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Most recently, Keri can be seen starring in "The Diplomat" for Netflix in which Keri plays the titular role of an American Diplomat in London. She also stars in an episode of the limited anthology series "Extrapolations" created by Scott Burns. She also recently starred in "Cocaine Bear" for Universal Pictures from director Elizabeth Banks. Last year, she starred in the supernatural horror thriller "Antlers" for director Scott Cooper and producer Guillermo del Toro, and in "Star Wars: Episode IX" which reunited her with friend and director J.J. Abrams.
For six seasons Keri starred in the critically acclaimed FX series "The Americans" for which she received a Television Critics Association Award for Individual Achievement in Drama, three Emmy Award nominations, two Golden Globe Award nominations, six Critics' Choice Award nominations - one win - and a Screen Actors Guild Award nomination.
Russell's film credits include "We Were Soldiers," "Mad About Mambo," "The Upside of Anger," "Mission Impossible III," "August Rush," "The Girl In The Park," "Bedtime Stories," Extraordinary Measures," "Goats," "Austenland," "Dark Skies," "Dawn Of The Planet Of The Apes," "Free State Of Jones," and the romantic comedy "Waitress" for which she received rave reviews.
Keri first garnered attention when she starred in the title role of the hit television series "Felicity" from J.J. Abrams and Matt Reeves. Just four months after the show's acclaimed premiere on the WB, she was honored with a Golden Globe® Award for Best Performance by an Actress in a Drama Series.
Keri's other television credits include the miniseries "Into the West," executive produced by Steven Spielberg, the Hallmark Hall of Fame Presentation "The Magic of Ordinary Days," and "Running Wilde" with Will Arnett.
Keri starred alongside Adam Driver in the Broadway revival of Lanford Wilson's "Burn This." The limited engagement play, directed by Tony Award winner Michael Mayer, opened in March 2019 and ran through July 2019.
Russell returned to New York theatre after making her off- Broadway stage debut in production of Neil LaBute's "Fat Pig," in 2005.- Writer
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After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948) was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha: The Shadow Warrior (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Madadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954) as The Magnificent Seven (1960), Yojimbo (1961) as A Fistful of Dollars (1964) and The Hidden Fortress (1958) as Star Wars: Episode IV - A New Hope (1977).- Actress
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Catherine Keener is an American actress, Oscar-nominated for her roles in the independent films Being John Malkovich (1999) and Capote (2005). Acclaimed in her community for her quirky roles in independent film and mainstream such as The 40-Year-Old Virgin (2005), Keener got her start as a casting director in New York City.
Catherine Ann Keener was born in Miami, Florida, and was raised in Hialeah, FL. She is the daughter of Evelyn (Jamiel) and James Keener, who owned an auto shop. She is of Lebanese (mother) and English, Scottish, and German (father) descent. Keener attended Wheaton College in Massachusetts. She began taking acting classes when she was unable to sign up for a photography class. After graduating, Keener managed a McDonalds in New York City before becoming an assistant casting director and soon relocating to Los Angeles.
Not long after, Keener told her superior of her aspirations for acting and she landed a one-worded role as a waitress in About Last Night (1986). Two years later, she landed a role in a film called Survival Quest (1989), where she met her future husband, Dermot Mulroney. After struggling for years in the industry, Keener landed a role in an independent film, opposite the unknown Brad Pitt, in Johnny Suede (1991). Her ascent in independent film began as she starred in Living in Oblivion (1995) and Walking and Talking (1996) before her mainstream break with Being John Malkovich (1999) in 1999, which earned Keener her first Oscar nomination. Since then, Catherine Keener has starred in several critically acclaimed films.- From acting in TV Dramas to Executive Communication Coach nearly all of Sandra Dee's life has focused around relationships and behavior (sometimes real, and sometimes "as seen on TV"):
She began modeling and appearing in regional commercials at the age of 11, yet, finding her own voice wasn't easy, even with the turn of events that led her, at 17 from her small town outside of Pittsburgh, PA, to the Miss USA Pageant and simultaneously to her first major role TV as Amanda Cory on Another World. From there she starred on Sunset Beach, Bold and the Beautiful, General Hospital, Days of Our Lives, The Bay and guest starred on many prime time shows, like CSI Miami, Zoey 101 and Two and a Half Men. It was the struggles with her own shyness and the pain she experienced of not being able to speak up for what she believed in, that drove her to study human, animal and plant communication, neurolinguistics, body language, and eventually becoming a master in several modalities, including NLP, Hypnosis, Stage Mastery, and Natural Lifemanship as she sought to then help others find their voice and conquer any fear that could hold them back from the speaking stage, video, TV and all high risk presentations.
She founded Charisma on Camera Presentation Training in 2010 and Horsepowered Consulting, featuring her signature Equine -Assisted Program, Charismatic Cowgirl Coaching in 2018. Sandra Dee is an international speaker, TV host, Radio and Podcast host, Published author, CMMS coach, Blue Ribbon Ambassador and horse, dog and wildlife enthusiast. Throughout her career, Sandra Dee has been driven for her love of animals and a passion to support rescue and conservation issues. Her clients have appeared on major stages worldwide as well as all major US networks, including QVC!
The media has labeled her, "The Charisma Coach" Stemming from her success as a coach for entrepreneurs, authors and celebrities around the world to help them get what they desire in life by naturally stepping into their most powerful self - Actor
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Among others of Ugo Tognazzi's superb, award-winning performances of his prolific career, this excellent Italian character star has been widely cherished for his classic comedy role of gay cabaret owner Renato Baldi, opposite Michel Serrault's hilariously mincing drag queen partner Alban, in La Cage aux Folles (1978) one of the biggest cross-over foreign hits to ever land on American soil.
Born Ottavio Tognazzi in Cremona, Italy, on March 23, 1922, by the time Ugo was a teen he was a bookkeeper for a salami factory and performed in local amateur theatricals on the sly. Appearing on the stage, he finally found an entry into films at age 28 in 1950 with a featured role in the war comedy I cadetti di Guascogna (1950). He built up a solid comedy resume in primarily Neapolitan 50's features including La paura fa 90 (1951) (his first co-starring role), Café chantant (1953), I milanesi a Napoli (1954), La moglie è uguale per tutti (1955), Domenica è sempre domenica (1958), Le confident de ces dames (1959) and Tipi da spiaggia (1959).
Ugo became a middle-aged European star the following decade. Turning in a number of powerhouse character studies, he excelled as bon vivants, adulterous husbands and other suave gents in primarily farcical comedy and saucy, sardonic romps, particularly those of director/writer Marco Ferreri. He also demonstrated a remarkable range when it came to portraying world-weary protagonists in political drama or grim satire. For Ferreri alone, he appeared in the award-winning The Conjugal Bed (1963), Countersex (1964), The Wedding March (1966), L'udienza (1972) and the masterful The Big Feast (1973), among others.
In 1978, Tognazzi decided to take a chance, and play a character unlike anything he had done, (and, also, rarely done, for fear of being 'stereotyped'), and co-starred with the wonderful Michel Serrault in an image-shattering part in 1978. What he did was experience the most popular role of his career as one-half of an aging gay couple who operate a drag club. La Cage aux Folles (1978) went on to spawn two sequels and an American remake (The Birdcage (1996) starring Robin Williams (in the Tognazzi role) and Nathan Lane (in the diva Serrault part).
Tognazzi won several acting honors over the course of his long career. He copped several European awards for his classic roles in The Monsters (1963) (The Monsters), I Knew Her Well (1965), The Climax (1967) (also a rare foreign Golden Globe nomination), La bambolona (1968), Il commissario Pepe (1969), Lady Caliph (1970) and Duck in Orange Sauce (1975). He capped it off with the Cannes Film Festival award for his trenchant performance in Tragedy of a Ridiculous Man (1981), the tale of a near-bankrupt factory owner who attempts to use the kidnapping of his son (played by his real-life eldest son Ricky Tognazzi) to his financial advantage. Tognazzi was also the father of actor Gianmarco Tognazzi and director Maria Sole Tognazzi, and had another son, producer/writer Thomas Robsahm, via a relationship with actress Margrete Robsahm.
In the eighties, Tognazzi focused strongly on the theater and starred in such plays as Luigi Pirandello's "Six Characters in Search of an Author" (1986, directed by Jean-Pierre Vincent in Paris, Théâtre de l' Europe) and Molière's "The Miser" (1989, where he sparked a controversy in Italian government circles when he improvised lines about corruption in high places during his performance). Although he directed himself in a handful of his own often sexually explicit films, including Il fischio al naso (1967) and Sissignore (1968), Ugo's true brilliance shines in front of the camera and in the works of other famed European directors, notably Ferrari, Bernardo Bertolucci, Pietro Germi, Dino Risi and Mario Monicelli. He worked up until the end with incisive starring performances in Arrivederci e grazie (1988), I giorni del commissario Ambrosio (1988), Tolérance (1989) and La batalla de los Tres Reyes (1990) (The Battle of the Three Kings). In 1972, at age 50, Tognazzi wed actress Franca Bettoia, who survives him. He died of a brain hemorrhage in 1990, age 68.- Actress
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Davis, second of three children, was born in Englewood, New Jersey, the daughter of Joan, a librarian (at one time, for the elementary section of Elisabeth Morrow School), and William Davis, an engineer. Davis has described her mother as a "great storyteller" who would take Davis and her siblings to museums or to "something cultural" every Sunday after church. Davis was raised in Tenafly, New Jersey and graduated in 1982 from Tenafly High School. She was a childhood friend of Mira Sorvino, with whom she wrote and acted in backyard plays. She is married to actor Jon Patrick Walker. They have two daughters, Georgia (born August 31, 2002) and Mae (born December 30, 2004).- Tony Burton, who is famous for playing the corner man in six "Rocky" movies, was himself, in real life, a professional heavyweight boxer. Boxing in such avenues as Palm Springs, Los Angeles, and Hollywood, California, the 6 feet 200 pound Burton knocked-out among others, Bob Smith and Denny Chaney. His most important match was an April 4, 1959 6th round knockout defeat at the hands of undefeated LaMar Clark at Palm Springs, California. Clark was the 10th rated heavyweight and had won 38 straight knockouts. Burton gave as good as he got for 5 rounds, but Clark's relentless mauling style finally wore him down.
- Music Artist
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Chaka Khan was born on 23 March 1953 in Great Lakes, Illinois, USA. She is a music artist and actress, known for The Blues Brothers (1980), Mission: Impossible III (2006) and Hollywood Homicide (2003). She has been married to Doug Rasheed since 2001. She was previously married to Richard Holland and Hassan Khan.- Actress
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Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in Pretty Ladies (1925).
Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Our Dancing Daughters (1928), which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that John Gilbert's tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Grand Hotel (1932), Sadie McKee (1934), No More Ladies (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.
By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Mildred Pierce (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with John Garfield in the well-received Humoresque (1946). In 1947, she appeared as Louise Graham in Possessed (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in The Farmer's Daughter (1947). Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Sudden Fear (1952). This time the coveted Oscar went to Shirley Booth, for Come Back, Little Sheba (1952). Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in What Ever Happened to Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie", and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that.")
Crawford's final appearance on the silver screen was in the flop Trog (1970). Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including Douglas Fairbanks Jr., Crawford's first husband. (In 1981, Faye Dunaway starred in Mommie Dearest (1981) which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.- Actress
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The daughter of Canadian actor Christopher Plummer and American actress Tammy Grimes, Amanda Plummer was born in New York City on March 23, 1957. Her breakthrough role came when she starred opposite Robin Williams in The Fisher King (1991). However, Plummer may be best remembered for her work in the Quentin Tarantino classic Pulp Fiction (1994). Tarantino wrote the parts of two robbers who hold up a restaurant specifically for Plummer and her partner-in-screen-crime Tim Roth. Since that stand-out role, Plummer has continued to appear in a wide variety of films, including The Prophecy (1995), Freeway (1996), and My Life Without Me (2003). Plummer has also appeared in the films Butterfly Kiss (1995) as "Eunice" by Michael Winterbottom, My Life Without Me (2003) by Isabel Coixet, Pax (1994) by Eduardo Guedes, Daniel (1983) by Sidney Lumet, Ken Park (2002) by Larry Clark and, lately, The Making of Plus One (2010) and Inconceivable (2008), both by Mary McGuckian.
She has often performed on stage. Her highly acclaimed work on Broadway has garnered her a Tony award and two Tony Award nominations as well as the Outer Critics Circle Award and Drama Desk Award. She was honored with three Emmy awards, and one Emmy nomination, a Saturn Award, a DVDX nomination, a CableAce Award and a Golden Globe nomination. In 1988, she was honored with the Anti-Defamation League Award for Woman of Achievement.
On stage, Plummer appeared as Alma in Tennessee Williams's "Summer and Smoke" with Kevin Anderson, directed by Michael Wilson. At the Stratford Theater in Ontario, she was Joan of Arc in an original adaptation of "The Lark" by Jean Anouilh, directed by Michael Lindsay-Hogg.
She appeared as Polly in "The Gnadiges Fraulein" with Elizabeth Ashley, and as Kyra in the world premiere of "One Exception", both by Tennessee Williams, at the Hartford Stage.
On Broadway, she appeared as Jo in "A Taste of Honey" (nominated for a Tony Award, and Drama Desk Award, and received the Outer Critics Circle, and Theatre World Awards); as Agnes in "Agnes of God" with Geraldine Page (Tony Award, Drama Desk Award, Outer Critics Circle, and Boston Critics Awards); as Eliza in "Pygmalion" with Peter O'Toole and John Mills (Tony Award nomination); as Laura in "The Glass Menagerie" with Jessica Tandy; and as Dolly in "You Never Can Tell" by George Bernard Shaw.
Among her off-Broadway shows are "A Lie of the Mind" as Beth, directed and written by Sam Shepard with Harvey Keitel, Aidan Quinn and Geraldine Page, "Killer Joe" by Tracy Letts, "The Milk Train Doesn't Stop Here Any More" by Tennessee Williams, and "A Taste of Honey" with Valerie French. In England, at the Guilford Theatre, she appeared as Eliza Doolittle in "Pygmalion," and at the Royal Court Theatre performed in "This Is a Chair," directed by Stephen Daldry and written by Carol Churchill.
Her regional work includes Juliet in "Romeo & Juliet" (Hollywood Dramalogue Award) and Sonya in "Uncle Vanya," Frankie in "A Member of the Wedding," "Two Rooms," and "The Wake of Jamey Foster" by Beth Henley.
In television, she is the recipient of three Emmy Awards, one Emmy nomination, a Cable Ace Award, and a Golden Globe nomination. She appeared as Lucky in the filmed workshop, "Core Sample - Goli Otok" with Vanessa Redgrave and Lynn Redgrave, directed by Lenka Udovicki, the artistic director of The Ulysses Theater on Brijuni, Croatia, and also in Lucky McKee's film Red (2008).- Actor
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Richard Grieco was born to an Italian father (Richard Grieco) and an Irish mother (Carolyn O'Reilly). He is a musician and, in 1995, released a CD ('Waiting for the Sky to Fall') in Germany. In 2009, several years after being encouraged by Dennis Hopper, Grieco publicly revealed that he has been painting since 1991. He calls his work "Abstract Emotionalism".- Actor
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In 2024 Daniel joined the cast of HBO's awarding winning 'House of the Dragon' (Season 2) as Lord Humfrey Lefford.
2023 saw Daniel join the production of 'The Ark', as a Series Regular, as Captain Avega for SyFy Channel, and Sky Sci-Fi, as well as Supporting Series Lead in 'The Pendragon Cycle', as The Fisher King, for The Daily Wire, an Arthurian Fantasy-Drama of epic scale.
A Graduate of London's prestigious The Guildhall School of Music and Drama, Daniel was born and raised in London, England, then moved to Saskatchewan, Canada in his teens. He comes from a family completely immersed in show business. His mother Tessa Shaw was an actress, most notably of the 'Dr. Who' series fame and his father George Fathers, was one of the West End's most respected Scenic Designers.
Nominated in 2020 for 'Outstanding Performance, Film/TV ' at Canada's ACTRA Awards and invited to be a Juror for the 2021 ACTRA AWARDS, he is known as a solid Leading Character Actor playing powerful, dark and disturbed 'Machiavellian' roles.
In 2019, Daniel was cast by Showrunner, Glen Mazarra (The Walking Dead, The Shield) as Abel Vannay (Series Supporting Lead) in Stephen King's 'The Dark Tower' for Amazon Studios.
In 2018, Daniel joined the cast of 'Snatch' - The TV Series for Sony Picture Television. Producers were said to be looking for a slightly younger version of Jeff Bridges.
He is a former professional athlete (Rugby and Bull Riding). Daniel easily interchanges between American and UK accents. A former soldier Daniel still gives back as a part-time Instructor in the MOD (Rank of Capt.), which lends himself to playing his fare share of military and ex-military roles.
Daniel is an accomplished horseman and as a result spent 2 seasons on CBC's 'Heartland'. He's also an expert swordsman, having trained at the British Action Academy, which he demonstrated in CW's 'Reign'. However, before he fully committed to a career in Acting, he trained dancer (Ballet Rambert, Central School of Dance), which helped in being cast on stage in the Tony Award Winning 'Mamma Mia!' by Phyllida Llyod, playing two of the Leads, Bill Austin and Harry Bright in the Toronto Company.
Daniel is known the world over by teens having starred in Disney's 'Camp Rock' movies opposite teen sensations, the Jonas Brothers and Demi Lovato, playing the affable Brown Cessario, an old time rock 'n' roller and Uncle of the Jonas Brothers. 'Camp Rock 2: The Final Jam' won the Peoples Choice Award (2011).
On the screen, Daniel has starred opposite such stars as Oscar® nominee, Elliot Page ('Juno'), Rupert Grint (Harry Potter), Paul Rudd (Antman), Sir Derek Jacobi ('Gladiator') & Ken Welsh ('The Void'). On television he played opposite Golden Globe nominated Tatiana Maslany in 'Orphan Black' for BBC America, Rob Lowe in Lifetime's 'Beach Girls'. For David Levien and Brian Koppleman of 'Billions' fame, Daniel reprized his role as gangster poker player 'Muff Lannigan' opposite Michael Madsen in 'Tilt'
As a Presenter/Host he was privileged to present at the inaugural Canadian Screen Awards in 2013, of which the show he hosted, 'Canada's Greatest Know It All' for Discovery, was a nominated for numerous CSA's in 2013 and 2014.- Art Director
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After graduating from New York's Art Students League he worked for his architect father, then started film work at Edison Studios in 1915 assisting Hugo Ballin. In 1918 he moved to Goldwyn as art director and, in 1924, began his 32 year stint as supervising art director for some 1500 MGM films, with direct responsibility in well over 150 of those. He designed the Oscar itself, winning it 11 of the 37 times he was nominated for it. Some of his designs influenced American interiors, and it has been argued that he was the most important art director in the history of American cinema.- Corinne Cléry was born on 23 March 1950 in Paris, France. She is an actress, known for Moonraker (1979), The Story of O (1975) and Yor: The Hunter from the Future (1983).
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Anastasia trained at the London Academy of Music and Dramatic Art having already completed a degree in History of Art at Bristol University. Born to her Northern Irish mother (once an actress herself) and American father, she was brought up along with her six elder brothers in West London where she still remains today. To date, Anastasia has enjoyed a varied and entertaining career jumping between the US and the UK, both of which she considers to be home. She goes where the winds, and the work, takes her!- Actor
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Ho-Kwan Tse is known for Father of the Bride (2022), FBI: Most Wanted (2020) and Grey's Anatomy (2005).- The talented, unpredictable, opinionated, and uniquely beautiful Jenny Wright was born March 23, 1962 in New York City. Her father was an artist and her mother was a teacher. They instilled a love of the arts and a strong devotion to self education in Jenny at an early age. Her parents later separated, and Jenny moved to Cambridge, New York to live with her mother and two sisters. After her sisters left for college, Jenny and her mother moved back to New York City. Once back home, Jenny decided to pursue acting, and enrolled herself in the Lee Strasberg Theatre Institute. There, she immediately captured the attention of modeling and casting agents. At the age of 16, Jenny modeled for artists Antonio Lopez and Salvador Dalí. She then went on to act on stage, in an off Broadway play, "Album", with Kevin Bacon. In 1980, Jenny made a brief appearance in the TV film Rape and Marriage: The Rideout Case (1980) with Mickey Rourke. She continued to act on stage, even garnering rave reviews for her portrayal of Dorcus Fray in Joseph Papp's Broadway production of "Plenty". In 1982, Jenny was cast in The World According to Garp (1982), after impressing director George Roy Hill with her blend of sensuality and innocence. Jenny then arrived in London for "Pink Floyd: The Wall", where she played an abused groupie. She then quickly followed up with four months in Utah for the TV documentary/drama, "The Executioner's Song," which proved to be a more substantial role. Jenny returned to New York afterwards, and back to the stage and took a break from films. She went back to films in 1984, for "The Wild Life" with Eric Stoltz and Chris Penn. Jenny also made appearances in films such as "St. Elmo's Fire" (1984) and "Out of Bounds" (1986). By appearing in films with actors such as Rob Loew and Anthony Michael Hall, Jenny was put in the 'Brat Pack' category. It was something she found to be uncomfortable, and wanted to shake off. Thus, Jenny's film choices became edgier, starting with Near Dark in 1987. With her girl next door look, large soulful eyes, and sensuality, Jenny made the role of sweet yet dangerous Mae her most memorable part of her career. She credits director Kathryn Bigelow with creating the film's mood and atmosphere, which makes "Near Dark" a stand-out film in the vampire genre. While "Near Dark" didn't fare too well at the box office, it did receive cult status, bringing Jenny independent,'left of center' film roles. Finally, Jenny successfully rid herself of the 'Brat Pack' label. She went on to teen roles in the critically acclaimed film The Chocolate War (1988) and in the off-beat "Twister" (1988). Those roles then gave way to conventional parts in the mainstream films "Young Guns II" (1990) and "The Lawnmower Man" (1992). After that, Jenny quit the film business.
- Born in Oakland, California, Kenneth Tobey was headed for a law career when he first dabbled in acting at the University of California Little Theater. That experience led to a year and a half of study at New York's Neighborhood Playhouse, where his classmates included Gregory Peck, Eli Wallach and Tony Randall. Throughout the 1940s Tobey acted on Broadway and in stock; he made his film debut in a 1943 short, "The Man on the Ferry." He made his Hollywood film bow in a Hopalong Cassidy Western, and has since appeared in scores of features and on numerous TV series. He even had his own series, Whirlybirds (1957), in which he played an adventurous helicopter pilot.
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A true master of his craft, Michael Haneke is one of the greatest film artists working today and one who challenges his viewers each year and work goes by, with films that reflect real portions of life in realistic, disturbing and unforgettable ways. One of the most genuine filmmakers of the world cinema, Haneke wrote and directed films in several languages: French, German and English, working with a great variety of actors, such as Juliette Binoche, Isabelle Huppert, Jean-Louis Trintignant, Toby Jones, Ülrich Muhe, Arno Frisch and the list goes on.
This grand figure from Austrian cinema was born in Germany on 23 March 1942, from a German father and an Austrian mother, with both parents being from the artistic world working as actors, a career that Michael also tried but without much success. At the University of Vienna he studied drama, philosophy and psychology, and after graduation he went on to become a film critic and TV editor. His career behind camera started with After Liverpool (1974), which he wrote and directed. He went on to direct five more TV films and two episodes from the miniseries "Lemminge" (1979)_.
The years spent on television works prompted him to finally direct his first cinema feature, during his early 40's, which is somewhat unusual for film directors. But it was worth waiting. In The Seventh Continent (1989), Haneke establishes the foundation of what his future cinema would be about: a cinema that doesn't provides answers but one that dares to throw more and more questions, a cinema that reflects and analyses the human condition in its darkest and unexpected ways outside of any Hollywood formula. Films that exist to confront audiences and not comfort them. In it, Haneke deals with the duality of social values vs. internal values while exposing an apparent perfect family that runs into physical and material disintegration for reasons unknown. It was the first time a film of his was sent to the Cannes Film Festival (out of competition lineup) but he managed to cause some commotion in the audience with polemic scenes that were meant to extract all possible reactions from the crowd.
His next ventures at the decade's turn was in dealing with disturbed youth and the alienation they have in separating reality from fiction, trying to intersect both to drastic results. In Benny's Video (1992), it's the disturbing story of a teen boy who experiences killing for the first time capturing the murder on tape, impressed by the power of detachment that films and videos can cause to people; and later on the highly controversial Funny Games (1997), where two teens hold a family hostage to play sadistic games just for their own sick amusement. The film cemented Haneke's name as one of the greatest authors of his generation but sparkled a great debate with its themes of violence, sadism and the influence those things have in audiences. At the 1997's Cannes Film Festival, it was the film that had the most walk-out's by the audience. In between both films, he released 71 Fragments of a Chronology of Chance (1994) and Kafka's The Castle (1997), the latter being one of the rare times when Haneke developed an adapted work.
In the 2000's, he strongly continued in producing more outstanding works prone to debate and reflection in what would become his most prolific decade with the following films: Code Unknown (2000), The Piano Teacher (2001), Time of the Wolf (2003), Caché (2005), an American remake shot-by shot of Funny Games (2007) and The White Ribbon (2009). His study about romance versus masochism in The Piano Teacher (2001) was an intense work, with powerful performances by Isabelle Huppert and Benoit Magimel, that the Cannes jury in the year were so impressed that Haneke managed to actually reverse their award rules where it was decided that film entries at the festival couldn't win more than one main award (the two lead actors won awards and Haneke got the Grand Prize of the Jury, just lost the Palme d'Or). With The White Ribbon (2009), an enigmatic black-and-white masterpiece following the inception of Nazism in this pre WWI and WWII story focusing on repressed children living in this small village where strange events happen all the time and without any possible reasoning, Haneke conquered the world and audiences with an artistic and daring work that won his first Palme d'Or a Golden Globe as Best Foreign Language Film and received an Oscar nomination for the same category plus the cinematography work of Christian Berger.
2012 was the year that marked his supremacy in the film world with the release of the bold and beautiful Amour (2012), a love story with powerful real drama and one where Haneke removed most of his usual dark characteristics to present more quiet and calm elements without losing input in creating controversy. The touching story of George and Anne provided one the greatest moments of that year and earned Haneke his second and consecutive Palme d'Or at Cannes and his first Oscar nominations for Best Direction and Best Original Screenplay - and it was one of the several nominees for Best Picture Oscar, winning as Best Foreign Language Film.
After abandoning a flash-mob film project, he returned to the screen with Happy End (2017), a film dealing with the refugee crisis in Europe and again he debuted his film at Cannes, receiving mildly positive reviews.
Besides his film work, Haneke also directs theatre productions, from drama to opera, from Così fan tutte to Don Giovanni.- Actor
- Writer
- Director
Randall Park is an American actor, comedian, writer, and director. He was born in Los Angeles, California, to Korean parents, and graduated from the Humanities Magnet Program at Hamilton High School. Park went on to receive a Bachelor's degree in English and Creative Writing and a Master's degree in Asian American Studies from UCLA. He lives in Los Angeles with his wife and daughter.- Producer
- Actress
Jenn Brown is a two-time Emmy Award-winning sports broadcaster and TV personality. A former Division I Collegiate Athlete for the University of Florida, you've seen her on the sidelines of the biggest college football and baseball games for ESPN. Jenn was the first female correspondent for Inside the NFL (1977), she spent eight years as a reporter and host for ESPN and sidelined the smash-hit show American Ninja Warrior (2009). Currently, you can see her on Spike TV hosting and reporting on Bellator MMA.
Before Bellator, Jenn spent the past 3 years working a studio host for the UFC hosting a weekly show called UFC Now. Before the UFC Jenn, well as a studio host and reporter for the NFL Network. She hosted A Football Life (2011): Backstory as well as anchored NFL Total Access. Prior to working with NFL Network, Brown spent 8 years as a reporter and host for ESPN. She spent 3 years reporting from the college football sidelines on ESPN's Thursday Night Primetime Game along with ABC and ESPN's Saturday Noon Package. She also served as a reporter for the College World Series, Little League World Series, Summer and Winter X Games, the NFL Draft, National Signing Day and the ESPYS. Jenn was also a Los Angeles-based Bureau reporter for ESPN contributing interviews and reports for ESPN's news-gathering operation for SportsCenter, College GameDay and College Football Live. She also co-hosted ESPNU's popular college football show RoadTrip which covered the biggest college football and basketball rivalry games throughout the year.
Jenn attended the University of Florida on a full academic scholarship and played four years on the Florida Gator softball team. Making the team as a freshman walk-on and winding up its senior captain, she finished 3rd all-time in career stolen bases.
Jenn received several academic honors while at the University of Florida. She graduated Summa Cum Laude (with highest honors), was an active member of the Student-Athlete Advisory Committee, as well as a member of the Florida Blue Key. She was named to the National Fastpitch Coaches Association (NFCA) Academic All-American team, CoSIDA Academic All-District team, was a four- time SEC Academic Honor Roll, a member of the National Society of Collegiate Honors, was a two-time academic President's List, as well as a two-time academic Dean's List. Jenn also started a mentoring program to help teenage girls in foster care.
Jenn applied to 17 law schools with the intention of becoming a Sports Agent, but was offered a job to host a travel show and moved to Los Angeles. To this day, Jenn has not opened any of the potential acceptance letters from law schools, they sit in a box in a closet in her Mother's house in Orlando, Florida.
On October 14th, 2010 Jenn was inducted into Bishop Moore High School's Athletic Hall of Fame, being recognized as an All-Around Athlete. She broke her high school's record by earning the most varsity letters (14), by a male or female athlete.- Actress
- Additional Crew
Lídia Franco was born on 23 March 1944 in Lisbon, Portugal. She is an actress, known for 6 Underground (2019), Nunca Digas Adeus (2001) and Espelho d'Água (2017).- Actress
- Soundtrack
Melissa Errico is an actress and vocalist who has appeared in television, film, and stage, will join the cast of Billions, an upcoming Wall Street drama written and produced by Brian Koppelman and David Levien (Ocean's Thirteen, Runaway Jury, Runner Runner) and writer Andrew Ross Sorkin (Too Big to Fail).
Melissa Errico has starred on Broadway, on network television and film and is an accomplished recording artist and musical concert performer. While she is best known for her highly-acclaimed work on Broadway, she is unique in that she has throughout her career played many non-musical roles in plays by Oscar Wilde, George Bernard Shaw, Wally Shawn, to name a few.
She is a graduate of Yale University where she performed in Chekhov's Three Sisters with Ed Norton and Alessandro Nivola. In recent years she has increasingly been cast in strong dramatic roles on television and film. This year, she played the recurring role of Catherine on Stephen Soderbergh's Cinemax show The Knick, and has appeared in guest arcs on Blue Bloods and the Good Wife. Her Broadway credits include starring roles in My Fair Lady, Dracula, White Christmas, High Society, Les Miserables, Anna Karenina and Amour for which she was nominated for a Best Actress Tony Award. She starred in Stephen Sondheim's Passion and His Sunday in the Park With George. She has released three studio albums: Blue Like That (EMI Records) produced by Arif Mardin, Legrand Affair (Ghostlight) produced by Phil Ramone, and Lullabies and Wildflowers (VMG/Universal Records) produced by Rob Mathes. She tours with symphonies around the world.
Melissa Errico was a 2003 Tony nominee for Best Leading Actress in a musical for Michel Legrand's wistful and wittily romantic Broadway debut, "Amour". In 2005, she recorded an album, with Michel Legrand at the piano and arranging, produced by Phil Ramone. This will be Melissa's second solo studio album, her first being "Blue Like That", which was produced by Arif Mardin for Capitol Records EMI. In 2005, she can be seen in the film, Loverboy (2005) (Sundance/ Cannes), directed by Kevin Bacon, with Kyra Sedgwick, Sandra Bullock and Campbell Scott. During the 2004-2005 Broadway season, Melissa starred on Broadway in "Dracula", after appearing in two off-Broadway hit revivals non-musical and musical: Wallace Shawn's "Aunt Dan and Lemon" with Lili Taylor and "Finian's Rainbow" with Malcolm Gets (recorded on Ghostlight Records) in 2004.
Melissa is a graduate of Yale University, with a BA in Art History and Philosophy. She made her critically-acclaimed Broadway debut at Circle in the Square in "Anna Karenina", for which she withdrew from the Yale Graduate School of Acting, Her professional career began during her freshman year at Yale University, when, at 18, she landed the lead in the Premier National Touring Company of "Les Miserables". Her theater credits grew rapidly after graduation with "Anna Karenina", followed that same year by an acclaimed performance as "Eliza Doolittle" in the Broadway revival of "My Fair Lady" (opposite Richard Chamberlain), a role she reprised, triumphantly, in 2003 at The Hollywood Bowl with John Lithgow and Roger Daltrey and the Los Angeles Philharmonic. Other Broadway credits: Cole Porter's "High Society", Michel Legrand's 2002 "Amour, Dracula". After a season as "Alex Bartoli" in the CBS television series, C.P.W. (1995), Melissa made an enormous splash with New York audiences and critics, winning raves for her silly and sexy turn as the goddess "Venus" in Kurt Weill's "One Touch of Venus" at City Center, a performance she has reprised at Avery Fisher Music Hall, Lincoln Center. Melissa is a member of the Irish Repertory Theater, where she has had great success in plays such as "Major Barbara" (with Boyd Gaines) as "Barbara", and opposite Eric Stoltz and Nancy Marchand in "The Importance of Being Earnest".
Melissa's other recent television credits include: "Laurel" on Miss Match (2003), Law & Order (1990), Norm (1999) and as "Ed's ex-wife" on Ed (2000). On film, she costars with Angelina Jolie in Twentieth Century Fox's film, Life or Something Like It (2002) and Jim Caviezel in the New Line Cinema film, Frequency (2000); and appeared in many independent films, including Bury the Evidence (1998), with Karen Black, and starred in the harrowing docu-drama, Mockingbird Don't Sing (2001) with Sean Young.
For The Kennedy Center Sondheim Celebration (2002), Melissa was chosen by Stephen Sondheim to star in "Sunday in the Park with George", opposite Raúl Esparza, which followed with a sold-out concert at Avery Fisher Music Hall and a 2003 Helen Hayes Nomination for "Best Leading Actress". For her theater work, Melissa has been honored with four Drama Desk nominations, four Outer Critics Circle Awards and five Drama League Honors, and won the Lucille Lortel Award for "Best Actress" in "One Touch of Venus".
Melissa has appeared for solo engagements in the prestigious cabaret rooms of Manhattan and Los Angeles, such as "The Cafe Carlyle", "The Oak Room" and "Feinsteins". She regularly appears with her band at Joe's Pub, The Cutting Room, Symphony Space, Wolf Trap in Washington DC. She began concert work with her month-long run in May 2000 at Joe's Pub in New York in "Real Emotional Girl: Melissa Errico Sings the Music of Randy Newman", in tribute to her collaboration with Randy Newman on his developing the musical, "Faust". In March 2002, she opened in a show with pianist Lee Musiker, titled "New Standards", which ran for three weeks at the Café Carlyle, featuring jazz standards and modern-day standards of Michel Legrand, Joni Mitchell and Oleta Adams. And in 2004, she had a successful month at The Oak Room at The Algonquin with her Spring Fever, working for the first time with James Taylor pianist Clifford Carter in a programme of original music by her brother and reworkings of classics by Van Morrison, Billy Joel, Eddi Reader and James Taylor with a five-piece band.
On February 25, 2003, Melissa released her debut album, "Blue Like That", on Capitol/ EMI with twelve tracks produced and arranged by industry legend Arif Mardin. Accompanying Melissa is jazz pianist Alan Pasqua, and her own brother, Mike Errico, on guitar and vocals, who also wrote two original songs. Her next album is with Michel Legrand and Phil Ramone.- Actor
- Soundtrack
Louis Quinn was born on 23 March 1915 in Chicago, Illinois, USA. He was an actor, known for All the President's Men (1976), 77 Sunset Strip (1958) and The Crowded Sky (1960). He was married to Christine Nelson and Joanne Elizabeth (Jody) Ward. He died on 14 September 1988 in Los Angeles, California, USA.- Actress
- Producer
She had boarding school education and always wanted to act but her parents were against it.. She did a grooming course in modeling during school holidays and was subsequently offered a modeling course. Her parents refused to let her attend a drama school in London so she accepted the modeling course in Manchester and established herself as a successful model. Her first television appearance was when she was at school and was voted 'Britains Most Glamorous Schoolgirl'.Her first real break came when she was contracted as the resident hostess on 'Sale of the Century' , a popular television show. She later extended her talents to acting appearing in such as 'Gems' and 'Allo, Allo'