Composers of My Favorite Movies

As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...

Born in Floral Park, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.

He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.

Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.

The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).

During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.

E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Tom Llamas (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).

Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.

In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.

James Newton Howard attended the University of Southern California's music school, but dropped out to tour with Elton John, and eventually compose music for film and television. He started with Head Office (1985) in 1985. He has been nominated for eight Academy Awards. He currently is a songwriter, record producer, conductor, keyboardist, and film composer.

Gô Sakabe is known for Date a Live (2013), Kamen Rider Super Movie War Genesis: Kamen Rider vs. Kamen Rider Ghost & Drive (2015) and Kamen Rider Zero-One (2019).

An award-winning composer, songwriter, recording and performing artist, Shuki Levy has garnered 15 gold and platinum records with sales in excess of 14 million records worldwide. He has scored over a dozen feature and television films, composed the music for over 130 television shows, and produced, written and directed multiple film and television projects. He has also composed over 100 memorable television theme songs, including Inspector Gadget (1983), He-Man and the Masters of the Universe (1983), Spider-Man: The Animated Series (1994), and X-Men (1992). Shuki holds the world record for composing the most television theme songs.

A self-taught musician, Shuki mastered the guitar by the age of 14 and founded one of Israel's first rock groups. In 1975, Shuki partnered with Israeli actress Aviva Paz and started a pop group called Shuki and Aviva. The group became well-known throughout Europe, Asia, and Africa. Shuki left the group at the height of its popularity to pursue a composing career in the United States.

Shuki later became the driving creative force behind "Saban Entertainment", a children's programming giant that he co-founded with his longtime friend and business partner, Haim Saban. While at Saban, Shuki co-created several popular children's franchises including Mighty Morphin Power Rangers (1993). With Shuki at the creative helm, Saban grew into one of the largest independent producers and distributors of children's programming in the world and was eventually sold to Fox Entertainment. In addition, Shuki has written and directed several independent features, including Susie Q (1996), Round Trip to Heaven (1992), Rusty: A Dog's Tale (1998), and Aussie & Ted's Great Adventure (2009).

Although Shuki has found international success as a composer and producer, his connection to Israel has remained strong. In 2007 he opened a museum at the desert fortress Masada, giving a home to the numerous historical treasures found there. Shuki also composed a stage musical about the events that occurred at Masada. In the story, the historical events of Masada are juxtaposed with the World War II Warsaw ghetto uprising. "Masada 1942" opened on January 23, 2020 at Habima, the National Theatre of Israel, to rave reviews. After forced closure due to the global pandemic, Habima reopened the musical on April 7, 2021.

Shuki is a co-chair of Genius 100 Visions, a global project to honor the life and legacy of Albert Einstein. Genius 100 Visions brings together accomplished, compassionate minds to re-imagine the future and improve our world. The Genius 100 Visionaries are a group of global leaders, activists, and innovators. The group is comprised of 16 Nobel Laureates, Astronauts, an EGOT, Olympic Gold Medalists, Knight(s) of the British Empire, Guinness World Record Holder, Global Teacher Prize, Companion(s) of the Order of Canada, a former NASA Administrator, a World Chess Champion, a Grammy winner, an Oscar winner, global brand CEO's, Justice of the Supreme Court of Canada - and recipients of National Medals of Science, Humanities and Arts; Pulitzer Prize; Peabody Award; Albert Einstein Medal, and many more accolades and honors. Shuki also devotes time to his family foundation, which supports a number of projects and creative properties that seek to enlighten, educate, and inspire.

Patrick Doyle is a classically trained composer.

His first film score, the acclaimed adaptation of "Henry V" with Kenneth Branagh for Renaissance films was scored in 1989. He has subsequently worked with Kenneth Branagh, a long time collaborator on numerous pictures including "Dead Again", "Much Ado About Nothing", "Frankenstein" and "Hamlet".

Patrick has composed over 45 internationally renowned feature film scores including "Indochine", "Sense and Sensibility", "Carlito's Way", "Gosford Park", "A Little Princess", "Bridget Jones's Diary", "Nanny McPhee" and "Harry Potter and the Goblet of Fire".

He has collaborated with a host of internationally acclaimed film directors including Robert Altman, Ang Lee, Brian de Palma, Alfonso Cuaron, Mike Newell, Regis Wagnier and Kenneth Branagh.

His concert works include "The Thistle and The Rose", a commission by HRH The Prince of Wales for full choir in honour of the Queen Mother's 90th birthday, "Tam O' Shanter" for the National Schools Orchestra Trust and the violin concerto "Corarsik".

He has recently completed the score for the Marvel Entertainment feature film "Thor," directed by Kenneth Branagh, "La Ligne Droite" for Regis Wagnier and the Twentieth Century Fox film "Caesar Rise of the Apes". He is currently scoring the upcoming Pixar film "Brave" directed by Mark Andrews and after which will score the Sovereign Films film "Effie" directed by Richard Laxton.

Michael Giacchino is an American composer of music for films, television and video games.

Giacchino composed the scores to the television series Lost, Alias and Fringe, the video game series Medal of Honor and Call of Duty and many films such as The Incredibles (2004), Star Trek (2009), Up (2009), Dawn of the Planet of the Apes (2014), Jurassic World (2015), Inside Out (2015), Spider-Man: Homecoming (2017), War for the Planet of the Apes (2017) and Coco (2017).

For his work on Up he earned an Academy Award for Best Original Score.

German-born composer Hans Zimmer is recognized as one of Hollywood's most innovative musical talents. He featured in the music video for The Buggles' single "Video Killed the Radio Star", which became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV (August 1, 1981).

Hans Florian Zimmer was born in Frankfurt am Main, then in West Germany, the son of Brigitte (Weil) and Hans Joachim Zimmer. He entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers, which included the film My Beautiful Laundrette (1985). He soon began work on several successful solo projects, including the critically acclaimed A World Apart, and during these years Zimmer pioneered the use of combining old and new musical technologies. Today, this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer's career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year, Zimmer composed the score for another Best Picture Oscar recipient, Driving Miss Daisy (1989), starring Jessica Tandy, and Morgan Freeman.

Having already scored two Best Picture winners, in the early 1990s, Zimmer cemented his position as a preeminent talent with the award-winning score for The Lion King (1994). The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony, and two Grammy Awards. In total, Zimmer's work has been nominated for 7 Golden Globes, 7 Grammys and seven Oscars for Rain Man (1988), Gladiator (2000), The Lion King (1994), As Good as It Gets (1997), The The Preacher's Wife (1996), The Thin Red Line (1998), The Prince of Egypt (1998), and The Last Samurai (2003).

With his career in full swing, Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers' guidance. With state-of-the-art technology and a supportive creative environment, Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical "think tank." This approach helped launch the careers of such notable composers as Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith, and Klaus Badelt.

In 2000, Zimmer scored the music for Gladiator (2000), for which he received an Oscar nomination, in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album Gladiator: More Music From The Motion Picture, released on the Universal Classics/Decca label. Zimmer's other scores that year included Mission: Impossible II (2000), The Road to El Dorado (2000), and An Everlasting Piece (2000), directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor (2001), The Ring (2002), four films directed by Ridley Scott; Matchstick Men (2003), Hannibal (2001), Black Hawk Down (2001), and Thelma & Louise (1991), Penny Marshall's Riding in Cars with Boys (2001), and A League of Their Own (1992), Tony Scott's True Romance (1993), Tears of the Sun (2003), Ron Howard's Backdraft (1991), Days of Thunder (1990), Smilla's Sense of Snow (1997), and the animated Spirit: Stallion of the Cimarron (2002) for which he also co-wrote four of the songs with Bryan Adams, including the Golden Globe nominated Here I Am.

At the 27th annual Flanders International Film Festival, Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-voice choir. Choosing selections from his impressive body of work, Zimmer performed newly orchestrated concert versions of Gladiator, Mission: Impossible II (2000), Rain Man (1988), The Lion King (1994), and The Thin Red Line (1998). The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."

In 2003, Zimmer completed his 100th film score for the film The Last Samurai, starring Tom Cruise, for which he received both a Golden Globe and a Broadcast Film Critics nomination. Zimmer then scored Nancy Meyers' comedy Something's Gotta Give (2003), the animated Dreamworks film, Shark Tale (2004) (featuring voices of Will Smith, Renée Zellweger, Robert De Niro, Jack Black, and Martin Scorsese), and Jim Brooks' Spanglish (2004) starring Adam Sandler and Téa Leoni (for which he also received a Golden Globe nomination). His 2005 projects include Paramount's The Weather Man (2005) starring Nicolas Cage, Dreamworks' Madagascar (2005), and the Warner Bros. summer release, Batman Begins (2005).

Zimmer's additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review, and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP's Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of four children.

Flamboyant, latterly white-maned, U.S. conductor known best for his popularization of classical music. (He is also known for teaching 'Mickey Mouse' a few things about music in Walt Disney's Fantasia (1940), in which Stokowski was featured with the Philadelphia Orchestra). He was a pioneer in the use of hi-fi sound and bringing great music to the screen.

James Levine was born on 23 June 1943 in Cincinnati, Ohio, USA. He was a director, known for Fantasia 2000 (1999), A Classic Tale. Music for Our Children (2001) and Great Performances at the Met (1977). He died on 9 March 2021 in Palm Springs, California, USA.

James Horner began studying piano at the age of five, and trained at the Royal College of Music in London, England, before moving to California in the 1970s. After receiving a bachelor's degree in music at USC, he would go on to earn his master's degree at UCLA and teach music theory there. He later completed his Ph.D. in Music Composition and Theory at UCLA. Horner began scoring student films for the American Film Institute in the late 1970s, which paved the way for scoring assignments on a number of small-scale films. His first large, high-profile project was composing music for Star Trek II: The Wrath of Khan (1982), which would lead to numerous other film offers and opportunities to work with world-class performers such as the London Symphony Orchestra. With over 75 projects to his name, and work with people such as George Lucas, Steven Spielberg, James Cameron, Oliver Stone, and Ron Howard, Horner firmly established himself as a strong voice in the world of film scoring. In addition, Horner composed a classical concert piece in the 1980s, called "Spectral Shimmers", which was world premiered by the Indianapolis Symphony Orchestra. Horner passed away in a plane crash on June 22, 2015, two months short of his 62nd birthday.

Udi Harpaz was born on 13 March 1952 in Israel. He is a composer, known for In the Shadow of the Moon (2019), The Sessions (2012) and 13 Sins (2014).

Amotz is best known for the Netflix dark comedy series Haters Back Off as well as his critically acclaimed scores for Marvel, including Astonishing X-Men, Iron Man Extremis, and Thor and Loki: Blood Brothers.

He has scored numerous independent films including Struggle produced by Leonardo DiCaprio for Netflix and Till Human Voices Wake Us, (Paramount Classics) starring Helena Bonham Carter and Guy Pierce.

His commercial scoring repertoire includes commercials for Revlon, Ralph Lauren, Victoria's Secret, Chevrolet, and Bose.

Amotz spent his formative rock n roll years in Tel Aviv. He attended Berklee College of Music in Boston before moving to L.A.

Amotz owns Underground Music, a high production value music library with thousands of tracks, combining music licensing with custom work for trailers, advertising, and television shows. Amotz has composed trailers for many major film releases, including Avatar, Safe House, The Amazing Spiderman, and The Expendables.

Amotz recently produced two CDs: Omar Faruk Tekbilek's, Love is My Religion, and Notes from the Whistler, featuring Alessandro Alessandroni, the whistler and arranger of the Ennio Morricone scored Spaghetti Western films of Sergio Leone.

Amotz lives with his writer wife, genius daughter, a couple of horses, and a handful of other annoying animals just outside of Los Angles.

Takanori Arisawa was born on 2 April 1951 in Tokyo, Japan. He was a composer, known for War of the Worlds (2005), Sailor Moon (1995) and Digimon: Digital Monsters (1999). He died on 26 November 2005 in Japan.

Alan Menken is an American composer, songwriter, music conductor, director and record producer.

Menken is best known for his scores and songs for films produced by Walt Disney Animation Studios. His scores and songs for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) have each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1987), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), among others.

He is also known for his work in musical theatre for Broadway and elsewhere. Some of these are based on his Disney films, but other stage hits include Little Shop of Horrors (1982), A Christmas Carol (1994) and Sister Act (2009).

Menken has collaborated with such lyricists as Lynn Ahrens, Howard Ashman, Jack Feldman, Tim Rice, Glenn Slater, Stephen Schwartz and David Zippel. With eight Academy Award wins, Menken is the second most prolific Oscar winner in the music categories after Alfred Newman, who has 9 Oscars. He has also won 11 Grammy Awards, a Tony Award, Emmy Award, 7 Golden Globe Awards and many other honors.

Composer and conductor Alexandre Desplat, Oscar winner and seven-time Academy Award nominated, for his prolific filmography and his collaborations with Stephen Frears, Terrence Malick, Ang Lee, Kathryn Bigelow, Jacques Audiard, Wes Anderson, Roman Polanski, George Clooney or Matteo Garrone is one of the most worthy heirs of the French masters of film music.

Brought up in a cultural and musical mix thanks to his Greek mother and his French father who studied and got married in California, he grew up listening to French symphonists, Ravel or Debussy , world music and jazz.

He studied piano and trumpet before choosing the flute as the main instrument. As a free auditor in Claude Ballif's analysis class at the CNSM, he enriches his classical musical education by studying Brazilian and African music. He will record later with Carlinhos Brown or Ray Lema.

Passionate about film music, it's as much his musical sensitivity as his intimate approach to cinematographic language that will allow his privileged relationship with filmmakers. Inspired by the scores of Maurice Jarre, Bernard Herrmann, Nino Rota or Georges Delerue, it is after hearing the score of John Williams for Star Wars: Episode IV - A New Hope (1977) that he decides to compose exclusively for the big screen.

During the recording of his first feature film he meets violinist Dominique Lemonnier. This is the beginning of an exceptional artistic exchange as she becomes her favorite soloist, artistic director and wife. With his strong sense of interpretation, his creative spirit and his singular violin playing, Solré inspired Alexandre's compositions, influencing his music in depth, initiating a new way of writing for the strings in the cinema.

Collaborator of Jacques Audiard since his first film, he creates for his works strong and singular compositions and he won in 2005 for The Beat That My Heart Skipped (2005) the Silver Bear of the Berlinale, and his first Caesar. He works in France with Philippe de Broca and Francis Girod but Girl with a Pearl Earring (2003) of Peter Webber, his 50th score for the film, he gets a first Golden Globe nomination and BAFTA and began his rise in Hollywood. Leading American career and European collaborations and remaining faithful to his directors, he composes among others Syriana (2005)'s scores of Stephen Gaghan, Birth (2004) of Jonathan Glazer, Coco Before Chanel (2009) by Anne Fontaine, Army of Crime (2009) by Robert Guédiguian, The Heir Apparent: Largo Winch (2008) by Jérôme Salle, Intimate Enemies (2007) or Hostage (2005) by Florent-Emilio Siri.

Prizes and collaborations with the greatest directors follow one another. In 2007, he received his first Oscar nomination for Stephen Frears's The Queen (2006) and won his first European Film Award. The same year, he won the Golden Globe, the Los Angeles Film Critics Association Award, and the World Soundtrack Award for John Curran's score The Painted Veil (2006), performed by pianist Láng Lang. He composed in 2008 for Lust, Caution (2007) by Ang Lee and The Curious Case of Benjamin Button (2008) by David Fincher which will earn him a second Oscar nomination and a fourth Golden Globes and BAFTA nomination.

With his score for The Ghost Writer (2010) by Roman Polanski, he won in 2010 a second César and a second European Film Award. The same year he wrote the music of The Twilight Saga: New Moon (2009) by Chris Weitz, whose album was a platinum record, and Tom Hooper's The King's Speech (2010) for which he won the BAFTA, the Grammy Award, and was nominated for the fourth time at the Oscars and for the fifth time at the Golden Globes.

In 2010-2011 he wrote the music of Harry Potter and the Deathly Hallows: Part 1 (2010) and Harry Potter and the Deathly Hallows: Part 2 (2011) which became the third greatest success of all time. He composed in 2011 nine partitions, The Tree of Life (2011) of Terrence Malick, Carnage (2011) by Roman Polanski, Fantastic Mr. Fox (2009) by George Clooney , which earned him another Oscar nomination, The Well-Digger's Daughter (2011) by Daniel Auteuil and The Ides of March (2011) by George Clooney.

In 2012 he worked with Kathryn Bigelow for Zero Dark Thirty (2012), Matteo Garrone for Reality (2012), Gilles Bourdos for Renoir (2012), Jérôme Salle for Zulu (2013), George Clooney for Moonrise Kingdom (2012) and Jacques Audiard for Rust and Bone (2012) for which he won a third Cesar. For his score of Argo (2012) of Ben Affleck, Oscar for Best Picture, it is named for the sixth time BAFTA, and for the fifth time at the Golden Globes and the Oscars.

He signed in 2013 the partition The Monuments Men (2014) from George Clooney, Venus in Fur (2013) of Roman Polanski, and was appointed to the BAFTAs and the Oscars for Philomena (2013) of Stephen Frears.

In 2014 he composed the music Godzilla (2014) of Gareth Edwards, and receives exceptional fact, two Oscar nominations for The Imitation Game (2014) of Morten Tyldum and The Grand Budapest Hotel (2014) by George Clooney, for which he won a BAFTA, Grammy and Oscar.

Member of the jury of the Cannes Film Festival in 2012, he became in 2014 the first composer President of the jury of the Venice Film Festival. Crowning long years of collaboration, he directed the London Symphony Orchestra in December 2014 for a concert of his works at the Barbican Theater in London.

In 2018, Alexandre Desplat received a second Oscar, a Golden Globe and a BAFTA for The Shape of Water (2017) of Guillermo del Toro.

Nicholas Hooper was born in the UK. He is known for Harry Potter and the Half-Blood Prince (2009), Harry Potter and the Order of the Phoenix (2007) and Harry Potter and the Deathly Hallows: Part 2 (2011).

John Barry was born in York, England in 1933, and was the youngest of three children. His father, Jack, owned several local cinemas and by the age of fourteen, Barry was capable of running the projection box on his own - in particular, The Rialto in York. As he was brought up in a cinematic environment, he soon began to assimilate the music which accompanied the films he saw nightly to a point when, even before he'd left St. Peters school, he had decided to become a film music composer. Helped by lessons provided locally on piano and trumpet, followed by the more exacting theory taught by tutors as diverse as Dr Francis Jackson of York Minster and William Russo, formerly arranger to Stan Kenton and His Orchestra, he soon became equipped to embark upon his chosen career, but had no knowledge of how one actually got a start in the business. A three year sojourn in the army as a bandsman combined with his evening stints with local jazz bands gave him the idea to ease this passage by forming a small band of his own. This was how The John Barry Seven came into existence, and Barry successfully launched them during 1957 via a succession of tours and TV appearances. A recording contract with EMI soon followed, and although initial releases made by them failed to chart, Barry's undoubted talent showed enough promise to influence the studio management at Abbey Road in allowing him to make his debut as an arranger and conductor for other artists on the EMI roster.

A chance meeting with a young singer named Adam Faith, whilst both were appearing on astage show version of the innovative BBC TV programme, Six-Five Special (1957), led Barry to recommend Faith for a later BBC TV series, Drumbeat (1959), which was broadcast in 1959. Faith had made two or three commercially unsuccessful records before singer/songwriter Johnny Worth, also appearing on Drumbeat, offered him a song he'd just finished entitled What Do You Want? With the assistance of the JB7 pianist, Les Reed, Barry contrived an arrangement considered suited to Faith's soft vocal delivery, and within weeks, the record was number one. Barry (and Faith) then went from strength to strength; Faith achieving a swift succession of chart hits, with Barry joining him soon afterwards when the Seven, riding high on the wave of the early sixties instrumental boom, scored with Hit & Miss, Walk Don't Run and Black Stockings.

Faith had long harboured ambitions to act even before his first hit record and was offered a part in the up and coming British movie, Wild for Kicks (1960), at that time. As Barry was by then arranging not only his recordings but also his live Drumbeat material, it came as no surprise when the film company asked him to write the score to accompany Faith's big screen debut. It should be emphasised that the film was hardly a cinematic masterpiece. However, it did give Faith a chance to demonstrate his acting potential, and Barry the chance to show just how quickly he'd mastered the technique of film music writing. Although the film and soundtrack album were both commercial successes, further film score offers failed to flood in. On those that did, such as Never Let Go (1960) and The Amorous Mr. Prawn (1962), Barry proved highly inventive, diverse and adaptable and, as a result, built up a reputation as an emerging talent. It was with this in mind that Noel Rogers, of United Artists Music, approached him in the summer of '62, with a view to involving him in the music for the forthcoming James Bond film, Dr. No (1962).

He was also assisted onto the cinematic ladder as a result of a burgeoning relationship with actor/writer turned director Bryan Forbes, who asked him to write a couple of jazz numbers for use in a club scene in Forbes' then latest film, The L-Shaped Room (1962). From this very modest beginning, the couple went on to collaborate on five subsequent films, including the highly acclaimed Seance on a Wet Afternoon (1964), King Rat (1965) and The Whisperers (1967). Other highlights from the sixties included five more Bond films, Zulu (1964), Born Free (1966) (a double Oscar), The Lion in Winter (1968) (another Oscar) and Midnight Cowboy (1969).

In the seventies he scored the cult film Walkabout (1971), The Last Valley (1971), Mary, Queen of Scots (1971) (Oscar nomination), wrote the theme for The Persuaders! (1971), a musical version of Alice's Adventures In Wonderland and the hit musical Billy. Then, in 1974, he made the decision to leave his Thameside penthouse apartment for the peace of a remote villa he was having built in Majorca. He had been living there for about a year, during which time he turned down all film scoring opportunities, until he received an invitation to write the score for the American TV movie, Eleanor and Franklin (1976). In order to accomplish the task, he booked into the Beverly Hills Hotel for six weeks in October 1975. However, during this period, he was also offered Robin and Marian (1976) and King Kong (1976), which caused his stay to be extended. He was eventually to live and work in the hotel for almost a year, as more assignments were offered and accepted. His stay on America's West Coast eventually lasted almost five years, during which time he met and married his wife, Laurie, who lived with him at his Beverly Hills residence. They moved to Oyster Bay, New York and have since split their time between there and a house in Cadogan Square, London.

After adopting a seemingly lower profile towards the end of the seventies, largely due to the relatively obscure nature of the commissions he accepted, the eighties saw John Barry re-emerge once more into the cinematic limelight. This was achieved, not only by continuing to experiment and diversify, but also by mixing larger budget commissions of the calibre of Body Heat (1981), Jagged Edge (1985), Out of Africa (1985) (another Oscar) and The Cotton Club (1984) with smaller ones such as the TV movies, Touched by Love (1980) and Svengali (1983). Other successes included: Somewhere in Time (1980), Frances (1982), three more Bond films, and Peggy Sue Got Married (1986).

After serious illness in the late eighties, Barry returned with yet another Oscar success with Dances with Wolves (1990) and was also nominated for Chaplin (1992). Since then he scored the controversial Indecent Proposal (1993), My Life (1993), Deception (1992), Cry, the Beloved Country (1995) and has made compilation albums for Sony (Moviola and Moviola II) and non-soundtrack albums for Decca ('The Beyondness Of Things' & 'Eternal Echoes').

In the late nineties he made a staggeringly successful return to the concert arena, playing to sell-out audiences at the Royal Albert Hall. Since then he has appeared as a guest conductor at a RAH concert celebrating the life and career of Elizabeth Taylor and made brief appearances at a couple of London concerts dedicated to his music. In 2004 he re-united with Don Black to write his fifth stage musical, Brighton Rock, which enjoyed a limited run at The Almeida Theatre in London.

He continued to appear at concerts of his own music, often making brief appearances at the podium. In November 2007, Christine Albanel, the French Minister for Culture, appointed him Commander in the National Order of Arts and Letters. The award was made at the eighth International Festival Music and Cinema, in Auxerre, France, when, in his honour, a concert of his music also took place.

In August 2008 he was working on a new album, provisionally entitled Seasons, which he has described as "a soundtrack of his life." A new biography, "John Barry: The Man with The Midas Touch", by Geoff Leonard, Pete Walker, and Gareth Bramley, was published in November 2008.

He died following a heart-attack on 30th January 2011, at his home in Oyster Bay, New York.

David Arnold was born on 23 January 1962 in Luton, England, UK. He is a composer and actor, known for Casino Royale (2006), Independence Day (1996) and Godzilla (1998). He has been married to Ellie Pole since 8 June 1996. They have three children.

Shirley Walker was born in Napa, California in 1945. She was educated at Pleasant Hill High School; attended San Francisco State College on piano scholarship; studied composition with Dr. Roger Nixon; and piano with Harald Logan of Berkeley, California. She was soloist with San Francisco Symphony while in high school; performed with various hotel, jazz & art bands in San Francisco, 1964 - 1967.

Industrial film and jingles work 1967 - 1978. Oakland Symphony Orchestra pianist 2 seasons, Cabrillo Festival Orchestra pianist 2 seasons. Member American Federation of Musicians (AFM) 1962 - present Member National Academy of Recording Arts & Sciences (NARAS) 1978 - present; Member American Society of Composers Authors & Publishers (ASCAP) 1980 - present; Member Academy of Television Arts & Sciences (ATAS) 1987 - present; Awards Committee 1987 - 1988; Member Society of Composers & Lyricists (SCL) 1985 - present; Vice President 1988 - 1992; Board of Directors 1986 - 1994; Working Conditions Committee 1987 - 1989; author SCL Working Conditions Questionnaire; author for The Score, SCL periodical: Packaging Scores, The Business of Quality Orchestration, New Low Budget Film Rate, Assumption Agreements and the Special Payments Fund. Member Recording Musicians Association (RMA) 1990 - present, Board of Directors 1994 - present; Member Broadcast Music Inc., (BMI) 1993 - present; Member Academy of Motion Picture Arts & Sciences (AMPAS) 1994 - present; Executive Music Branch Committee 1994 - present.

She married Don Walker in 1967 and they had two sons, Colin born 1970, Ian born 1972.

Marco Beltrami was born on 7 October 1966 in New York City, New York, USA. He is a composer and producer, known for I, Robot (2004), Hellboy (2004) and World War Z (2013).

Brian Theodore Tyler is an American composer, conductor, arranger and producer known for his film, television and video game scores. In his 24-year career, he has scored Transformers: Prime, Eagle Eye, The Expendables trilogy, Iron Man 3, Avengers: Age of Ultron with Danny Elfman, Now You See Me, and Crazy Rich Asians, among others. He also re-arranged the current fanfare of the Universal Pictures logo, originally composed by Jerry Goldsmith, for Universal Pictures' 100th anniversary, which debuted with The Lorax (2012). He composed the 2013-2016 Marvel Studios logo, which debuted with Thor: The Dark World (2013), which he also composed the film's score. He composed the NFL Sunday Countdown Theme for ESPN and the Formula One theme (also used in Formula 2 and Formula 3). He scored seven installments of the Fast & Furious franchise, and the soundtrack for the Paramount TV series Yellowstone. For his work as a film composer, he won the Ifcma Awards 2014 Composer of the Year. His composition for the film Last Call earned him the first of three Emmy nominations, a gold record, and induction into the music branch of the Academy of Motion Picture Arts and Sciences. As of November 2017, his films have grossed $12 billion worldwide, putting him in the top 10 highest-grossing film composers of all time.

John Powell was born on 18 September 1963 in London, England, UK. He is a composer, known for Happy Feet (2006), How to Train Your Dragon 2 (2014) and Wicked (2024). He was previously married to Melinda Lerner.

Milan Kymlicka was born on 15 May 1936 in Louny, Czechoslovakia. He was a composer, known for Margaret's Museum (1995), Smart Philip (2003) and La vie d'un héros (1994). He died on 9 October 2008 in Toronto, Ontario, Canada.

Known for his wide-ranging talents, Mark Mancina's film scores traverse almost every genre: drama, action, comedy, suspense, and period epic. His dark, edgy music for the Oscar-winning Training Day (2001), is a benchmark score that expanded the boundaries of scoring street-wise drama, and is widely used as a temp track, while his breakout score for Speed (1994), another innovative work, influenced the sound of subsequent action movies. Mancina's orchestral originality on Return to Paradise (1998), reflecting the haunting gloom of its subject, and his score for the period epic Moll Flanders (1996), which appeared on Billboard's Classical Crossover Chart, further point to Mancina's considerable compositional range. Other films include Twister (1996), Bad Boys (1995), Con Air (1997), Domestic Disturbance (2001), Tarzan (1999), Brother Bear (2003), The Haunted Mansion (2003), and Sony's 3-D animated short, Early Bloomer (2003).

But Mancina's achievements as composer for some of the top-grossing films of recent years comprise only one aspect of his diverse career. Composer, producer, songwriter and three-time Grammy winner, he has also added Broadway to his list of accomplishments by writing, producing and arranging the score for Disney's Tony-winning stage production of The Lion King. The foundation for this expansion into theatre was set in the early 1990s when Oscar winning composer Hans Zimmer, recognizing Mancina's varied gifts, asked him to arrange and produce three Elton John songs for what would become the enormously successful original film version of The Lion King. Mancina's efforts on "Can You Feel the Love Tonight," "I Just Can't Wait To Be King," and "Hakuna Matata" were rewarded with a multi-platinum record that has sold over ten million copies worldwide, and earned him a Grammy for Best Musical Album for Children and two American Music Awards for Best Pop Album. On the heels of the success of The Lion King (1994), Mancina went on to write and produce additional songs for a Lion King follow-up album entitled Rhythm of the Pridelands featuring South African artist 'Lebo M'. One of Mancina's original songs, "He Lives In You," became a thematic centerpiece for The Lion King theatrical production which opened on Broadway in 1997, and has since been performed to great acclaim in numerous cities around the world. In his role as producer of music for the stage, Mancina collaborated with 'Lebo M', and director Julie Taymor to create the distinctive musical atmosphere of the Tony award winning show. Mancina received a Tony nomination, was awarded Britain's Ivor Novello Award for the London production, and earned his second Grammy for producing the Original Broadway Cast Album.

Born in Santa Monica, Mancina spent his childhood in Culver City, then Huntington Beach, California. Commencing his musical training at a very early age, he has performed all his life as a singer, guitarist and pianist. His film and television scores frequently feature Mancina's own performances on piano, guitar, bass, percussion, and drums, highlighting unique sounds harvested from a personal collection of traditional, exotic, and custom instruments from all over the world.

After studying composition and performance as a classical guitar major at Cal State Fullerton, he went on to perform on Trevor Rabin's solo tour, and later to write and produce for Yes. He also worked on several records with producer Trevor Horn, including the song "Crazy," performed by Grammy-winning artist Seal. In 1990, Mancina moved from Los Angeles to London for a year to work with Emerson, Lake and Palmer, producing and composing their "Black Moon" album for PolyGram. More recently, he has composed and arranged songs with Kenny Loggins. His extensive partnership with Phil Collins includes Disney's animated hit Tarzan (1999), for which Mancina composed the score and co-produced several Collins songs. The ballad "You'll Be In My Heart," which Mancina arranged and co-produced, won the Oscar for Best Song. They renewed their collaborative efforts for the recent Brother Bear for which Mancina co-produced songs and co-composed the dramatic score. In addition to his work in film, theatre and the recording industry, Mancina also writes score and themes for many television projects, which have included "The Outer Limits," "Poltergeist," "Millennium," "Lifepod," and HBO's "From the Earth to the Moon." Among his countless television commercial clients are Nike, Mountain Dew, Jaguar, Skittles, McDonald's, Verizon, Computer Associates, Goodyear, The U.S. Army, American Express and AT&T. Working from his studio in Pasadena, and his home studio, a mountaintop farmhouse/barn, he continues to expand his repertoire, and is currently developing songs for musicals and films.

Michael Kamen was born on 15 April 1948 in New York City, New York, USA. He was a composer and actor, known for Robin Hood: Prince of Thieves (1991), Don Juan DeMarco (1994) and Lethal Weapon (1987). He was married to Sandra Keenan. He died on 18 November 2003 in London, England, UK.