Actors Who Go by Their Nicknames

Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas to Joe Keaton and Myra Keaton, Vaudevillian comedians with a popular, ever-changing variety act, which gave their son an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included illusionist Harry Houdini, a family friend. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini when the 3-year-old fell down a flight of stairs and Houdini picked him up, dusted him off, and told the boy's father Joe that the fall was "a buster." Savvy showman Joe Keaton liked the nickname, which has stuck for over one century.

At age 4, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country for their wild, physical onstage antics. It was normal for Joe to throw Buster around the stage and participate in elaborate, dangerous stunts to the awe of audiences. After several years on the Vaudeville circuit, "The Three Keatons" toured until Keaton had to break up the act because of his father's increasing alcohol dependence, making him a show business veteran by age 21.

While he was looking for work in New York, he had a chance run-in with wildly-successful film star and director Roscoe 'Fatty' Arbuckle, who invited him to be in his upcoming short The Butcher Boy (1917). This appearance launched Keaton's film career and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.

In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.

At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.

After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.

His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.

After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.

In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.

After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.

Bing Crosby was born Harry Lillis Crosby, Jr. in Tacoma, Washington, the fourth of seven children of Catherine (Harrigan) and Harry Lincoln Crosby, a brewery bookkeeper. He was of English and Irish descent. Crosby studied law at Gonzaga University in Spokane but was more interested in playing the drums and singing with a local band. Bing and the band's piano player, Al Rinker, left Spokane for Los Angeles in 1925. In the early 1930s Bing's brother Everett sent a record of Bing singing "I Surrender, Dear" to the president of CBS. His live performances from New York were carried over the national radio network for 20 consecutive weeks in 1932. His radio success led Paramount Pictures to include him in The Big Broadcast (1932), a film featuring radio favorites. His songs about not needing a bundle of money to make life happy was the right message for the decade of the Great Depression. His relaxed, low-key style carried over into the series of "Road" comedies he made with pal Bob Hope. He won the best actor Oscar for playing an easygoing priest in Going My Way (1944). He showed that he was indeed an actor as well as a performer when he played an alcoholic actor down on his luck opposite Grace Kelly in The Country Girl (1954). Playing golf was what he liked to do best. He died at age 74 playing golf at a course outside Madrid, Spain, after completing a tour of England that had included a sold-out engagement at the London Palladium.

Cyd Charisse was born Tula Ellice Finklea on March 8, 1922, in Amarillo, Texas. Born to be a dancer, she spent her early childhood taking ballet lessons and joined the Ballet Russe at age 13. In 1939, she married Nico Charisse, her former dance teacher. In 1943, she appeared in her first film, Something to Shout About (1943), billed as Lily Norwood. The same year, she played a Russian dancer in Mission to Moscow (1943), directed by Michael Curtiz. In 1945, she was hired to dance with Fred Astaire in Ziegfeld Follies (1945), and that uncredited appearance got her a seven-year contract with MGM. She appeared in a number of musicals over the next few years, but it was Singin' in the Rain (1952) with Gene Kelly that made her a star. That was quickly followed by her great performance in The Band Wagon (1953). As the 1960s dawned, musicals faded from the screen, as did her career. She made appearances on television and performed in a nightclub revue with her second husband, singer Tony Martin. Cyd Charisse died at age 86 of a heart attack on June 17, 2008 in Los Angeles, California.

Redd Foxx began doing stand-up comedy on the infamous "Chitlin' Circuit" in the 1940s and 1950s. Foxx was one of the premier "blue humor" comedians. Blue humor was very dirty, too dirty for white audiences. For years his party albums were not available in white record stores. In the 1960s his records became available, although marginally in white record stores, leading to minor comedy work on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show") and The Red Skelton Hour (1951), among other classic variety shows of the time. Foxx developed a fan base in the 1960s that led to increased notoriety. He received his own television series in 1972 called Sanford and Son (1972), which was a reworking of the British sitcom Steptoe and Son (1962). Foxx's character, Fred Sanford (was actually Foxx's brother's name), was a cranky old man who was set in his ways and would insult both friends and strangers at the drop of a hat. He ran a junkyard in Watts, a bad neighborhood in Los Angeles, with his son Lamont (played by Demond Wilson). The show broke down racial stereotypes and was a huge success, making Foxx and the show household names. Foxx fought a very public battle with the writers and producers of the show, claiming that they did not do enough to promote the black experience, and in general complained there were not enough black writers or producers in the entertainment industry. These highly publicized disputes led to the show faltering artistically, but not in the ratings. Foxx left the show in 1977 to accomplish his dream on ABC: his own variety show, which lasted less than a year. He also starred in the controversial film Norman... Is That You? (1976).

Foxx's trouble with the law and the Internal Revenue Service hampered his career in the early 1980s. He flopped yet again with the sitcom The Redd Foxx Show (1986) on ABC. He did, however, find success playing a ghost in the TV movie Ghost of a Chance (1987), with Dick Van Dyke. The late 1980s found Foxx on a rebound, as he starred with Richard Pryor and Eddie Murphy in the popular Harlem Nights (1989), which showcased the three premiere black comedians of their respective generations. A whole new generation of comedians begin claiming Redd Foxx as a major influence on their careers, including Murphy and Pryor. Foxx looked like he was finding success 20 years after Sanford and Son (1972) with The Royal Family (1991). However, we will never know if the show would have been a success--while rehearsing for an episode, Foxx collapsed and was rushed to a hospital. He died in October of 1991. Redd Foxx will be remembered as a pioneering comedian who influenced generations of comedians and helped break down racial barriers in the the entertainment industry. His influence seems as strong as ever.

Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.

After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.

The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.

The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.

In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).

Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.

On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.

His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.

Rip Torn was born Elmore Rual Torn Jr. on February 6, 1931 in Temple, Texas, the son of Thelma Mary (Spacek) and Elmore Rudolph Torn, who was an agriculturalist and economist, credited with popularizing the custom of eating black-eyed peas on New Year's Day. "Rip" is a family name, taken by generations of Torn men and bestowed on Elmore by his father, who was also called "Rip." He was of German, Austrian, Bohemian, and Moravian descent. His mother was an elder sister of actress Sissy Spacek's father, Edwin Spacek.

Torn attended Texas A&M and the University of Texas, where he joined Sigma Chi Fraternity. He majored in animal husbandry. Extremely naïve when he was young, Torn hitchhiked to Hollywood with the idea of becoming a movie star; he wanted to make enough money in order to buy a ranch. Success did not come overnight, as he had hoped, and Torn had to work many odd jobs while occasionally being cast in television roles. He made his feature film debut in Elia Kazan's Baby Doll (1956) in a small part.

Serious about learning his craft, he moved to New York City where he studied under Lee Strasberg at the Actors Studio. Torn also studied dance with Martha Graham. His serious acting career began on the small screen, where he made a name for himself in the Golden Age of Television; between 1957 and 1960, he appeared regularly on such prestigious live shows as Omnibus (1952) and Playhouse 90 (1956).

Torn made his Broadway debut in Kazan's staging of Tennessee Williams' "Sweet Bird of Youth" on March 10, 1959, in support of Paul Newman, Sidney Blackmer and Geraldine Page, who would become his second wife. The play was a hit, closing on January 30, 1960 after 375 performances. He won a 1960 Tony Award nomination as Best Featured Actor in a Play and a Theater World award for his role as "Tom, Jr.", a role he recreated in the 1962 film. (Torn also starred as "Boss Finley" in a later television adaptation of the play).

Torn earned a reputation as an actor's actor on stage, both Broadway and off-Broadway, as well as on screen. He continued to work in the New York theater despite his demanding TV and movie schedule as both an actor and director. He won two Obie awards for his work off-Broadway, for Distinguished Performance in Norman Mailer's "The Deer Park" (for the 1966-67 season), and for Distinguished Direction for "The Beard" (1967-68). He had his own stage company, and directed his daughter Angelica Page (by Geraldine Page) in John Paul Alexander's "Strangers in the Land of Canaan" at the Actors Studio. Torn made his feature film directorial debut with The Telephone (1988).

He was constantly in demand as a character actor, in supporting, second lead and occasional lead roles. Arguably his best performance on film came in Payday (1973), and he was nominated for a best supporting actor Oscar for Cross Creek (1983). Most of Torn's roles were in drama, though he was adept at comedy. His role in Albert Brooks' comedy Defending Your Life (1991) led to his being cast in The Larry Sanders Show (1992), on which he played talk show producer "Artie." Torn won six consecutive Emmy nominations for the role, winning once for Best Supporting Actor in a comedy series in 1996.

Torn was married to actress Ann Wedgeworth from 1956-61, whom he divorced to marry Geraldine Page. They remained married until her death in 1987. He was married to Amy Wright until his death. Torn helped his first cousin, Oscar-winner Sissy Spacek, to make her way as an actress, seeing to it that she was accepted by the Lee Strasberg's Actors Studio and then the Lee Strasberg Institute.

Rip Torn died in on July 9, 2019 in Lakeville, Connecticut, aged 88.

Beau Bridges was born in Hollywood, and is the son of actor Lloyd Bridges and his wife, who was his college sweetheart, Dorothy Dean Bridges. Born just two days after the attack on Pearl Harbour, he was delivered by candlelight because of a power blackout. Named Lloyd Vernet Bridges III, his parents immediately started calling him Beau after Ashley Wilkes' son in Gone with the Wind (1939), a book they were reading at the time. His younger brother, actor Jeff Bridges, was born in 1949 and a sister, Cindy Bridges, the following year.

Although only 5'10", Beau played basketball for UCLA his freshman year. The following year he transferred to the University of Hawaii, but dropped out to pursue acting and got his first major role in 1967. During his first marriage to Julie Landifield, they adopted Casey Bridges and then had Jordan Bridges. He and his second wife, Wendy Treece Bridges, have three children from this marriage: Dylan Bridges (born 1985); Emily Bridges, (born 1987) and Ezekiel Jeffry Bridges.

Beau likes to play guitar and collects Native American percussion instruments. He also loves the ocean, including swimming and surfing. He is also active in environmental causes and handgun control.

Chevy Chase was born Cornelius Crane Chase on October 8, 1943 in Lower Manhattan, New York, to Cathalene Parker (Browning), a concert pianist and librettist, and Edward Tinsley "Ned" Chase, an editor and writer. His parents both came from prominent families, and his grandfathers were artist and illustrator Edward Leigh Chase and Admiral Miles Browning. His recent ancestry includes English, Scottish, Irish, and German.

His grandmother gave him the nickname "Chevy" when he was two years old. Chase was a cast member of Saturday Night Live (1975) from its debut until 1976, and then embarked on a highly successful movie career. He scored in the 1980s with hits such as Caddyshack (1980), National Lampoon's Vacation (1983) and its sequels, Fletch (1985) and Fletch Lives (1989). All his films show his talent for deadpan comedy. Sadly, his career generally worsened through the 1990s, starring in disappointments such as the mediocre Memoirs of an Invisible Man (1992), and Cops and Robbersons (1994). More recently, Community (2009) marked a return for him, as he played a regular role for the first four seasons.

Spike Lee was born Shelton Jackson Lee on March 20, 1957, in Atlanta, Georgia. At a very young age, he moved from pre-civil rights Georgia, to Brooklyn, New York. Lee came from artistic, education-grounded background; his father was a jazz musician, and his mother, a schoolteacher. He attended school in Morehouse College in Atlanta and developed his film making skills at Clark Atlanta University. After graduating from Morehouse, Lee attended the Tisch School of Arts graduate film program. He made a controversial short, The Answer (1980), a reworking of D.W. Griffith's The Birth of a Nation (1915), a ten-minute film. Lee went on to produce a 45-minute film Joe's Bed-Stuy Barbershop: We Cut Heads (1983) which won a student Academy Award. In 1986, Spike Lee made the film, She's Gotta Have It (1986), a comedy about sexual relationships. The movie was made for $175,000, and earned $7 million at the box office, which launched his career and allowed him to found his own production company, 40 Acres and a Mule Filmworks. His next movie was School Daze (1988), which was set at a historically black school, focused mostly on the conflict between the school and the Fraternities, of which he was a strong critic, portraying them as materialistic, irresponsible, and uncaring. With his School Daze (1988) profits, Lee went on to make his landmark film, Do the Right Thing (1989), a movie based specifically his own neighborhood in Brooklyn, New York. The movie portrayed the racial tensions that emerge in the Bed-Stuy neighborhood on one very hot day. The movie garnered Oscar nominations for Best Original Screenplay, for Danny Aiello for supporting actor, and sparked a debate on racial relations. Lee went on to produce and direct the jazz biopic Mo' Better Blues (1990), the first of many Spike Lee films to feature Denzel Washington, including the biography of Malcolm X (1992), in which Washington portrayed the civil rights leader. The movie was a success, and garnered an Oscar nomination for Washington. The pair would work together again on He Got Game (1998), an excursion into the collegiate world showing the darker side of college athletic recruiting, as well as the 2006 film Inside Man (2006). Spike Lee's role as a documentarian has expanded over the years, highlighted by his participation in Lumière and Company (1995), the Oscar-nominated 4 Little Girls (1997), to his Peabody Award-winning biographical adaptation of Black Panther leader in A Huey P. Newton Story (2001), through his 2005 Emmy Award-winning examination of post-Katrina New Orleans in When the Levees Broke: A Requiem in Four Acts (2006) and its follow-up five years later If God Is Willing and da Creek Don't Rise (2010). Through his production company 40 Acres and A Mule Filmworks, Lee continues to create and direct both independent films and projects for major studios, as well as working on story development, creating an internship program for aspiring filmmakers, releasing music, and community outreach and support. He is married to Tonya Lewis Lee, and they have two sons, Satchel and Jackson.

Judge Reinhold has been in over seventy-five motion picture and television roles and enjoys a 25-year relationship with an international audience of all ages. His films include Stripes, Fast Times at Ridgemont High, Ruthless People, and Disney's Christmas franchise, The Santa Clause 1, 2 & 3. Beverly Hills Cop 1, 2, 3 play continually internationally, making Judge a familiar presence worldwide. Fast Times and Beverly Hills Cop were voted by the American Film Institute as two of the "Top 100 American Comedies."

Judge received an Emmy nomination for his performance as "The Close Talker" on Seinfeld, and his guest star appearances in Seinfeld and Arrested Development received two of the highest ratings on both series. Judge most recently co-starred with Bruce Campbell in the indie comedy Highly Functional

Judge has been an active member of the Academy of Motion Picture Arts and Sciences since 1987.

Skeet Ulrich is an American actor. He is best known for his roles in popular 1990s films, including Billy Loomis in Scream (1996) and Scream (2022), Chris Hooker in The Craft (1996) and Vincent Lopiano in As Good as It Gets (1997). Since 2017, he has starred as Forsythe Pendleton "F.P." Jones II on The CW's Riverdale. His other television roles include Johnston Jacob "Jake" Green Jr. in the television series Jericho, and LAPD Detective Rex Winters, a Marine veteran from the Law & Order franchise.

During the early 2000s, actor Scoot McNairy quickly came to specialize in portrayals of colorful and individualistic young men with a slightly rebellious edge. McNairy began during the early to mid-2000s, with bit parts in films including Wonderland (2003), Herbie: Fully Loaded (2005), and Art School Confidential (2006). He took his first bow as a producer with 2007's In Search of a Midnight Kiss, in which he also starred. That indie romantic comedy concerns a young man (McNairy) all washed up on New Year's Eve -- until an impulsive ad on Craigslist leads him to the great love of his life (Sara Simmonds) and an extraordinary night on the town.

Miley Ray Cyrus was born Destiny Hope Cyrus on November 23, 1992 in Franklin, Tennessee and raised in Thompson's Station, Tennessee to Tish Cyrus & Billy Ray Cyrus. She has five siblings - two half-brothers, a half-sister, and a younger brother and sister. Her parents named her because they hoped she would achieve greatness. Her childhood nickname, Smiley, due to her cheerful disposition, was eventually shortened to Miley. Her paternal grandfather was Democratic politician Ron Cyrus.

Cyrus was initially educated at Heritage Elementary School in Tennessee. When she turned eight, her family moved to Toronto, Canada, where Cyrus' father Billy Ray took a role in the TV series Doc (2001). It was around this time that Cyrus decided she wanted to act too. Her first role came alongside her father in Doc (2001). She also scored a small role in Tim Burton's Big Fish (2003).

In 2005, Cyrus was cast as the lead in the Disney series Hannah Montana (2006), about a teen leading a double life as a pop star. Again her father acted alongside her. The show was a smash and hit records, sell-out tours and merchandising deals soon followed. Cyrus became a teen superstar.

Following the success of Hannah Montana (2006), Cyrus made the move into other roles - including playing Ronnie Miller in The Last Song (2010) and Lola in LOL (2012) alongside Demi Moore.

Margaret Constance "Maisie" Williams (born April 15, 1997) is an English actress. She made her professional acting debut as Arya Stark in the HBO fantasy television series Game of Thrones, for which she won the EWwy Award for Best Supporting Actress in a Drama, the Portal Award for Best Supporting Actress - Television and Best Young Actor, and the Saturn Award for Best Performance by a Younger Actor.

Williams has also had a recurring role in Doctor Who as Ashildr in 2015. In addition to television, she made her feature film debut in the mystery The Falling, for which she won the London Film Critics' Circle Award for Young Performer of the Year.

Williams was born in Bristol, UK. She has always been known as "Maisie" after the character from the comic strip The Perishers. Williams is the youngest of four children; her three older siblings are James, Beth and Ted. Born to Hilary Pitt (now Frances), a former university course administrator, she grew up in Clutton, Somerset. She attended Clutton Primary School and Norton Hill School in Midsomer Norton, before moving to Bath Dance College to study Performing Arts.

Since 2011, Williams has played Arya Stark, a tomboyish young girl from a noble family, in the HBO fantasy drama television series Game of Thrones. Arya was Williams' first role in any professional capacity. She has received critical acclaim for her performance in the series. Williams continued to garner praise for her performance in the show's second season, and HBO submitted her for consideration in the Outstanding Supporting Actress category for the 2012 Primetime Emmy Awards, although she did not receive a nomination. She won the 2012 Portal Award for Best Supporting Actress - Television, and the Portal Award for Best Young Actor. At 15 years of age, Williams was the youngest actress ever to win in the Best Supporting Actress category. In March 2013, she was nominated for a Young Artist Award for Best Performance in a TV Series - Supporting Young Actress and, in November 2013, won the BBC Radio 1 Teen Award for Best British Actor. To date, she has appeared in all seven broadcast seasons.

In 2012, Williams played Loren Caleigh in the BBC series The Secret of Crickley Hall and appeared in a Funny or Die skit titled The Olympic Ticket Scalper. She also appeared in the independent films Heatstroke (2012) and Gold (2013), and the short films Corvidae (2013) and Up On The Roof (2013).

Williams also signed on to play Lorna Thompson in the Sci-Fi film We Are Monsters, which was set for a 2014 release.

In 2014, Williams portrayed Lydia in the British film The Falling, which premiered on October 11, 2014, and was released on April 24, 2015 in the UK. In December, Williams was in talks with Naughty Dog to star as Ellie in the film adaptation of the video game The Last of Us.

In January 2015, Williams appeared in one-off Channel 4 doc-drama Cyberbully, and in February she received European recognition with a Shooting Stars Award at the 65th Berlin International Film Festival.

In February 2015, Williams played the leading role in the video-clip of Oceans by the British band Seafret. The theme of this clip is also bullying.

On March 30, 2015, the BBC announced that Williams would guest star in two episodes of Doctor Who ("The Girl Who Died" and "The Woman Who Lived"). Williams later returned to the series in the first and third episodes of the three-part series finale, entitled "Face the Raven" and "Hell Bent" respectively.