1920-1929

In 1431, Jeanne d'Arc is placed on trial on charges of heresy. The ecclesiastical jurists attempt to force Jeanne to recant her claims of holy visions.

A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention.

Claire Lescot is a famous first lady. All men want to be loved by her and among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared intention to kill himself.

The sudden fortune won from a lottery fans such destructive greed that it ruins the lives of the three people involved.

Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two occasions, but Paul retains a hold over her. Marie has a baby who falls ill and as time goes on Jean and a crippled neighbor try to help the child. Paul nearly causes the death of the child whilst in a drunken stupor and in a final struggle that occurs, the crippled woman seizes Paul's gun and shoots him dead.

The film is set in a bar on New Year's Eve. We see plenty of Germans swilling beer non-stop and the owner of the bar and his wife await the arrival of his mother for a little celebration together.

A frail young woman from the East moves in with her cousin in the West, where she causes tension within the family and is slowly driven mad.

A railway engineer adopts a young girl orphaned by a train crash. Years later when she starts getting suitors, he grapples with whether or not to tell her the truth about her parentage.

Arch-criminal Dr. Mabuse sets out to make a fortune and run Berlin. Detective Wenk sets out to stop him.

Allan visits the sinister Usher family mansion, where his friend Roderick is painting a portrait of his sickly wife Madeline. The portrait seems to be draining the life out of Madeline, slowly leading to her death.

A bitter clown endeavors to rescue the young woman he loves from the lecherous baron who once betrayed him.

Mathias Pascal, only son of a once rich family, marries beautiful Romilde, who has a terrible mother-in-law. She controls her daughter, and soon his home life becomes a nightmare, as well as his job as assistant librarian in his home town. His only moments of lights are his mother and his baby, but both die on the same day. Shocked he leaves his hometown and gets to Monte Carlo, where he wins a fortune at the Casino. Returning home, he reads his own obituary in a paper. They have found a corpse in a creek and connected it with his disappearance. Mathias, noticing that he now is free from all ties to his old live, decides to start a new one, and goes to Rome, where he rents a room in a pension full of fake spiritualists who are controlling the owner. The chief of the gang, Terence, wants to marry the owner's daughter Adrienne, and has convinced her father to give her to him, with no regards of Adrienne's feelings, who is in love with and loved by Mathias. When Terence steals Mathias 50,000 Lira, and Mathias, being officially dead can neither marry Adrienne nor denounce Terence to the police, he decides to do something about his state and travels home, just to notice that Romalinda has remarried.

Tired of being ignored by her husband, a young woman heads off to a nautical-themed nightclub, frequented by rowdy sailors. Her attentions is caught by a handsome naval officer.

Psychological narrative avantgarde film about a wealthy young businessman who consecutively falls in love with a classy English woman (Pearl), a Russian sculptress (Athalia), and a naive working-class girl (Lucie). Overpowered by weakness, the coward sidesteps the obligations that love affairs impose: rather than living up to his dates he takes his sports-car from an ultra-modern garage and speeds to the fashionable beaches of Deauville. On his way, he is fatally hit by a descending swallow. The film is divided into three segments each of which consists of events the woman experienced. These sequences are embedded in scenes in which each of the three women is telling and casting her mind back to her own love affair. Thus, present, future and past merge and cannot be distinguished clearly. The intertwinement of several layers of time experience, recollection, telling and showing have been regarded as a source of inspiration of Alain Resnais and this film prefigures his "L'Année dernière à Mariënbad" to a certain extent.

A married farmer falls under the spell of a sophisticated woman from the city, who tries to convince him to drown his wife.

A man climbs a 12,000-foot mountain to search for his wife, who was lost on their honeymoon. Another couple makes the dangerous climb with him.

A five-person team of gold prospectors in the Yukon has just begun to enjoy great success when one of the members snaps, and suddenly kills two of the others. The two survivors, a husband and wife, subdue the killer but are then faced with an agonizing dilemma. With no chance of turning him over to the authorities for many weeks, they must decide whether to exact justice themselves or to risk trying to keep him restrained until they can return to civilization.

The film tells the story of Frau Concha, a femme fatale, or as the story points out, a "fille perdue", a lost girl who has no feelings or scruples, toying with men as she pleases.

The business tycoon Nicolas Saccard is nearly ruined by his rival Gunderman, when he tries to raise capital for his company. To push up the price of his stock, Saccard plans a publicity stunt involving the aviator Jacques Hamelin flying across the Atlantic to Guyana and drilling for oil there, much to the dismay of Hamelin's wife Line. While Hamelin is away, Saccard tries to seduce Line. Line finally realizes that she and her husband were pawns in Saccard's scheme, and she accuses him of stock fraud.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

An avant-garde dance short, integrating slow motion, and cutting between the movements of a ballerina, close-ups of machinery and images of nature.

Belgian director Henri Storck presents a tribute to one of the most well-known spots in Belgium: the Ostende beach. Filming from everyone and everything, gathering a small collection of eight short films made in the 1920's, Storck invites the audience to feel the beach, the port, the surf, the wind and the dunes, giving us more than what the real images can really evoke, reaching a surreal level.

A film about the French general's youth and early military career.