Bad hands

Jon Hamm is an American actor and producer from St. Louis, Missouri who is known for playing Don Draper in Mad Men. He also played Mister Sinister in a deleted scene of The New Mutants and Legion, Brogan from Shrek Forever After, and other films and shows including Sucker Punch, Million Dollar Arm, Black Mirror and Good Omens.

Actor, director, producer Tony Goldwyn just finished a sold-out run of director Ivo Van Hove's Broadway production of "Network" with Bryan Cranston and Tatiana Maslany. He can be seen on the Netflix series, "Chambers," starring with Uma Thurman. Recently he concluded his role as 'President Fitzgerald Grant' in Shonda Rhimes' remarkable series "Scandal" after its seven-season run. Goldwyn continues to juggle multiple projects both behind and in front of the camera. Previously he appeared in the feature film "Mark Felt - The Man Who Brought Down the White House" as part of an all-star cast including Liam Neeson and Diane Lane. He also starred with Sharon Stone in the indie rom-com "All I Wish." Additionally, Goldwyn starred in MGM's release, "The Belko Experiment," written and produced by James Gunn. Formerly, he co-created and executive produced the critically acclaimed series "The Divide" for AMC Studios. Goldwyn directed the two hour pilot while partner Richard LaGravenese wrote the episodes. He also took on the controversial figure Warren Jeffs, starring in the Lifetime movie, "Outlaw Prophet: Warren Jeffs" and appeared in the hit features "Divergent" and "Insurgent" based on the YA novels by Veronica Roth. In addition to acting on the shows, Goldwyn directed multiple episodes of "Scandal" along with an episode of his latest series, "Chambers." More television directing credits include prestigious programs such as "Dexter," "Justified," "Law & Order," "Damages," "Grey's Anatomy," and "The L Word," among others. Goldwyn made an auspicious feature directorial debut with "A Walk on the Moon" starring Diane Lane and Viggo Mortensen. The film premiered at the Sundance Film Festival and went on to receive universal praise from critics as well as winning a special recognition from the National Board of Review for Excellence in Independent Filmmaking. Goldwyn first read Pamela Gray's script five years earlier and shepherded it through multiple drafts until Dustin Hoffman came on board as a producer and got the project financed. Coincidentally when Gray originally wrote the screenplay as her Master's Thesis at UCLA Film School, she won the prestigious Samuel Goldwyn Writing Award - an honor established by Goldwyn's paternal grandfather, the legendary film producer.

Further feature directing credits include "The Last Kiss," based on Gabriele Muccino's "L'Ultimo Bacio," for which Goldwyn received Best Director from the Boston Film Festival, and the romantic comedy "Someone Like You." His last effort, "Conviction," starring Hilary Swank and Sam Rockwell, which Goldwyn also produced, earned Swank a SAG Award nomination, won Best Film at the Boston Film Festival and was awarded a Freedom of Expression honor from the National Board of Review. As an actor, Goldwyn first caught audiences' attention with his portrayal of the villain in the box office smash "Ghost." He went on to appear in numerous other films including "The Pelican Brief" with Julia Roberts and Denzel Washington, "Kiss The Girls," Oliver Stone's "Nixon," "The Substance of Fire," "The Last Samurai" opposite Tom Cruise, and the remake of Wes Craven's classic "The Last House on the Left." He is familiar to children as the title voice in Disney's animated feature "Tarzan." His other television acting credits include "The Good Wife," "Dexter," "Law & Order: Criminal Intent," "Without A Trace," "The L Word," the HBO Mini-Series "From The Earth To The Moon," "Frasier," "Murphy Brown," and "Designing Women," where he touchingly portrayed the first AIDS victim on a prime time series. Goldwyn began his acting career on the stage, spending seven seasons at the Williamstown Theater Festival. His New York theater credits include "The Water's Edge" at the 2nd Stage Theater, "The Dying Gaul" at the Vineyard Theater, "Holiday" at The Circle in the Square opposite Laura Linney, "Spike Heels" with Kevin Bacon at 2nd Stage, "The Sum of Us" at the Cherry Lane Theater, for which he earned an Obie Award and "Digby" at the Manhattan Theater Club. He last appeared on Broadway starring in the hit revival of the musical "Promises, Promises." He also dedicates much of his personal time to philanthropic work. Goldwyn serves as an Ambassador for Stand Up To Cancer and a board member for the humanitarian relief organization Americares. Additionally, he is a Trustee for Second Stage Theater, sits on the MPTF Foundation Board of Governors as well as the Board of Trustees at the Innocence Project. (10/2019)

Joel Edgerton was born on June 23, 1974 in Blacktown, New South Wales, Australia, to Marianne (van Dort) and Michael Edgerton, who is a solicitor and property developer. His brother is filmmaker Nash Edgerton. His mother is a Dutch immigrant. Joel went to Hills Grammar School in the Western Suburbs of Sydney, and after leaving, he attended Nepean Drama School in 1994. Joel has done many projects on stage and off, but most people will recognize him from his work on the Australian television series The Secret Life of Us (2001), in which he played William McGill. This gave him his first big break through in the television industry. For this role, he was nominated in 2001 for an AFI Award. As well as "The Secret Life of Us", he has also appeared in other television projects such as The Three Stooges (2000), Dossa and Joe (2002), Secret Men's Business (1999), Never Tell Me Never (1998) and Saturn's Return (2001). Joel has done a lot of work on the theatrical stage having played King Henry in "Henry V", Prince Hal in "Henry III", and others including "Road", "Third World Blues" and "Dead White Males". As well as acting, he has also starred, co-written and produced the short movie Bloodlock (1998).

His first international break came from when he played Uncle Owen Lars in Star Wars: Episode II - Attack of the Clones (2002). Since then, he has also starred in Ned Kelly (2003), King Arthur (2004), Star Wars: Episode III - Revenge of the Sith (2005) and Kinky Boots (2005).

Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.

He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.

After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.

Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).

Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.

Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.

The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).

In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.

Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.

As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.

Gerard James Butler was born in Paisley, Scotland, to Margaret and Edward Butler, a bookmaker. His family is of Irish origin. Gerard spent some of his very early childhood in Montreal, Quebec, but was mostly raised, along with his older brother and sister, in his hometown of Paisley. His parents divorced when he was a child, and he and his siblings were raised primarily by their mother, who later remarried. He had no contact with his father between the ages of two and 16 years old, after which time they became close. His father passed away when Gerard was in his early 20s. Butler went on to attend Glasgow University, where he studied to be a lawyer/solicitor. He was president of the school's law society thanks to his outgoing personality and great social skills.

His acting career began when he was approached in a London coffee shop by actor Steven Berkoff, who later appeared alongside Butler in Attila (2001), who gave him a role in a stage production of "Coriolanus" (later, Butler played Tullus Aufidius in a big screen Coriolanus (2011). After that, Butler decided to give up law for acting. He was cast as Ewan McGregor's character "Renton" in the stage adaptation of Trainspotting. His film debut was as Billy Connolly's younger brother in Mrs. Brown (1997). While filming the movie in Scotland, he was enjoying a picnic with his mother near the River Tay when they heard the shouts of a young boy, who had been swimming with a friend, who was in some trouble. Butler jumped in and saved the young boy from drowning. He received a Certificate of Bravery from the Royal Humane Society. He felt he only did what anyone in the situation would have done.

His film career continued with small roles, first in the "James Bond" movie, Tomorrow Never Dies (1997), and then Russell Mulcahy's Tale of the Mummy (1998). In 2000, Butler was cast in two breakthrough roles, the first being "Attila the Hun" in the USA Network mini-series, Attila (2001). The film's producers wanted a known actor to play the part but kept coming back to Butler's screen tests and decided he was their man. He had to lose the thick Scottish accent, but managed well. Around the time "Attila" was being filmed, casting was in progress for Wes Craven's new take on the "Dracula" legacy. Also wanting a known name, Butler wasn't much of a consideration, but his unending tenacity drove him to hounding the producers. Eventually, he sent them a clip of his portrayal of "Attila". Evidently, they saw something because Dracula 2000 (2000) was cast in the form of Butler. Attila's producers, thinking that his big-screen role might help with their own film's ratings, finished shooting a little early so he could get to work on Dracula 2000 (2000). Following these two roles, Butler developed quite a fan base, and began appearing on websites and fancasts everywhere.

Since then, he has appeared in Reign of Fire (2002) as "Creedy" and Lara Croft: Tomb Raider - The Cradle of Life (2003) as "Terry Sheridan", alongside Angelina Jolie. The role that garnered him the most attention from both moviegoers and movie makers, alike, was that of "Andre Marek" in the big-screen adaptation of Michael Crichton's novel, Timeline (2003). Butler played an archaeologist who was sent back in time with a team of students to rescue a colleague. Last year, he appeared in Andrew Lloyd Webber's musical, The Phantom of the Opera (2004), playing the title character in the successful adaptation of the stage musical. It was a role that brought him much international attention. Other projects include Dear Frankie (2004), The Game of Their Lives (2005) and Beowulf & Grendel (2005).

In 2007, he starred as Spartan "King Leonidas" in the Warner Bros. production 300 (2006), based on the Frank Miller graphic novel, and Shattered (2007), co-starring Pierce Brosnan and Maria Bello, which aired on network TV under the title, "Shattered". He also starred in P.S. I Love You (2007), with Academy Award-winner Hilary Swank.

In 2007, he appeared in Nim's Island (2008) and RocknRolla (2008), and completed the new Mark Neveldine / Brian Taylor film, Gamer (2009). His next films included The Ugly Truth (2009), co-starring Katherine Heigl, which began filming in April 2008, The Bounty Hunter (2010), How to Train Your Dragon (2010), Chasing Mavericks (2012) and Olympus Has Fallen (2013). In recent years, he has appeared in films such as Gods of Egypt (2016), Geostorm (2017), Den of Thieves (2018), The Vanishing (2018) and Hunter Killer (2018). Butler is related to writer-director Mark Flood.

American actor and producer Harvey Keitel was born on May 13, 1939 in Brooklyn, New York City, to Miriam (Klein) and Harry Keitel. An Oscar and Golden Globe Award nominee, he has appeared in films such as Martin Scorsese's Mean Streets (1973) and Taxi Driver (1976), Ridley Scott's The Duellists (1977) and Thelma & Louise (1991), Peter Yates' Mother, Jugs & Speed (1976), Quentin Tarantino's Reservoir Dogs (1992) and Pulp Fiction (1994), Jane Campion's The Piano (1993), Abel Ferrara's Bad Lieutenant (1992), Robert Rodriguez's From Dusk Till Dawn (1996), James Mangold's Cop Land (1997), Paolo Sorrentino's Youth (2015). He is regarded as one of the greatest method actors ever. Along with actors Al Pacino and Ellen Burstyn, he is the current co-president of the Actors Studio.

Keitel studied under both Stella Adler and Lee Strasberg and at the HB Studio, eventually landing roles in some Off-Broadway productions. During this time, Keitel auditioned for filmmaker Martin Scorsese and gained a starring role as "J.R.", in Scorsese's first feature film, Who's That Knocking at My Door (1967). Since then, Scorsese and Keitel have worked together on several projects. Keitel had the starring role in Scorsese's Mean Streets (1973), which also proved to be Robert De Niro's breakthrough film. Keitel re-teamed with Scorsese for Alice Doesn't Live Here Anymore (1974), in which he had a villainous supporting role, and appeared with Robert De Niro again in Scorsese's Taxi Driver (1976), playing the role of Jodie Foster's pimp.

Krzysztof Kieslowski graduated from Lódz Film School in 1969, and became a documentary, TV and feature film director and scriptwriter. Before making his first film for TV, Przejscie podziemne (1974) (The Underground Passage), he made a number of short documentaries. His next TV title, Personnel (1975) (The Staff), took the Grand Prix at Mannheim Film Festival. His first full-length feature was The Scar (1976) (The Scar). In 1978 he made the famous documentary From a Night Porter's Point of View (1979) (Night Porter's Point of View), and in 1979 - a feature Camera Buff (1979) (Camera Buff), which was acclaimed in Poland and abroad. Everything he did from that point was of highest artistic quality.

French actress Léa Seydoux was born in 1985 in Paris, France, to Valérie Schlumberger, a philanthropist, and Henri Seydoux, a businessman. Her grandfather, Jérôme Seydoux, is chairman of Pathé, and her father is a great-grandson of businessman and inventor Marcel Schlumberger (her mother also descends from the Schlumberger family). Her parents are both of mixed French and Alsatian German descent, with more distant Venezuelan (Spanish, Basque) roots on her father's side.

Léa began her acting career in French cinema, appearing in films such as The Last Mistress (2007) and On War (2008). She first came to attention after she received her first César Award nomination for her performance in The Beautiful Person (2008), and won the Trophée Chopard, an award given to promising actors at the Cannes Film Festival. Since then, she has appeared in major Hollywood films including Quentin Tarantino's Inglourious Basterds (2009), Ridley Scott's Robin Hood (2010), Woody Allen's Midnight in Paris (2011), and Brad Bird's Mission: Impossible - Ghost Protocol (2011). In French cinema, she was nominated for the César Award for Most Promising Actress for a second time for her role in Belle Épine (2010) and was nominated for the César Award for Best Actress for the film Farewell, My Queen (2012).

In 2013, Seydoux came to widespread attention when Seydoux and co-star Adèle Exarchopoulos, alongside director Abdellatif Kechiche, were awarded the Palme d'Or at the Cannes Film Festival, for their involvement in the critically acclaimed film Blue Is the Warmest Colour (Blue Is the Warmest Colour (2013)). As a special prize for their roles, Along with Jane Campion, Seydoux and Exarchopoulos are the only women to have ever won a Palme d'Or.

That same year, she also received the Lumières Award for Best Actress for the film Grand Central and, in 2014, she was nominated for the BAFTA Rising Star Award and starred in the films Beauty and the Beast, The Grand Budapest Hotel and Saint Laurent. In 2015 she played Madeleine Swann in the 24th James Bond film Spectre.

American actor and producer Matthew David McConaughey was born in Uvalde, Texas. His mother, Mary Kathleen (McCabe), is a substitute school teacher originally from New Jersey. His father, James Donald McConaughey, was a Mississippi-born gas station owner who ran an oil pipe supply business. He is of Irish, Scottish, German, English, and Swedish descent. Matthew grew up in Longview, Texas, where he graduated from the local High School (1988). Showing little interest in his father's oil business, which his two brothers later joined, Matthew was longing for a change of scenery, and spent a year in Australia, washing dishes and shoveling chicken manure. Back to the States, he attended the University of Texas in Austin, originally wishing to be a lawyer. But, when he discovered an inspirational Og Mandino book "The Greatest Salesman in the World" before one of his final exams, he suddenly knew he had to change his major from law to film.

He began his acting career in 1991, appearing in student films and commercials in Texas and directed short films as Chicano Chariots (1992). Once, in his hotel bar in Austin, he met the casting director and producer Don Phillips, who introduced him to director Richard Linklater for his next project. At first, Linklater thought Matthew was too handsome to play the role of a guy chasing high school girls in his coming-of-age drama Dazed and Confused (1993), but cast him after Matthew grew out his hair and mustache. His character was initially in three scenes but the role grew to more than 300 lines as Linklater encouraged him to do some improvisations. In 1995, he starred in Texas Chainsaw Massacre: The Next Generation (1994), playing a mad bloodthirsty sadistic killer, opposite Renée Zellweger.

Shortly thereafter, moving to L.A., Matthew became a sensation with his performances in two high-profile 1996 films Lone Star (1996), where he portrayed killing suspected sheriff and in the film adaptation of John Grisham's novel A Time to Kill (1996), where he played an idealistic young lawyer opposite Sandra Bullock and Kevin Spacey. The actor was soon being hailed as one of the industry's hottest young leading man inspiring comparisons to actor Paul Newman. His following performances were Robert Zemeckis' Contact (1997) with Jodie Foster (the film was finished just before the death of the great astronomer and popularizer of space science Carl Sagan) and Steven Spielberg's Amistad (1997), a fact-based 1839 story about the rebellious African slaves. In 1998, he teamed again with Richard Linklater as one of the bank-robbing brothers in The Newton Boys (1998), set in Matthew's birthplace, Uvalde, Texas. During this time, he also wrote, directed and starred in the 20-minute short The Rebel (1998).

In 1999, he starred in the comedy Edtv (1999), about the rise of reality television, and in 2000, he headlined Jonathan Mostow's U-571 (2000), portraying officer Lt. Tyler, in a WW II story of the daring mission of American submariners trying to capture the Enigma cipher machine.

In the 2000s, he became known for starring in romantic comedies, such as The Wedding Planner (2001), opposite Jennifer Lopez, and How to Lose a Guy in 10 Days (2003), in which he co-starred with Kate Hudson. He played Denton Van Zan, an American warrior and dragons hunter in the futuristic thriller Reign of Fire (2002), where he co-starred with Christian Bale. In 2006, he starred in the romantic comedy Failure to Launch (2006), and later as head coach Jack Lengyel in We Are Marshall (2006), along with Matthew Fox. In 2008, he played treasure hunter Benjamin "Finn" Finnegan in Fool's Gold (2008), again with Kate Hudson. After playing Connor Mead in Ghosts of Girlfriends Past (2009), co-starring with Jennifer Garner, McConaughey took a two year hiatus to open different opportunities in his career. Since 2010, he has moved away from romantic comedies.

That change came in 2011, in his first movie after that pause, when he portrayed criminal defense attorney Mickey Haller in The Lincoln Lawyer (2011), that operates mostly from the back seat of his Lincoln car. After this performance that was considered one of his best until then, Matthew played other iconic characters as district attorney Danny Buck Davidson in Bernie (2011), the wild private detective "Killer" Joe Cooper in Killer Joe (2011), Mud in Mud (2012), reporter Ward Jensen in The Paperboy (2012), male stripper club owner Dallas in Magic Mike (2012), starring Channing Tatum. McConaughey's career certainly reached it's prime, when he played HIV carrier Ron Woodroof in the biographical drama Dallas Buyers Club (2013), shot in less than a month. For his portrayal of Ron, Matthew won the Best Actor in the 86th Academy Awards, as well as the Golden Globe Award for Best Actor, among other awards and nominations. The same year, he also appeared in Martin Scorsese's The Wolf of Wall Street (2013). In 2014, he starred in HBO's True Detective (2014), as detective Rustin Cohle, whose job is to investigate with his partner Martin Hart, played by Woody Harrelson, a gruesome murder that happened in his little town in Louisiana. The series was highly acclaimed by critics winning 4 of the 7 categories it was nominated at the 66th Primetime Emmy Awards; he also won a Critics' Choice Award for the role.

Also in 2014, Matthew starred in Christopher Nolan's sci-fi film Interstellar (2014), playing Cooper, a former NASA pilot.

Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.

Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.

It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.

While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.

Kevin Spacey Fowler, better known by his stage name Kevin Spacey, is an American actor of screen and stage, film director, producer, screenwriter and singer. He began his career as a stage actor during the 1980s before obtaining supporting roles in film and television. He gained critical acclaim in the early 1990s that culminated in his first Academy Award for Best Supporting Actor for the neo-noir crime thriller The Usual Suspects (1995), and an Academy Award for Best Actor for midlife crisis-themed drama American Beauty (1999).

His other starring roles have included the comedy-drama film Swimming with Sharks (1994), psychological thriller Seven (1995), the neo-noir crime film L.A. Confidential (1997), the drama Pay It Forward (2000), the science fiction-mystery film K-PAX (2001)

In Broadway theatre, Spacey won a Tony Award for his role in Lost in Yonkers. He was the artistic director of the Old Vic theatre in London from 2004 until stepping down in mid-2015. Since 2013, Spacey has played Frank Underwood in the Netflix political drama series House of Cards. His work in House of Cards earned him Golden Globe Award and Emmy Award nominations for Best Actor.

As enigmatic as he is talented, Kevin Spacey for years kept the details of his private life closely guarded. As he explained in a 1998 interview with the London Evening Standard, "the less you know about me, the easier it is to convince you that I am that character on screen. It allows an audience to come into a movie theatre and believe I am that person". In October 2017, he ended many years of media speculation about his personal life by confirming that he had had sexual relations with both men and women but now identified as gay.

There are, however, certain biographical facts to be had - for starters, Kevin Spacey Fowler was the youngest of three children born to Kathleen Ann (Knutson) and Thomas Geoffrey Fowler, in South Orange, New Jersey. His ancestry includes Swedish (from his maternal grandfather) and English. His middle name, "Spacey," which he uses as his stage name, is from his paternal grandmother. His mother was a personal secretary, his father a technical writer whose irregular job prospects led the family all over the country. The family eventually settled in southern California, where young Kevin developed into quite a little hellion - after he set his sister's tree house on fire, he was shipped off to the Northridge Military Academy, only to be thrown out a few months later for pinging a classmate on the head with a tire. Spacey then found his way to Chatsworth High School in the San Fernando Valley, where he managed to channel his dramatic tendencies into a successful amateur acting career. In his senior year, he played "Captain von Trapp" opposite classmate Mare Winningham's "Maria" in "The Sound of Music" (the pair later graduated as co-valedictorians). Spacey claims that his interest in acting - and his nearly encyclopedic accumulation of film knowledge - began at an early age, when he would sneak downstairs to watch the late late show on TV. Later, in high school, he and his friends cut class to catch revival films at the NuArt Theater. The adolescent Spacey worked up celebrity impersonations (James Stewart and Johnny Carson were two of his favorites) to try out on the amateur comedy club circuit.

He briefly attended Los Angeles Valley College, then left (on the advice of another Chatsworth classmate, Val Kilmer) to join the drama program at Juilliard. After two years of training he was anxious to work, so he quit Juilliard sans diploma and signed up with the New York Shakespeare Festival. His first professional stage appearance was as a messenger in the 1981 production of "Henry VI".

Festival head Joseph Papp ushered the young actor out into the "real world" of theater, and the next year Spacey made his Broadway debut in Henrik Ibsen's "Ghosts". He quickly proved himself as an energetic and versatile performer (at one point, he rotated through all the parts in David Rabe's "Hurlyburly"). In 1986, he had the chance to work with his idol and future mentor, Jack Lemmon, on a production of Eugene O'Neill's "Long Day's Journey Into Night". While his interest soon turned to film, Spacey would remain active in the theater community - in 1991, he won a Tony Award for his turn as "Uncle Louie" in Neil Simon's Broadway hit "Lost in Yonkers" and, in 1999, he returned to the boards for a revival of O'Neill's "The Iceman Cometh".

Spacey's film career began modestly, with a small part as a subway thief in Heartburn (1986). Deemed more of a "character actor" than a "leading man", he stayed on the periphery in his next few films, but attracted attention for his turn as beady-eyed villain "Mel Profitt" on the TV series Wiseguy (1987). Profitt was the first in a long line of dark, manipulative characters that would eventually make Kevin Spacey a household name: he went on to play a sinister office manager in Glengarry Glen Ross (1992), a sadistic Hollywood exec in Swimming with Sharks (1994), and, most famously, creepy, smooth-talking eyewitness Verbal Kint in The Usual Suspects (1995).

The "Suspects" role earned Spacey an Oscar for Best Supporting Actor and catapulted him into the limelight. That same year, he turned in another complex, eerie performance in David Fincher's thriller Se7en (1995) (Spacey refused billing on the film, fearing that it might compromise the ending if audiences were waiting for him to appear). By now, the scripts were pouring in. After appearing in Al Pacino's Looking for Richard (1996), Spacey made his own directorial debut with Albino Alligator (1996), a low-key but well received hostage drama. He then jumped back into acting, winning critical accolades for his turns as flashy detective Jack Vincennes in L.A. Confidential (1997) and genteel, closeted murder suspect Jim Williams in Midnight in the Garden of Good and Evil (1997). In October 1999, just four days after the dark suburban comedy American Beauty (1999) opened in US theaters, Spacey received a star on the Hollywood Walk of Fame. Little did organizers know that his role in Beauty would turn out to be his biggest success yet - as Lester Burnham, a middle-aged corporate cog on the brink of psychological meltdown, he tapped into a funny, savage character that captured audiences' imaginations and earned him a Best Actor Oscar.

No longer relegated to offbeat supporting parts, Spacey seems poised to redefine himself as a Hollywood headliner. He says he's finished exploring the dark side - but, given his attraction to complex characters, that mischievous twinkle will never be too far from his eyes.

In February 2003 Spacey made a major move back to the theatre. He was appointed Artistic Director of the new company set up to save the famous Old Vic theatre, The Old Vic Theatre Company. Although he did not undertake to stop appearing in movies altogether, he undertook to remain in this leading post for ten years, and to act in as well as to direct plays during that time. His first production, of which he was the director, was the September 2004 British premiere of the play Cloaca by Maria Goos (made into a film, Cloaca (2003)). Spacey made his UK Shakespearean debut in the title role in Richard II in 2005. In 2006 he got movie director Robert Altman to direct for the stage the little-known Arthur Miller play Resurrection Blues, but that was a dismal failure. However Spacey remained optimistic, and insisted that a few mistakes are part of the learning process. He starred thereafter with great success in Eugene O'Neill's A Moon for the Misbegotten along with Colm Meaney and Eve Best, and in 2007 that show transferred to Broadway. In February 2008 Spacey put on a revival of the David Mamet 1988 play Speed-the-Plow in which he took one of the three roles, the others being taken by Jeff Goldblum and Laura Michelle Kelly.

In 2013, Spacey took on the lead role in an original Netflix series, House of Cards (2013). Based upon a British show of the same name, House of Cards is an American political drama. The show's first season received a Primetime Emmy Award nomination to include Outstanding lead actor in a drama series. In 2017, he played a memorable role as a villain in the action thriller Baby Driver (2017).

Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.

His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.

Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).

It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.

He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).

Jon Bernthal was born and raised in Washington D.C., the son of Joan (Marx) and Eric Bernthal, a lawyer. His grandfather was musician Murray Bernthal. Jon went to study at The Moscow Art Theatre School, in Moscow, Russia, where he also played professional baseball in the European professional baseball federation. While in Moscow, he was noticed by the director of Harvard University's Institute for Advanced Theatre Training at the American Repertory Theatre and was invited to obtain his M.F.A there. After graduating in 2002 he has performed in over 30 plays regionally and off-Broadway including many with his own award-winning theatre company Fovea Floods. He now lives in Venice, California with his dog, Boss.

Born in Puducherry, India, and raised in the suburban Penn Valley area of Philadelphia, Pennsylvania, M. Night Shyamalan is a film director, screenwriter, producer, and occasional actor, known for making movies with contemporary supernatural plots.

He is the son of Jayalakshmi, a Tamil obstetrician and gynecologist, and Nelliate C. Shyamalan, a Malayali doctor. His passion for filmmaking began when he was given a Super-8 camera at age eight, and even at that young age began to model his career on that of his idol, Steven Spielberg. His first film, Praying with Anger (1992), was based somewhat on his own trip back to visit the India of his birth. He raised all the funds for this project, in addition to directing, producing and starring in it. Wide Awake (1998), his second film, he wrote and directed, and shot it in the Philadelphia-area Catholic school he once attended--even though his family was of a different religion, they sent him to that school because of its strict discipline.

Shyamalan gained international recognition when he wrote and directed 1999's The Sixth Sense (1999), which was a commercial success and later nominated for six Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Shyamalan team up again with Bruce Willis in the film Unbreakable (2000), released in 2000, which he also wrote and directed.

His major films include the science fiction thriller Signs (2002), the psychological thriller The Village (2004), the fantasy thriller Lady in the Water (2006), The Happening (2008), The Last Airbender (2010), After Earth (2013), and the horror films The Visit (2015) and Split (2016).

David Leitch is a billion dollar film director, actor, stuntman, writer, producer, and stunt coordinator. He co-created the franchise of John Wick (2014) with Chad Stahelski, on which he also served as producer. David directed Atomic Blonde (2017) starring Charlize Theron. David also directed the box office smash and critically acclaimed Deadpool 2 (2018). He is also the director of Fast & Furious Presents: Hobbs & Shaw (2019).

Leitch was a stunt double for Brad Pitt five times, Matt Damon multiple times as well, including The Bourne Ultimatum (2007).

Freddie Highmore is an English actor who came to prominence for his roles in Five Children and It (2004), Finding Neverland (2004), and Charlie and the Chocolate Factory (2005).

He was born Alfred Thomas Highmore in Camden Town, London, England, to Sue (Latimer), a talent agent, and Edward Thomas Highmore, an actor. Highmore has a younger brother, Albert "Bertie" Highmore. He attended Highgate School, and later earned a double-first degree in Spanish and Arabic from Cambridge University's Emmanuel College.

In 1999, Highmore made his big screen debut in the comedy Women Talking Dirty (1999), portraying Helena Bonham Carter's son. His next prominent role was in the family drama Two Brothers (2004). Highmore's breakout role came when he was cast in Finding Neverland (2004), alongside Johnny Depp and Kate Winslet. He was then cast in the title role of Charlie Bucket in Tim Burton's Charlie and the Chocolate Factory (2005), and was reportedly recommended by co-star Johnny Depp. Roles in A Good Year (2006) and Arthur and the Invisibles (2006) soon followed, before he portrayed the title role in August Rush (2007), opposite Keri Russell and Robin Williams.

In 2013, he began starring as the iconic Norman Bates in the drama thriller series Bates Motel (2013), alongside Vera Farmiga as his mother. Highmore received much acclaim for his performance throughout the series' run, and was nominated for multiple Saturn Awards and Critics' Choice Television Awards.

2017- Stars in The Good Doctor as Shaun Murphy -a young autistic surgeon who has savant syndrome, relocates from a quiet country life to join the surgical unit at the prestigious San Jose St. Bonaventure Hospital. Shaun is alone in the world and unable to personally connect with those around him, but he finds his niche using his extraordinary medical skill and intuition to save lives and challenge the skepticism of his colleagues.

Friedkin's mother was an operating room nurse. His father was a merchant seaman, semi-pro softball player and ultimately sold clothes in a men's discount chain. Ultimately, his father never earned more than $50/week in his whole life and died indigent. Eventually young Will became infatuated with Orson Welles after seeing Citizen Kane (1941). He went to work for WGN TV immediately after graduating from high school where he started making documentaries, one of which won the Golden Gate Award at the 1962 San Francisco film festival. In 1965, he moved to Hollywood and immediately started directing TV shows, including an episode of the The Alfred Hitchcock Hour (1962); Hitchcock infamously chastised him for not wearing a tie.

Fritz Lang was born in Vienna, Austria, in 1890. His father managed a construction company. His mother, Pauline Schlesinger, was Jewish but converted to Catholicism when Lang was ten. After high school, he enrolled briefly at the Technische Hochschule Wien and then started to train as a painter. From 1910 to 1914, he traveled in Europe, and he would later claim, also in Asia and North Africa. He studied painting in Paris from 1913-14. At the start of World War I, he returned to Vienna, enlisting in the army in January 1915. Severely wounded in June 1916, he wrote some scenarios for films while convalescing. In early 1918, he was sent home shell-shocked and acted briefly in Viennese theater before accepting a job as a writer at Erich Pommer's production company in Berlin, Decla. In Berlin, Lang worked briefly as a writer and then as a director, at Ufa and then for Nero-Film, owned by the American Seymour Nebenzal. In 1920, he began a relationship with actress and writer Thea von Harbou (1889-1954), who wrote with him the scripts for his most celebrated films: Dr. Mabuse, the Gambler (1922), Die Nibelungen: Siegfried (1924), Metropolis (1927) and M (1931) (credited to von Harbou alone). They married in 1922 and divorced in 1933. In that year, Nazi propaganda minister Joseph Goebbels offered Lang the job of head of the German Cinema Institute. Lang--who was an anti-Nazi mainly because of his Catholic background--did not accept the position (it was later offered to and accepted by filmmaker Leni Riefenstahl) and, after secretly sending most of his money out of the country, fled Germany to Paris. After about a year in Paris, Lang moved to the United States in mid-1934, initially under contract to MGM. Over the next 20 years, he directed numerous American films. In the 1950s, in part because the film industry was in economic decline and also because of Lang's long-standing reputation for being difficult with, and abusive to, actors, he found it increasingly hard to get work. At the end of the 1950s, he traveled to Germany and made what turned out to be his final three films there, none of which were well received.

In 1964, nearly blind, he was chosen to be president of the jury at the Cannes Film Festival. He was an avid collector of primitive art and habitually wore a monocle, an affectation he picked up during his early days in Vienna. After his divorce from von Harbou, he had relationships with many other women, but from about 1931 to his death in 1976, he was close to Lily Latte, who helped him in many ways.

Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama "St. Elmo's Fire" (1985), and the vampire-themed horror film "The Lost Boys" (1987). In the 1990s, he worked on two controversial superhero films "Batman Forever" (1995) and "Batman & Robin" (1997). His final high-profile film was "The Phantom of the Opera" (2004). It was an adaptation of Andrew Lloyd Webber's 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.

Benicio Del Toro emerged in the mid-1990s as one of the most watchable and charismatic character actors to come along in years. A favorite of film buffs, Del Toro gained mainstream public attention as the conflicted but basically honest Mexican policeman in Steven Soderbergh's Traffic (2000).

Benicio was born on February 19, 1967 in Santurce, Puerto Rico, the son of lawyer parents Fausta Genoveva Sanchez Rivera and Gustavo Adolfo Del Toro Bermudez. His mother died when he was young, and his father moved the family to a farm in Pennsylvania. A basketball player with an interest in acting, he decided to follow the family way and study business at the University of California in San Diego. A class in acting resulted in his being bitten by the acting bug, and he subsequently dropped out and began studying with legendary acting teacher Stella Adler in Los Angeles and at the Circle in the Square Acting School in New York City. Telling his parents that he was taking courses in business, Del Toro hid his new studies from his family for a little while.

During the late 1980s, he made several television appearances, most notably in an episode of Miami Vice (1984) and in the NBC miniseries Drug Wars: The Camarena Story (1990). Del Toro's big-screen career got off to a slower start, however--his first role was Duke the Dog-Faced Boy in Big Top Pee-wee (1988). However, things looked better when he landed the role of Dario, the vicious henchman in the James Bond film Licence to Kill (1989). Surprising his co-stars at age 21, Del Toro was the youngest actor ever to portray a Bond villain. However, the potential break was spoiled as the picture turned out to be one of the most disappointing Bond films ever; this was lost amid bigger summer competition.

Benicio gave creditable performances in many overlooked films for the next several years, such as The Indian Runner (1991), Christopher Columbus: The Discovery (1992) and Money for Nothing (1993). His roles in Fearless (1993) and China Moon (1994) gained him more critical notices, and 1995 proved to be the first "Year of Benicio" as he gave a memorable performance in Swimming with Sharks (1994) before taking critics and film buffs by storm as the mumbling, mysterious gangster in The Usual Suspects (1995), directed by Bryan Singer. Del Toro won an Independent Spirit Award for Best Supporting Actor for the role in the Oscar-winning film.

Staying true to his independent roots, he next gave a charismatic turn as cold-blooded gangster Gaspare Spoglia in The Funeral (1996) directed by Abel Ferrara. He also appeared as Benny Dalmau in Basquiat (1996), directed by artist friend Julian Schnabel. That year also marked his first truly commercial film, as he played cocky Spanish baseball star Juan Primo in The Fan (1996), which starred Robert De Niro. Del Toro took his first leading man role in Excess Baggage (1997), starring and produced by Alicia Silverstone. Hand-picked by Silverstone, Del Toro's performance was pretty much the only thing critics praised about the film, and showed the level of consciousness he was beginning to have in the minds of film fans.

He took a leading role with his good friend Johnny Depp in Fear and Loathing in Las Vegas (1998), co-written and directed by the legendary Terry Gilliam. Gaining 40 pounds for the role of Dr. Gonzo, the drug-addicted lawyer to sportswriter Raoul Duke, Benicio immersed himself totally in the role. Using his method acting training so far as to burn himself with cigarettes for a scene, this was a trying time for Del Toro. The harsh critical reviews proved tough on him, as he felt he had given his all for the role and been dismissed. Many saw the crazed, psychotic performance as a confirmation of the rumors and overall weirdness that people seemed to place on Del Toro.

Taking a short break after the ordeal, 2000 proved to be the second "Year of Benicio". He first appeared in The Way of the Gun (2000), directed by friend and writer Christopher McQuarrie. Then he went to work for actor's director Steven Soderbergh in Traffic (2000). A complex and graphic film, this nonetheless became a widespread success and Oscar winner. His role as conflicted Mexican policeman Javier Rodriguez functions as the movie's real heart amid an all-star ensemble cast, and many praised this as the year's best performance, a sentiment validated by a Screen Actor's Guild Award for "Best Actor". He also gave a notable performance in Snatch (2000) directed by Guy Ritchie, which was released several weeks later, and The Pledge (2001) directed by Sean Penn. Possessing sleepy good looks reminiscent of James Dean or Marlon Brando, Del Toro has often jokingly been referred to as the "Spanish Brad Pitt".

With his newfound celebrity, Del Toro has become a sort of heartthrob, being voted one of People magazine's "50 Most Beautiful People" as well as "Most Eligible Bachelors." A favorite of film fans for years for his diverse and "cool guy" gangster roles, he has become a mainstream favorite, respected for his acting skills and choices. So far very careful in his projects and who he works with, Del Toro can boast an impressive resume of films alongside some of the most influential and talented people in the film business.

Daria Nicolodi was born on 19 June 1949 in Florence, Tuscany, Italy. She was an actress and writer, known for Phenomena (1985), Deep Red (1975) and Tenebrae (1982). She died on 26 November 2020 in Rome, Lazio, Italy.

William S. Burroughs, one of the three seminal writers of the Beat Generation (the other two being his friends Jack Kerouac and Allen Ginsberg), was born in St. Louis, Missouri, on February 5, 1914, to the son of the founder of the Burroughs Adding Machine Co. He grew up in patrician surroundings and attended private school in Los Alamos, New Mexico, chosen due to the climate as he suffered from sinus trouble (the school was later used to house the Manhattan Project during World War II)). Burroughs took his undergraduate degree at Harvard College (Class of 1936) but rebelled inwardly against the life that the upper-class Harvard man was supposed to lead during the pre-war period (outwardly he dressed the part of a patrician, with three-piece suit, necktie, black homburg and chesterfield overcoat being his standard wardrobe. His political options generally were also of his class, i.e., right-wing).

Planning to become a physician, Burroughs moved to Germany to study medicine. The plight of the Jews under the Nazis was desperate, and in 1937 Burroughs agreed to marry Ilse Herzfeld Klapper, a German Jewish woman, so she could leave Germany and eventually become a U.S. citizen. The two remained friends for many years after they moved back to the U.S., meeting often for lunch when Burroughs eventually settled in New York City in the early 1940s. They never lived together, and Burroughs formally divorced her in 1946 so he could marry his second wife, Joan.

Perhaps it was his exposure to National Socialism in Adolf Hitler's Germany that raised Burroughs' interest in his lifelong fascination: control mechanisms used by the state against its citizens. Burroughs left Germany for the United States without completing his studies, bringing along Ilse.

A homosexual in an extremely homophobic age, back in the U.S. he drifted from job to job while continuing his education as an autodidact. He lived in Chicago, where he was an exterminator, which he claimed was the best job he ever had. While in Chicago he met the young Lucien Carr (later to be the father of best-selling novelist Caleb Carr, author of "The Alienist") and David Kammerer. Kammerer was a homosexual 14 years Carr's senior who had been his private school tutor and had stalked Carr obsessively afterward, following him from city to city. While Carr was disturbed by Kammerer's behavior, he was also immature and flattered by the attention, a moth attracted to the flame. When the moth got singed, he would fly away. Carr dropped out of the University of Chicago to attend Columbia in New York in order to escape Kammerer, and when Kammerer inevitably followed, Burroughs tagged along.

Through Carr, Burroughs made the connections that would change his life: Columbia drop-out Kerouac, then in the Merchant Marine, and Columbia undergrad Ginsberg, then studying pre-law with the idea of becoming a labor lawyer. Intrigued by what he heard from Carr and Kammerer of Kerouac, he dropped in to see him at the apartment of Kerouac's girlfriend Edie Kerouac Parker, who shared the flat with Burroughs' future wife Joan.

Before the momentous meet-up, Burroughs had begun experimenting with morphine when he acquired a stash of the drug to sell, and he subsequently became hooked. Long fascinated by "low lifes" and the vitality they retained while the rest of "normal" Americans seemed wan and dessicated (this was the Great Depression, after all), Burroughs began conducting field "research" into New York's demimonde, aided and abetted by Herbert Huncke, a junkie and thief whom Burroughs befriended and let share his apartment in lower Manhattan. With Huncke playing Virgil to his Dante, Burroughs met the "low-lifes" who would become part of his fiction as he journeyed through the rings of hell that was World War II New York. "Sailor", who showed up as a character in Naked Lunch (1991), was a thief and drug dealer who once borrowed Burroughs' pistol and went out and shot a storekeeper to death (Sailor later hanged himself in jail after being arrested for an unrelated crime. He was known as an informer and had turned in a rival narcotics dealer--he was facing beatings, torture and possibly murder when he decided to take his own life). Soon Burroughs began to deal drugs in earnest in order to keep up with his own habit and fence merchandise himself, becoming part of a den of thieves that spilled over into Edie and Joan's apartment. The patrician Burroughs, with his high standards, prided himself on giving the best "cut" of heroin available, with personal home delivery to boot.

Jack Kerouac first urged Burroughs to write. Burroughs spent a lot of time at the apartment Kerouac shared with Edie and Joan. He particularly liked to psychoanalyze Kerouac and Ginsburg, and enjoyed having them act out scenarios, little dramas in which they would play roles: Burroughs an old queen/con artist, Ginsburg her pimp, and Kerouac as the gullible young American, mouth agape in a foreign land, ripe for the plucking. Their imaginations were quite fertile, and it fed Kerouac and Ginsberg's writing. Burroughs had never really had any inclination to write until he met Kerouac, but he and Jack collaborated on a mystery novel they eventually entitled "And the Hippos Were Boiled in Their Tanks," after the last sentence of a BBC-Radio report on a fire at the London Zoo. Each wrote alternating chapters, and after the book was complete, the manuscript was passed around among New York publishers. There were no takers, and for the time, Burroughs lost interest in writing.

In 1945 Lucien Carr stabbed David Kammerer to death during a stroll along the bank of the Hudson River below Morningside Heights that was a notorious gay cruising area. After holding the dying man in his arms, Carr weighted down the body of his former tutor with rocks and disposed of it in the Hudson. In bloodied clothes, Carr sought out Burroughs, soliciting advice. Ignoring the elder's wise counsel to get a good lawyer and turn himself in, Carr then went to see Kerouac, who helped him dispose of the murder weapon and Kammerer's glasses. Both Burroughs and Kerouac were arrested (Burroughs as a material witness; Kerouac as an accessory after the fact), but eventually both were released without being prosecuted. Carr pleaded guilty to manslaughter and was sent off to the Elmira Reformatory, where he was incarcerated for two years.

New York City became increasingly untenable as Burroughs became known to the police, so -- after he and Joan married -- they moved to Louisiana to become farmers. Their crop was marijuana, and eventually they moved on to Mexico, where living was cheaper and drugs easier to come by (and there was less hassle from police). In 1951, at a party in which they both were drunk, an exhibitionistic Burroughs shot and killed Joan in an alleged accident where he reportedly attempted to mimic the "apple on the son's head" scene from "William Tell". As the story is told, Joan put a glass of liquor on top of her head after Burroughs beseeched her to perform their William Tell trick for the guests. There had never been a William Tell trick, Burroughs later ruefully admitted, and Joan wound up with a .32 ACP slug in her head. Accounts of the death, which the Mexican police ruled a misadventure caused by a mistake in judgment, have never been entirely satisfactory. Like Lucien Carr before him, Burroughs may have consciously or subconsciously rid himself of a lover whom he no longer had any use for, or was piqued at. Burroughs at the time of the shooting was in love, involved in a heavy gay affair.

After the death of Joan, Burroughs spent time journeying through Central and South America, looking for the drug called "Yage", which like peyote was rumored to offer a key to opening the doors of perception and heightening consciousness. He found it and distributed it among friends. In 1953 Allen Ginsburg managed to get Burroughs into print under the pen name "William Lee." His autobiographical novel, "Junkie", was published by Ace Books (the son of the owner, Carl Solomon, was one of Ginsburg's friends) as a 35-cent paperback original (its formal title was "Junkie: Confessions of an Unredeemed Drug Adict", and it was published as "Two Books in One" back-to-back with another paperback original in the same volume). Returning to Mexico City, in the mid-'50s he began writing in earnest while keeping up with his drug habit, living off the small trust fund he received as a scion of the Burroughs family. It was in Mexico City that he began writing the sketches that would turn into his major book, "Naked Lunch". In 1956 he left Mexico City for Tangiers, Morocco, as the living was even cheaper than it was in Mexico City (as were the drugs). He eventually returned to the US in the 1960s.

"Naked Lunch" has the distinction of being the last major book to be prosecuted for obscenity in the United States. The novel was written in Mexico City and Tangiers, crafted from fragments he wrote while addicted to heroin. After it was published in Paris by the Olympia Press in 1959, it quickly became notorious for its graphic descriptions of sexual encounters, sadism and murder, as well as its no-holds-barred use of language. Many stalwart defenders of the First Amendment drew the line at "Naked Lunch", stating that they did not fight the good fight to get James Joyce's "Ulysses" and the works of D.H. Lawrence and Henry Miller before the American public so that something like "Naked Lunch" could be published. Grove Press acquired the rights to the book, but it was not published until 1962, as the publishing house awaited the outcome of other obscenity trials, including one involving Allen Ginsberg's epic poem "Howl", which featured Burroughs as one of its hipsters searching for "an angry fix". Guided by Justice William J. Brennan, the U.S. Supreme Court starting in the late 1950s had relaxed censorship standards to protect literature that had redeeming social value, no matter that passages in the works were accused of being obscene. To be banned, a work had to be utterly without redeeming social value. Undaunted, the Comonwealth of Massachusetts successfully prosecuted the book as obscene.

For the initial trial, Grove Press had gathered together an impressive list of "experts" such as Norman Mailer to defend the book, but Burroughs' modern classic initially lost, was declared obscene, and was banned in Massachusetts (a banned book would be destroyed, the copies already having been confiscated by the police). However, in 1966 the Massachusetts Supreme Court (in Memoirs v. Massachusetts) found that "Naked Lunch" was "not without social value, and therefore, not obscene." With this ruling an era that began in the 1870s when anti-smut crusader Anthony Comstock led the charge for stricter enforcement of obscenity laws by the federal and state governments came to an end.

By the late 1970s Burroughs had lived long enough to be hailed by critics and the public as a major American writer. He was embraced by punk rockers in New York and became an iconic figure by the 1980s. He died in 1997 at the age of 83.

Adrian Garcia Bogliano was born on 4 July 1980 in Madrid, Spain. He is a director and writer, known for Night of the Wolf (2014), Here Comes the Devil (2012) and Come Play with Me (2021).

Born and raised in Istanbul, Evrenol studied Film Studies and Art History at the University of Kent at Canterbury. Upon graduating, he has independently written, directed and produced short horror films, which won him several international awards, as well as being officially selected to more than 40 international genre film festivals around the world.

His feature debut film Baskin (2015), based on his 2013 short film of the same title, premiered at Toronto International Film Festival's Midnight Madness section, and awarded the Best Director at Austin Fantasticfest's New Wave Awards.

Joseph Harry Fowler Connick, Jr. was born in New Orleans, Louisiana. He is the son of Anita Frances (Levy), a lawyer and judge, and Harry Connick, Sr. (Joseph Harry Fowler Connick), who served as District Attorney of New Orleans from 1973 to 2003. His father is of Irish, English, and German ancestry, and his maternal grandparents were Jewish immigrants from Vienna, Austria and Minsk, Belarus. Harry, Jr.'s mother died of ovarian cancer when he was 13.

His parents owned a record store and encouraged their son's interest in music - piano at age three, with a New Orleans jazz band aged ten. He won piano competitions while playing French Quarter clubs and attending the New Orleans Center for the Creative Arts. At eighteen, he studied at New York's Hunter College and later on at the Manhatan School of Music. At nineteen, he released his first album for Columbia Records and began an extended run performing at the Algonquin's Oak Room, followed a year later by his second album. He wrote the score and sang several songs for Rob Reiner's When Harry Met Sally... (1989), the soundtrack for which went multi-platinum. So far, while bringing back swing and big band music, he has earned one gold, four platinum and three multi-platinum albums, plus two Grammies. His film acting debut was as B-17 tail-gunner Clay Busby in Memphis Belle (1990). He played mass-murderer Daryll Lee Cullum in the Sigourney Weaver and Holly Hunter film Copycat (1995) and Captain Jimmy Wilder ("Let's kick the tires and light the fires, big daddy!") in Independence Day (1996).

Harry lives in Connecticut, is married to the former model Jill Goodacre, and has three daughters, Georgia Tatom, Sara Kate and Charlotte.