Great Female Directors
List of great female Directors whose movies I have watched and can highly reccomend. (Some are famous, some infamous, some unknown and many of them underrated.)
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- Actress
- Director
- Writer
Ida was born in London to a show business family. In 1932, her mother took Ida with her to an audition and Ida got the part her mother wanted. The picture was Her First Affaire (1932). Ida, a bleached blonde, went to Hollywood in 1934 playing small, insignificant parts. Peter Ibbetson (1935) was one of her few noteworthy movies and it was not until The Light That Failed (1939) that she got a chance to get better parts. In most of her movies, she was cast as the hard, but sympathetic woman from the wrong side of the tracks. In The Sea Wolf (1941) and High Sierra (1940), she played the part magnificently. It has been said that no one could do hard-luck dames the way Lupino could do them. She played tough, knowing characters who held their own against some of the biggest leading men of the day - Humphrey Bogart, Ronald Colman, John Garfield and Edward G. Robinson. She made a handful of films during the forties playing different characters ranging from Pillow to Post (1945), where she played a traveling saleswoman to the tough nightclub singer in The Man I Love (1946). But good roles for women were hard to get and there were many young actresses and established stars competing for those roles. She left Warner Brothers in 1947 and became a freelance actress. When better roles did not materialize, Ida stepped behind the camera as a director, writer and producer. Her first directing job came when director Elmer Clifton fell ill on a script that she co-wrote Not Wanted (1949). Ida had joked that as an actress, she was the poor man's Bette Davis. Now, she said that as a director, she became the poor man's Don Siegel. The films that she wrote, or directed, or appeared in during the fifties were mostly inexpensive melodramas. She later turned to television where she directed episodes in shows such as The Untouchables (1959) and The Fugitive (1963). In the seventies, she made guest appearances on various television show and appeared in small parts in a few movies.Hard, Fast And Beautiful (1951), On Dangerous Ground (1952), The Bigamist (1953), The Hitch-Hiker (1953)- Director
- Producer
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The world's first female filmmaker, French-born Alice Guy entered the film business in 1896 as a secretary at Gaumont, a manufacturer of movie cameras and projectors who had purchased a "cinématographer" from its inventors, the Lumiere brothers. The next year Gaumont became the world's first motion picture production company when they switched to creating movies, and Guy became its first film director. She impressed the company so much with the output (she averaged two two-reelers a week) and quality of her productions that by 1905 she was made the company's production director, supervising its other directors. In 1907 she married Herbert Blaché, an Englishman who ran Gaumont's British and German offices. The pair went to the U.S. to set up the company's operations there. In 1910 Mme. Guy set up her own production company, Solax, in New York and with her husband built a studio in Fort Lee, New Jersey. After a period of critical and financial success, the couple's fortunes declined when Thomas Alva Edison's trust hindered film production in the East coast, and they eventually shut down the studio in 1919. Although her husband secured work directing films for several major Hollywood studios, Guy was never able to secure any directorial jobs there, never made a film again, most of her films were lost, some were credited to other film directors, and she did no receive recognition for her pioneering work in France and the United States. She returned to France in 1922 after her divorce from Blaché, and in 1964 returned to the U.S. and lived in Mahwah, New Jersey - not far from where her original studios were - with her daughter, where she died in 1968.The Cabbage-Patch Fairy (1896), Bathing In A Stream (1897), Wonderful Absinthe (1899), Dick Whittington And His Cat (1913), Turn-Of-The-Century Surgery (1900), The Results Of Feminism (1906), The Drunken Mattress (1906), The Strike (1912)- Actress
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Mabel Normand was one of the comedy greats of early film. In an era when women are deemed 'not funny enough' it seems film history has forgotten her contributions. Her films debuted the Keystone Cops, Charlie Chaplin's tramp and the pie in the face gag. She co-starred with both Chaplin and Roscoe "Fatty" Arbuckle in a series of shorts. She was a star in the first Keystone Comedy as well as the first feature film comedy. She was the only comedian to work with Charles Chaplin , Roscoe "Fatty" Arbuckle, Mack Sennett, D.W. Griffith, Harold Lloyd, Mary Pickford, Hal Roach, Stan Laurel, Oliver Hardy, Fred Mace, Fred Sterling and John Bunny (she and Buster Keaton never had a chance to work together but they were friends.)
Born in Staten Island, New York to Claude and Mary Normand. Normand started out as an artist model for Charles Dana Gibson (creator of the Gibson girl). Friends suggested she try out for the new medium of film and she did, working as an extra in Kalem and Biograph shorts. With Biograph's move to California she went to work for Vitagraph where she made a series of comedic shorts as 'Betty', one co-starring the first comedy film star John Bunny.
Eventually Normand returned to Biograph where she began working with Mack Sennett on comedic shorts that would eventually turn into Keystone Comedies. Normand and Sennett were lovers, close friends and close co-workers. All of Sennett's early ideas seemed to revolve around Normand. His creation of Keystone was contingent on Normand joining him; and though he would underpay her as he underpaid everyone he worked with, he insisted Normand have credit and say in the company. When Normand eventually left Keystone for Goldwyn, Sennett left soon after.
By 1912 Normand was writing her own films and by 1914 she was directing her films. By this point she was a major star, continually topping fan polls by new movie magazines. While the discovery of Charlie Chaplin varies from telling to telling, everyone involved agreed Sennett would not have hired (or kept him on) had it not been for Normand. Chaplin's second short for the company was Normand's "Mabel's Strange Predicament" which she starred and directed in. This was the first film Chaplin created his iconic tramp character for.
Chaplin and Normand had a comedic chemistry and would go on to team in a series of shorts until Chaplin left Keystone in 1915. As Chaplin's star rose many fan magazines began to call Normand a 'female Chaplin'. Normand and Chaplin had similar subtle mannerisms and the influence Normand had on Chaplin can not be understated. Before Chaplin left Keystone, they starred, alongside Marie Dressler, in "Tillie's Punctured Romance" the first full length comedy film.
With the loss of Chaplin, Normand and Roscoe "Fatty" Arbuckle began to team together in a series of shorts (though they had acted together before). This series was also popular and the pair continued acting together until they both left Keystone for better pay.
Sennett and Normand became engaged around this time, though the engagement ended when Sennett was caught cheating on Normand. Friends report she suffered a severe head injury when Sennett's fling threw a vase at Normand's head. Those who knew Normand all believed Sennett was the love of her life; and she his. However they would never reconcile romantically. Sennett did convince Normand to create her own production company "Mabel Normand Film Company" to make her own features. The first project was "Mickey" and Sennett's handling of her business affairs resulted in the film not being released until 1918 (or having a definite version).
Normand dissolved the company and signed with Goldwyn where she went on to make comedy features. These movies would be more akin to sitcoms: they were shorter than a lot of features, but still features. Many are lost though several have turned up in the past 10 years.
Normand once again signed with Sennett to make features and this would result in her final feature films. However this would be a rocky venture. Normand's health was hit or miss (she had been diagnosed with tuberculosis when she was 10) and seemed to be worse than better. She also was drinking heavily. In 1922 her friend William Desmond Taylor was murdered. This case would become 'the case of the century' and became a media circus, it is still unsolved. Though Normand was cleared (she had been seen leaving his house with him waving goodbye to her; she was likely the last person to see him alive), the association left an unwelcome tarnish on her soon after the scandalous death of her friend Olive Thomas, and the unfair trial of Roscoe Arbuckle.
Normand continued working, making The Extra Girl. Soon after its release in 1923 she was again near another crime (a butler was shot at a party she attended; though he survived.) Soon after Normand took a break from film.
By 1926 Normand was ready for a comeback. She signed with Hal Roach to make comedy shorts. These were well received and by 1928 she had signed with the William Morris Agency to make talkies. However she did not realize how sick she was and her health soon interrupted these plans.
Over the years Normand's tuberculosis has turned into rumors of a drug addiction. This started during the Taylor scandal when it was claimed that maybe he had been killed for interrupting a drug ring, and maybe Normand was part of it. While not prominent during her life it has become more commonly believed as time has passed despite no evidence. Normand's family, estate and personal nurse were all adamant she had never used any drugs. Sadly this rumor has become common place in Hollywood lore.
Normand's drinking increased as did her partying. During one party she decided to marry longtime friend Lew Cody at 2am. She instantly regretted the marriage and they continued living separately. As Normand's health decreased and she was committed to a sanitarium (akin to a hospital/hospice in modern terms) by 1929. She died in 1930 from tuberculosis.Mabel's Strange Predicament (1914), Caught In A Cabaret (1914), The Extra Girl (1923)- Director
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Dorothy Arzner, the only woman director during the "Golden Age" of Hollywood's studio system--from the 1920s to the early 1940s and the woman director with the largest oeuvre in Hollywood to this day--was born January 3, 1897 (some sources put the year as 1900), in San Francisco, California, to a German-American father and a Scottish mother. Raised in Los Angeles, her parents ran a café which featured German cuisine and which was frequented by silent film stars including: Charles Chaplin and William S. Hart, and director Erich von Stroheim. She worked as a waitress at the restaurant, and no one could have foreseen at the time that Arzner would be one of the few women to break the glass ceiling of directing and would be the only woman to work during the early sound era.
In her 15-year career as a director (1928-43), Arzner made three silent movies and 14 "talkies". Her path to the director's chair was different than that of women directors in the future (indeed, different than most male directors too). Directors nowadays are typically graduates of film schools or were working actors prior to directing. Like most of the directors of her generation, Arzner gained wide training in most aspects of filmmaking by working her way up from the bottom. It was the best way to become a filmmaker, she later said.
After graduating from high school in 1915, she entered the University of Southern California, where she was in the pre-med program for two years. When the US entered World War I in 1917, Arzner was unable to realize her ambition of serving her country in a military capacity, as there were no women's units in the armed forces at the time, so she served as an ambulance driver during the war.
After the cessation of hostilities, Azner got a job on a newspaper. The director of her ambulance unit introduced her to film director William C. de Mille (the brother of Cecil B. DeMille, one of the co-founders of Famous Players-Lasky, which eventually became known by the title of its distribution unit--Paramount Pictures). She decided to pursue a film career after visiting a movie set and being intrigued by the editing facilities. Arzner decided that she would like to become a director (there was no strict delineation between directors and editors in the immediate postwar period as the movie studios matured into a "factory" industrial production paradigm).
Though she was the sole member of her gender to direct Hollywood pictures during the first generation of sound film, in the silent era a woman behind the camera was not unknown. The first movie in history was directed by a Frenchwoman, and many women were employed in Hollywood during the silent era, most frequently as scenario writers (some research indicates that as many as three-quarters of the scenario writers during the silent era--when there was no requirement for a screenplay as such as there was no dialogue--were women). Indeed, there were women directors in the silent era, such as Frances Marion (though she was more famous as a screenwriter) and Lois Weber, but Arzner was fated to be the only female director to have made a successful transition to "talkies". It wasn't until the 1930s and the verticalization of the industry, as it matured and consolidated, that women were squeezed out of production jobs in Hollywood.
The introduction to William deMille paid off when he hired her for the sum of $20 a week to be a stenographer. Her first job for DeMille was typing up scripts at Famous Players-Lasky. She was reportedly a poor typist. Ambitious and possessed of a strong will, Arzner offered to write synopses of various literary properties, and eventually was hired as a writer. Impressing DeMille and other Paramount powers-that-be, Arzner was assigned to Paramount's subsidiary Realart Films, as a film cutter. She was promoted to script girl after one year, which required her presence on the set to ensure the continuity of the script as shot by the director. She then was given a job editing films. She excelled at cutting: as an editor (she was the first Hollywood editor professionally credited as such on-screen), she labored on 52 films, working her way up from cutting Bebe Daniels comedies to assignments on "A" pictures within a couple of years. She came into her own as a filmmaker editing the Rudolph Valentino headliner Blood and Sand (1922), about a toreador. Her editing of the bullfighting scenes was highly praised, and she later said that she actually helmed the second-unit crew shooting some of the bullfight sequences. Director James Cruze was so impressed by her work on the Valentino picture that he brought her on to his team to edit The Covered Wagon (1923). Arzner eventually edited three other Cruze films: Ruggles of Red Gap (1923), Merton of the Movies (1924) and Old Ironsides (1926). Her work was of such quality that she received official screen credit as an editor, a first for a cutter of either gender.
While collaborating with Cruze she also wrote scenarios, scripting her ideas both solo and in collaboration. She was credited as a screenwriter (as well as an editor) on "Old Ironsides", one of the more spectacular films of the late silent era, being partially shot in Magnascope, one of the earliest widescreen processes. She would always credit Cruze as her mentor and role model. "Old Ironsides" proved to be the last film on which she was credited as an editor, as her ambitions to become a director would finally come to fruition. To indulge her, Paramount gave her a job as an assistant director, for which she was happy--until she realized it was not a stepping stone to the director's chair, and she was determined to sit in that chair.
Arzner pressured Paramount to let her direct, threatening to leave the studio to work for Columbia Pictures on Poverty Row, which had offered her a job as a director. Unwilling to lose such a talented filmmaker, the Paramount brass relented, and she made her debut with Fashions for Women (1927). It was a hit. In the process of directing Paramount's first talkie, Manhattan Cocktail (1928), she made history by becoming the first woman to direct a sound picture. The success of her next sound picture, The Wild Party (1929), starring Paramount's top star, Clara Bow, helped establish Fredric March as a movie star.
Arzner proved adept at handling actresses. As Budd Schulberg related in his autobiography "Moving Pictures", Clara Bow--a favorite of his father, studio boss B.P. Schulberg--had a thick Brooklyn accent that the silence of the pre-talkie era hid nicely from the audience. She was terrified of the transition to sound, and developed a fear of the microphone. Working with her sound crew, Arzner devised and used the first boom mike, attaching the microphone to a fish pole to follow Bow as she moved around the set. Arzner even used Bow's less-than-dulcet speaking tones to underscore the vivaciousness of her character.
Though Arzner made several successful films for Paramount, the studio teetered on the edge of bankruptcy due to the Depression, eventually going into receivership (before being saved by the advent of another iconic woman, Mae West). When the studio mandated a pay cut for all employees, Arzner decided to go freelance. RKO Radio Pictures hired her to direct its new star, headstrong young Katharine Hepburn, in her second starring film, Christopher Strong (1933). It was not a happy collaboration, as both women were strong and unyielding, but Arzner eventually prevailed. She was, after all, the boss on the set: The director. The fiercely independent Hepburn complained to RKO, but the studio backed its director against its star. Eventually the two settled into a working relationship, respecting each other but remaining cold and distant from one another. Ironically, Arzner would display her directorial flair in elucidating the kind of competitive rivalries between women she experienced with Hepburn.
The Directors Guild of America was established in 1933, and Arzner became the first woman member. Indeed, she was the only female member of the DGA for many years.
Arzner's films featured well-developed female characters, and she was known at the time of her work, quite naturally, as a director of "women's pictures". Not only did her movies portray the lives of strong, interesting women, but her pictures are noted for showcasing the ambiguities of life. Since the rise of feminist scholarship in the 1960s, Arzner's movies have been seen as challenging the dominant, phallocentric mores of the times.
Arzner was a lesbian, who cultivated a masculine look in her clothes and appearance (some feel as camouflage to hide the boy's club that was Hollywood). Many gay critics discern a hidden gay subtext in her films, such as "Christopher Strong". Whereas feminist critics see a critique of gender inequality in "Christopher Strong", lesbian critics see a critique of heterosexuality itself as the source of a woman's troubles. The very private Azner, the woman who broke the glass ceiling and had to survive, and indeed thrived, in the all-male world of studio filmmaking, refused to be categorized as a woman or gay director, insisting she was simply a "director." She was right.
Arzner did have less troubled and more productive collaborations with other actresses after her experience with Hepburn. She developed a close friendship with one of her female stars, Joan Crawford, whom she directed in two 1937 MGM vehicles, The Last of Mrs. Cheyney (1937) and The Bride Wore Red (1937). Arzner later directed Pepsi commercials as a favor to Crawford's husband, Pepsi-Cola Company's Chairman of the Board Alfred Steele.
In 1943 Arzner joined other top Hollywood directors such as John Ford and George Stevens in going to work for the war effort during World War Two. She made training films for the US Army's Women's Army Corps (WACs). That same year her health was compromised after she contracted pneumonia. After the war she did not return to feature film directing, but made documentaries and commercials for the new television industry. She also became a filmmaking teacher, first at the Pasadena Playhouse during the 1950s and 1960s and then at the University of California-Los Angeles campus during the 1960s and 1970s. At UCLA she taught directing and screenwriting, and one of her students was Francis Ford Coppola, the first film school grad to achieve major success as a director. She taught at UCLA until her death in 1979.
She was honored in her own lifetime, becoming a symbol and role model for women filmmakers who desired entry into mainstream cinema. The feminist movement in the 1960s championed her. In 1972 the First International Festival of Women's Films honored her by screening "The Wild Party", and her oeuvre was given a full retrospective at the Second Festival in 1976. In 1975 the DGA honored her with "A Tribute to Dorothy Arzner." During the tribute, a telegram from Katharine Hepburn was read: "Isn't it wonderful that you've had such a great career, when you had no right to have a career at all?"Merrily We Go To Hell (1932), The Bride Wore Red (1937), Christopher Strong (1933), Dance, Girl, Dance (1940)- Producer
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Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures. With Fanck as her mentor, Riefenstahl began directing films.
Her penchant for artistic work earned her acclaim and awards for her films across Europe. It was her work on Triumph of the Will (1935), a documentary commissioned by the Nazi government about Adolf Hitler and the Third Reich, that would come back to haunt her after the atrocities of World War II. Despite her protests to the contrary, Riefenstahl was considered an intricate part of the Third Reich's propaganda machine. Condemned by the international community, she did not make another movie for over 50 years.Das Blaue Licht (1932), Triumph des Willens (Documentary) (1935)- Writer
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Julia Crawford Ivers was born on 3 October 1867 in Los Angeles, California, USA. She was a writer and producer, known for A Son of Erin (1916), The White Flower (1923) and The Majesty of the Law (1915). She died on 8 May 1930 in Los Angeles, California, USA.The Majesty Of The Law (1915), A Son Of Erin (1916), The Intrigue (1916)- Actress
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Edith Carlmar was born on 15 November 1911 in Oslo, Norway. She was an actress and director, known for A Young Woman Missing (1953), The Wayward Girl (1959) and Death Is a Caress (1949). She was married to Otto Carlmar. She died on 17 May 2003 in Oslo, Norway.Døden Er Et Kjærtegn (1949), Fjols Til Fjells (1957), Ung Flukt (1959)- Actress
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Mai Zetterling was born in Sweden in 1925, and lived briefly in Australia while still a child. She's known as a director and actor and trained on the Stockholm repertory stage, she began appearing in war-era films starting in her teens. Following her debut in Lasse Maja (1941), she made quite an impact in the terminally dark Ingmar Bergman-written film Torment (1944) [known as Torment in the US and Frenzy in the UK], who went on to direct her in his Music in Darkness (1948) [Music in Darkness].
The international attention she received from her Bergman association led her to England where she debuted in the title role of Frieda (1947), a war drama co-starring David Farrar, Glynis Johns and Flora Robson. Developing modest sex symbol success, she went on to co-star opposite a number of handsome leading men throughout the post-war years in primarily dramatic works, including Dennis Price in The Bad Lord Byron (1949), Dirk Bogarde in Blackmailed (1951), Herbert Lom in The Ringer (1952), Richard Widmark in A Prize of Gold (1955), Tyrone Power in Seven Days from Now (1957) (which was a variation on Hitchcock's Lifeboat (1944)), John Gregson in Faces in the Dark (1960), William Sylvester in The Devil Inside (1961), and Stanley Baker in The Man Who Finally Died (1963). Along the way she proved just as adaptable and sexy in smart comedy when she came between husband and wife Peter Sellers and Virginia Maskell in Only Two Can Play (1962).
Mai abandoned acting in the mid-1960s and courted some controversy when she successfully began sitting in the director's chair. Divorced from Norwegian actor Tutte Lemkow in the early 1950s, she later wed writer David Hughes in 1958, who collaborated with her on a number of her directing ventures, which seemed ahead of their time. Obviously influenced by Bergman, the dark, sexy drama Loving Couples (1964) [Loving Couples] dealt with homosexual themes and featured nudity; Night Games (1966) [Night Games] revolved around sexual decadency and repression; and The Girls (1968) [The Girls], which had an all-star Swedish cast including Bibi Andersson and Harriet Andersson, expounded on women's liberation. She divorced her second husband in 1979. She had two children, Louis and Etienne, from her first marriage.
Toward the end of her life, Mai made a return to film acting and is best remembered at this late stage for her nurturing and resilient grandmother in the film The Witches (1990) wherein she is forced to tangle with a particularly virulent ringleader Anjelica Huston to save her grandson from her coven of hags. Mai died of cancer in 1994.Flickorna (1968)- Director
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Larisa Shepitko was born on 6 January 1938 in Bakhmut, Ukrainian SSR, USSR [now Bakhmut, Donetsk Oblast, Ukraine]. She was a director and writer, known for The Ascent (1977), Heat (1963) and You and Me (1971). She was married to Elem Klimov. She died on 2 July 1979 in near Redkino, Kalinin Oblast, Russian SFSR, USSR.Wings (Krylya) (1966), The Ascent (Voskhozhdenie) (1977)- Writer
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Jane Campion was born in Wellington, New Zealand, and now lives in Sydney, New South Wales, Australia. Having graduated with a BA in Anthropology from Victoria University of Wellington in 1975, and a BA, with a painting major, at Sydney College of the Arts in 1979, she began filmmaking in the early 1980s, attending the Australian Film Television and Radio School (AFTRS). Her first short film, Peel (1982) won the Palme D'Or at the Cannes Film Festival in 1986. Her other short films include A Girl's Own Story (1984), Passionless Moments (1983), After Hours (1985) and the tele-feature 2 Friends (1986), all of which won Australian and international awards. She co-wrote and directed her first feature film, Sweetie (1989), which won the Georges Sadoul prize in 1989 for Best Foreign Film, as well as the LA Film Critics' New Generation Award in 1990, the American Independant Spirit Award for Best Foreign Feature, and the Australian Critics' Award for Best Film, Best Director and Best Actress. She followed this with An Angel at My Table (1990), a dramatization based on the autobiographies of Janet Frame which won some seven prizes, including the Silver Lion at the Venice Film Festival in 1990. It was also awarded prizes at the Toronto and Berlin Film Festivals, again winning the American Independent Spirit Award, and was voted the most popular film at the 1990 Sydney Film Festival. The Piano (1993) won the Palme D'Or at Cannes, making her the first woman ever to win the prestigious award. She also captured an Academy Award for Best Original Screenplay at the 1993 Oscars, while also being nominated for Best Director.The Piano (1993), Portrait of a Lady (1996), Top Of The Lake: China Girl (2017)- Director
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Liliana Cavani was born on 12 January 1933 in Carpi, Emilia-Romagna, Italy. She is a director and writer, known for L'ospite (1971), Dove siete? Io sono qui (1993) and The Night Porter (1974).The Night Porter (1974), Year Of The Cannibals (I Cannibali) (1969)- Director
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A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she made art and waited to be critiqued by people like Richard Serra, Robert Rauschenberg and Susan Sontag. Later she earned a scholarship to study film at Columbia University School of Arts, graduating in 1979. She was also a member of the British avant garde cultural group, Art and Language. Kathryn is the only child of the manager of a paint factory and a librarian.Strange Days (1995)- Writer
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During the 1970s, Lina Wertmüller emblazoned her name into the pantheon of Italian cinema with a series of intensely polemical, deeply controversial and wonderfully entertaining films. Among the most politically outspoken and iconoclastic members of the second generation of postwar directors - the direct heirs to the neo-realists - Wertmüller was also one of the first woman directors to be internationally recognized and acclaimed. Armed with a keenly satiric and Rabelaisian humor, Wertmüller reinvented the narrative forms and character types of Italian comedy to create one of the rare examples of a radical, politically galvanized cinema that managed to achieve widespread popularity. Indeed, the fierce invectives against social, cultural and historical inequities at the heart of Wertmüller's mid-1970s masterworks Love and Anarchy, Seven Beauties and Swept Away seemed only to help the films find an appreciative audience, especially in the United States, where they broke box office records for foreign films and even secured Wertmüller an Oscar nomination for Best Director - the very first woman named for this category. Although Wertmüller remains a well-known name, her remarkable films are strangely overlooked and only selectively revisited. And yet, the incredible energy and daring of her most popular works is equally present in lesser-known masterpieces such as All Screwed Up and The Seduction of Mimi, films that are both extremely topical and yet still totally relevant today.Seven Beauties (Pasqualino Settebellezze) (1975)- Director
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Caroline Link was born on 2 June 1964 in Bad Nauheim, Hesse, Germany. She is a director and writer, known for Nowhere in Africa (2001), Beyond Silence (1996) and Annaluise & Anton (1999).Jenseits der Stille (1996)- Director
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Kimberly Peirce was born on 8 September 1967 in Harrisburg, Pennsylvania, USA. She is a director and producer, known for Boys Don't Cry (1999), Stop-Loss (2008) and Carrie (2013).Boys Don't Cry (1999)- Director
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Chantal Akerman was born on 6 June 1950 in Brussels, Belgium. She was a director and writer, known for The Meetings of Anna (1978), I, You, He, She (1974) and A Couch in New York (1996). She was married to Sonia Wieder-Atherton. She died on 5 October 2015 in Paris, France.Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)- Actress
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Penny Marshall was born Carole Penny Marshall on October 15, 1943 in Manhattan. The Libra was 5' 6 1/2", with brown hair and green eyes. She was the daughter of Marjorie (Ward), a tap dance teacher, and Anthony "Tony" Marshall, an industrial film director. She was the younger sister of filmmakers Garry Marshall and Ronny Hallin. Her father was of Italian descent, originally surnamed "Masciarelli," and her mother was of German, Scottish, English, and Irish ancestry.
Penny was known in her family as "the bad one"... because not only did she walk on the ledge of her family's apartment building, but she snuck into the movies as a child and even dated a guy named "Lefty." She attended a private girls' high school in New York and then went to the University of New Mexico for two and a half years. There, Penny got pregnant with daughter, Tracy Reiner, and soon after married the father, Michael Henry, in 1961. The couple divorced two years later in 1963. She worked as a secretary for awhile. Her film debut came from her brother Garry Marshall, who put her in the movie How Sweet It Is! (1968) with the talented Debbie Reynolds and James Garner. She also did a dandruff commercial with Farrah Fawcett - the casting people, of course, giving Farrah the part of the "beautiful girl" and Penny the part of the "plain girl." This only added to Penny's insecurity with her looks.
She then married Rob Reiner on April 10, 1971, shortly after getting her big television break as Oscar Madison's secretary, Myrna Turner, on The Odd Couple (1970). She also played Mary Richards' neighbor, Paula Kovacks, on The Mary Tyler Moore Show (1970) for a couple of episodes. However, her Laverne & Shirley (1976) fame came when her brother needed two women to play "fast girls" who were friends of Arthur Fonzarelli and would date Fonzie and Richie Cunningham on Happy Days (1974). Penny had been working on miscellaneous writing projects ("My Country Tis Of Thee", a bicentennial spoof for Francis Ford Coppola and "Paper Hands" about the Salem Witch Trials) with writing partner Cindy Williams. Cindy happened to be a friend and ex-girlfriend of Henry Winkler's, so Garry asked the two to play the parts of these girls. The audience saw their wonderful chemistry, and loved them so much, a spin-off was created for them.
Penny was well-known as Laverne DeFazio. She and Rob had divorced in 1980. The show ended three years later, half a year after Cindy Williams left the show due to pregnancy (her first baby, Emily, from now ex-husband Bill Hudson)... they wanted Williams to work the week she was supposed to deliver.
Soon after, Penny began directing such films as Jumpin' Jack Flash (1986), Big (1988) and A League of Their Own (1992). Her hobbies included needlepoint, jigsaw puzzles and antique shopping. She was best friends with actress Carrie Fisher and was godmother to Carrie's daughter, Billie.
Penny died at 75 in Los Angeles, California.Awakenings (1990)- Director
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Agnès Varda was born on 30 May 1928 in Ixelles, Belgium. She was a director and writer, known for Cléo from 5 to 7 (1962), Vagabond (1985) and Faces Places (2017). She was married to Jacques Demy. She died on 29 March 2019 in Paris, France.Cleo From 5 to 7 (Cléo de 5 à 7) (1962), La Pointe Courte (1955), Le Bonheur (1965), L'Une Chante L'Autre Pas (1977), Vagabond (1985), Jacquot De Nantes (1991)- Director
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Marjane Satrapi was born on 22 November 1969 in Rasht, Iran. She is a director and actress, known for Persepolis (2007), The Voices (2014) and Chicken with Plums (2011). She is married to Mattias Ripa. She was previously married to Reza.Persepolis (2007), The Voices (2014)- Actress
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Greta Gerwig is an American actress, playwright, screenwriter, and director. She has collaborated with Noah Baumbach on several films, including Greenberg (2010), Frances Ha (2012), for which she earned a Golden Globe nomination, and Mistress America (2015). Gerwig made her solo directorial debut with the critically acclaimed comedy-drama film Lady Bird (2017), which she also wrote, and has also had starring roles in the films Damsels in Distress (2011), Jackie (2016), and 20th Century Women (2016).
Greta Celeste Gerwig was born in Sacramento, California, to Christine Gerwig (née Sauer), a nurse, and Gordon Gerwig, a financial consultant and computer programmer. She has German, Irish, and English ancestry. Gerwig was raised as a Unitarian Universalist, but also attended an all-girls Catholic school. She has described herself as "an intense child". With an early interest in dance, she intended to get a degree in musical theatre in New York. She graduated from Barnard College in NY, where she studied English and philosophy, instead. Originally intending to become a playwright, after meeting young film director Joe Swanberg, she became the star of a series of intellectual low budget movies made by first-time filmmakers, a trend dubbed "mumblecore".
Gerwig was cast in a minor role in Swanberg's LOL (2006) in 2006, while still studying at Barnard. She then appeared in many of Swanberg's films, and personally co-directed, co-wrote and co-produced one entitled Nights and Weekends (2008). She has worked with good quality directors such as Ti West (The House of the Devil (2009)), Whit Stillman (Damsels in Distress (2011)), or Woody Allen (To Rome with Love (2012)) but success and (international) recognition did not come until Frances Ha (2012), directed by Noah Baumbach, a film she also co-wrote. Both tall and immature, awkward and graceful, blundering and candid, annoying and engaging, Greta has won all hearts in the title role of Frances Ha(liday).
In 2017, she wrote and directed the highly acclaimed, semi-autobiographical teen movie Lady Bird (2017), set in 2002-2003, and starring Saoirse Ronan, Laurie Metcalf, and Timothée Chalamet.
In 2011, Gerwig received an award for Acting from the Athena Film Festival for her artistry as one of Hollywood's definitive screen actresses of her generation.Lady Bird (2017), Frances Ha (2012)- Director
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Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006). She has been married to Thomas Mars since August 27, 2011. They have two daughters, Romy and Cosima. She was previously married to Spike Jonze.Lost in Translation (2003)- Actress
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Nadine Labaki was born on 18 February 1974 in Beirut, Lebanon. She is an actress and director, known for Where Do We Go Now? (2011), Capernaum (2018) and Caramel (2007). She has been married to Khaled Mouzanar since October 2007.Capernaüm (2018)- Actress
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Jennifer Kent was born on 5 March 1969 in Brisbane, Queensland, Australia. She is an actress and director, known for The Nightingale (2018), The Babadook (2014) and Monster (2005).The Babadook (2014), The Nightingale (2018)- Director
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Agnès Merlet was born on 4 January 1959. She is a director and writer, known for The Son of the Shark (1993), Artemisia (1997) and Poussière d'étoiles (1986).Dorothy Mills (2008)- Director
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Agneta Fagerström-Olsson was born on 22 October 1948. She is a director and writer, known for Knockout (2000), Den förste zigenaren i rymden (2002) and Seppan (1986).Prime Time (2012)- Director
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Having graduated from FAMU in Prague film (1971), Agnieszka Holland returned to Poland and began her film career working with Krzysztof Zanussi as assistant director, and Andrzej Wajda as her mentor. Her first feature film was PROVINCIAL ACTORS (1978), one of the flagship pictures of the "cinema of moral disquiet" and the winner of the International Critics Prize at the Cannes Film Festival in 1980. Subsequently, she made the films FEVER (1980) and THE LONELY WOMAN (1981). In 1981, just before the declaration of the state of emergency in Poland, Agnieszka Holland emigrated to France.
She directed ANGRY HARVEST (1985) which was nominated for a foreign-language Oscar. Her film EUROPA EUROPA (1990) also received a U.S. Academy Award nomination (best screenplay) and IN DARKNESS (2011) was again nominated as best foreign-language film. She also collaborated with her friend Krzysztof Kieslowski on the screenplay of his trilogy, THREE COLOURS (1993).
Holland's other films include TO KILL A PRIEST (1988), OLIVIER, OLIVIER (1992), THE SECRET GARDEN (1993), TOTAL ECLIPSE (1995), WASHINGTON SQUARE (1997), THE THIRD MIRACLE (1999), SHOT IN THE HEART (2001), JULIE WALKING HOME (2001), COPYING BEETHOVEN (2006), IN DARKNESS (2011), BURNING BUSH (2013), SPOOR (2017), MR. JONES (2019) and CHARLATAN (2020). She also directed several episodes of many notable TV series, including THE WIRE, JAG, COLD CASE, TREME (for the pilot of the latter she was nominated for an Emmy) and HOUSE OF CARDS. Agnieszka Holland has also written or co-written screenplays for films made by other directors and directed plays for Polish television. She was elected chairwoman of the Board of the European Film Academy in 2014 and was elected as its President in 2021.Horící Ker (2013)- Director
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Aisling Walsh studied Fine Art at the Dun Laoghaire Institute of Art Design and Technology. There was no film course there at that time but there was a film appreciation society that she joined and through this she developed an interest in filmmaking and started making her own short movies. The year following her graduation she worked in a shop to get the money together to go to the National Film School in Beaconsfield. As Ashling felt there was no real film industry in Ireland then, she continued to live in and work in England. She had a number of projects financed there and also got regular work in television.
Ashling has previously made two quite controversial films Joyriders and Sinners. Song for a Raggy Boy is based on the true story by Patrick Galvin and is set in the late 1930s. The film centres around a lay teacher (Aidan Quinn) who joins an Irish Reformatory school and doesn't like what he sees. He has to find the courage to stand up and fight against the tough regime.Maudie (2016)- Writer
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Alice Winocour was born on 13 January 1976 in Paris, France. She is a writer and director, known for Mustang (2015), Proxima (2019) and Disorder (2015).Disorder (Maryland) (2015)- Director
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Anders weathered a rough childhood and young adult life which not only encouraged an escapist penchant for making up characters but also an insider's sympathy for the strong but put-upon women who people her films. Growing up in rural Kentucky, Anders would always remember hanging onto her father's leg at age five as he abandoned her family. Traveling frequently with her mother and sisters, Anders would later be raped at age 12, endure abuse from a stepfather who once threatened her with a gun, and suffer a mental breakdown at age 15. Venturing back to Kentucky from Los Angeles at 17, she would soon move to London to live with the man who would father her first child. Upon her return to the US, Anders finally began to pick up the pieces of her life. She enrolled in junior college and later the UCLA film school and managed when a second daughter came along. Enchanted with _Wim Wenders_' films, she so deluged the filmmaker with correspondence that he gave her a job as a production assistant on his film Paris, Texas (1984). After graduating from UCLA, Anders made her feature writing and directing debut, Border Radio (1987), a study of the LA punk scene, in collaboration with two former classmates. Her first solo effort, Gas Food Lodging (1992), telling of a single mother and her two teenage daughters, and her followup, My Crazy Life (1993), looking at girl gangs in the Echo Park neighborhood of LA where Anders settled, have shown her to be a deeply personal filmmaker who has used her own experience to make grittily realistic, well-observed, gently ambling studies of women coming of age amid tough, sterile social conditions.Gas, Food Lodging (1992)- Writer
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Amy Heckerling studied Film and TV at New York University and got a Masters Degree in Film from The American Film Institute. Despite this education she couldn't get a break in Hollywood. However, in 1982, she made Fast Times at Ridgemont High (1982), and people started to take notice. In 1985, while Amy was pregnant, she got the idea for Look Who's Talking (1989). In 1994, Amy wrote Clueless (1995). Amy is a liberal and also an environmentalist and helps environmental charities whenever she can.Fast Times At Ridgemont High (1982), Clueless (1995)- Writer
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Amy Holden Jones was born on 17 September 1953 in Florida, USA. She is a writer and producer, known for The Resident (2018), Mystic Pizza (1988) and Indecent Proposal (1993). She was previously married to Michael Chapman.The Slumber Party Massacre (1982)- Actress
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Amy Seimetz first came to prominence producing and directing shorts and independent films. Most notably associate producing Barry Jenkins' Medicine For Melancholy which was nominated for Gotham and Independent Spirit Awards, after playing at South By Southwest and the Toronto International Film Festival.
She became notable as an actress after her performance in Joe Swanberg's Alexander The Last, a Noah Baumbach produced film which premiered at SXSW. This was the first of three films she worked on under the direction of Mumblecore king Joe Swanberg, including Silver Bullets (Berlin, SXSW) and Autoerotic. She continued her streak of solid indie performances in Lawrence Levine's "Gabi On The Roof In July", Lena Dunham's Tiny Furniture (SXSW), Kentucker Audley's "Open Five", and David Robert Mitchell's Myth of the American Sleepover (Cannes).
Her performance in Adam Wingard's horror thriller A Horrible Way To Die won her the Best Actress award at Fantastic Fest, the biggest genre film festival in the US. The film premiered at the Toronto International Film Festival to rave reviews.
Seimetz is probably most known for her performance in the Megan Griffiths drama "The Off-Hours", which premiered at the Sundance film festival in 2011.
The Hollywood Reporter singled her out as one of the breakouts of Sundance that year, alongside Brit Marling, Elizabeth Olsen, and Felicity Jones.
Seimetz rounded out an all-star cast in the Tribeca Film Festival premiere Revenge For Jolly directed by Chadd Harbold. The ensemble cast included Kristen Wiig, Elijah Wood, Oscar Isaac, Garrett Dillahunt, Ryan Phillippe, Gillian Jacobs, Adam Brody and Brian Petsos. The film marked a reunion for Seimetz with her co-stars Wiig, Dilahunt, and Petsos from the Chadd Harbold short film "One Night Only".
In 2012 Seimetz made her narrative feature directorial debut with her Floridian thriller Sun Don't Shine, which she also wrote, produced, and co-edited. The film premiered at the South By Southwest film festival in the Emerging Visions section to rave reviews.The Girlfriend Experience (Series) (2016)- Actress
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Andrea Arnold was born on 5 April 1961 in Dartford, Kent, England, UK. She is an actress and director, known for American Honey (2016), Fish Tank (2009) and Red Road (2006).Red Road (2006), Fish Tank (2009), American Honey (2016)- Director
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Angela Pope is a director who started her career making documentaries for television and the moved into TV drama and features.
Born 1945 in Weybridge Surrey, she was educated at Tiffin Girls Grammar School , and at Sussex University, followed - briefly - by post graduate work at UCLA which, she quit in favour of a six week contract with BBC TV Current Affairs as a junior researcher.
She left the BBC TV after 15 great months, to try her hand as a freelance documentary film maker. In 1971 she made Yesterday's Men (1971) which now seems pretty tame, but, at the time, caused an uproar. Afterwards she was almost continuously employed making films for all main British TV companies.
She concocted the story of what would become her first TV drama, _Shiftwork (Sep 24, 1986)_, starring Maureen Lipman as a single mother, night- time taxi driver, unlucky enough to have a corpse in the back of her cab.Captives (1994)- Actress
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Angelina Jolie is an Academy Award-winning actress who rose to fame after her role in Girl, Interrupted (1999), playing the title role in the "Lara Croft" blockbuster movies, as well as Mr. & Mrs. Smith (2005), Wanted (2008), Salt (2010) and Maleficent (2014). Off-screen, Jolie has become prominently involved in international charity projects, especially those involving refugees. She often appears on many "most beautiful women" lists, and she has a personal life that is avidly covered by the tabloid press.
Jolie was born Angelina Jolie Voight in Los Angeles, California. In her earliest years, Angelina began absorbing the acting craft from her actor parents, Jon Voight, an Oscar-winner, and Marcheline Bertrand, who had studied with Lee Strasberg. Her good looks may derive from her ancestry, which is German and Slovak on her father's side, and French-Canadian, Dutch, Polish, and remote Huron, on her mother's side. At age eleven, Angelina began studying at the Lee Strasberg Theatre Institute, where she was seen in several stage productions. She undertook some film studies at New York University and later joined the renowned Met Theatre Group in Los Angeles. At age 16, she took up a career in modeling and appeared in some music videos.
In the mid-1990s, Jolie appeared in various small films where she got good notices, including Hackers (1995) and Foxfire (1996). Her critical acclaim increased when she played strong roles in the made-for-TV movies True Women (1997), and in George Wallace (1997) which won her a Golden Globe Award and an Emmy nomination. Jolie's acclaim increased even further when she played the lead role in the HBO production Gia (1998). This was the true life story of supermodel Gia Carangi, a sensitive wild child who was both brazen and needy and who had a difficult time handling professional success and the deaths of people who were close to her. Carangi became involved with drugs and because of her needle-using habits she became, at the tender age of 26, one of the first celebrities to die of AIDS. Jolie's performance in Gia (1998) again garnered a Golden Globe Award and another Emmy nomination, and she additionally earned a SAG Award.
Angelina got a major break in 1999 when she won a leading role in the successful feature The Bone Collector (1999), starring alongside Denzel Washington. In that same year, Jolie gave a tour de force performance in Girl, Interrupted (1999) playing opposite Winona Ryder. The movie was a true story of women who spent time in a psychiatric hospital. Jolie's role was reminiscent of Jack Nicholson's character in One Flew Over the Cuckoo's Nest (1975), the role which won Nicholson his first Oscar. Unlike "Cuckoo", "Girl" was a small film that received mixed reviews and barely made money at the box office. But when it came time to give out awards, Jolie won the triple crown -- "Girl" propelled her to win the Golden Globe Award, the SAG Award and the Academy Award for best leading actress in a supporting role.
With her newfound prominence, Jolie began to get in-depth attention from the press. Numerous aspects of her controversial personal life became news. At her wedding to her Hackers (1995) co-star Jonny Lee Miller, she had displayed her husband's name on the back of her shirt painted in her own blood. Jolie and Miller divorced, and in 2000, she married her Pushing Tin (1999) co-star Billy Bob Thornton. Jolie had become the fifth wife of a man twenty years her senior. During her marriage to Thornton, the spouses each wore a vial of the other's blood around their necks. That marriage came apart in 2002 and ended in divorce. In addition, Jolie was estranged from her famous father, Jon Voight.
In 2000, Jolie was asked to star in Lara Croft: Tomb Raider (2001). At first, she expressed disinterest, but then decided that the required training for the athletic role was intriguing. The eponymous character was drawn from a popular video game. Lara Croft was a female cross between Indiana Jones and James Bond. When the movie was released, critics were unimpressed with the final product, but critical acclaim wasn't the point of the movie. The public paid $275 million for theater tickets to see a buffed up Jolie portray the adventuresome Lara Croft. Jolie's father Jon Voight appeared in the movie, and during filming there was a brief rapprochement between father and daughter.
One of the Lara Croft movie's filming locations was Cambodia. While there, Jolie witnessed the natural beauty, culture and poverty of that country. She considered this an eye opening experience, and so began the humanitarian chapter of her life. Jolie began visiting refugee camps around the world and came to be formally appointed as a Goodwill Ambassador for the United Nations High Commissioner for Refugees (UNHCR). Some of her experiences were written and published in her popular book "Notes from My Travels" whose profits go to UNHCR.
Jolie has stated that she now plans to spend most of her time in humanitarian efforts, to be financed by her actress salary. She devotes one third of her income to savings, one third to living expenses and one third to charity. In 2002, Angelina adopted a Cambodian refugee boy named Maddox, and in 2005, adopted an Ethiopian refugee girl named Zahara. Jolie's dramatic feature film Beyond Borders (2003) parallels some of her real life humanitarian experiences although, despite the inclusion of a romance between two westerners, many of the movie's images were too depressingly realistic -- the movie was not popular among critics or at the box office.
In 2004, Jolie began filming Mr. & Mrs. Smith (2005) with co-star Brad Pitt. The movie became a major box office success. There were rumors that Pitt and Jolie had an affair while filming Mr. and Mrs. Smith. Jolie insisted that because her mother had been hurt by adultery, she herself could never participate in an affair with a married man, therefore there had been no affair with Pitt at that time. Nonetheless, Pitt separated from his wife Jennifer Aniston in January 2005 and, in the months that followed, he was frequently seen in public with Jolie, apparently as a couple. Pitt's divorce was finalized later in 2005.
Jolie and Pitt announced in early 2006 that they would have a child together, and Jolie gave birth to daughter Shiloh that May. They also adopted a three-year-old Vietnamese boy named Pax. The couple, who married in 2014 and divorced in 2019, continue to pursue movie and humanitarian projects, and now have a total of six children. She was appointed Honorary Dame Commander of the Order of St. Michael and St. George at the 2014 Queen's Birthday Honours for her services to United Kingdom foreign policy and the campaign to end warzone sexual violence.By the Sea (2015)- Director
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Anna Maria Tatò was born on 19 April 1940 in Barletta, Italy. She was a director and writer, known for Marcello Mastroianni: I Remember (1997), Le serpentine d'oro (1978) and Doppio sogno dei Sigg. X (1980). She died on 3 June 2022 in Rome, Lazio, Italy.The Night and the Moment (1994)- Director
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- Animation Department
Founder of two award-winning production companies - Cucumber Studios in London, and MJZ (Morton Jankel Zander) in LA, NY and London, Annabel Jankel's career began directing music videos for artists such as Talking Heads, Tom Tom Club, Elvis Costello, Miles Davis and George Harrison. The creation of Max Headroom created a cultural icon, now a recent acquisition of MoMA, and pushed the boundaries of CGI and live action. This lead to directing two Hollywood feature films with co-director Rocky Morton. Her solo career has included directing award-winning commercials for Greenpeace, Speedo, Hallmark, Coca Cola and Bell. Her series Live from Abbey Road and Abbey Road Classics, recorded over 70 of the world's leading musicians including Massive Attack, Herbie Hancock, Paul Simon, The Kills, Red Hot Chili Peppers and The Killers, and broadcast on Channel 4 in the UK and Sundance Channel in the US.
In 2009, Annabel directed the screen adaptation of David Almond's Whitbred and Carnegie Medal winning novel Skellig, with Tim Roth, John Simm and Kelly McDonald. She has recently completed a feature film based on Fiona Shaw's period love story, Tell It To the Bees - featuring Anna Paquin and Holliday Grainger, which had its world premiere as a 'Special Presentation' at the Toronto International Film Festival 2018 and has since been featured at festivals worldwide.
Holding dual US and UK nationalities, Annabel lives and works in both the UK and Los Angeles.Super Mario Bros. (1993)- Actress
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Anne Fontaine was born on 15 July 1959 in Luxembourg. She is an actress and writer, known for The Innocents (2016), Coco Before Chanel (2009) and Reinventing Marvin (2017). She is married to Philippe Carcassonne. They have one child.Adore (Perfect Mothers) (2013), Chloe (2009)- Director
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Annelise Reenberg was born on 16 September 1919 in Denmark. She was a director and cinematographer, known for Kristinus Bergman (1948), Hendes store aften (1954) and Kristiane af Marstal (1956). She was married to Poul Bang. She died on 12 December 1994 in Denmark.Hurra for de blå husarer (1970)- Director
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Annette Sjursen was born on 2 September 1979 in Norway. She is a director and writer, known for Min misunnelige frisør (2004), Pax (2011) and Burnt by Frost (1997).Pax (2010)- Actress
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Asia Argento was born in Rome, Italy, into a family of actors and filmmakers, both occupations which she has herself pursued. She made her debut when she was only nine years old in Sergio Citti's Sogni e bisogni (1985). In 1988 she had the leading role in Cristina Comencini's first film, Zoo (1988), and was part of the cast of The Church (1989), directed by Michele Soavi. The following year she played Nanni Moretti's daughter in Red Wood Pigeon (1989) (also directed by Moretti).
It was with Close Friends (1992), written and directed by Michele Placido, that Asia's career really took off and she was able to move on from playing very young girls to more mature, complex roles. The movie was well-received at the Cannes International Film Festival. In Trauma (1993), she worked for the first time with her father, famed Italian horror director Dario Argento (her mother is one of Argento's favorite actresses, Daria Nicolodi, playing an anorexic girl in search of her parents' killer. The Phantom of the Opera (1998) is the third film she has made with her father, the others being Trauma (1993) (filmed in the US) and The Stendhal Syndrome (1996).
Asia's absorbed, intense style of acting was well-used in Giuseppe Piccioni's Condannato a nozze (1993). In 1993 she co-starred in Carlo Verdone's Perdiamoci di vista (1994) in which she played Arianna, a physically disabled girl--an intricate, difficult role that won her the David di Donatello for best actress (1993-1994). She also had a featured role in the international cast of Queen Margot (1994), directed by Patrice Chéreau. In 1995 she worked with Michel Piccoli in Peter Del Monte's Traveling Companion (1996), which again won her a David di Donatello and a Grolla d'oro.
In 1994 Asia turned her hand to directing and turned out two short films: "Prospettive" (an episode of the film DeGeneration (1994)) and "A ritroso". In 1996 she directed a documentary on her father and, in 1998, one on cult director Abel Ferrara, Abel/Asia (1998), which won an award at the Rome Film Festival. In 1999 Asia made her feature-directing debut with Scarlet Diva (2000), in which she was the leading actress and author of the screenplay. The film was released in May 2000 in Italy and the rest of the world. It won an award at the Williamsburg Film Festival in Brooklyn, New York. In 2001, after directing a number of music videos, she gave birth to her first daughter, Anna Lou. In 2002 she starred in The Red Siren (2002) by Olivier Megaton with Jean-Marc Barr and the action thriller xXx (2002), directed by Rob Cohen, with Vin Diesel.
Asia is also the author of a number of short stories published in many prestigious magazines such as "Dynamo," "L'Espresso," "Sette," and "Village," Her first novel, "I Love You, Kirk," was published in Italy by Frassinelli Editrice in October 1999 and in France by Florent Massot in 2001.Incompresa (2014), The Heart Is Deceitful Above All Things (2004)- Director
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Bette Gordon was born on 22 June 1950. She is a director and actress, known for Handsome Harry (2009), Variety (1983) and Empty Suitcases (1980).Variety, (1983), Luminous Motion (1998)- Director
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Betty Kaplan is a Venezuelan-American film director born in New York City and raised in Caracas, Venezuela. Often Kaplan writes, directs and produces her own film projects. Betty has also directed several Televison commercials, directed theater in Los Angeles. She is Co-Chair of the Directors Guild of America (DGA) Latino Committee, organizing key events, including the screening of Guillermo Del Toro's The Golden Army, This Is It, Micheal Jackson's film directed by Kenny Ortega and did the Q&A of Rodrigo Garcia's Mother and Child. Betty is working on over a dozen Screenplays in various Genres that are out to major Production companies for consideration. She has won several awards, among them the Peabody, Imagen and many Audience Awards for her work.Of Love and Shadows (1994)- Actress
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Betty Thomas was born July 27, 1947 in St. Louis, Missouri, graduating from Ohio University with a BA in fine arts. Initially sidetracked, Betty first taught school in Chicago but found herself restricted and needing more of an open forum for self-expression than a classroom. She found herself drawn inextricably to comedy. After toiling as a waitress, she became part of the Second City improvisational troupe where she made use of her towering (6' 1") imposing features in aggressive routines and sketches. True to form, she made her film debut in the sketch satire Tunnel Vision (1976) which parodied TV programming. The movie is lesser known today for its satirical bite and more for its exceptional cast of up-and-coming comedy artists at the time including Chevy Chase, Laraine Newman, John Candy, Joe Flaherty, Gerrit Graham, Howard Hesseman, and the team of Al Franken and Tom Davis. Other innocuous comedies/spoofs followed such as Chesty Anderson U.S. Navy (1976), Used Cars (1980), and Coming Attractions (1978) which, at the very least, helped to bulk up her comedy resume. She also appeared as a regular on The Fun Factory (1976), which was three parts quiz show, silly sketches, and audience participation.
Ironically, Betty achieved her stardom not in comedy but in hard-hitting drama. Doing a complete about face as tough-talking Officer Lucille Bates on the hit police series Hill Street Blues (1981), she displayed both grit and vulnerability as she stood nose-to-nose alongside the rest of the male-oriented precinct. She was nominated for six Emmys in all and won the "Best Supporting Actress" trophy in 1985. Some equally compelling mini-movie roles came along with this success. In the late 1980s, Betty made an abrupt and concentrated move into TV and film directing, one of her last acting roles being that of the butch, underhanded scoutmaster (and Shelley Long's misery-inducing nemesis) in the obvious comedy film Troop Beverly Hills (1989).
Betty received her bookend Emmy award while directing the cable sitcom Dream On (1990). She never lost her taste for comedy satire, however. One of her major box office successes would come with the spot-on parody The Brady Bunch Movie (1995). She has continued in this lighter vein of late, guiding the one-man promotion machine Howard Stern to a surprisingly entertaining critical hit with Private Parts (1997), which was based on his memoirs, the Jennifer Love Hewitt film Can't Hardly Wait (1998), I Spy (2002), an updated remake of the 1960s TV series, and Surviving Christmas (2004). In recent years she has directed TV movies and episodes of such series as "Audrey" and "Grace and Frankie."Private Parts (1997)- Writer
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Brit Heyworth Marling was born in Chicago, Illinois, to Heidi (Johnson) and John Marling, both of whom work in real estate. She graduated from Georgetown University, with a bachelor's in economics, and was offered a job with Goldman Sachs, which she turned down in favour of a career as an artist.
She moved to Los Angeles to act and, after spending a couple of years exploring the movie industry and being offered roles as "the cute blonde in horror movies", she taught herself to write, reasoning that the best way to get decent parts was to write them, herself. She worked on two movies, simultaneously - one in the mornings, one in the afternoons - and eventually both Another Earth (2011) and Sound of My Voice (2011) premiered at the Sundance Film Festival in 2011.Another Earth (2011), Boxers And Ballerinas (2004), The OA (2016) (Co-creator/Writer)- Director
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Bronwen Hughes is known for The Journey Is the Destination (2016), Breaking Bad (2008) and Better Call Saul (2015).Stander (2003)- Additional Crew
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Carol Frank is known for Sorority House Massacre (1986), The Slumber Party Massacre (1982) and Summerspell (1983).Sorority House Massacre (1986)- Writer
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Catherine Breillat is a Paris based filmmaker and writer who became famous for her distinctively personal films on sexuality, gender trouble and sibling rivalry. Accused of being a "porno auteuriste", Breillat allowed for an unbiased view of sexuality and extended the language of mainstream movies. She is also a best-selling novelist and wrote her first novel, L'Homme Facile, at the age of 17. Breillat acted in Bernardo Bertolucci's Last Tango in Paris (1972) and wrote the screenplay for Maurice Pialat's movie Police (1985) . Since her first own film A Real Young Girl (1976), which was released 23 years after its shooting, Breillat explored critically as well as in an innovative way the perceptions imposed on female sexuality, related family and coming of age issues.Romance X (1999)- Director
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Hardwicke's first film as a director was the Sundance winner THIRTEEN which explored the transition into teenage years with an authenticity that still captures young audiences (1.3 billion Tik Tok engagements.) Hardwicke directed LORDS OF DOGTOWN before she became best known as the director of TWILIGHT, which launched the blockbuster franchise and has since earned over three billion dollars. Recently her indie film PRISONER'S DAUGHTER premiered at TIFF 2022 and DREAMS IN THE WITCHHOUSE dropped on Netflix October 2022 as part of Guillermo del Toro's Cabinet of Curiosities. MAFIA MAMMA premieres in theaters on April 14 2023.Thirteen (2003)- Director
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Charlotte Sieling was born on 13 July 1960 in Copenhagen, Denmark. She is a director and actress, known for Margrete: Queen of the North (2021), The Man (2017) and Borgen (2010). She was previously married to Peter Langdal.Borgen (Series) (2013)- Editorial Department
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Christine Jeffs was born on 29 January 1963 in Lower Hutt, Wellington, New Zealand. She is a director and writer, known for Sunshine Cleaning (2008), Rain (2001) and Stroke (1993).Sunshine Cleaning (2008)- Actress
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Growing up in Huntington, her father worked as an engineer and her mother worked as a teacher. As a child she discovered her penchant for dressing up and her preference for the bad guys she read. Later, while studying at the State University of New York at Buffalo, she developed her passion for art. After painting, Sherman began taking photographs. The "Hallwalls" exhibition was founded at this time. In 1975 and 1975 she created the photo series "Untitled A - D" and "Bus Riders". She graduated from college in 1976 and settled in New York. They represent her famous self-portraits, in which she slips into different roles through disguise and make-up and portrays different types of women. In particular, the "Untitled Film Stills" created between 1977 and 1980 made Sherman known as a photographer, self-director and disguise artist.
The photographic works in black and white show her as an actress. The artist wanted to draw attention to the role clichés of women - based on the films of the 1940s and 1950s. In 1995, the Museum of Modern Art paid more than a million dollars for it. With the photo series "History Portraits" Cindy Sherman turns to the role of women in the history of art. In real life she fills a dual role, being a model and photographer (artist) at the same time. The intentions of her works include not only the staging of one's own body, but also critical messages about identity, feminine role clichés, violence, sexuality, play and reality, ugliness and beauty, as well as the revelations of the topics addressed. Another thematic focus of her work relates to the image of the body, which she alienated for the first time in the series "Disasters" (1985 - 1989).
In these works, she herself is no longer the subject of her work, but rather a mix of repulsive materials such as prosthetic body parts or rotting food. They represent temporality and decay and are intended to evoke feelings of disgust in the viewer. For the artist, the grotesqueness of the body is based, among other things, on the alienation in the photography of models. Cindy Sherman was named one of the ten best living artists by ARTnews magazine. Today she still lives in New York. After two marriages to the video artist Michel Auder, she is dating the musician David Byrne. In 2008, a Sherman work fetched a record $2.85 million at a Christie's auction. In 2012, the Museum of Modern Art in New York showed a large-scale exhibition entitled "Cindy Sherman. A retrospective". Under the title "Feminist Avant-Garde of the 1970s from the Verbund Collection, Vienna", it was on view in 2016/17 at the Center for Art and Media, Karlsruhe.
In 2016, Sherman was honored with the prestigious "Praemium Imperiale" and in 2019 she was awarded the Max Beckmann Prize. In the same year, 2019, her retrospective followed at the National Portrait Gallery (London).Office Killer (1997)- Director
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The films of Claire Denis frequently explore the fragile connections between people and the ways in which the most seemingly inconsequential relationship can have life-changing effects. At the heart of Denis' cinema is a fascination with the delights and difficulties of belonging and otherness, the gravity and gift of foreignness. Often revolving around reactions to the intrusion of the other, be it a stranger or foreigner, Denis' films insist on the vital necessity of the unusual to coexist within the "normal" world. In films such as I Can't Sleep (1994) and Nénette and Boni (1996), Denis captures the mercurial and instant shifts in tone, from the pleasurably sensual to the menacing or the simply unaccountable, caused by the intrusion of the strange into the fabric of the everyday. In Denis' films one often feels that all is well even as worlds collide and collapse or, conversely, that a grave challenge underlies the seemingly calm moments. While Denis' childhood in French colonial Africa is reflected most directly in the African setting shared by her debut feature Chocolat (1988) and best-known film, Beau Travail (1999), this encounter with the intimacies and injustices of colonialism resounds throughout much of her work. Also shaping Denis' unique vision are the apprenticeships she served, just out of film school, under a variety of renowned directors, including Jacques Rivette, Wim Wenders, Dusan Makavejev and Jim Jarmusch - an eclectic company that is itself suggestive of the unique juxtaposition of careful craft and seeming casualness within Denis' work. Denis has often spoken of her shock as a young woman at discovering the novels of Faulkner that have exerted such a major influence over postwar French cinema. For Denis, Faulkner "was a plunge into the senses, into terror and the pain of his characters." These words describe Denis' films as well. But whatever terror and pain her characters may sometimes experience is outmeasured by the depths of Denis' deep affection for them and by her curiosity in their experiences of pleasure as well as fear. Even in the unsettling Trouble Every Day (2001), the not-infrequent catastrophes in Denis' films provoke a sense of wonder at, and even delight in, the sheer weight of existence.White Material (2009)- Director
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Claudia Weill was born on 20 December 1946 in New York City, New York, USA. She is a director and actress, known for Girlfriends (1978), ABC Afterschool Specials (1972) and Girls (2012). She has been married to Walter Simon Teller since 14 July 1985. They have two children.Girlfriends (1978)- Writer
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- Script and Continuity Department
Danièle Thompson was born on 3 January 1942 in Monaco. She is a writer and director, known for The Log (1999), Orchestra Seats (2006) and Queen Margot (1994). She is married to Albert Koski. She was previously married to Richard Thompson.Le code a changé (2009)- Director
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Debra Granik (born February 6, 1963) is an American New York City-based independent film and documentary film director and screenwriter. She is most known for 2004's Down to the Bone, which starred Vera Farmiga, 2010's Winter's Bone, which starred Jennifer Lawrence in her breakout performance and for which Granik was nominated for Academy Award for Best Picture and Best Adapted Screenplay, and 2018's Leave No Trace, a film based on the book My Abandonment by Peter Rock.
Granik was born in Cambridge, Massachusetts, to father William R. Granik, who was an attorney with H.U.D. who litigated fair housing, and mother Marian Gay. She grew up in the suburbs of Washington D.C. Granik is the granddaughter of broadcast pioneer Ted Granik (1907-1970), founder and moderator of the long-run public affairs panel discussion program, The American Forum of the Air, on from 1934 to 1956, first on the radio and later on television. Granik is from a Jewish family.
In 1985, Granik received her B.A. in political science from Brandeis University. As an undergraduate at Brandeis, Granik also took classes at the Studio for Interrelated Media at the Massachusetts College of Art. In 2001, Granik received an MFA from NYU's Tisch School of the Arts.
While at Brandeis, Granik took Henry Felt's film and media workshop production class and volunteered with the Boston grassroots filmmaking organization Women's Video Collective. She also took film classes at the Studio for Interrelated Media at the Massachusetts College of Art. During this time, Granik made educational films for trade unions on subjects like workplace health and safety, one of which was made for the Massachusetts Division of Occupational Safety. Granik worked in production on educational media projects, eventually working on long form documentaries by Boston-area filmmakers before deciding to go to graduate school for filmmaking at New York University.
In 1997, Granik directed her first short film, Snake Feed, as her senior thesis with the mentorship of NYU film professor Boris Frumin, who was instrumental in sharing his love of post-World War II European neorealist films. Snake Feed, which began its life as a 7-minute documentary portrait exercise, was accepted into Sundance Institute's Lab Program for screenwriting and directing. Granik workshopped and developed the short film into a feature film at the Sundance Lab. Granik has said that Snake Feed was a work of narrative fiction, with the main characters, recovering addict Irene and her boyfriend Rick, playing dramatized versions of themselves.
In 2004, the short film of Snake Feed and the story of Irene and Rick became the basis of Granik's first feature-length film, Down to the Bone, which was a fictionalized depiction of their struggles. Down to the Bone is the story of an upstate New York mother who goes to rehab to kick her cocaine addiction and ends up falling in love with a nurse and descending back into her old drug habits. Down to the Bone was based on an original screenplay written by Granik and her creative partner, Anne Rosellini. The role of the main character Irene, played by Vera Farmiga, significantly raised Farmiga's profile as an actor. Down to the Bone was shot in Ulster County in upstate New York.
Granik's second feature, 2010's Winter's Bone, was an adaptation by Granik and Rosellini of the 2006 novel by Daniel Woodrell. It is the story of Ree Dolly, a teenager living in the Missouri's Ozark Mountains who is the sole caretaker of her two younger siblings and her catatonic mother. She is forced to hunt down her missing drug-dealing father in order to save her family from eviction.
The film starred a then-unknown Jennifer Lawrence and John Hawkes and won the Grand Jury Prize: Dramatic Film at the 2010 Sundance Film Festival, which led to a distribution deal with Roadside Attractions. Winter's Bone won the Seattle International Film Festival Golden Space Needle Audience Award for Best Director and Best Actress award for Jennifer Lawrence. In 2011, Winter's Bone was nominated for four Academy Awards: Best Picture, Best Adapted Screenplay, Best Actress for Jennifer Lawrence and Best Supporting Actor for John Hawkes. The film featured a soundtrack made up of old time gospel, bluegrass, and traditional music found in the Ozarks and was produced by Steve Peters. It features the singing of Marideth Sisco, who worked as a music and folklore consultant for the region, and also appeared in the Winter's Bone. The actor John Hawkes sings one track on the soundtrack.
Winter's Bone was shot on location in the Ozark area of southern Missouri. Granik cast many of the supporting roles with first-time actors from the surrounding area and all of the homes on screen were established Ozark homes-no sets were built for this film. For the look of the film, Granik kept most of the established aesthetics of the homes in which they were shooting and many of the few mementos that were added to the homes were contributed by Ozark people in the community.
Granik produced and directed an HBO television pilot called American High Life. The show was a family drama that "follows a young career woman to her economically depressed small home town in the midwest."The show was not picked up.
Granik developed a film adaption of Rule of the Bone, the 1995 novel by Russell Banks, but the project is still in development.
In 2014, Granik's film, Stray Dog, was released. The film is a documentary about a man named Ron Hall, whose nickname is "Stray Dog," and portrays his life as an avid biker and Vietnam Veteran who sometimes struggles with PTSD. The film documents Hall's participation in an annual pilgrimage motorcycle ride called "Ride to the Wall" with fellow biker Vietnam vets from all over the country where they ride to the Vietnam Veterans Memorial in Washington, D.C. Granik had met Hall, who had a small role on Winter's Bone, during filming.
Granik directed the drama Leave No Trace, starring Ben Foster and newcomer Thomasin McKenzie, which was released in 2018, domestically by Bleecker Street and internationally by Sony Worldwide Acquisitions. The film tells the story of a father and daughter who illegally live on government land and are forced to adapt to more traditional living in mainstream life. It examines ideas of self-reliance and community, and was a critics' pick of The New York Times. Leave No Trace premiered at the 2018 Sundance Film Festival, and played at the Cannes Film Festival, and was shot in the forested areas of Oregon, including Forest Park near Portland, Oregon, over the course of 30 days. In addition to Oregon, Washington state was used for locations, with some scenes shot at a Christmas tree farm. Leave No Trace took approximately three and a half years to develop, from the first time Granik read Peter Rock's novel, My Abandonment, on which the film was based.
Other projects Granik has in development include a documentary about life after being released from jail and the subject of recidivism in East Baltimore - that was to feature Felicia "Snoop" Pearson from The Wire and elements of her memoir, Grace After Midnight - but is now a documentary about four former inmates in New York City.
Another project is a film based on Barbara Ehrenreich's book, Nickel and Dimed: On (Not) Getting By in America, which focuses on poverty and the working poor in AmericaWinter's Bone (2010)- Writer
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Diablo Cody is originally from Chicago, Illinois, and moved to Minnesota to live with her Internet boyfriend, Jonny who later became her husband. While there, she decided on a whim to take up stripping as a hobby of sorts.
She was working at an ad agency and got a promotion. The job wore her ragged and was something she did not particularly care for. It demanded organization which is something at which she was not very good. Eventually, she quit her day job with Jonny's blessings and began stripping full-time. During the course of about a year she went from Amateur Night, which was her first stripping experience, to a place she refers to in her book as Sheiks, then to Déjà Vu, and so on. She then took up work as a phone-sex operator before returning to stripping.
Shortly thereafter she decided to quit stripping and she and Jonny married. They moved to what she refers to as "the 'burbs, and no one strips unless they're taking a bubble bath." Her stepdaughter was the flower girl in the wedding.Paradise (2013)- Actress
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The Davenport family was well known in theatrical circles. Her aunt, Fanny Davenport was considered one of the greatest stage actresses of her time and her father, Harry Davenport, was a Broadway star before later venturing into movies. Her mother, Alice Davenport, was a respected Broadway and film actress. With a background on the stage, Dorothy was in her early teens when she started playing bit parts in films. By the time she was 17, she was a star at Universal, where she would meet a young actor-assistant director-gopher-scenario writer named Wallace Reid. Called on to act with him in a film, she was frustrated by his apparent lack of acting ability on the first day, but was smitten with him on the third day of their work together. Dorothy was a horsewoman of distinction who had no regard for a man who couldn't stay in the saddle. When Wallace proved to be an excellent horseman, she was hooked.
After six months working on a job with another film company, Wallace returned to Universal and they married on October 13, 1913. The newlyweds continued to work. He directed and starred with Dorothy in two films a week for the next year. When Wallace left Universal Dorothy also left films, returning in 1916 to appear in a handful of them. In 1917 she gave birth to Wallace Reid Jr. and became a full-time mother and wife.
When Wallace Reid died from morphine addiction in 1923, Dorothy and Bessie Love made Human Wreckage (1923), a film that dealt with the dangers of narcotics. Dorothy would not return to the screen again until she directed and acted in The Red Kimono (1926). Dorothy later in life dabbled as a producer and a writer.Linda (1929)- Producer
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Since melting audiences' hearts at the age of just six in E.T. the Extra-Terrestrial (1982), Drew Barrymore has emerged as one of the most beloved and singularly gifted actresses of her generation. Born in Culver City, California to John Drew Barrymore and Jaid Barrymore, the clutches of fame were near inescapable for young Drew, her father being a member of the esteemed showbiz dynasty fronted by stage star Maurice Barrymore, his thespian wife Georgiana and their three children: Lionel Barrymore, Ethel Barrymore, and John Barrymore.
Tailgating a turbulent adolescence that saw her grapple with insobriety, substance abuse, and cutthroat media vitriol, a diligent Barrymore threw herself into her career throughout the early-mid nineties, first with a succession of 'bad girl' parts in cultish B-pictures like Poison Ivy (1992), Guncrazy (1992) and - fittingly - Bad Girls (1994); then warmly received turns in prestige vehicles such as Boys on the Side (1995), Woody Allen's Everyone Says I Love You (1996), and Wes Craven's game-changing Scream (1996). Equal portions of goofball - The Wedding Singer (1998), Never Been Kissed (1999), Charlie's Angels (2000) - and gravitas - Riding in Cars with Boys (2001), Donnie Darko (2001), Confessions of a Dangerous Mind (2002) - came next, with a Golden Globe-grabbing pièce de résistance - her divine incarnation of Edith Bouvier Beale in Grey Gardens (2009) - confirming that her skill set was every bit as forceful and far-reaching as imagined.
Having already set in motion a bunch of lucrative projects via production house Flower Films (co-est. with Nancy Juvonen in '95), Barrymore fastened an additional string to her bow when she spearheaded the sports dramedy Whip It (2009), her glowingly appraised directorial debut. Fresh off a healthy run of movie parts at the launch of the 2010s, her star turn as zombified suburban realtor Sheila Hammond - a tour de force at once dizzy and detailed - on Netflix's Santa Clarita Diet (2017) saw her step with trademark resolve into newer territory still: the flourishing world of small screen entertainment, a metamorphosis she continues to espouse with her role as compère of spirited daytime staple The Drew Barrymore Show (2020).Whip It (2009)- Actress
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Elaine May (born under the name Elaine Iva Berlin) is an American actress, comedian, film director, playwright, and screenwriter from Philadelphia. Her professional career started in the 1950s and is still ongoing. She has twice been nominated for the Academy Award for Best Adapted Screenplay. She is best remembered for directing the Cold War-themed action comedy "Ishtar" (1987). She won the Golden Raspberry Award for Worst Director, but the film has had a vocal minority of critics who defend its quality.
In 1932, May was born to a Jewish-American family. Both her parents were theatrical actors. Her father Jack Berlin was also a theater director and led his own traveling Yiddish theater company. Her mother was actress Ida Aaron. May made her stage debut c. 1935, at the age of 3. Her father had decided to include her in his performances. As a a child actress, she was reportedly cast in the roles of boys.
The theater company toured extensively, and May was part of their tours. She kept changing schools, enrolling for a few weeks and then moving to another city. May reputedly hated school, but loved reading books on her own. Her favorite topics were fairy tales and mythology.
Jack Berlin died c. 1942, and May's career as a child actress consequently ended. She was left in the custody of her mother. The duo settled in Los Angeles, and May eventually enrolled in Hollywood High School. In 1946, May dropped out of school. In 1948, she married her her first husband, the toy inventor Marvin May. She was only 16-years-old at the time of her marriage. She would later keep her husband's surname as her professional name.
In 1949, May had her only child, Jeannie Brette May. Jeannie would later become a professional actress in her own right, under the name Jeannie Berlin. May and her husband separated c. 1950, and she received a divorce in 1960. She started supporting herself through a series of odd jobs.
In 1950, May was interested in attending college, but most colleges in California required applicants to have high school diplomas. As a high school dropout, she did not have the necessary diploma. Learning that the University of Chicago did not use this requirement, she hitch-hiked her way to Chicago, At the time her personal fortune consisted of 7 dollars.
Once she arrived in Chicago, May started informally taking classes at the university by auditing, sitting in without enrolling. She habitually engaged in discussions with her instructors. She once had a fight with a philosophy instructor because of their different interpretations of the motives behind Socrates' apology. May was introduced to aspiring actor Mike Nichols (1931-2014),who was also attending the University. They bonded over their shared passion for the theater.
In 1955, May became one of the charter members of the Compass Players, a Chicago-based improvisational theater group. Nichols joined the group shortly after. The two of them formed a working partnership, jointly developing improvised comedy sketches. May helped the Compass Players to become a highly popular comedy troupe, due to her talent for satire. She helped in the training of novice members of the group.
In 1957, Nichols was asked to leave the Compass Players. His popularity had outshone most members of the group, and had caused internal conflicts. May left the group with him. They then decided to form their own stand-up comedy team, "Nichols and May". Their improvisational skills, and ability to come up with fresh material allowed them to impress their audience.
In 1960, the comedy duo made their Broadway debut, with the show "An Evening with Mike Nichols and Elaine May". A recording of the show won the 1962 "Grammy Award for Best Comedy Album". "Nichols and May" became very popular in New York City, performing in sold-out shows. They also started making appearances in radio and television, and even recorded commercials.
May was reportedly surprised with her own success. She had spend much of her adult life in near-poverty, but she was now earning a regular income from show business. She joked in an interview that she was practically barefoot when she arrived in New York, and now had to get used to wearing high heels.
In 1961, the duo was at the height of their fame. But they decided to dissolve their partnership in order to pursue solo careers. Nichols started working as a Broadway stage director, while May started her new career as a playwright. Her most successful play was "Adaptation" (1969), which she also directed. For her work as a theatrical director, she won the 1969 "Outer Critics Circle Award, Best Director".
May made her debut as a film director with the black comedy "A New Leaf" (1971). It was an adaptation of a short story by Jack Ritchie (1922-1983), depicting the story of an impoverished patrician who marries a wealthy heiress for her money. The main character initially considers murdering his wife to inherit her wealth, but first he has to protect her from other predators who were after her money.
Her first film found little success at the box office, but was praised by critics and was nominated for the "Golden Globe Award for Best Motion Picture - Musical or Comedy". It later earned a reputation as a cult classic, and in 2019 it was selected for preservation by the National Film Registry.
Her second film was the romantic comedy "The Heartbreak Kid" (1972). It concerns a newlywed man who falls madly in love with a younger woman while on his honeymoon. He pursues his romantic interest obsessively despite all signs that his love is unrequited, and despite the disapproval of the woman's protective father. The film was critically acclaimed, and has at times been listed in retrospectives concerning the funniest American films.
In an unusual career move, her third film was not a comedy. It was the rather bleak gangster film "Mikey and Nicky" (1976). It depicts a small-time mobster whose life is in danger, resorting to asking for help from his childhood friend. While creating this film, May got involved in a legal dispute with the film studio Paramount Pictures. The studio eventually decided to only allow a limited release for the film. The film found a niche audience in the home video market, but May's career as a director suffered from this dispute. She was effectively blacklisted.
May decided to focus on her screenwriting career. She found success with the script to the fantasy-comedy "Heaven Can Wait" (1978), about the afterlife of a man who died prematurely. The film was based on a 1938 play by Harry Segall (1892-1975), and also served as a remake to the classic film "Here Comes Mr. Jordan" (1941) which was based on the same play. The film earned about 99 million dollars at the worldwide box office, and was a critical hit. May was nominated for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Oliver Stone (1946-).
During the early 1980s, May mainly worked as an uncredited script doctor. She "polished" scripts by other screenwriters. Her greatest success in this role was the romantic comedy "Tootsie" (1982), for which she wrote several additional scenes. She attempted her comeback as a director with the action comedy "Ishtar" (1987), which became a box office flop for the film studio Columbia Pictures. The film's failure reportedly convinced Columbia's parent company Coca-Cola to sell the under-performing studio to Sony.
"Ishtar" was derided at the time as the worst film of its era by many critics, but was also defended by a vocal minority of critics. It has since attracted a cult audience, who consider this to be a great film. However the film's failure ended May's career as a film director and damaged her reputation. She also ceased working as a screenwriter for several years, reduced to working as an actress again.
May made her comeback as a screenwriter with the comedy film "The Birdcage" (1996), a remake of the European comedy "La Cage aux Folles" (The Cage of Madwomen, 1978). In the film, the openly gay parents to a young man have to pretend to be straight in an attempt to impress their son's prospective in-laws. The film earned about 185 million dollars at the worldwide box office, the greatest hit in May's career up to that point. She was nominated for the "Writers Guild of America Award for Best Adapted Screenplay", but the award was instead won by rival screenwriter Billy Bob Thornton (1955-).
May found more critical success with her next screenplay, for the political film "Primary Colors" (1998). It was an adaptation of the roman à clef novel "Primary Colors: A Novel of Politics" (1996) by Joe Klein (1946-). The novel itself was a fictionalized version of Bill Clinton's 1992 presidential campaign, and depicts an idealistic campaign worker's disillusionment with the politician. The film's cast were nominated for several awards. May herself received her second nomination for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Bill Condon (1955-).
May largely retired from screenwriting since the end of the 1990s. As an actress, she had a supporting role in the crime-comedy "Small Time Crooks" (2000). The film concerned nouveau riche criminals, who attempt to socialize with the American upper class. For this role, she won the "Best Supporting Actress Award" at the National Society of Film Critics Awards.
May lived in retirement until joining the cast of the television mini-series "Crisis in Six Scenes" (2016), her first television role in several decades. The series was created by Woody Allen (1935-), who happened to be an old friend of May.
In 2018, May made a theatrical comeback in Broadway. She played the elderly gallery owner Gladys Green in a revival of the play "The Waverly Gallery" (2000) by Kenneth Lonergan (1962-). In the play, Gladys shows early signs of Alzheimer's disease, and her family has to deal with her mental decline. May received critical acclaim for this role. For this role, she won the 2019 Tony Award for Best Actress in a Play. At age 87, she was the second-oldest winner of a Tony Award for acting.
As of 2021, May is 89-years-old. She is no longer very active, but she reportedly has plans to direct another film. She remains a popular actress.Mikey and Nicky (1976)- Actress
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Elizabeth Banks was born Elizabeth Mitchell in Pittsfield, a small city in the Berkshires in western Massachusetts near the New York border, on February 10, 1974. She is the daughter of Anne Marie (Wallace), who worked in a bank, and Mark Phineas Mitchell, a factory worker. Elizabeth describes herself as having been seen as a "goody two-shoes" in her youth who was nominated for the local Harvest Queen.
Banks left home to attend college at the University of Pennsylvania--from which she graduated Magna cum Laude--and went on to attend the Advanced Training Program at the prestigious American Conservatory Theater in San Francisco, graduating in 1996. She then moved to New York and worked in the theater, and began getting small roles in films and on television. Seeking more screen work, she moved to Los Angeles and was soon cast in supporting roles. She also had to change her last name, to Banks, in order to avoid confusion with actress Elizabeth Mitchell.
Her breakthrough role was as Betty Brant, the secretary of the cantankerous newspaper tycoon in Sam Raimi's Spider-Man (2002). She followed up this performance with small roles in other movies: Swept Away (2002), Steven Spielberg's Catch Me If You Can (2002), Seabiscuit (2003) and The 40-Year-Old Virgin (2005). In 2003 she won the Exciting New Face Award at the Young Hollywood Awards. The winsome, beautiful Banks projected an exceptionally charming screen presence that drew comparisons to Audrey Hepburn, and Hollywood eventually began to take notice, Banks being cast in the lead in such films as Kevin Smith's Zack and Miri Make a Porno (2008) and in Oliver Stone's biopic of George W. Bush, W. (2008), as Laura Bush.
In television, Banks was a recurring guest star on Scrubs (2001) as Dr. Kim Briggs, the love interest of Zach Braff's J.D. In 2010 she was cast as Alec Baldwin's love interest in season four of 30 Rock (2006). Originally scheduled to appear in only four episodes, she was brought back as a recurring character for two more seasons, and earned Emmy nominations for Outstanding Guest Actress in a Comedy Series for two consecutive years. Elizabeth has also appeared in such films as Our Idiot Brother (2011), Man on a Ledge (2012), What to Expect When You're Expecting (2012), People Like Us (2012), and Pitch Perfect (2012). She also won the coveted role as Effie Trinket in The Hunger Games (2012) and The Hunger Games: Catching Fire (2013).
After an eleven-year courtship, Banks married Max Handelman, a sports writer and producer, in 2003. They have two sons, Felix, who was born in March 2011, and Magnus, born in Nov. 2012, both by gestational surrogacy.Pitch Perfect 2 (2015)- Actress
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Elsie Jane Wilson was born on 7 November 1885 in Sydney, New South Wales, Australia. She was an actress and director, known for Oliver Twist (1916), Bound on the Wheel (1915) and Beauty in Chains (1918). She was married to Rupert Julian. She died on 16 January 1965 in Los Angeles, California, USA.The Cricket (1917)- Director
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Emily Young was born in 1970 in London, England, UK. She is a director and writer, known for Kiss of Life (2003), Second Hand (1999) and Veronika Decides to Die (2009).Veronika Decides to Die (2009)- Actress
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Pang Eun-jin was born on 5 August 1965 in Seoul, Korea. She is an actress and director, known for Princess Aurora (2005), 301, 302 (1995) and Address Unknown (2001).Way Back Home (Jibeuro ganeun gil) (2013)- Director
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Eva Sørhaug was born on 13 April 1971 in Oslo, Norway. She is a director and producer, known for Cold Lunch (2008), 90 Minutes (2012) and Sunny.90 minutter (2012)- Actress
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Famke Janssen was born November 5, 1964, in Amstelveen, the Netherlands, and has two other siblings. Moving to America in the 1980s, she modeled for Chanel in New York. Later, taking a break from modeling, she attended Columbia University, majoring in literature.
This model-turned-actress broke into Hollywood in the early 1990s. Her first film was Fathers & Sons (1992). Later she became James Bond's enemy in GoldenEye (1995). Her career has bloomed since then with her starring in such films as House on Haunted Hill (1999), Hide and Seek (2005), a recurring role on FX's Nip/Tuck (2003), and the blockbuster movies X-Men (2000), X2 (2003), and X-Men: The Last Stand (2006).Bringing Up Bobby (2011)- Writer
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Gail Palmer was born on 4 April 1955 in St. Clair, Michigan, USA. She is a writer and producer.Erotic Adventures of Candy (1978), Candy Goes To Hollywood (1979), Prisoner Of Paradise (1980)- Actress
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Gene Gauntier was born on 17 May 1885 in Kansas City, Missouri, USA. She was an actress and writer, known for A Hitherto Unrelated Incident of the Girl Spy (1911), The Scarlet Letter (1908) and Evangeline (1908). She was married to J.J. Clark. She died on 18 December 1966 in Cuernavaca, Mexico.The Colleen Bawn (1911)- Director
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Gillian Armstrong was born on 18 December 1950 in Melbourne, Victoria, Australia. She is a director and producer, known for My Brilliant Career (1979), Not Fourteen Again (1996) and Little Women (1994). She is married to John Pleffer. They have two children.My Brilliant Career (1979), Little Women (1994)- Writer
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Gina Kim was born in Seoul, South Korea. She is a writer and director known for pioneering international co-production films such as Never Forever (2007), Final Recipe (2013), Bloodless (2017), Invisible Light (2003), and Gina Kim's Video Diary (1999). Kim is an acclaimed film director whose award-winning works have been screened and released worldwide.Never Forever (2007)- Director
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Hélène Cattet was born in 1976 in Paris, France. She is a director and writer, known for Amer (2009), The Strange Color of Your Body's Tears (2013) and Let the Corpses Tan (2017).Amer (2009)- Actress
- Director
- Writer
Born in Madrid, Iciar Bollain has worked as an actress in films such El Sur (1983), directed by Víctor Erice; Sublet (1991) directed by Chus Gutiérrez, Malaventura (1988) directed by Manuel Gutiérrez Aragón; El Mejor de los Tiempos (1990) and Un Paraguas para Tres (1992) directed by Felipe Vega, Tierra y Libertad (1995) directed by Ken Loach, LEO (2000) directed by Jose Luis Borau, Nos Miran (2002) directed by Norberto Pérez, La Balsa de Piedra (2003) directed by Geogre Sluiezer and La Noche del Hermano (2005) directed by Santiago García de Leániz. As a director, Icíar has written and directed many renowned films. Flowers from Another World, her second film, was awarded at Cannes Film Festival in 1999 (Best Film in the International Critics' Week). Take my eyes (2003), her following film as writer and director, won 7 Goyas (Spanish Academy Awards), including Best Film, among many other international awards. She directed a script by Paul Laverty in 2009, Even the Rain. The film obtained national and international recognition: 13 nominations to the Goya Awards, Panorama Award at the Berlinale, Ariel Award to best Latin-American film and it was in the short list of the foreign films selected for the Academy Awards in 2010 representing Spain. In 2011 she directed and co-wrote Katmandú, un Espejo en el Cielo. The film was nominated to the Goya Awads in the categories of Best Actress and Best Adapted Screenplay. In 2014 it was released En Tierra Extraña, a documentary that Iciar directed about the life of young Spanish immigrants in Edinburgh, Scotland, who had to leave Spain due to recession and unemployment Iciar Bollain is currently in pre-production of his next film, The Olive Tree, a new collaboration with the writer Paul Laverty and Morena Films. The film will start principal photography in May 2015.El Olivo (2016)- Director
- Writer
- Producer
Isabel Coixet was born on 9 April 1960 in Sant Adrià de Besòs, Barcelona, Catalonia, Spain. She is a director and writer, known for My Life Without Me (2003), The Secret Life of Words (2005) and The Bookshop (2017).Elegy (2008)- Director
- Writer
Jae-yeon Yun is known for Yoga Class (2009) and Wishing Stairs (2003).Wishing Stairs (Yeogo goedam 3: Yeowoo gyedan) (2003)- Actress
- Director
- Writer
Identical twins, writers, directors, actors even stunt players, the Soska sisters have always loved twisted film. Even at an early age, they devoured Stephen King novels, one after another as fast as they could read - and snuck into the over 18 sections at video stores, to critique the bloody images on the backs VHS horror movies and in gore magazines.
They both entered the film industry, acting and doing background work - and were soon unsatisfied with stereotypical roles that were commonly offered to identical twins. To expand their horizons, they trained in martial arts in hopes to pick-up stunt roles and briefly attended a film school that included an intensive stunt program. For one of the school's final film projects, their prepared short film had it's funding misappropriated and their short was pulled from the program. Undeterred, they decided to go ahead with it anyway, getting a new cast and crew and paying for it out of their own pockets. The title of that project was 'Dead Hooker In A Trunk'.
'Dead Hooker In A Trunk' - their debut film, which the twins wrote, directed, produced, starred in, and performed the stunts. Using Robert Rodriguez's book, Rebel Without A Crew - a bible for how film-making could be done on a modest budget, armed only with creativity and ambition. Even following the spirit of El Mariachi, the twins' story reached the original El Mariachi, actor Carlos Gallardo - who not only gave the ladies advice, but appeared in the film - as God. The completed film - embraced by horror fans, film festivals, and critics - became an underground sensation, called "a hidden gem in indie film-making" and "a cult classic in the waiting", and won multiple awards: Pollygrind's Favorite Feature, Best Screenplay, City of Death's Best Director Award, and Cinefantasy's Audience Favorite Prize.
In 2008 the twins incorporated, Twisted Twins Productions -- to create their own label for many future projects to come, including their highly anticipated second feature, American Mary, an analogy of their own struggles in the film industry. American Mary has gone on to win numerous praise and awards. The film has gone on to become a cult classic and the various costumes of the lead character Mary Mason a Halloween and horror convention favorite for cos-players.
The Soska Sisters have gone on to be very outspoken about equal rights across the board including but not limited to gender equality and equal rights for the LGBT community. They're actively involved in promoting blood donation and create a new PSA for it every February. And they are only just getting started.
2014 was a big year with the Soska Sisters bringing a new life to See No Evil 2 where they resurrect the WWE Studios franchise with WWE Superstar Glenn "Kane" Jacobs reprising his role as Jacob Goodnight and scream queens Danielle Harris and Katharine Isabelle appear together for the first time. As well, the Twins will be one of the all star director line up for ABCs of Death 2 in a segment that will shock and be destined for cult status. Their segment, T is for Torture Porn, has since been banned in Germany.
In 2015, the twins did a genre jump, teaming again with Lionsgate and WWE Studios, with a action revenge thriller called Vendetta to star, Dean Cain, Paul 'Big Show' Wight, and Michael Eklund. The high action, ultra gory nature of the film proved that the sisters are not one trick ponies as they expand their sensibilities to this Justin Shady written, men's prison revenge flick.
Avid comic book fans, the Soska Sisters have teamed up with Daniel Way (Deadpool, Daken) to create their own very graphic novel entitled Kill-Crazy Nymphos Attack! with artist Rob Dumo & cover artist Dave Johnson which is a pitch black satire on patriarchal society and women's roles within it. The very graphic novel is set with a 2017 release date.
September 16th, 2015, also marks the release of Jen & Sylvia Soska's first collaboration with Marvel comics with their Night Nurse story line 'The Risk of Infection' featured in Secret Wars Journal #5. The Soska twins have been long time fans of Marvel Comics and been quite vocal in their interests to tackle the adaptation of one of their stories for the big screen with them at the helm as directors. In April it was announced that the twins would be teaming with Marvel again, this time writing 'The Ripley' as a Guardians of the Galaxy story featured in Guardians of Infinity #8.
The mediums that the twins take on ever expanding, the Soska Sisters are the hosts of the survival horror game-show called Hellevator that premiered October 21 2015 on GSN. The show is a creation from Blumhouse, GSN, Matador, and Lionsgate. The show just enjoyed it's second season and received even more attention when it was made available on VOD through Netflix and Hulu proving that evil twins continue to have a rich history with elevators and scaring people.
In February 2016, the directing duo of Jen and Sylvia Soska came on board to direct a remake of David Cronenberg's 1977 zombie thriller Rabid. John Vidette's Somerville House Releasing entered into a joint venture with Paul Lalonde and Michael Walker to produce a feature film and original TV series based on the 1977 Canadian horror film.
December 11, 2016 will mark the twins' company, Twisted Twins Productions' 8 year anniversary which will have them with 4 feature films, 2 graphic novels, a series of blood donation PSAs, and a television show. Not too shabby for a pair of twins from Canada who set their sites on shaking up the entertainment industry playing by their own rules and leaving a hefty cinematic body count in their wake.American Mary (2012)- Director
- Actress
- Writer
Identical twins, writers, directors, actors, and even stunt players, the Soska sisters have always loved twisted film. Even at an early age, they devoured Stephen King novels, one after another as fast as they could read - and would sneak into the over 18 sections at video stores, to critique the bloody images on the backs VHS horror movies and in gore magazines.
They both entered the film industry, acting and doing background work - and were soon unsatisfied with stereotypical roles that were commonly offered to identical twins. To expand their horizons, they trained in martial arts in hopes of picking up stunt roles and briefly attended a film school that included an intensive stunt program. For one of the school's final film projects, their prepared short film had its funding misappropriated and their short was pulled from the program. Undeterred, they decided to go ahead with it anyway, getting a new cast and crew and paying for it out of their own pockets. The title of that project was 'Dead Hooker In A Trunk'.
'Dead Hooker In A Trunk' is their debut film, which the twins wrote, directed, produced, starred in, and performed the stunts. Using Robert Rodriguez's book, Rebel Without A Crew - a bible for how film-making could be done on a modest budget, armed only with creativity and ambition. Even following the spirit of El Mariachi, the twins' story reached the original El Mariachi, actor Carlos Gallardo - who not only gave the ladies advice, but appeared in the film - as God. The completed film - embraced by horror fans, film festivals, and critics - became an underground sensation, called "a hidden gem in indie film-making" and "a cult classic in the waiting", and won multiple awards: Pollygrind's Favorite Feature, Best Screenplay, City of Death's Best Director Award, and Cinefantasy's Audience Favorite Prize.
In 2008 the twins incorporated, Twisted Twins Productions -- to create their own label for many future projects to come, including their highly anticipated second feature, American Mary, an analogy of their own struggles in the film industry. American Mary has gone on to win numerous praise and awards. The film has gone on to become a cult classic and the various costumes of the lead character Mary Mason a Halloween and horror convention favorite for cos-players.
The Soska Sisters have gone on to be very outspoken about equal rights across the board including but not limited to gender equality and equal rights for the LGBT community. They're actively involved in promoting blood donation and create a new PSA for it every February. And they are only just getting started.
2014 was a big year with the Soska Sisters bringing a new life to See No Evil 2 where they resurrect the WWE Studios franchise with WWE Superstar Glenn "Kane" Jacobs reprising his role as Jacob Goodnight and scream queens Danielle Harris and Katharine Isabelle appear together for the first time. As well, the Twins will be one of the all star director lined up for ABCs of Death 2 in a segment that will shock and be destined for cult status. Their segment, T is for Torture Porn, has since been banned in Germany.
In 2015, the twins did a genre jump, teaming again with Lionsgate and WWE Studios, with a action revenge thriller called Vendetta to star, Dean Cain, Paul 'Big Show' Wight, and Michael Eklund. The high action, ultra gory nature of the film proved that the sisters are not one trick ponies as they expand their sensibilities to this Justin Shady written, men's prison revenge flick.
Avid comic book fans, the Soska Sisters have teamed up with Daniel Way (Deadpool, Daken) to create their own very graphic novel entitled Kill-Crazy Nymphos Attack! with artist Rob Dumo & cover artist Dave Johnson which is a pitch black satire on patriarchal society and women's roles within it. The very graphic novel is set with a 2017 release date.
September 16th, 2015, also marks the release of Jen & Sylvia Soska's first collaboration with Marvel comics with their Night Nurse story line 'The Risk of Infection' featured in Secret Wars Journal #5. The Soska twins have been long time fans of Marvel Comics and been quite vocal in their interests to tackle the adaptation of one of their stories for the big screen with them at the helm as directors. In April it was announced that the twins would be teaming with Marvel again, this time writing 'The Ripley' as a Guardians of the Galaxy story featured in Guardians of Infinity #8.
The media that the twins take on ever expanding, the Soska Sisters are the hosts of the survival horror game-show called Hellevator that premiered October 21 2015 on GSN. The show is a creation from Blumhouse, GSN, Matador, and Lionsgate. The show just enjoyed its second season and received even more attention when it was made available on VOD through Netflix and Hulu proving that evil twins continue to have a rich history with elevators and scaring people.
In February 2016, the directing duo of Jen and Sylvia Soska came on board to direct a remake of David Cronenberg's 1977 zombie thriller Rabid. John Vidette's Somerville House Releasing entered into a joint venture with Paul Lalonde and Michael Walker to produce a feature film and original TV series based on the 1977 Canadian horror film.
December 11, 2016 will mark the twins' company, Twisted Twins Productions' 8 year anniversary which will have them with 4 feature films, 2 graphic novels, a series of blood donation PSAs, and a television show. Not too shabby for a pair of twins from Canada who set their sites on shaking up the entertainment industry playing by their own rules and leaving a hefty cinematic body count in their wake.American Mary (2012)- Director
- Writer
- Producer
Jennifer Lynch was born on 7 April 1968 in Philadelphia, Pennsylvania, USA. She is a director and writer, known for Chained (2012), Boxing Helena (1993) and Surveillance (2008).Boxing Helena (1993), Surveillence (2008), Hisss (2010), Chained (2012)- Director
- Writer
- Producer
Jocelyn Moorhouse was born on 4 September 1960 in Melbourne, Victoria, Australia. She is a director and writer, known for The Dressmaker (2015), Proof (1991) and Muriel's Wedding (1994). She is married to P.J. Hogan.Proof (1991)- Director
- Writer
- Stunts
Jordan Scott was born in 1977 in London, England, UK. She is a director and writer, known for Cracks (2009), Legend (1985) and All the Invisible Children (2005).Cracks (2009)- Director
- Writer
- Script and Continuity Department
Julia Ducournau is a French film director and screenwriter. She attended film school at La Fémis in Paris, where she studied screenwriting. In 2011, her short film JUNIOR won the Petit Rail d'Or at the 2011 Cannes Film Festival. Her first feature, the horror movie Raw (2016), won the coveted FIPRESCI prize at the 2016 Cannes Film Festival.Raw (Grave) (2016)- Director
- Second Unit Director or Assistant Director
- Writer
Born in 1968, Julie Bertucelli worked as Assistant Director to a series of well-known directors including Otar Iosseliani, Krystof Kieslowski, Bertrand Tavernier, Emmanuel Finkiel and Rithy Panh. She then went on to direct a number of documentaries, all of which proved to be a considerable success. "Since Otar Left" is her first feature film. It won the Grand Jury Prize of the Critic's week at Cannes in 2003. She studied philosophy before being trained as a documentary filmmaker at the Ateliers Varan in Paris. {{Anonymous)The Tree (2010)- Actress
- Writer
- Producer
Julie Delpy was born in Paris, France, in 1969 to Albert Delpy and Marie Pillet, both actors.
She was first featured in Jean-Luc Godard's Detective (1985) at the age of fourteen. She has starred in many American and European productions since then, including Disney's The Three Musketeers (1993), Killing Zoe (1993), Three Colors: White (1994), and the "Before" series, alongside Ethan Hawke: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013).
She graduated from NYU's film school, and wrote and directed the short film Blah Blah Blah (1995), which screened at the Sundance Film Festival. She is a resident of Los Angeles.The Countess (2009)- Writer
- Director
- Producer
Julie Hivon is known for Silence Lies (2010), Crème glacée, chocolat et autres consolations (2001) and What Are We Doing Here? (2014).Tromper le silence (2010)- Director
- Additional Crew
- Producer
Julie Taymor is an Academy Award-nominated director, known for such films as Frida (2002) and Across the Universe (2007).
She was born on December 15, 1952, in Newton, Massachusetts, a suburb of Boston. Her father, Melvin Lester Taymor, was a gynecologist. Her mother, Elizabeth Bernstein, was a teacher of political science. Young Taymor was fond of international folklore and mythology, and also developed a passion for theatre. She spent her formative years living in several countries. As a teenager, during the 1960s, she lived in Sri Lanka and India with the Experiment in International Living program, then studied acting in Paris, at the mime school of Jacques Lecoq. From 1969 to 1974, she studied theatre and mythology at Oberlin College, graduating in 1974 with a degree in folklore and mythology.
During the 1970s, Taymor lived in Japan, studying the art of puppetry and Japanese theatre. Then, she spent five years in Indonesia, working as director of international theatre with Asian, European, and American actors. Back in the USA, she worked on and off Broadway. There, she achieved her first success with staging a fairy tale, "The King Stag", and then toured 66 cities across the world, including Los Angeles, Venice, Tokyo, and Moscow.
In the 1990s, Taymor directed several classic operas. Her 1992 production of Igor Stravinsky's "Oedipus Rex" in Japan earned the Emmy Award. Then, she directed the 1993 production of "The Magic Flute" by 'Wolfgang Mozart', in Florence, with conductor Zubin Mehta, and the acclaimed 1994 production of "Salome" in St. Petersburg, Russia, with conductor Valery Gergiev.
In New York, she continued a stellar theatrical career, directing such productions as William Shakespeare's "Titus Andronicus" and "Juan Darién: A Carnival Mass" at the Lincoln Center. In 1997, Taymor directed a massive Walt Disney Company's production of "The Lion King" on Broadway, for which she also co-designed over a 100 costumes and masks of animals, and earned two Tony Awards.
Her film, Frida (2002), received six Oscar nominations, and two Oscars, for make-up and for the music score by Elliot Goldenthal. Taymor continued her success with the 2004 production of "The Magic Flute" at the Metropolitan Opera (which is now in repertoires at the Met), and the 2006 staging of "Grendel" at the Los Angeles Opera and, later, at the Linolcn Center Festival. Taymor's experience with cross-genre and cross-cultural productions came to culmination in her latest film, Across the Universe (2007). It is a musical set in the 1960s England, Vietnam, and America, where a love story and social protest are intertwined with over thirty songs by The Beatles.
Outside of her directing profession, Taymor amassed puppets, masks and folk art from around the world. As an artist, she has been involved in making puppets, masks, costumes and stage sets. Since 1980, Julie Taymor has been a long-time collaborator with the Oscar-winning composer, Elliot Goldenthal, and the couple lives in Manhattan.Frida (2002)- Director
- Producer
- Writer
Karyn Kusama was born on 21 March 1968 in Brooklyn, New York, USA. She is a director and producer, known for The Invitation (2015), Destroyer (2018) and Yellowjackets (2021). She has been married to Phil Hay since October 2006. They have one child.Girlfight (2000), Aeon (2005), Destroyer (2018)- Costume Designer
- Director
- Writer
Kate Mulleavy is known for her role on The Fashion Fund, during which she competed with her brand, Rodarte. Founded by the legendary Anna Wintour, The Fashion Fund is a documentary-style TV show featuring behind-the-scenes action from the Council of Fashion Designers of America and the Vogue Competition for young designers.Woodshock (2017)- Costume Designer
- Director
- Writer
Laura Mulleavy is known for her role on The Fashion Fund, during which she competed with her brand, Rodarte. Founded by the legendary Anna Wintour, The Fashion Fund is a documentary-style TV show featuring behind-the-scenes action from the Council of Fashion Designers of America and the Vogue Competition for young designers.Woodshock (2017)- Director
- Second Unit Director or Assistant Director
- Writer
Kathrine Windfeld was born on 21 August 1966 in Copenhagen, Denmark. She was a director and assistant director, known for Hamilton: In the Interest of the Nation (2012), The Bridge (2011) and Lille mand, lille mand (2002). She died on 6 February 2015 in Copenhagen, Denmark.Hamilton: I nationens intresse (2012)- Director
- Writer
- Actress
Writer-director Katt Shea's latest movie "Rescued By Ruby" (2022) is a hugely successful Netflix original that received the highly coveted 100% Rating on Rotten Tomatoes. She balanced working with a dog as the star, a two year old toddler, 37 other dogs and animals, real canine unit members w/ principal roles and Strict Covid protocols to create a near perfect family film.
Katt has been honored by retrospectives her critically acclaimed films at the Museum of Modern Art in New York City, The British Film Institute in London and various festivals throughout Europe. She also won the Silver Award for screenwriting at The Houston Film Festival and the Trailblazing Award for "inspiring a generation of young filmmakers". Katt has been profiled on the front page of The New York Times Arts & Leisure section and in a special issue of US Magazine dedicated to the role of the director in filmmaking. Critics have compared her to Martin Scorsese, Oliver Stone and even Ingmar Bergman.
Andrew Sarris says of her, "I see an unusually kinetic talent combined with a flare for complex narrative. Ms. Shea does little things so well that big meanings flow out of them." Rolling Stone's Peter Travers adds, "The emotional resonance, visual sophistication and strong subtext of Shea's work fuse to create a distinctive style worth monitoring. Look at Jonathan Demme's Caged Heat, Martin Scorsese's Boxcar Bertha. Shea follows in that tradition and does it proud." New York Times writer Caryn James credits Katt with starting a new genre, about the screenings of Poison Ivy at the Sundance Film Festival she wrote: "One of the best competition films is Poison Ivy directed by Katt Shea whose previous movies were made for Roger Corman. Four of these movies will be shown at the Museum of Modern Art in Manhattan which says everything about the genre she and Sundance are helping to define."
Katt's first studio film, The Rage: Carrie 2, opened at # 2 at the box office, the film received rave reviews in The L.A. Times, The San Francisco Chronicle, The New York Post, The Village Voice and The Nation. Kevin Thomas of The Los Angeles Times called her "...a master of genre. Shea's ability to play various elements against one another gives "The Rage" welcome complexity and tension." Stuart Klawans of The Nation raves the Katt Shea's movies are "...remarkable for their disquieting themes, for their style (bold, fluent and varied)...Over the past dozen years only five or six American women besides Shea have managed to turn out a comparable number of commercial features...Look at he beauty and terror that Katt Shea can achieve and ask whether there's motivation today for The Rage." In recent years, the film has been discovered by younger audiences and praised for it's examination of real-life toxic masculinity & misogyny, that puts more importance on the futures of rapist boys over the dignity of teenage girls.
Katt's movies seem to set trends within the industry. Poison Ivy, which was a significant video hit and boasts the highest turns per copy in video history, inspired dozens of high profile imitators and the influence of her even her earliest low budget films, is still felt within the thriller genre. Katt's first TV Movie for CBS, called Sharing The Secret, won the prestigious Peabody Award. Airing on sweeps week, The Hollywood Reporter paid tribute: "Some first rate performances, along with Shea's fine tuned direction create Sharing The Secret's intelligent two hours." Her next TV movie, Nora Roberts' Sanctuary, is the first adaptation of a novel by the largest selling female author in history. It aired on CBS during February sweeps week. Variety said, "Director and co-screenwriter Katt Shea hits all the right beats, establishes the characters with depth and even invests the genre piece with some stylish dream sequences." ...Perhaps Peter Travers sums things up best when he says, "Why settle for a usual walk around the block when Shea offers a wild ride with the top down into un-chartered territory?"
Her Films continue to Screen to Sold out Audiences at Quentin Tarantino's New Beverly Theatre in Los Angeles, The Alamo Draft House & other Art House Cinemas across the country.
Katt is currently writing an Indie feature for production in 2023.
She is a voting member of the Academy.Stripped to Kill (1987), Streets (1990), Poison Ivy (1992)- Director
- Writer
- Editor
Kayo Hatta was born on 18 March 1958 in Honolulu, Hawaii, USA. She was a director and writer, known for Picture Bride (1994), Fishbowl (2005) and Independent Lens (1999). She died on 20 July 2005 in San Diego, California, USA.Picture Bride (1994)- Director
- Second Unit Director or Assistant Director
- Writer
Kaze Shindô was born in 1978. She is a director and assistant director, known for Love/Juice (2000), Shimajima kaisha (2016) and Korogare! Tamako (2006).Love/Juice (2000)- Actress
- Cinematographer
- Director
Kei Fujiwara was born on 12 March 1957 in Kumamoto, Kumamoto, Japan. She is an actress and cinematographer, known for Organ (1996), Ido (2005) and The Neptune Factor (1973).Organ (1996), iD (2005)- Writer
- Director
- Producer
Kelly Fremon Craig is a writer and director from Whittier, California. She made her directorial debut with The Edge of Seventeen. James L. Brooks' Gracie Films acquired the project in 2012, and developed the screenplay with Fremon Craig. She graduated from UC Irvine with an English degree. Fremon Craig started out writing sketch comedy and spoken word poetry in college, then landed an internship in the film division of Immortal Entertainment, where she read her first film script and began to pursue screenwriting. Fremon Craig now resides in Los Angeles with her husband and young son.The Edge of Seventeen (2017)- Director
- Writer
- Editor
Kelly Reichardt was born and raised in Miami-Dade Country, Florida, to a family of police officers. She had an interest in photography from a very young age. She started by using her father's camera, which he used for photographing crime scenes. She went to the School of the Museum of Fine Arts in Boston, Massachusetts. In the summer of 2005, Reichardt directed Old Joy (2006), which premiered at the 2006 Sundance Film Festival. It was the first American film to win the Tiger award at the Rotterdam Film Festival and opened at the Film Forum in New York City. Reichardt's first feature, River of Grass (1994), a sun-drenched noir that was shot in her home town of Dade County, was cited as one of the best films of 1995 by the Boston Globe, Village Voice, Film Comment, the New York Daily News, Paper Magazine, and the San Francisco Guardian.Meek's Cutoff (2010)- Director
- Writer
- Producer
Kim Farrant is a director best known for 'Strangerland', a feature starring Nicole Kidman, Joseph Fiennes and Hugo Weaving.
Her other directing work includes the action procedural 'Rush' (Endemol/Ten), short films 'Between Me' and 'Bombshell' (2010 Melbourne International Queer Film Festival Audience Award for Best Short Film, 2010 Melbourne International Queer Film Festival Jury Prize for Best Australian Short Queer Film and 2009 OutLook Audience Award for Best LGBT Short Film, Cork Film Festival). She also directed the television documentary series 'The Secret Side of Me' (SBS) as well as 'Insight - Out of the Saddle'. Kim's documentary feature 'Naked on the Inside' was a finalist at the Sydney Film Festival and was nominated for the Film Critics Circle of Australia award for Best Documentary.
Kim's short films have screened worldwide at festivals including Cannes; London; Cork; Bilboa; Film de Femmes, NYU International Student Film Festival; Destination Film Festival; St. Kilda Film Festival; and both Sydney and Melbourne Fringe Film Festivals. Her short film Sammy Blue was a finalist at the IF Awards in 2000 and placed second at Festival Internazionale Cinema Della Donne in Turin, Italy.
Kim began her career as an actor, training at the American New Theatre in LA with acting coach Eric Morris then studied The Journey at the Actors Centre in Sydney Australia. She has trained with NYC acting coach Susan Batson. She then went on to do screen-writing at the University of New South Wales before graduating with a Masters with Honours in Directing from the Australian Film, Television and Radio School.Strangerland (2015)- Actress
- Writer
- Director
Laetitia Colombani was born in 1976. She is an actress and writer, known for He Loves Me, He Loves Me Not (2002), The Braid (2023) and Mes stars et moi (2008).À la folie... pas du tout (2002)- Director
- Producer
- Additional Crew
Larysa Kondracki was born in Toronto and studied English and theater at McGill University. She received an M.F.A. in film direction from Columbia University and directed the short film VIKO (2008) which played mainly at film festivals to widespread acclaim. The WHISTLEBLOWER is her first feature directorial film.
While completing the M.F.A. directing program at Columbia University, Larysa Kondracki first heard about the epidemic of sex-trafficking in Eastern Europe. A Canadian-born of Ukrainian-decent, the topic resonated deeply with her. After learning of Kathryn Bolkovac's fate, Kondracki traveled to Amsterdam to learn first hand about her story, spending time with her in Amsterdam. She ultimately spent two years in Europe with co-writer, Eilis Kirwan, researching the subject of trafficking, and speaking to NGO workers and high-level United Nations, EU and OSCE representatives. This work led to the script for THE WHISTLEBLOWER.
Kondracki is currently based in Los Angeles and has written feature projects for Focus Features, HBO Films, Participant Media, and Showtime Entertainment, as well as many others. She has numerous projects in development, including The Count of St. Petersburg, which she plans to direct.The Whistleblower (2010)