Webber Douglas Academy of Music and Drama

Experienced British actress and voice talent. Trained at the Webber Douglas Academy, London. Over 35 years in theatre, TV, radio, and films including "Calendar Girls" with Helen Mirren (2003 - Disney/Buena Vista International). UK and US Credits range from the 'Royal Shakespeare Company' to TV's "Coronation Street". Radio plays and series. Voiceovers for TV commercials, radio ads, company training films, corporate videos, Documentaries, TV hosting and presenting, virtual spokesperson, TelePrompter, audio books, educational recordings, Podcasting, telephone on hold messages, messages for voice-mail, etc.

Chosen by Rosetta Stone (the world's largest language-learning software company) to record the British-English product. Long list of clients includes IKEA, Diesel Fashions (Italy), the Barnardo's charity in the UK and the World Bank.

Other films include "Royal Faceoff", "Tortoise in Love", and "The Perfect Wedding".

Angela Lansbury was born in 1925 into a prominent family of the upper middle class living in the Regent's Park neighborhood of London. Her father was socialist politician Edgar Isaac Lansbury (1887-1935), a member of both the Communist Party of Great Britain (CPGB) and the Labour Party. Edgar served as Honorary Treasurer of the East London Federation of Suffragettes (term 1915), and Mayor of Poplar (term 1924-1925). He was the second Communist mayor in British history, the first being Joe Vaughan (1878-1938). Lansbury's mother was Irish film actress Moyna Macgill (1895-1975), originally from Belfast. During the first five years of Angela's life, the Lansbury family lived in a flat located in Poplar. In 1930, they moved to a house located in the Mill Hill neighborhood of north London. They spend their weekends vacationing in a farm located in Berrick Salome, a village in South Oxfordshire.

In 1935, Edgar Lansbury died from stomach cancer. Angela reportedly retreated into "playing characters", as a coping mechanism to deal with the loss. The widowed Moyna Macgill soon became engaged to Leckie Forbes, a Scottish colonel. Moyna moved into his house in Hampstead.

From 1934 to 1939, Angela was a student at South Hampstead High School. During these years, she became interested in films.. She regularly visited the local cinema, and imagined herself in various roles. Angela learned how to play the piano, and received a musical education at the Ritman School of Dancing.

In 1940, Lansbury started her acting education at the Webber Douglas School of Singing and Dramatic Art, located in Kensington, West London. She made her theatrical debut in the school's production of the play "Mary of Scotland" (1933) by Maxwell Anderson (1888-1959). The play depicted the life of Mary, Queen of Scots (1542-1587, reigned 1542-1567), and Lansbury played one of the queen's ladies-in-waiting.

Also in 1940, Lansbury's paternal grandfather, George Lansbury, died from stomach cancer. When the Blitz started, Moyna Macgill had reasons to fear for the safety of her family and few remaining ties to England. Macgill moved to the United States to escape the Blitz, taking her three youngest children with her. Isolde was already a married adult, and was left behind in England.

Macgill secured financial sponsorship from American businessman Charles T. Smith. She and her children (including Angela) moved into Smith's house in Mahopac, New York, a hamlet in Putnam County. Lansbury was interested in continuing her studies, and secured a scholarship from the American Theatre Wing. From 1940 to 1942, Lansbury studied acting at the Feagin School of Dramatic Art, located in New York City. She appeared in performances organized by the school.

In 1942, Lansbury moved with her family to a flat located in Morton Street, Greenwich Village. She soon followed her mother in her theatrical tour of Canada. Lansbury secured her first paying job in Montreal, singing at the nightclub Samovar Club for a payment of 60 dollars per week. Lansbury was 16 years old at the time, but lied about her age and claimed to be 19 in order to be hired.

Lansbury returned to New York City in August, 1942, but Moyna Macgill soon moved herself and her family again. The family moved to Los Angeles, where Moyna was interested in resurrecting her film career. Their first home there was a bungalow in Laurel Canyon, a neighborhood in the Hollywood Hills.

Lansbury helped financially support her family by working for the Bullocks Wilshire department store in Los Angeles. Her weekly wages were only 28 dollars, but she had a secure income while her mother was unemployed. Through her mother, Lansbury was introduced to screenwriter John Van Druten (1901-1957), who had recently completed his script of "Gaslight" (1944). He suggested that young Lansbury would be perfect for the role of Nancy Oliver, the film's conniving cockney maid. This helped secure Lansbury's first film role at the age of 17, and a seven-year contract with the film studio Metro-Goldwyn-Mayer. She earned 500 dollars per week, and chose to continue using her own name instead of a stage name.

In 1945, Lansbury married actor Richard Cromwell (1910-1960), who was 15 years older than she. The troubled marriage ended in a divorce in 1946. The former spouses remained friends until Cromwell's death.

In 1946, Lansbury started a romantic relationship with aspiring actor Peter Shaw (1918-2003), who was 7 years older than her. Shaw had recently ended his relationship with actress Joan Crawford (c. 1908-1977). The new couple started living together, while planning marriage. They wanted to be married in the United Kingdom, but the Church of England refused to marry two divorcees. They were married in 1949, in a Church of Scotland ceremony at St. Columba's Church, located in Knightsbridge, London. After their return to the United States, they settled into Lansbury's home in Rustic Canyon, Malibu. In 1951, both Lansbury and Shaw became naturalized citizens of the United States, while retaining their British citizenship.

Meanwhile, Lansbury continued appearing in MGM films. She appeared in 11 MGM films between 1945 and 1952. MGM at times loaned Lansbury to other film studios. She appeared in United Artists' "The Private Affairs of Bel Ami" (1947), and Paramount Pictures' "Samson and Delilah" (1949). In 1948, Lansbury made her debut in radio roles, followed by her television debut in 1950.

In 1952, Lansbury requested the termination of her contract with MGM, instead of its renewal. She felt unsatisfied with her film career as an MGM contract player. She then joined the East Coast touring productions of two former Broadway plays. By 1953, Lansbury had two children of her own and was also raising a stepson. She and her family moved into a larger house, located on San Vincente Boulevard in Santa Monica. In 1959, she and her family moved into a house in Malibu. The married couple were able to send their children to a local public school.

Meanwhile she continued her film career as a freelance actress, but continued to be cast in middle-aged roles. She regained her A-picture actress through well-received roles in the drama film "The Long, Hot Summer" (1958) and the comedy film "The Reluctant Debutante" (1958). She also appeared regularly in television roles, and became a regular on game show "Pantomime Quiz" (1947-1959).

In 1957, Lansbury made her Broadway debut in a performance of "Hotel Paradiso". The play was an adaptation of the 1894 "L'Hôtel du libre échange" ("Free Exchange Hotel"), written by Maurice Desvallières (1857-1926) and Georges Feydeau (1862-1921). Lansbury's role as "Marcel Cat" was critically well received. She continued appearing in Broadway over the next several years, most notably cast as the verbally abusive mother in "A Taste of Honey". She was cast as the mother of co-star Joan Plowright (1929-), who was only four years younger.

In the early 1960s, Lansbury was cast as an overbearing mother in "Blue Hawaii" (1961). The role of her son was played by Elvis Presley (1935-1977), who was only 10 years than her. The film was a box office hit, it finished as the 10th-top-grossing film of 1961 and 14th for 1962 on the "Variety" national box office survey. It gained Lansbury renewed fame, at a difficult point of her career.

Lansbury gained critical praise for a sympathetic role in the drama film "The Dark at the Top of the Stairs" (1960), and the role of a manipulative mother in the drama film "All Fall Down" (1962). Based on her success in "All Fall Down", she was cast in a similar role in the Cold War-themed thriller "The Manchurian Candidate" (1962). She was cast as Eleanor Iselin, the mother of her co-star Laurence Harvey (1928-1973), who was only 3 years younger than she. This turned out to be one of the most memorable roles in her career. She received critical acclaim and was nominated for a third time for the Academy Award for Best Supporting Actress. The award was instead won by Patty Duke (1946-2016).

Lansbury made a comeback in the starring role of Mame Dennis in the musical "Mame" (1966), by Jerome Lawrence (1915-2004) and Robert Edwin Lee (1918-1994). The play was an adaptation of the novel "Auntie Mame: An Irreverent Escapade" (1955) by Patrick Dennis (1921-1976), and focused on the life and ideas of eccentric bohemian Mame Dennis. The musical received critical and popular praise, and Lansbury won her first Tony Award for Best Leading Actress in a Musical. Lansbury gained significant fame from her success, becoming a "superstar".

Her newfound fame led to other high-profile appearances by Lansbury. She starred in a musical performance at the 1968 Academy Awards ceremony, and co-hosted the 1968 Tony Awards. The Hasty Pudding Club, a social club for Harvard students. elected her "Woman of the Year" in 1968.

Lansbury's next theatrical success was in 1969 "The Madwoman of Chaillot" (1945) by Jean Giraudoux (1882-1944). The play concerns an eccentric Parisian woman's struggles with authority figures. Lansbury was cast in the starring role of 75-year-old Countess Aurelia, despite her actual age of 44. The show was well received and lasted for 132 performances. Lansbury won her second Tony Award for this role.

In 1970, Lansbury's Malibu home was destroyed in a brush fire. Lansbury and her husband decided to buy Knockmourne Glebe, an 1820s Irish farmhouse, located near the village of Conna in rural County Cork.

Her film career reached a new height. She was cast in the starring role of benevolent witch Eglantine Price in Disney's fantasy film "Bedknobs and Broomsticks" (1971). The film was a box-office hit; it was critically well received, and introduced Lansbury to a wider audience of children and families.

In 1972, Lansbury returned to the British stage, performing in London's West End with the Royal Shakespeare Company. In 1973, Lansbury appeared in the role of Rose in London performances of the musical "Gypsy" (1959) by Arthur Laurents. It was quite successful. In 1974, "Gypsy" went on tour in the United States. with the same cast. For her role, Lanbury won the Sarah Siddons Award and her third Tony Award. The musical had its second tour in 1975.

Tired from musicals. Lansbury next sought Shakespearean roles in the United Kingdom. From 1975 to 1976, she appeared as Queen Gertrude in the National Theatre Company's production of Hamlet. In November 1975, Lansbury's mother Moyna Macgill died at the age of 79. Lansbury arranged for her mother's remains to be cremated, and the ashes scattered near her own County Cork home.

In 1976, Lansbury returned to the American stage. In 1978, Lansbury temporarily replaced Constance Towers (1933-) in the starring role of Anna Leonowens (1831-1915) in The King and I. While Towers was on a break from the role, Lansbury appeared in 24 performances.

In 1978, Lansbury appeared in her first film role in seven years, as the novelist and murder victim Salome Otterbourne in the mystery film "Death on the Nile" (1978). The film was an adaptation of the 1937 novel by Agatha Christie (1890-1976); Otterbourne was loosely based on real-life novelist Elinor Glyn (1864-1943). The film was a modest box-office hit, and Lansbury befriended her co-star Bette Davis (1908-1989).

In 1979, Lansbury was cast in the role of meat pie seller Mrs. Lovett in the musical "Sweeney Todd: The Demon Barber of Fleet Street" (1979), by Stephen Sondheim and Hugh Wheeler (1912-1987). The musical was loosely based on the penny dreadful serial novel "The String of Pearls: A Domestic Romance" (1846-1847), which first depicted fictional serial killer Sweeney Todd. Lansbury remained in the role for 14 months, and was then replaced by Dorothy Loudon (1925-2003). Lansbury won her fourth Tony Award for this role. She returned to the role for 10 months in 1980.

Lansbury's next prominent film role was that of Miss Froy in "The Lady Vanishes" (1979), a remake of the 1938 film directed by Alfred Hitchcock (1899-1980). She was next cast in the role of amateur sleuth Miss Jane Marple in the mystery film "The Mirror Crack'd" (1980), an adaptation of the novel "The Mirror Crack'd from Side to Side" (1962) by Agatha Christie. The novel was loosely inspired by the life of Gene Tierney (1920-1991). The film was a modest commercial success. There were plans for at least two sequels, but they ended in development hell.

In 1982, Lansbury was inducted into the American Theatre Hall of Fame, She appeared at the time in the new play "A Little Family Business" and a revival of "Mame", but both shows were commercial failures. In film, Lansbury voiced the witch Mommy Fortuna in the animated fantasy film "The Last Unicorn" (1982). The film was critically well received, but was not a box-office hit.

Lansbury played Ruth in the musical comedy "The Pirates of Penzance" (1983), a film adaptation of the 1879 comic opera by William Schwenck Gilbert (1836-1911) and Arthur Sullivan (1842-1900). The film was a box office bomb, earning about 695,000 dollars.

Lansbury's next film role was that of Granny in the gothic fantasy film "The Company of Wolves" (1984), based on a 1979 short story by Angela Carter (1940-1992). Lansbury was cast as the grandmother of protagonist Rosaleen (played by Sarah Patterson), in a tale featuring werewolves and shape-shifting. The film was critically well received, but barely broke even at the box office.

At about that time, Lansbury appeared regularly in television films and mini-series. Her most prominent television role was that of Jessica Fletcher in the detective series "Murder, She Wrote" (1984-1996). Jessica was depicted as a successful mystery novelist from Maine who encounters and solves many murders. The character was considered an American counterpart to Miss Marple. The series followed the "whodunit" format and mostly avoided depictions of violence or gore.

The series was considered a television landmark for having an older female character as the protagonist. It was aimed primarily at middle-aged audiences, but also attracted both younger viewers and senior citizen viewers. Ratings remained high for most of its run. Lansbury rejected pressure from network executives to put her character in a relationship, as she believed that Fletcher should remain a strong single female.

In 1989, Lansbury co-founded the production company Corymore Productions, which started co-producing the television series with Universal Television. This allowed Lansbury to have more creative input on the series. She was appointed an executive producer. By the time the series ended in 1996, it tied with the original "Hawaii Five-O" (1968-1980) as the longest-running detective drama series in television history.

Her popularity from "Murder, She Wrote" made Lansbury a much-sought figure for advertisers. She appeared in advertisements and infomercials for Bufferin, MasterCard and the Beatrix Potter Company.

Lansbury's highest-profile film role in decades was voicing the character of singing teapot Mrs. Potts in Disney's animated fantasy film "Beauty and the Beast" (1991). Lansbury performed the film's title song, which won the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.

During the late 1980s and 1990s, Lansbury lived most of the year in California. In 1991, she had Corymore House, a farmhouse at Ballywilliam, County Cork, built as her new family home. She spend Christmases and summers there.

Following the end of "Murder, She Wrote", Lansbury returned to a career as a theatrical actress. She temporarily retired from the stage in 2001, to take care of her husband Peter Shaw, whose health was failing. Shaw died in 2003, from congestive heart failure at the couple's Brentwood, California home. Their marriage had lasted for 54 years (1949-2003).

Lansbury felt at the time that she could not take on any more major acting roles, but that she could still make cameos. She moved back to New York City in 2006, buying a condominium in Manhattan. Her first prominent film role in years was that of Aunt Adelaide in the fantasy film "Nanny McPhee" (2005). She credits her performance in the film with pulling her out of depression, a state of mind which had lasted since her husband's death.

Lansbury returned to performing on the Broadway stage in 2007, after an absence of 23 years. In 2009, she won her fifth Tony Award. She shared the record for most Tony Award victories with Julie Harris (1925-2013). In the 2010s, she continued regularly appearing in theatrical performances. In 2014, she returned to the London stage, after an absence of nearly 40 years.

In 2015, Lansbury received her first Olivier Award for Best Supporting Actress. At age 89, she was among the oldest first-time winners. Also in 2015, November 2015 was awarded the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre.

In 2017, she was cast as Aunt March in the mini-series "Little Women". The mini-series was an adaptation of the 1868-1869 novel of the same name by Louisa May Alcott (1832-1888). The series lasted for 3 episodes, and was critically well received.

In 2018, Lansbury gained her next film role in Disney's fantasy film "Mary Poppins Returns" (2018), a sequel to "Mary Poppins". Lansbury was cast in the role of the Balloon Lady, a kindly old woman who sells balloons at the park. The films was a commercial hit, earning about 350 million dollars at the worldwide box office.

In 2019, Lansbury performed at a one-night benefit staging of Oscar Wilde's play "The Importance of Being Earnest" (1895). a farce satirizing Victorian morals. She was cast in the role of society lady Lady Bracknell, mother to Gwendolen Fairfax.

By 2020, Lansbury was 95 years old, one of the oldest-living actresses. She has never retired from acting, and remains a popular icon.

Sweet-faced, gentle-voiced veteran British actress Dulcie Gray's demure career is often linked with that of her late actor/husband Michael Denison, with whom she appeared frequently on stage, TV and in films in over a hundred projects for nearly four decades.

She was born Dulcie Winifred Catherine Bailey in British Malaya (now Malaysia), on November 20, 1915, the daughter of a lawyer. She was sent off to boarding school in England at quite an early age. Originally interested in art and dance until the lure of the theatre, she worked at one time as a governess. Dulcie attended the Webber Douglas Drama School where she met future husband Denison, whom she married in 1939. Making her professional stage debut that same year in "Hay Fever," she gained repertory theatre experience between the years 1940 and 1941.

Dulcie made an insignificant film debut in an uncredited part in the Welwyn Studio comedy Banana Ridge (1942), but stayed focused on theatre, particularly in Shakespeare's plays -- "Twelfth Night" (as Maria), "A Midsummer Night's Dream" (as Hermia) and "The Taming of the Shrew" (as Bianca). She won London stage stardom after making her West End debut as "Alexandra" in a production of "The Little Foxes" starring Richard Attenborough.

Dulcie earned a great stage success as waitress "Rose" in "Brighton Rock" (1943), which led to a film contract with Gainsborough Studios. Although she lost out playing the waitress role when "Brighton Rock" was transferred to film, she went on to grace a host of lady-like melodramas for the studio. She began with small roles in both Two Thousand Women (1944) and Madonna of the Seven Moons (1945) supporting leading ladies Phyllis Calvert and Patricia Roc. She then went on to support Margaret Lockwood in A Place of One's Own (1945) before sharing the lead with Calvert and Anne Crawford in the meller They Were Sisters (1945) in which she played the passive sibling at the mercy of a cruel, sadistic husband James Mason.

Dulcie continued to rise gracefully in the film ranks with features such as the crime drama Wanted for Murder (1946) opposite Eric Portman and Derek Farr; the social drama A Man About the House (1947) as a concerned sister to Margaret Johnston; and the psychological drama Mine Own Executioner (1947) opposite Burgess Meredith. She also shared the screen with husband Michael in such vehicles as My Brother Jonathan (1948), The Glass Mountain (1949), The Franchise Affair (1951), Angels One Five (1952) and There Was a Young Lady (1953), usually to generous reviews.

In between times, the actress would remain royal to the stage, appearing in scores of plays, including "Dear Ruth" (title role), "Tea and Sympathy," "South Sea Bubble" and "The Seagull," With Michael she appeared in a host of theatre vehicles such as "Queen Elizabeth Slept Here," "The Four Poster," "Private Lives," "Alice Through the Looking Glass," "Let Them Eat Cake," "Candida," "Heartbreak House," "The Royal Gambit," "An Ideal Husband," "The Wild Duck," "The Clandestine Marriage," "The First Mrs. Fraser" and "The Clandestine Marriage."

In the mid 1950's, Dulcie began to focus on TV with roles in such anthologies as "BBC Sunday Night Theatre," "Somerset Maugham Hour" and "London Theatre." Like her husband, the theatre was her first love and true calling and she would remain committed to the stage for most of her career, making relatively few films in her later life. Dulcie later turned to writing, authoring 24 mystery books, most of which involved intrepid sleuth Inspector Cardiff.

She earned TV success back in England with Howards' Way (1985) (in which Michael had a recurring role) - a major hit in the late '80s. The couple was awarded Commander of the British Empire in 1983. Late in life, they made their Broadway debut together in "An Ideal Husband" in 1996. Following Michael's death from cancer two years later in 1998, Dulcie continued in the theatre playing delightfully sweet old ladies in such enjoyable fare as "The Ladykillers" (1999) and "The Lady Vanishes."

Dulcie would be the subject of the TV tribute program This Is Your Life (1955) on two separate occasions, in 1973 and 1995. She was a guest for other subjects four other times. She passed away from bronchial pneumonia just a few days before her 96th birthday on November 15, 2011.

One of the finest exponents of the art of light comedy acting, Michael Denison enjoyed a highly successful career both on stage and screen. He and his wife, actress Dulcie Gray, appeared in over 100 West End shows and their marriage, which lasted nearly sixty years, was regarded as one of the happiest in British show business.

Denison was born in Doncaster, the son of a paint manufacturer, and was brought up by aunt and her husband. He was educated at Harrow and Magdalen College, where he read modern languages. He trained for the stage at Webber Douglas School in London where he met and married Dulcie Gray in 1939.

During World War Two, he served in the Royal Intelligence Corps and, by the time he had returned to the theatre, his wife was already a major film star in Britain. She secured him a role in the 1947 film My Brother Jonathan (1948). The following year, they appeared together in The Glass Mountain (1949), which became an international hit.

Throughout the 1950s and 1960s, the couple were rarely off the West End stage where they attracted a loyal following. Denison appeared solo with great success in the TV series Boyd Q.C. (1956) (1956-63).

He appeared on Broadway in Oscar Wilde's, "An Ideal Husband", and, shortly before he died, he and his wife appeared in a two-hander production "Curtain Up" in a London fringe theatre.

Denison published two volumes of memoirs, "Overture and Beginners" (1973) and "Double Act" (1985). He also contributed many entries to the Dictionary of National Biography. He and Dulcie Gray were appointed CBE in 1983.

Early in her career she worked in repertory in Manchester and while there obtained occasional television roles. When offered scripts she can usually tell within 5 pages if it is suitable for her. When it came to 'To the Manor Born' which was intended for a radio series, she considered it one of the best scripts that she'd read and asked to show it to BBC television light entertainment head John Howard Davis and the rest is history.

Scott Edward Adkins was born on June 17, 1976 in Sutton Coldfield, England, into a family that for generations were butchers. Along with his elder brother Craig, he was raised by their parents, John and Janet (Sanders) Adkins, in a loving middle-class family. Scott attended Bishop Vesey's Grammar School in Sutton Coldfield. Probably not the best of students, he used to sneak downstairs after his parents had gone to bed and watch films all night then fall asleep during lessons. A natural athlete, Scott enjoyed a variety of sports as he grew up, but when he was 10 years old, he accompanied his father and brother to the local Judo club. The attraction was instantaneous. Idolising stars such as Bruce Lee and Jean-Claude Van Damme, Scott began to train everyday. He took over his Dad's garage and turned it into his own Dojo. He even had a shrine to Bruce Lee in there that he would bow to. He remembers being mugged on a bus when he was around 13 and that really kicked his training into overdrive. He wasn't ever going to let that happen again. At the age of 14, Scott went on to train in Tae Kwon Do under the instruction of Ron Sergiew with the T.A.G.B. After a few years, he moved on to Kickboxing under Anthony Jones. He is now a fully trained Kickboxing Instructor for the P. K. A. A self confessed "film junkie" Scott's attention was drawn to acting through the Hollywood Greats. He enrolled in a drama class at Sutton Coldfield College. Being a shy lad he initially found it difficult to be put on stage in front of an audience. Finally, at the age of 21, Scott was offered a place at the prestigious Webber Douglas Academy of Dramatic Art. However, as an impoverished student, he found it hard to make ends meet without a grant and was forced to leave without completing the course. Very dejected he thought that was the end.

His first break came when he was offered a role in a Hong Kong martial arts film called Extreme Challenge (2001) (aka Extreme Challenge). Spotted by Head of The Hong Kong Stuntmen Association and director Wei Tung and English-born Hong Kong movie expert Bey Logan, Adkins found himself in the East for the first time. Scott got the chance to work with some of Hong Kong cinema's leading action directors including Yuen Woo-Ping, Corey Yuen, Sammo Kam-Bo Hung and the legendary Jackie Chan. Acting roles started to come in and he was offered a guest role in BBC's Doctors (2000) filmed at Birmingham's Pebble Mill. A few episodes in BBC's EastEnders (1985) and City Central (1998), and a lead role in Sky One comedy drama Mile High (2003) followed by a regular role in BBC's Holby City (1999) as Bradley Hume, the assistant General Manager of Holby General.

Starring roles in feature films soon followed with his portrayal of Talbot in Special Forces (2003) and Yuri Boyka" in Undisputed 2: Last Man Standing (2006). It was this film that broke him into the mainstream with his villainous portrayal of a Russian MMA underground fighter Boyka in what has been hailed as one of the best American made Martial Arts films of recent times. Along with lead actor Michael Jai White, fight coordinator J.J. Perry and the slick direction of Isaac Florentine this movie has some unbelievably heart stopping fight scenes. After this Scott has had guest starring roles in bigger budget films like The Bourne Ultimatum (2007) and The Tournament (2009), and played Jean-Claude Van Damme's main adversary in Sony Pictures The Shepherd (2008).

The dark and classically beautiful British actress and social activist Julia (Karin) Ormond was born on January 4, 1965, in Surrey, into England, the second of five children. Born of privilege as the daughter of a well-to-do laboratory technician, her parents divorced when she was young. Julia attended Guildford High School and Cranleigh, a private school, where she showed interest in theatre at that time appearing in a couple of their musicals.

Julia's grandparents were artists, and she initially intended to be one herself but, after one year of art school, renewed her dedication to acting and transferred to Webber-Douglas Academy of Dramatic Art, where she graduated in 1988.

Appearing in the play "Wuthering Heights" as Catherine, she met and eventually married her Heathcliff (actor Rory Edwards) in real life. In 1989 she won the London Drama Critic's Award for her performance in "Faith, Hope and Charity" as "best newcomer." Julia also made an immediate impression on TV with her debuting role as a young drug addict in the series Traffik (1989)

She earned star-making attention in the TV-movie Young Catherine (1991), in which she portrayed Catherine the Great (also featuring husband Edwards). She then portrayed wife Nadya in the TV movie Stalin (1992) starring Robert Duvall in the title role. She made the jump into feature films scoring a top-billed debut opposite Ralph Fiennes in The Baby of Mâcon (1993), a drama about a woman giving an "immaculate birth." She followed this this with lead or second lead roles in such films as the European biopic Nostradamus (1994); the romantic drama Captives (1994) co-starring Tim Roth; and the period war drama Legends of the Fall (1994) as the object of affection for both Brad Pitt and Aidan Quinn. It was around the time of this career rise (1994) that her marriage ended.

With Hollywood now taking a firm notice, Julia was given the fetching role of Queen Guinevere alongside Sean Connery's King Arthur and Richard Gere's Lancelot in First Knight (1995) and, more importantly, was entrusted with Audrey Hepburn's title role in the revival of Sabrina (1995), her radiant presence nearly stealing the picture away from handsome co-stars Harrison Ford and Greg Kinnear.

Strangely, Julia's major rise led her in a different direction. From there she instead went on to grace a number of independents and foreign features. She played the title role in the Danish/German/Swedish co-production Smilla's Sense of Snow (1997) as a woman who gets involved with a strange murder mystery; the Russian period drama The Barber of Siberia (1998) as a lovely American who gets dangerously involved with a young Russian cadet; and involved herself in another messy affair with Vince Vaughn in the indie drama The Prime Gig (2000). On stage, she appeared in David Hare's "My Zinc Bed," for which she received a 2001 Olivier Award nomination for "Best Actress."

Into the millennium, Julia found herself busy film-wise with the political drama Resistance (2003), cult filmmaker David Lynch's thoroughly offbeat Inland Empire (2006), I Know Who Killed Me (2007), The Curious Case of Benjamin Button (2008), The Music Never Stopped (2011), Albatross (2011), My Week with Marilyn (2011) (as Vivien Leigh), Chained (2012), Ladies in Black (2018) and Son of the South (2020). On TV she appeared in the mini-series Beach Girls (2005), and had recurring roles on CSI: NY (2004), Nurse Jackie (2009), Law & Order: Criminal Intent (2001), Mad Men (2007), Gold Digger (2019), plus a series starring role as one of Witches of East End (2013). She also co-starred in the short-lived series Incorporated (2016).

In 1999, she married a second time to political activist Jon Rubin. They had one daughter, Sophie, before their divorce. On a political front, Julia has been involved fighting human trafficking since the mid-1990s. In 2005, she was appointed United Nations Goodwill Ambassador with a focus on anti-human-trafficking initiatives and awareness.

Jenette Goldstein is a true chameleon. She is so effective as an actress, it is nearly impossible to recognize her from role to role. Jenette spent most of her childhood in Los Angeles. Born to theater-loving parents, she attended fine arts-oriented schools, and was the young star of the drama classes. She often competed in citywide drama competitions with soon-to-be famous peers Val Kilmer, Gina Gershon, Kevin Spacey and Mare Winningham. To hone her craft after high school, Jenette studied at London's Webber Douglas Academy of Dramatic Art, and at Circle in the Square Theater in New York City, mastering drama theory, physicality, dialects and the classics. It was in London, while performing in local theater productions, where Jenette answered an audition request for American actors with British Equity cards. Thinking it was another play or a small film, she read for a tough, macho Latina character, named 'Vasquez' And shot to fame in James Cameron's iconic film Aliens (1986). Cameron was so pleased with Jenette's creativity and strong work ethic, he recast her as 'Janelle' in Terminator 2: Judgment Day (1991) and a cameo role as the loving 'Irish Mother' in the epic Titanic (1997).

Her resume is testament to her range and versatility: Vampy killer Diamondback in Near Dark (1987), good cop Meagan Shapiro in Lethal Weapon 2 (1989), Patti Jean Lynch in The Presidio (1988), Alice the Maid in a one-scene role in Fear and Loathing in Las Vegas (1998), etc.

In addition to film, Jenette has made several appearances on the small screen. She guest-starred on such award-winning shows as Six Feet Under (2001), L.A. Law (1986), Strong Medicine (2000) and ER (1994) - where she guest-starred on the 100th anniversary show as a grieving mother, and in a separate episode opposite Anthony Edwards, as a heroic flight nurse. It was only after Jenette was hired for the second role that the show's producers realized she had done the show before.

Jenette has continued working in theater throughout her career, appearing in plays in New York, London and Los Angeles. She has performed the classics, William Shakespeare's "Twelfth Night," to more contemporary pieces, such as Arthur Miller's "After The Fall," which won the 2002 Los Angeles Ovation Award for Best Production. Currently, Jenette is excited about her latest creation: a one-woman show she is writing herself.

Belinda Stewart-Wilson is an English actress, born in London, England, U.K. She is best known for her role in the popular TV sitcom The Inbetweeners as Polly McKenzie. Her father is a British Army officer Sir Blair Stewart-Wilson.During childhood she grew up on various military postings in the UK, Germany, and Austria before her family finally settled in London. She was educated at Hurst Lodge School in Ascot, Berkshire, before training at the Webber Douglas Academy of Dramatic Art, in London.Stewart-Wilson worked on a number of television shows, making mostly one-time appearances. Her most notable credits during this time period were the roles of Victoria Reynholm, the presumed dead wife of Douglas Reynholm in The IT Crowd, and Nikki in the TV series Jekyll alongside James Nesbitt and Gina Bellman. She also made an appearance in the commercially successful mockumentary feature film Razzle Dazzle: A Journey into Dance. Belinda also played a cameo role in Stephen Poliakoff's Joe's Palace in a scene with Michael Gambon.

Miranda grew up in Burnham Thorpe on the North Norfolk coast and trained at the Webber Douglas Academy of Dramatic Art. Her father, Nick, is a jazz pianist and her mother, Caroline, read the news for Anglia television. In 2011, she played the title role in 'Anne Boleyn' at Shakespeare's Globe Theatre to great critical acclaim.

Stewart Granger was born James Lablache Stewart in London, the great grandson of the opera singer Luigi Lablache. He attended Epsom College but left after deciding not to pursue a medical degree. He decided to try acting and attended Webber-Douglas School of Dramatic Art, London. By 1935, he made his stage debut in "The Cardinal" at the Little Theatre Hull . He was with the Birmingham Repertory Company between 1936 and 1937 and, in 1938, he made his debut in the West End, London in "The Sun Never Sets". He joined the Old Vic company in 1939, appearing in 'Tony Draws a Horse' at the Criterion and 'A House in the Square' at the St Martins He had been gradually rising through the ranks of better stage roles when World War II began, and he joined the British Army in 1940. However, he developed an ulcer (1942) which brought his release from military service.

With a dearth of leading men for British movies he quickly landed his first film opportunity The Man in Grey (1943) for Gainsborough Pictures. This was the first installment of the company's successful series of romance films. Not to be confused with American actor James Stewart, James Lablanche Stewart became Stewart Granger (though he was "Jimmy" to his off-screen friends). But the film work was unsatisfying. He was forever cast as the dashing hero type, while fellow up-and-coming actor James Mason always garnered the more substantial Gainsborough part. When Mason got the nod from Hollywood, Granger inherited better parts and, in some star company in one case, the sophisticated Caesar and Cleopatra (1945) with Claude Rains and Vivien Leigh and a very young bit player already being noticed, Jean Simmons. Granger's lead roles to the end of the decade were substantial, but Simmons was unwittingly moving on into British film history with small but memorable roles for David Lean, Michael Powell, and, in a big way, Laurence Olivier, as "Ophelia" in his historic Hamlet (1948) for which she received an Oscar nomination. Granger and she were brought together as co-stars in the comedy Adam and Evalyn (1949). This time around, the chemistry off-camera was there as well, and they became engaged. About the same time, Granger's hope of interesting Hollywood was realized for him and his bride-to-be. He married Simmons and signed with MGM in 1950. Once in Hollywood, he was getting star billing leads in romantic roles that the audiences loved, but he found them still unsatisfying. He also found himself heir apparent to Errol Flynn as a swashbuckler in two popular films: the remake of The Prisoner of Zenda (1952) and Scaramouche (1952). He and Simmons were paired in Young Bess (1953), where Granger had the romantic lead, but Simmons was the focus of the movie.

Through the 50s, the films of each might have fairly equal production values, but as the fortunes of Hollywood go, Simmons was the more memorable star in films that were more popular-some very big hits, the later Elmer Gantry (1960) and Spartacus (1960). That sort of undeclared competition for a married Hollywood couple was poison to the marriage. In 1960, they divorced. Granger did a lot of work in Germany, along with some in Italy and Spain in the 60s. Interestingly, in the same period Simmons was finding the same lack of challenging roles in the US. In the 70s and 80s, Granger was relegated to small screen subsistence with regular TV roles along with a few movies and a stint on the New York stage. And ironically, Simmons was in the same boat during that period. Granger's typecasting was nothing new, but certainly his often scathing criticism of Hollywood and its denizens that came out in his autobiography "Sparks Fly Upward" was understandable and rang true with so many other stories dealing with illusive stardom. Though he was candid in his disgust with his whole career - and admittedly he did not have the depth for the range of roles allotted to bigger named actors - nonetheless he always turned in solid performances in the roles that became his legacy.

British actor Patrick Macnee was born on February 6, 1922 in London, England into a wealthy and eccentric family. His father, Daniel Macnee, was a race horse trainer, who drank and gambled away the family fortune, leaving young Patrick to be raised by his lesbian mother, Dorothea Mary, and her partner. Shortly after graduating from Eton (from which he was almost expelled for running a gambling ring), Macnee first appeared on stage and made his film debut as an extra in Pygmalion (1938). His career was interrupted by World War II, during which he served in the Royal Navy. After military service, Macnee attended the Webber Douglas School of Dramatic Art in London on scholarship. He also resumed his stage and film career, with bit parts such as Young Jacob Marley in A Christmas Carol (1951). Disappointed with his limited roles, Macnee left England for Canada and the United States.

In 1954, he went to Broadway with an Old Vic troupe and later moved on to Hollywood, where he made occasional television and film appearances until returning to England in 1959. Once back home, he took advantage of his producing experience in Canada to become co-producer of the British television series Winston Churchill: The Valiant Years (1960). Shortly thereafter, Macnee landed the role that brought him worldwide fame and popularity in the part of John Steed, in the classic British television series The Avengers (1961). His close identification with this character limited his career choices after the cancellation of the series in 1969, prompting him to reprise the role in The New Avengers (1976), which, though popular, failed to recapture the magic of the original series. During the 1980s and 1990s, Macnee became a familiar face on American television in such series as Gavilan (1982), Empire (1984), Thunder in Paradise (1994) and NightMan (1997). In the past decade, Macnee has also made several audio recordings of book fiction.

Having graduated from Webber Douglas Academy of Dramatic Art, Rupert Evans started his career working mainly in television. Notably in British costume dramas such as 'Sons & Lovers' starring Sarah Lancashire and Hugo Speer, North and South, 'Crime and Punishment' and 'Fingersmith' with Imelda Staunton and Charles Dance. Added to that he has played major roles in TV series; including Rockface, Paradise Heights and 'A Midsummer Nights Dream'. 2004 was when he starred in his first studio movie, 'Hellboy', directed by 'Guillermo Del Toro', starring Selma Blair, John Hurt and Ron Perlman. Since then his focus has moved to theatre and independent film. In 2007 he starred in the indie film Arritmia, released in Europe, with Derek Jacobi and Natalia Verbeke playing two roles. In the theatre he's been seen as 'Romeo' and 'The Dauphin' in 'King John' at The Royal Shakespeare Company; and in the London, at The Donmar Warehouse Theatre, he played 'Valentin' in 'Kiss Of The Spider Woman'. Other theatre credits include 'Breathing Corpses' at The Royal Court Theatre and 'Sweet Panic' again in London's West End. Before his present film, Agora, he recently completed filming The Palace, a new mini series for TV in the UK, playing the title role of King of England.

Shane was born on the south coast of England, although his family line is also Scottish and American. He attended the Webber Douglas Academy of Dramatic Arts in London and received the Cameron Mackintosh Scholarship Award.

Shane's extensive screen credits include the regular role of Cpl. Eugene "Doc" Roe in Tom Hanks and Steven Spielberg's commercially and critically acclaimed Band Of Brothers. He played Osman in The Day Of The Triffids alongside Dougray Scott, Vanessa Redgrave and Joely Richardson; and Craig Hanson, a season regular alongside Philip Winchester, Sullivan Stapleton and Charles Dance in Strike Back: Vengeance.

Shane also played the character of Andy Stafford alongside Gabriel Byrne and Michael Gambon in Quirke for the BBC; and as Captain Thomas Preston, in the History Channel's Sons Of Liberty, starring Ben Barnes, Henry Thomas, Rafe Spall and Dean Norris.

Shane's film credits include the award winning independent, Bomber; Devil's Playground; Walking With The Enemy alongside Ben Kingsley; and Hunter Killer with Gerard Butler, Linda Cardellini and Gary Oldman.

Ross Kemp was born on July 21, 1964 in Barking, Essex, England. His mother, Jean, was a hairdresser and his father, John, was a policeman with the Metropolitan Police force. He has a brother named Darren who is a documentary producer for the BBC.

Ross attended Shenfield High School, where he is remembered as an excellent athlete. He wanted to be an actor from a young age and went on to study drama at the Webber Douglas Academy. He has rarely been out of work since leaving the academy in 1985, appearing on stage, in films, on television and in various adverts.

His first credited television appearance was in 1986, playing Graham Lodsworth in "Emmerdale Farm" (now "Emmerdale"). His most famous role to date was his award-winning portrayal of hardman Grant Mitchell in the popular BBC series "EastEnders".

Nigel Lindsay was born on 17th January 1969 and entered into the world of acting comparatively late. For three years he was a financial analyst in the City in his native London but, on his own admission, hated it and applied almost simultaneously for the law and the stage. He had a place at bar school beginning on the same day as the start of his three year course at the Webber Douglas Academy - but the lure of the stage prevailed and he chose the academy,where he won the Amherst Webber Scholarship. His finals role was in 'Charley's Aunt' directed by Michael Fry,for whom he first worked professionally with the Lincolnshire touring company Great Eastern Stage playing an assassin in 'Shoot the Archduke'. Since then he has appeared on many stages,the Royal Court,the National,the Old Vic and on Broadway in Tom Stoppard's 'The Real Thing'. With a range extending from Pinter to musicals - most notably under layers of green make-up in the title role of 'Shrek - the Musical - he also took the Whatsonstage award as best supporting actor in 2011 for 'Broken Glass'. On television he has been nice,as Sally Phillips' kindly boyfriend in comedy 'Jam and Jerusalem', and nasty,as a sinister policeman investigating one of the 'Midsomer Murders' and on film as a fervent white Muslim in the black farce 'Four Lions'.

Guy is known the world over for his portrayal of Lieutenant Gruber, one of the original and enduring characters of over 90 episodes of 'Allo 'Allo! which is one of the most successful comedy series the B.B.C. has ever produced and is still shown in more than 80 countries.

Guy was born in Manhattan to an American father and an English mother. He was educated in England and trained for the stage at the Webber Douglas Academy in London where he won the Rodney Millington Award for his performance as The Emcee in Cabaret. In a career of some 50 years he has become a household name in the U.K. both in theatre and television. In recent years he has spent much of his time working in the film industry in Los Angeles but is now based in London where he juggles two careers - actor and writer/producer. With his producing partner David Mansell he runs Einstein Films, with several movies in development.

Guy made his first London appearance in the highly acclaimed Cowardy Custard at the Mermaid Theatre. Other London credits include Off the Peg, Nickleby and Me, Toad of Toad Hall, The Frogs, Wealth, The Biograph Girl and Don't Dress for Dinner. He has also appeared several times in cabaret at The Ritz. He has worked with many of the leading English repertory companies including Coventry, Leicester, Brighton, Windsor, Oxford and The Bristol Old Vic, and did six major tours with Jonathan Lynn's Cambridge Theatre Company in a repertoire mainly of the classics including The Master Builder, The Relapse, An Inspector Calls and Uncle Vanya. He twice toured Australia with the stage show of 'Allo 'Allo which also enjoyed a record-breaking U.K. tour and long West End runs both at the Prince of Wales and the London Palladium.

Television work in London includes: I Claudius, Dr. Who, Life at Stake, Z Cars, Softly Softly, The Secret Army, You Rang M'Lord?, The Brittas Empire, Doctors and of course 'Allo 'Allo! In LA: Seinfeld, Martial Law, Diagnosis Murder (with Dick van Dyke), Zoe, Babylon 5, When Billie Beat Bobbie (with Holly Hunter and Goldie Hawn), That's My Bush (with the writers of South Park), The Agency and Startrek: Enterprise.

Guy's experience and contacts in all aspects of film-making are widespread. Movies include: The Disappearance of Kevin Johnson, Great Harry and Jane, Lost Highway (written and directed by David Lynch), Leprechaun 4, Bug, Return to the Secret Garden, The Second Front (with Todd Field), Megiddo (with Michael York), Vlad (with Billy Zane), Provoked, The Loss Adjuster (with Luke Goss) and Pirates of the Caribbean (with Johnny Depp).

Jonathan Aris is the son of the late British character actor Ben Aris but, despite having a thespian as a father, acting was not his first choice. He studied painting at Camberwell School of Art and read Russian and Italian at Cambridge University before training as an actor at the Webber Douglas Academy of Dramatic Art in London. Like his father, Jonathan has chiefly been seen in character roles, notably on television as the private secretary to the (female) Prime Minister in The Amazing Mrs Pritchard (2006). He also does a great number of voice-overs for television commercials and narration for documentaries. He has made numerous stage appearances and was in the original London cast of "Fame - the Musical".

Born in 1949, Antony Sher was raised in South Africa before going to London to study at the Webber-Douglas Academy of Dramatic Art between 1969 and 1971. After performing for the Gay Sweatshop theatrical group in "Thinking Straight" (1975), "The Fork" (1976), and "Stone" (1976), he joined the Royal Shakespeare Company in 1982. Three years later, his performance in the title role of "Richard III" won him a Laurence Olivier Award for Best Actor and, in 1997, he won another Laurence Olivier Award for "Stanley".

Although he spent more time onstage, Sher appeared in a number of films and TV series, including The History Man (1981), Shadey (1985), The Young Poisoner's Handbook (1995) and Mr. Toad's Wild Ride (1996). He gave a charming performance as Benjamin Disraeli in Mrs. Brown (1997), and played "Dr. Moth" in Shakespeare in Love (1998).

Sher was appointed a Knight Commander of the Order of the British Empire in 2000.

Jill Halfpenny was born on 15th July, 1975, in Newcastle, to Maureen and Colin Halfpenny. However, her father passed away when she was very young, and her mother married Jill's uncle, Derek.

She attended St Edmund Campion RC Comprehensive School, and trained at the Webber Douglas Academy of Dramatic Art. Although her native accent is Geordie, she can also do many more, from New York to Northern Irish.

Her hobbies include roller-skating, ice-skating, fencing, dancing and she enjoys traveling. She is also friends with her old co-star, Kacey Ainsworth.

Her first major acting role was at the age of 14, where she starred in Byker Grove (1989) as Nicola. She is probably best known for her TV role as Rebecca Hopkins in Coronation Street (1960), Kate Mitchell in EastEnders (1985), and, more recently, Izzie Redpath in Waterloo Road (2006). She has also had many minor roles in other well-known TV shows, such as The Catherine Tate Show (2004), The Bill (1984), and Shameless (2004).

In 2004, she participated in the BBC1 show Strictly Come Dancing (2004) with professional dancer Darren Bennett. They won the competition, and took part in the one off Christmas Special, winning the title 'Champion Of Champions'. They also made an appearance at the Royal Variety Performance. In December, it was then announced she would play the role of Roxie Hart in Chicago from January 2005.

Other theatre work includes The Bodies, in 2005, where she acted alongside her husband, Craig Conway, and pantomimes at the Theatre Royal in 2005 and 2006. She also starred as Julia in a performance of George Orwell's 1984 in 2002, which is where she and Craig first met. She also starred as Norma Farnes in Surviving Spike, alongside Michael Barrymore, in early 2008, when she was 5-6 months pregnant.

Nicola Bryant was born the daughter of a heating engineer, in 1960, in Surrey, England. At age 3,Nicola began training in dance and music, as well as studying classical ballet, jazz and tap. Nicola also studied the piano, flute and guitar, and finally began to study acting at the Webber Douglas Academy of Dramatic Art. Here, apart from developing her acting skills, she continued her hobbies of golf and music. It was during her time at drama school, that Nicola married the Broadway singer, Scott Kennedy, (although they later separated). Her final production at Webber Douglas was No, No, Nanette, in which she played lead.

Bryant was spotted by an agent, Terry Carney (William Hartnell's son-in-law), and asked to audition for the part of Peri in Doctor Who (1963), which she got. On leaving, she appeared in Blackadder's Christmas Carol (1988), Doctor Who: Dimensions in Time (1993), which was a Doctor Who spoof, as well as the highly successful Stranger videos and The Airzone Solution (also with Colin Baker).

In 1995, Nicola appeared as Martine in The Biz (1995), a children's series, which has run for 3 series. She also has sung with Colin Baker, Anthony Ainley, Nicholas Courtney and a number of British pop stars on the Doctor In Distress record.

Nicola lives in Notting Hill, where her understanding neighbours allow her to write music at all hours of the day and night.

Nicholas Courtney was born in Egypt, the son of a British diplomat. His early years were spent in Kenya and France and he was called up for National Service at the age of 18. After 18 months of duty in the British forces, Courtney joined the Webber Douglas drama school. He spent two years there and then did repertory theatre in Northampton. His next move was to London.

During the 1960s, he played some roles in popular TV series. In 1965, he made an appearance on Doctor Who (1963), during the tenure of William Hartnell. The director, Douglas Camfield, remembered him and, in 1967, cast him as "Captain Knight" in "Doctor Who" episode "The Web of Fear". He took the part of "Lethbridge-Stewart", which was to become his most famous role, when the actor originally cast in the part had to drop out. At this time, Patrick Troughton was the star of the series.

Shortly after this, Courtney was offered the chance to play the role regularly and accepted. This guaranteed him work until 1975, when the character was written out of the series. He became a good friend of Jon Pertwee during his time on the programme, and returned in 1983, 1988 and 1989. His other television work has included a comedy with Frankie Howerd. Courtney has maintained a close association with "Doctor Who", narrating the documentary Doctor Who: Thirty Years in the TARDIS (1993) and attending conventions and appearing in spin-offs.

Paxton Whitehead was born on 17 October, 1937 in Kent, England, UK. He trained at London's Webber-Douglas Academy of Dramatic Arts starting at the age of 17. After attending the academy for two years he went to work in stock companies starting with the "weekly rep", small touring companies that rehearsed and performed a new play each week. He made his professional debut in 1956, and within two years was signed by the Royal Shakespeare Company.

Whitehead produced with Doric Wilson, directed and starred in "And He Made A Her" (1961), a production at the off-off-Broadway venue Caffe Cino. He made his Broadway debut in "The Affair" (1962) after appearing in Canadian stage and TV productions. Dudley Moore, Alan Bennett, Peter Cook and Paxton Whitehead provided vocals on the track "Some Thoughts From Aboard" from the comedy album "Beyond The Fringe '64". He went on to appear with the American Shakespeare Company to direct in regional repertory.

Whitehead was the Artistic Director of the Shaw Festival, the second-largest repertory theatre in North America. The Shaw Festival at Niagara-on-the-Lake began as an amateur summer happening. It developed into a professional, international event, particularly under Paxton Whitehead, its dedicated artistic director from 1966 to 1977. Notable appearances there included Magnus in "The Apple Cart", Cusins in "Major Barbara", "The Philanderer", Sergius in "Arms and the Man", Lord Summerhays in "Misalliance", Fancourt Babberly in "Charley's Aunt", Tempest in the North American premiere of Alan Bennett's "Forty Years On" and Hector in "Heartbreak House" with Jessica Tandy and Tony Van Bridge, a role he repeated at the Theatre Royal, Haymarket, London with Rex Harrison and Diana Rigg. Whitehead was also the Artistic Director for The Vancouver Playhouse Theatre Company from 1971 to 1973.

Whitehead appeared opposite Carol Channing in "The Bed Before Yesterday" (1976) at the Robert Morris University, Colonial Theatre, Pennsylvania. He received an honourary degree in arts from Trent University in 1978. At the Williamstown Theatre Festival, Main Stage July 11 - July 15, 1978, Whitehead played Leo in "Design for Living". Suzanne Grossman and Paxton Whitehead translated and adapted the plays by Georges Feydeau "The Chemmy Circle" in 1979 and "A Flea in her Ear" in 1982.

Whitehead earned a Tony Award nomination for his appearance in "Camelot" during 1980. He has appeared in numerous Broadway productions including "My Fair Lady", opposite Richard Chamberlain, "The Harlequin Studies" with Bill Irwin, Noël Coward's "Suite in Two Keys", "A Little Hotel on the Side", "Lettice and Lovage" (playing an emotionally shut-down police investigator), "Artist Descending A Staircase", "Run For Your Wife", "The Crucifer of Blood", "Habeas Corpus", "Candida", "Beyond the Fringe" (1964), "The Affair" and "London Suite" (a comedy by Neil Simon). Whitehead appeared in "Noises Off" (September 22 - November 27, 1983) with Linda Thorson, his Marblehead Manor (1987) co-star.

He moved to California in 1980 to rear his children and has been a resident of Irvine, California for many years. The Shaw Festival of Canada debuted at the Annenberg Centre with "Charley's Aunt" starring Paxton Whitehead. Whitehead has also appeared in the Los Angeles productions of "Woman in Mind" with Helen Mirren, "The Rocky Horror Show", "Pirates of Penzance", "How the Other Half Loves" and "Beyond The Fringe", as well as duplicating some of his Broadway roles. Paxton Whitehead directed the Seattle Repertory Theatre production of "The Real Thing" in 1986. He was nominated for Best Lead Performance at the 1988-1989 20th Los Angeles Drama Critics Circle Awards for "How the Other Half Loves".

Whitehead appeared in the June 1992 Tiffany Theatre production of "Woman in Mind". In 1996 Whitehead appeared in the Studio Arena Theatre production of "Springtime for Henry". From January 7 to February 15, 1997, Paxton Whitehead starred in Hugh Leonard's play "The Mask of Moriarty" at the Paper Mill Playhouse in Millburn, New Jersey. Whitehead was the narrator for the February 1999 Tiffany Theater production of "The Rocky Horror Show".

In April 2000, Hayley Mills appeared with Whitehead in "Suite in 2 Keys", "Shadows of the Evening" and "A Song at Twilight". Whitehead played the celebrated British poet and Latin Professor A.E. Housman in "The Invention of Love" at Court Theatre, Chicago, Illinois (September 6 - October 21, 2000). On October 10, 2001, The UCLA Centre for the Performing Arts for 17th- & 18th-Century Studies sponsored "Lady Windermere's Fan" by Oscar Wilde, a staged reading by John Lithgow and friends with Lord Augustus Lorton played by Paxton Whitehead. In the Signature Theatre Company production of "The Harlequin Studies" (October 2003) featured Whitehead as Harlequin's master, Pantalone. Performances of Whitehead's are available on audio CDs of "The Doctor's Dilemma" (January 11, 2003), "Thank You, Jeeves" and "The Foreigner" (May 17, 2003) from L.A. Theatre Works.

Whitehead is an Associate Artist of the Old Globe Theatre in San Diego. His appearances there include "The Miser", "Richard III", "Sir Peter Teazle", "Sir Anthony Absolute" and "Benedick". In Costa Mesa he has been seen in "Heartbreak House", "How the Other Half Loves" and "The Circle". He has appeared as Lear in Manitoba and several Ray Cooney farces. He has recent regional credits that include "The Voysey Inheritance" (December 13, 2003), W. Somerset Maugham's "The Circle", A.E.H. in the Chicago production of Tom Stoppard's "The Invention of Love" and "Where's Charley?" (Williamstown Theatre Festival, June 19-30, 2002). Whitehead played Clive Champion-Cheney in "The Circle" by W. Somerset Maugham at South Coast Repertory. During the rehearsal of "The Circle" he played Malvolio in The Globe's "Twelfth Night". He appeared with John Lithgow, Melissa Errico, Roger Daltrey and Rosemary Harris and played Col. Pickering in a semi-staged production of Alan Jay Lerner and Enrique Loewe's Classic Musical "My Fair Lady" at the Hollywood Bowl on August 3, 2003. Paxton Whitehead headed the cast of The Huntington Theatre Company presentation of "What the Butler Saw" as Dr. Rance at the Boston University Theatre, March 5-April 4, 2004 for which he received the Norton Awards for Outstanding Actor, Large Company. He is co-author on the books "The Doctor's Dilemma" and "The Voysey Inheritance" published by L.A. Theatre Works. Whitehead appeared in "Don Juan in Hell" at 92nd Street Y on January 28, 2005.

Sally Rogers is an actor from the city of Manchester, who began her career on the stage in 1989. She trained at the Webber Douglas Academy. When Sally wasn't working on the stage she built a strong line of guest roles in various British series, which culminated with her current run on The Bill (1984-) as a brassy London detective with a big heart. Sally went AWOL from the series in 2006 to have her first child at the tender age of 41, but made a very welcome return to this series, just when the writers began to turn out stronger episodes.

Some stand out roles include The Lakes and Murphy's Law as well as cool turn in the idiosyncratic Little Britain. Although once training to be a nanny, acting has given her the chance to be a gay copper, comedienne and an escort in EastEnders...

And hopefully she won't be killed off any time soon from her role as Jo Masters in the Bill.

Brian was educated in primary and secondary modern schools until the age of 17. He worked as a window cleaner and a butcher's van driver while a member of the Oxford Youth Theatre. He then relocated to London where he enrolled at the Webber Douglas School and, upon graduation, he appeared in rep at Bristol, Coventry, Leicester, Soho Poly, Leeds, Edinburgh, Exeter and the Ludlow Festival. One of his earliest stage appearances was in a production of 'Curse of the Starving Class'. In his free time, he enjoys playing tennis, squash, football and bridge. He also lists reading and gardening amongst his favourite pastimes.