter (1964). Unfortunately, the roles were not there anymore as Jane appeared in only four pictures during the entire decade of the 1960s. Her last film of the decade was The Born Losers (1967). After three more years away from the big screen, she returned to make one last film called Darker Than Amber (1970).

Her last major appearance before the public was in the 1970s when Jane was a spokesperson for Playtex bras.

Had Jane not been wasted during the Hughes years, she could have been a bigger actress than what she was allowed to show.

Jane Russell died at age 89 of respiratory failure on February 28, 2011, in Santa Maria, California.

Owning a pair of the most incredibly soulful and searching eyes you'll ever find, Michael Sarrazin's poetic drifters crept into Hollywood unobtrusively on little cat's feet, but it didn't take long for him to make his mark. Quiet yet uninhibited, the lean, laconic, fleshy-lipped actor with the intriguingly faraway look and curiously sunken features enhanced a number of quality offbeat fare without ever creating too much of a fuss. While Hollywood couldn't quite pigeonhole him, they also weren't sure what to do with him. Out-and-out stardom would prove elusive.

He was born Jacques Michel Andre Sarrazin on May 22, 1940 in Quebec, Canada, and drifted through eight different schools before eventually dropping out. He worked at a Toronto theatre, on TV, and for the Canadian Broadcasting Corporation during his teen years. He also studied acting at the Actors Studio in New York. While playing parts for the National Film Board of Canada in a handful of their historical documentary shorts, he was noticed by Universal and signed in 1965. Following insignificant roles in such series as The Virginian (1962) and in the mini-movie The Doomsday Flight (1966), the actor made his film debut in the post-Civil War drama Gunfight in Abilene (1967) starring an equally offbeat Bobby Darin. One scene had him being flogged shirtless. It was Sarrazin's second film, however, that created the initial stir playing grifter George C. Scott's young apprentice in The Flim-Flam Man (1967). Sarrazin's hesitant con artist more than held its own against the freewheeling Scott while also engaging in romantic clinches with Lolita (1962) sexpot Sue Lyon.

A number of other Sarrazin characters found their way as a result. He played a guileless tenderfoot again, this time taken under the wing of cowboy Anthony Franciosa, in A Man Called Gannon (1968) which takes an unexpected twist at the end; he shared the screen with fellow up-and-comers Harrison Ford and Jan-Michael Vincent as a green Confederate soldier in Journey to Shiloh (1968); earned a Golden Globe "best promising newcomer" nomination portraying an aimless surfer in The Sweet Ride (1968) opposite the spectacularly beautiful Jacqueline Bisset (they lived together for several years); and supposedly turned down the role of Joe Buck in Midnight Cowboy (1969) in order to appear in the kinky love triangle In Search of Gregory (1969) as, yet again, another be charming young stranger, but that film was not successful.

This all culminated in the portrayal of his career as a wanderlust Depression-era floater plucked from the beach shore to participate in a grueling dance marathon. As Robert, the unassuming partner to feisty, cynical Jane Fonda's Gloria, in the bleak, fascinatingly depressing They Shoot Horses, Don't They? (1969), Sarrazin was both soft and spellbinding. His pairing with Fonda is an eerie and ultimately doomed one resulting in a shattering climax. Remote and wordless, Sarrazin's strength lies in both his ease and passive defiance. His peaceful body language and the few calm utterances he allows himself seems to illicit a strange, neutralizing power. It's not the kind of movie persona, however, that wins awards - as it did for his more flamboyant co-stars Ms. Fonda, Susannah York and Gig Young.

Another glum, ostracized outsider role came in the showier form of Paul Newman's hippie half-brother in Sometimes a Great Notion (1971) and Sarrazin continued to show a flair for the unconventional with the non-mainstream Believe in Me (1971), as a medical student who shares a drug needle with (again) Ms. Bissett, and in The Pursuit of Happiness (1971) as a collegiate fighting the system. In Harry in Your Pocket (1973) Sarrazin again plays the naive square who falls in with a bad crowd (this time, pickpockets). He capped this radical run with a mesmerizing, intelligent and, of course, sympathetic portrayal of the monster in the mini-movie Frankenstein: The True Story (1973). As assurance of his offbeat popularity, he hosted Saturday Night Live (1975) twice.

A performance as the haunted title role in the psychological thriller The Reincarnation of Peter Proud (1975) proved to be one of his last hurrahs, as the film was a critical and box office failure. At this juncture his films (or his film roles) became underwhelming. He starred alongside Ursula Andress in the Italian film The Loves and Times of Scaramouche (1976), but the film was very poorly received. Utterly wasted even though second billed as Barbra Streisand's hubby in her slapstick vehicle For Pete's Sake (1974), he also headed up a so-so car chase film in The Gumball Rally (1976). He co-starred in the big budget escapist adventure Caravans (1978), but the film was a financial disaster. The 1980s signaled a significant down turn and strange pall in his films.

It started with his third-wheel participations in the excruciating bad and violent Morgan Fairchild/Andrew Stevens stalking thriller The Seduction (1982) and in the hard-edged vigilante film Fighting Back (1982) behind Tom Skerritt/Patti LuPone. When he did have a lead, the films themselves were flawed as in Keeping Track (1986) and the excessively sleazy Mascara (1987). Sarrazin has continued to work steadily, however, but the one great film that could put him into the top character ranks had yet to arrive. With age, the always-lean Sarrazin turned pale and haggard which lent itself toward rather eccentric casting.

Throughout the course of his career, Michael remained true to his homeland, appearing in many Canadian-based productions such as The Groundstar Conspiracy (1972), Double Negative (1980), Joshua Then and Now (1985), Captive Hearts (1987), The Phone Call (1989), La Florida (1993) and Crackerjack 2 (1997).

Sarrazin moved to Montreal many years back in order to be near family. He died there following a brief bout with cancer at age 70 on April 17, 2011, and was survived by daughters Michelle and Catherine, as well as producer/brother Pierre Sarrazin. While the fascination and appeal of Michael Sarrazin certainly cannot be denied, one wonders why Hollywood was not able to serve his talent better in later years.

Edith Fellows was born on May 20, 1923, in Boston, Massachusetts. When she was a year old, she and her father and grandmother moved to Charlotte, North Carolina. As a toddler, Edith was pigeon-toed and had trouble walking, and one doctor suggested that dance lessons might cure this condition. At age four, Edith entered Henderson's School of Dance, where she was spotted by a man claiming to be a talent scout, who told her grandmother that he could get Edith into show business for a fifty-dollar fee. The dance school raised the money, but when Edith and her grandmother arrived in Hollywood, they discovered that the address the man had given them did not exist, and they realized he was a fraud. Stranded in Hollywood with no means to return to North Carolina, Edith's grandmother began doing housework to earn a living. While she worked, she left Edith with a neighbor and her young son. One day Edith was taken along when the neighbor's son had an audition for the film Movie Night (1929), and she ended up getting the part. Although she never become a child star, Edith appeared in many popular films of the 1930s, most notably Pennies from Heaven (1936). She also proved herself to be a very versatile actress, playing roles ranging from a spoiled rich girl, as in Heart of the Rio Grande (1942), to a poor orphan girl, as in Pennies from Heaven. Edith was even given her own series, The Five Little Peppers, while under contract to Columbia, and she made four of the Pepper films (the first was Five Little Peppers and How They Grew (1939)) in two years. Between 1929 and 1954, Edith appeared in some fifty films, mostly in juvenile roles due to her short 4' 10" stature. But her career suddenly slowed down in the mid-1950s. Between 1955 and 1980, she appeared in only one film, Lilith (1964), in which she had a bit part. During this time, Edith chose to focus on her family life; she had married producer Freddie Fields in 1946, and their only child, daughter Kathy, was born in 1947. But Edith and Fields divorced in 1955, and the end of her marriage, coupled with other factors, caused Edith to have a nervous breakdown. She recovered, and in 1981, she returned to acting in numerous supporting roles on television. In 1985, fellow former child actor Jackie Cooper announced plans to make a TV movie based on Edith's life, but this project never happened.

Peter Michael Falk was born on September 16, 1927, in New York City, New York. At the age of 3, his right eye was surgically removed due to cancer. He graduated from Ossining High School, where he was president of his class. His early career choices involved becoming a certified public accountant, and he worked as an efficiency expert for the Budget Bureau of the state of Connecticut before becoming an actor. On choosing to change careers, he studied the acting art with Eva Le Gallienne and Sanford Meisner. His most famous role is that of the detective Columbo (1971); however, this was not his first foray into acting the role of a detective. During a high school play, he stood in for such a role when the original student actor fell sick. He has been married twice, and is the father of two children:Catherine, a private detective in real life, and Jackie. He was diagnosed with dementia in 2008, which was most likely brought on by Alzheimer's disease, from which he died on June 23, 2011.

An oddly fascinating bloke with prominent bony cheeks and rawboned figure, Peter William (Pete) Postlethwaite was born on February 16, 1946 and was a distinguished character actor on stage, TV and film. Growing up the youngest of four siblings in a Catholic family in Warrington, Lancashire (near Liverpool) in middle-class surroundings to working-class parents, he attended St Mary's University (London). However, while completing his studies, he developed an interest in theatre, to the chagrin of his father, who wanted his children to find secure positions in life.

A drama teacher initially at a Catholic girls convent school, he decided to follow his acting instincts full-time and gradually built up an impressive array of classical stage credits via repertory, including the Bristol Old Vic Drama School, and in stints with Liverpool Everyman, Manchester Royal Exchange and the Royal Shakespeare Company. By the 1980s he was ready to branch out into film and TV, giving a startling performance as a wife abuser in the Distant Voices, Still Lives (1988).

By 1993 he had crossed over into Hollywood parts and earned his first Oscar nomination for his superb role as Daniel Day-Lewis' father in In the Name of the Father (1993). Other quality roles came his way with The Usual Suspects (1995), Brassed Off (1996), and Amistad (1997). He did fine work on television in Sharpe's Company (1994), Lost for Words (1999), and The Sins (2000). Postlethwaite worked equally both in the UK and abroad, and avoided the public limelight for the most part, except for occasional displays of political activism.

Postlethwaite lived quietly out of the spotlight in England and continued on in films with roles in The Shipping News (2001), The Limit (2004), Dark Water (2005), The Omen (2006), Ghost Son (2007) and Solomon Kane (2009). In 2010, he was seen in Clash of the Titans (2010), Inception (2010) and The Town (2010).

Postlewaite died on January 2, 2011, at age 64, of pancreatic cancer. He was surrounded by his wife and son, and by his daughter from a prior relationship.

Len Lesser was an American character actor, from the Bronx, New York City. His most famous role was that of Uncle Leo, the maternal uncle of protagonist Jerry Seinfeld in the sitcom "Seinfield". Lesser played this role from 1991 to the series finale in 1998.

Lesser was the son of a Polish-Jewish immigrant, who worked as a grocer in New York City. Lesser was educated at the City College of New York. He graduated in 1942 with a bachelor's degree, at the age of 19. Shortly after, Lesser enlisted in the United States Army which was mobilizing for World War II. He served in the China Burma India Theater of the War.

Lesser was primarily a theatrical actor until the mid-1950s. From 1955 onward, he appeared regularly on television series in minor or guest star roles. He also appeared as a character actor in films such as "Birdman of Alcatraz" (1962), "How to Stuff a Wild Bikini" (1965), and "Kelly's Heroes" (1970).

Lesser did not achieve a regular role until cast as Uncle Leo in "Seinfeld", at the age of 69. Afterwards he was cast in the recurring role of Garvin in the sitcom "Everybody Loves Raymond" (1996-2005). Both Uncle Leo and Garvin were friendly and overly enthusiastic acquaintances of the respective protagonists of each sitcom. For the first time in his career, Lesser became a household name with these sitcom roles.

In his last years, Lesser was struggling with cancer. He died of cancer-related pneumonia in 2011, at the age of 88. His former cast-mate Jerry Seinfield mourned his death and described Lesser as "a very sweet guy".

Kevin Jarre was born on August 6, 1954 in Detroit, Michigan, to actress Laura Devon and her second husband, Cleland B. Clark, a photographic illustrator who had combined ranching and fashion photography, and was a lifetime member of the National Rifle Association. After his parents divorced, he lived in Wyoming for a time with his father, whom he referred to as Hemingwayesque. He later went to Los Angeles to live with his mother.

Jarre had gotten small acting parts in the television series "Flipper", which starred Brian Kelly, to whom his mother was married to at that time. She subsequently would divorce Kelly, and later get married to French composer Maurice Jarre, who adopted Kevin.

Initially wanting to become an actor, Jarre was encouraged to try screenwriting. He began writing scripts, his big break came when he was hired to write the story for what would eventually become "Rambo: First Blood Part II" starring Sylvester Stallone. He then worked on "The Tracker", a period Western for HBO starring Kris Kristofferson and directed by John Guillermin. He then wrote the screenplay for the critically acclaimed historical war drama, "Glory" about the 54th Massachusetts regiment, which would go on to win three Oscars. Jarre would get both a Golden Globe nomination for Best Screenplay, and a WGA Award for Best Adapted Screenplay.

By 1990, two more scripts were written and acquired by producer Larry Gordon: "Judgment Night"(which was later rewritten and released in 1993) and "The Devil's Own"(which was also rewritten and later released in 1997). In early 1991, after his adaptation of Bram Stoker's Dracula was cancelled, Jarre began work on a script, "Tombstone": his retelling of the O.K. Corral gunfight and the events that followed, it was to have been his directorial debut, however, about a month into production, Jarre had been dismissed from the project and was replaced by George P. Cosmatos. With the exception of the scenes featuring Charlton Heston, and an insert of the food-laden wedding table in the opening scene, most of the footage that Jarre had filmed while he was director was either re-shot, or left on the cutting room floor.

Jarre continued to work, he spent the rest of his career as a uncredited script doctor, working on many films, such as the 1997 film "The Jackal", and earning a few producer credits.

In addition to being a writer and director, Jarre also had a few acting credits, he had appeared in the 1985 short film "A Hero of Our Time", directed by Michael Almereyda and was based on Mikhail Lermontov's novel of the same title, He also appeared in the 1988 thriller film "Gotham", directed by Lloyd Fonvielle, with whom Jarre would later collaborate with on the 1999 remake of "The Mummy". He also played a bit part in "Glory" as a quarrelsome soldier who picks a fight and later, as the 54th regiment heads for battle, yells, "Give 'em hell, 54th!"

He was a mentor and booster to many aspiring writers and directors, including his lovely cousin Abigail, for whom he appeared in her 2009 short film "She Found Them on the Train Tracks".

Jarre died in Santa Monica on April 3, 2011, at the age of 56.

John Howard Davies was born on 9 March 1939 in Paddington, London, England, UK. He was a producer and director, known for Oliver Twist (1948), Fawlty Towers (1975) and Mr. Bean (1990). He was married to Linda Patricia, Dale Mackenzie Tillotson and Leonie Taylor. He died on 22 August 2011 in Blewbury, Oxfordshire, England, UK.

As a child Paul Picerni had aspirations to become an attorney until he acted in an eighth-grade play and later learned that the school principal liked his performance and called him "a born actor". He next appeared in little theater productions, then (after World War II Air Force service) on the stage at Loyola University. Picerni was acting in a play in Hollywood when he was spotted by Solly V. Bianco, head of talent at Warner Brothers; brought to the studio, the young actor was given a role in Breakthrough (1950). This WWII actioner turned out to be aptly named, as it led to a Warners contract for Picerni and a long succession of roles at that studio. Best-known for his second-banana role on the TV classic The Untouchables (1959) with Robert Stack, Picerni is the father of eight and grandfather of ten.

A sunny singer, dancer and comic actress, Betty Garrett starred in several Hollywood musicals and stage roles. She was at the top of her game when the Communist scare in the 1950s brought her career to a screeching, ugly halt. She and her husband Larry Parks, an Oscar-nominated actor, were summoned by the House UnAmerican Activities Committee and questioned about their involvement.

As the drama played out, a very pregnant Garrett was never called to testify, but her husband was. With his admission of Communist Party membership from 1941-1945 and refusal to name names, he made it to the Hollywood Blacklist. After the incident, Garrett and Parks worked up nightclub singing/comedy acts along with appearing in legit plays. Although Parks never quite shook off the blacklist incident, he did win a role in John Huston's film, Freud (1962). Garrett went on to appear in roles in many television series.

Gilbert Cates was born on 6 June 1934 in New York City, New York, USA. He was a producer and director, known for I Never Sang for My Father (1970), Absolute Strangers (1991) and Dragonfly (1976). He was married to Dr. Judith Reichman and Jane Betty Dubin. He died on 31 October 2011 in Los Angeles, California, USA.

Marilyn Nash was planning on a career as a doctor when, while a student at the University of Arizona, she visited Los Angeles and met Charles Chaplin, who placed her under contract (starting at $50 a week) and cast her in his production Monsieur Verdoux (1947). She appeared in a second and last film, the science-fiction Unknown World (1951), four years later. She also acted on live TV and in many plays during this period. Nash later relocated to Oroville, California, where she was so active in the community that she was soon nicknamed "Mrs. Oroville." She also became a location casting director for films shot in that area.

Sue Mengers was born on 2 September 1932 in Hamburg, Germany. She was married to Jean-Claude Tramont. She died on 15 October 2011 in Beverly Hills, California, USA.