The 20 greatest legends of martial arts in cinema

Bruce Lee remains the greatest icon of martial arts cinema and a key figure of modern popular media. Had it not been for Bruce Lee and his movies in the early 1970s, it's arguable whether or not the martial arts film genre would have ever penetrated and influenced mainstream North American and European cinema and audiences the way it has over the past four decades. The influence of East Asian martial arts cinema can be seen today in so many other film genres including comedies, action, drama, science fiction, horror and animation... and they all have their roots in the phenomenon that was Bruce Lee.

Lee was born Lee Jun Fan November 27, 1940 in San Francisco, the son of Lee Hoi Chuen, a singer with the Cantonese Opera. Approximately one year later, the family returned to Kowloon in Hong Kong and at the age of five, a young Bruce begins appearing in children's roles in minor films including The Birth of Mankind (1946) and Fu gui fu yun (1948). At the age of 12, Bruce commenced attending La Salle College. Bruce was later beaten up by a street gang, which inspired him to take up martial arts training under the tutelage of Sifu Yip Man who schooled Bruce in wing chun kung fu for a period of approximately five years. This was the only formalized martial arts training ever undertaken by Lee. The talented and athletic Bruce also took up cha-cha dancing and, at age 18, won a major dance championship in Hong Kong.

However, his temper and quick fists got him in trouble with the Hong Kong police on numerous occasions. His parents suggested that he head off to the United States. Lee landed in San Francisco's Chinatown in 1959 and worked in a close relative's restaurant. He eventually made his way to Seattle, Washington, where he enrolled at university to study philosophy and found the time to practice his beloved kung fu techniques. In 1963, Lee met Linda Lee Cadwell (aka Linda Emery) (later his wife) and also opened his first kung fu school at 4750 University Way. During the early half of the 1960s, Lee became associated with many key martial arts figures in the United States, including kenpo karate expert Ed Parker and tae kwon do master Jhoon Rhee. He made guest appearances at notable martial arts events including the Long Beach Nationals. Through one of these tournaments Bruce met Hollywood hair-stylist Jay Sebring who introduced him to television producer William Dozier. Based on the runaway success of Batman (1966), Dozier was keen to bring the cartoon character the Green Hornet to television and was on the lookout for an East Asian actor to play the Green Hornet's sidekick, Kato. Around this time Bruce also opened a second kung fu school in Oakland, California and relocated to Oakland to be closer to Hollywood.

Bruce's screen test was successful, and The Green Hornet (1966) starring Van Williams aired in 1966-1967 with mixed success. His fight scenes were sometimes obscured by unrevealing camera angles, but his dedication was such that he insisted his character behave like a perfect bodyguard, keeping his eyes on whoever might be a threat to his employer except when the script made this impossible. The show was canceled after only one season (twenty-six episodes), but by this time Lee was receiving more fan mail than the series' nominal star. He then opened a third branch of his kung fu school in Los Angeles and began providing personalized martial arts training to celebrities including film stars Steve McQueen and James Coburn as well as screenwriter Stirling Silliphant. In addition he refined his prior knowledge of wing chun and incorporated aspects of other fighting styles such as traditional boxing and Okinawan karate. He also developed his own unique style Jeet Kune Do (Way of the Intercepting Fist). Another film opportunity then came his way as he landed the small role of a stand over man named Winslow Wong who intimidates private eye James Garner in Marlowe (1969). Wong pays a visit to Garner and proceeds to demolish the investigator's office with his fists and feet, finishing off with a spectacular high kick that shatters the light fixture. With this further exposure of his talents, Bruce then scored several guest appearances as a martial arts instructor to blind private eye James Franciscus on the television series Longstreet (1971).

With his minor success in Hollywood and money in his pocket, Bruce returned for a visit to Hong Kong and was approached by film producer Raymond Man-Wai Chow who had recently started Golden Harvest productions. Chow was keen to utilize Lee's strong popularity amongst young Chinese fans, and offered him the lead role in The Big Boss (1971). In it, Lee plays a distant cousin coming to join relatives working at an ice house, where murder, corruption, and drug-running lead to his character's adventures and display of Kung-Fu expertise. The film was directed by Wei Lo, shot in Thailand on a very low budget and in terrible living conditions for cast and crew. However, when it opened in Hong Kong the film was an enormous hit. Chow knew he had struck box office gold with Lee and quickly assembled another script entitled Fist of Fury (1972). The second film (with a slightly bigger budget) was again directed by Wei Lo and was set in Shanghai in the year 1900, with Lee returning to his school to find that his beloved master has been poisoned by the local Japanese karate school. Once again he uncovers the evildoers and sets about seeking revenge on those responsible for murdering his teacher and intimidating his school. The film features several superb fight sequences and, at the film's conclusion, Lee refuses to surrender to the Japanese police and seemingly leaps to his death in a hail of police bullets.

Once more, Hong Kong streets were jammed with thousands of fervent Chinese movie fans who could not get enough of the fearless Bruce Lee, and his second film went on to break the box office records set by the first! Lee then set up his own production company, Concord Productions, and set about guiding his film career personally by writing, directing and acting in his next film, The Way of the Dragon (1972). A bigger budget meant better locations and opponents, with the new film set in Rome, Italy and additionally starring hapkido expert In-shik Hwang, karate legend Robert Wall and seven-time U.S. karate champion Chuck Norris. Bruce plays a seemingly simple country boy sent to assist at a cousin's restaurant in Rome and finds his cousins are being bullied by local thugs for protection.

By now, Lee's remarkable success in East Asia had come to the attention of Hollywood film executives and a script was hastily written pitching him as a secret agent penetrating an island fortress. Warner Bros. financed the film and also insisted on B-movie tough guy John Saxon starring alongside Lee to give the film wider appeal. The film culminates with another show-stopping fight sequence between Lee and the key villain, Han, in a maze of mirrors. Shooting was completed in and around Hong Kong in early 1973 and in the subsequent weeks Bruce was involved in completing overdubs and looping for the final cut. Various reports from friends and co-workers cite that he was not feeling well during this period and on July 20, 1973 he lay down at the apartment of actress Betty Ting Pei after taking a headache medicine called Equagesic and was later unable to be revived. A doctor was called and Lee was taken to hospital by ambulance and pronounced dead that evening. The official finding was death due to a cerebral edema, caused by a reaction to the headache tablet Equagesic.

Fans worldwide were shattered that their virile idol had passed at such a young age, and nearly thirty thousand fans filed past his coffin in Hong Kong. A second, much smaller ceremony was held in Seattle, Washington and Bruce was laid to rest at Lake View Cemetary in Seattle with pall bearers including Steve McQueen, James Coburn and Dan Inosanto. Enter the Dragon (1973) was later released in the mainland United States, and was a huge hit with audiences there, which then prompted National General films to actively distribute his three prior movies to U.S. theatres... each was a box office smash.

Fans throughout the world were still hungry for more Bruce Lee films and thus remaining footage (completed before his death) of Lee fighting several opponents including Dan Inosanto, Hugh O'Brian and Kareem Abdul-Jabbar was crafted into another film titled Game of Death (1978). The film used a lookalike and shadowy camera work to be substituted for the real Lee in numerous scenes. The film is a poor addition to the line-up and is only saved by the final twenty minutes and the footage of the real Bruce Lee battling his way up the tower. Amazingly, this same shoddy process was used to create Game of Death II (1980), with a lookalike and more stunt doubles interwoven with a few brief minutes of footage of the real Bruce Lee.

Tragically, his son Brandon Lee, an actor and martial artist like his father, was killed in a freak accident on the set of The Crow (1994). Bruce Lee was not only an amazing athlete and martial artist but he possessed genuine superstar charisma and through a handful of films he left behind an indelible impression on the tapestry of modern cinema.

Hong Kong's cheeky, lovable and best-known film star, Jackie Chan endured many years of long, hard work and multiple injuries to establish international success after his start in Hong Kong's manic martial arts cinema industry.

Jackie was born Kong-sang Chan on April 7, 1954, on Hong Kong's famous Victoria Peak, to Charles and Lee-Lee Chan, and the family immigrated to Canberra, Australia, in early 1960. The young Jackie was less than successful scholastically, so his father sent him back to Hong Kong to attend the rigorous China Drama Academy, one of the Peking Opera schools. Chan excelled at acrobatics, singing and martial arts and eventually became a member of the "Seven Little Fortunes" performing troupe and began lifelong friendships with fellow martial artists / actors Sammo Kam-Bo Hung and Biao Yuen. Chan journeyed back and forth to visit his parents and work in Canberra, but eventually he made his way back to Hong Kong as his permanent home. In the early 1970s, Chan commenced his movie career and interestingly appeared in very minor roles in two films starring then rising martial arts superstar Bruce Lee: Fist of Fury (1972) (aka "The Chinese Connection"), and the Warner Bros. production Enter the Dragon (1973). Not long after Lee's untimely death, Chan was often cast in films cashing in on the success of Bruce Lee by utilizing words like "fist", "fury" or "dragon" in their US release titles.

Chan's own film career was off and running and he swiftly appeared in many low-budget martial arts films that were churned out at a rapid-fire pace by Hong Kong studios eager to satisfy the early 1970s boom in martial-arts cinema. He starred in Shaolin Wooden Men (1976), To Kill with Intrigue (1977), Half a Loaf of Kung Fu (1978) and Magnificent Bodyguards (1978), which all fared reasonably well at the cinemas. However, he scored a major breakthrough with the action comedy Drunken Master (1978), which has become a cult favorite among martial arts film fans. Not too long after this, Chan made his directorial debut with The Young Master (1980) and then "Enter the Dragon" producer Robert Clouse lured Jackie to the United States for a film planned to break Jackie into the lucrative US market. Battle Creek Brawl (1980) featured Jackie competing in a "toughest Street fighter" contest set in 1940s Texas; however, Jackie was unhappy with the end result, and it failed to fire with US audiences. In a further attempt to get his name known in the United States, Jackie was cast alongside Burt Reynolds, Sir Roger Moore and Dean Martin in the Hal Needham-directed car chase film The Cannonball Run (1981). Regrettably, Jackie was cast as a Japanese race driver and his martial arts skills are only shown in one small sequence near the film's conclusion. Stateside success was still a few years away for Jackie Chan!

Undeterred, he returned to East Asia to do what he did best--make jaw-dropping action films loaded with amazing stunt work. Chan and his legendary stunt team were without parallel in their ability to execute the most incredible fight scenes and action sequences, and the next decade would see some of their best work. Chan paired with the dynamic Sammo Kam-Bo Hung to star in Winners & Sinners (1983), Project A (1983), Wheels on Meals (1984), My Lucky Stars (1985) (aka "Winners & Sinners 2"), Twinkle Twinkle Lucky Stars (1985) (aka "Winners & Sinners 3"). Chan then journeyed back to the United States for another shot at that market, starring alongside Danny Aiello in The Protector (1985), filmed in Hong Kong and New York. However, as with previous attempts, Jackie felt the US director--in this case, James Glickenhaus--failed to understand his audience appeal and the film played to lukewarm reviews and box-office receipts. However, Jackie did decide to "harden" up his on-screen image somewhat and his next film, Police Story (1985) was a definite departure from previously light-hearted martial arts fare, and his fans loved the final product!

This was quickly followed up with the Raiders of the Lost Ark (1981)-influenced Armour of God (1986), during filming of which Jackie mistimed a leap from a wall to a tree on location in Yugoslavia and fell many quite a few feet onto his head, causing a skull fracture. It was another in a long line of injuries that Chan has suffered as a result of doing his own stunt work, and he was soon back in front of the cameras. Project A 2 (1987), Police Story 2 (1988), Miracles: The Canton Godfather (1989) (aka "Mr. Canton and Lady Rose)", Armour of God 2: Operation Condor (1991) (aka "Armour of God 2") and Supercop (1992) (aka "Police Story 3") were all sizable hits for Jackie, escalating his status to phenomenal heights in Asia, and to his loyal fanbase around the globe. US success was now just around the corner for the hard-working Jackie Chan, and it arrived in the form of the action film Rumble in the Bronx (1995) (though it was actually filmed in Canada) that successfully blended humor and action to make a winning formula in US theaters.

Jackie did not waste any time and went to work on First Strike (1996) (aka "Police Story 4"), Mr. Nice Guy (1997), Who Am I? (1998), which all met with positive results at the international box office. Jackie then went to work in his biggest-budget US production, starring alongside fast-talking comedian Chris Tucker in the action comedy Rush Hour (1998). The film was a bigger hit than "Rumble in the Bronx" and firmly established Jackie as a bona fide star in the United States. Jackie then paired up with rising talent Owen Wilson to star in Shanghai Noon (2000) and its sequel, Shanghai Knights (2003), and re-teamed with Tucker in Rush Hour 2 (2001), as well as starring in The Tuxedo (2002), The Medallion (2003) and the delightful Around the World in 80 Days (2004). Not one to forget his loyal fanbase, Jackie returned to more gritty and traditional fare with New Police Story (2004) and The Myth (2005). The multi-talented Chan (he is also a major recording star in Asia) shows no sign of slowing down and has long since moved out of the shadow of Bruce Lee, to whom he was usually compared early in his career.

Chan is truly one of the international film industry's true maverick actor / director / stuntman / producer combinations - he has done this the hard way, and always his way to achieve his dreams and goals to be an international cinematic star. Off screen, he has been directly involved in many philanthropic ventures providing financial assistance to schools and universities around the world. He is a UNICEF GoodWill Ambassador, and he has campaigned against animal abuse and pollution and assisted with disaster relief efforts to the 2004 Indian Ocean Tsunami victims.

Jet Li born Li Lian Jie in Beijing, China. He started training at the Beijing wushu academy (wushu is China's national sport, largely a performance version of various martial art styles) at age eight. He won five gold medals in the Chinese championships, his first when he was only 11. In his teens, he was already a national coach, and before he was 20 he had starred in his first movie: The Shaolin Temple (1982), which started the 1980s Kung-Fu boom in mainland China. He relocated to Hong Kong, where he was the biggest star of the early 1990s Kung-Fu boom. His first directorial effort was Born to Defense (1988).

Chia-Hui Liu was born on 22 August 1951 in Guangdong, China. He is an actor and director, known for Kill Bill: Vol. 2 (2004), The 36th Chamber of Shaolin (1978) and Kill Bill: Vol. 1 (2003). He was previously married to Ma Fei-feng.

Born in Hong Kong, Sammo Hung's acting career began while he was training in acrobatics, martial arts and dance as a child at the China Drama Academy, and he received acclaim for his performance with a troupe called "The Seven Little Fortunes." He made his feature film debut as an actor at the age of 12, and has worked in numerous martial arts films as an actor, director, producer and/or choreographer, collaborating with Bruce Lee and Jackie Chan, two superstars of the genre.

He is now internationally renowned as a pioneer and trend-setter in Hong Kong action films. Hung's big break as a film actor came with a role as a sparring partner in the Bruce Lee film Enter the Dragon (1973). He established his reputation as a skilled physical comedian in several kung-fu comedies, beginning with "Enter the Fat Dragon" (Enter the Fat Dragon (1978)). He also produced and starred in numerous successful films throughout the 1970s and 1980s for Hong Kong's leading film studio, Golden Harvest.

Hung collaborated in the 1980s with long-time friend Jackie Chan in a highly successful series of action comedies that cemented Hung's reputation as a consummate actor/director and launched Chan's career as an international star. For a while, Hung also starred in an American TV series, Martial Law (1998).

He directed Once Upon a Time in China and America (1997), his first film shot in the US. He and his wife, Mina, now divide their time between homes in Hong Kong and Los Angeles.

Donnie Yen was born in Guangzhou, China. His mother, Bow-sim Mark, was a kung fu master and his father, Kylster Yen, a newspaper editor and amateur musician. When Donnie was just two years old, the family moved to Hong Kong and then, when he was 11, to Boston, Massachusetts.

There, Master Bow-sim Mark became a pioneer for Chinese martial arts in America, and it was only natural that her only son was trained from early childhood in the same skills. At the same time, Donnie was influenced by his parents' love of music and reached a high level of proficiency as a pianist. All these interests would have a manifest influence on Yen's later life.

In his teens, Donnie defined his own persona by rebelling against his parents edicts. Beyond the limitations of his mother's school, Yen began training in various different fighting arts, including Japanese karate, Korean taekwondo and western boxing. Donnie also took up hip-hop and break-dancing. At the same time, he began spending his nights in Boston's notorious Combat Zone. Given that he was by now a serious practitioner of modern Wu Shu, his parents decided to send him to Beijing to train at the Chinese capital's famed Wu Shu academy.

It was when Yen returned to Hong Kong en route back to Boston that he met the famed martial arts movie director Yuen Woo-ping.

Donnie exploded onto the Hong Kong movie scene when he was cast in the lead role of director Yuen Woo-ping's 'Drunken Tai Chi'. His debut film immediately established him as a viable leading man, and Yen has remained a major figure in Chinese action cinema to this day.

Yen skills as a street dancer were to the fore in his second starring role, 'Mismatched Couples', in which he showed off his breakdance moves, as well as his general athleticism. This slapstick romantic comedy was produced by Hong Kong's prestigious Cinema City studio.

Donnie was subsequently signed by the newly formed D&B Films, and cast in the hit cop actioner 'Tiger Cage'. In this movie, and his follow-up features for the company ('In the Line of Duty 4', 'Tiger Cage 2'), Yen showed off his own unique form of contemporary screen combat, a form that included elements of rapid fire kicking, Western boxing and grappling moves.

Having established a worldwide fan base, Yen moved on to star in a string of independent Asian action features before director Tsui Hark tapped him to co-star in 'Once Upon A Time In China 2'. The film's two action highlights saw Donnie's character duel the legendary martial arts master Wong Fei-hung, played by his old friend Jet Li. The film brought Yen his first real attention as a thespian and he was nominated in the Best Supporting Actor category at that year's Hong Kong Film Awards.

Tsui Hark went on to produce a remake of King Hu's classic 'New Dragon Inn', which provided another showcase role for Donnie as the film's apparently invincible villain.

Donnie was reunited with director Yuen Woo-ping for 'Iron Monkey', a film which brought Yen's acting and action skills both into focus. In 'Iron Monkey', Yen played the father of Wong Fei-hung, and its success prefigured that which he would later enjoy as another pugilistic patriarch in 'Ip Man'. Donnie collaborated with Yuen on the action for the film, designing a new on-screen interpretation of Wong Fei-hung's classic 'Shadowless Kick'.

'Iron Monkey' was all the more remarkable in that, years after its Asian release, it was acquired by the American studio Miramax, re-cut, re-scored and given a wide release in US theatres. After premieres in New York and Los Angeles, the film enjoyed great acclaim from the American critics, and won a prize at that year's Taurus Awards, an event held to celebrate action in cinema.

After working on a number of independent features, Yen went on to enjoy huge success on the small screen when he accepted a lucrative offer from Hong Kong's ATV to film a series based on the Bruce Lee classic 'Fist of Fury'. The show was the top-rated action drama show around the region, and was subsequently re-edited for international distribution on video.

Donnie went on to make his directorial debut with 'Legend of the Wolf', a stylish period actioner that even attracted the attention of legendary American film-maker Francis Coppola. The film, about an amnesiac warrior returning to his home village, has become a bona fide cult classic.

As director, Donnie followed 'Legend of the Wolf' with a very different venture, 'Ballistic Kiss', an urban thriller about a conflicted assassin. The film played at the prestigious Udine Festival in Italy, and took home awards at several other events, including the Japanese Yubari International Action Film Festival.

Donnie's body of work had by then attracted the attention of Hollywood, and Yen was approached to choreograph the action for the mainstream franchise films 'Highlander: Endgame' and 'Blade 2'. After a period where he was based in Los Angeles, Donnie returned East by way of the West when Jackie Chan requested that Yen play his nemesis in the hit 'Shanghai Knights', a shoot that took the star from Prague to London.

Yen returned to China to co-star in director Zhang Yimou's epic wu xia master work 'Hero'. Yen's duel with Jet Li brought his skills to the emerging Mainland Chinese theatrical audience, and paved the way for Donnie to become the country's biggest action star. The film received a wide US theatrical release from Miramax, and remains one of the most successful foreign language titles ever distributed in the America market.

Donnie returned to Hong Kong to choreograph the smash hit fantasy-horror-comedy 'The Twins Effect', and went on to enjoy his most productive partnership with a director. Beginning with the cop actioner 'SPL', Donnie teamed with helmer Wilson Yip for a series of very different films that Yen would star in and action choreograph and Yip would direct. Star and director subsequently teamed to create the comic book inspired fantasy actioner 'Dragon Tiger Gate' and the gritty police thriller 'Flashpoint', in which Donnie created what fans feel is the definitive on-screen MMA action scene. Yen was to return to this hard-hitting, urban action style for the later 'Special ID'.

Donnie now found himself in demand as a leading man in a series of prestigious period actioners produced for the Chinese market. 'Seven Swords' premiered at the Venice Film Festival, and proved a hit with worldwide audiences. The film was released in North America by The Weinstein Company's Dragon Dynasty label, and remains its biggest hit.

Yen also attracted rave reviews when he played an honorable general in 'An Empress and her Warriors' and an offbeat ghost-buster in Gordon Chan's 'Painted Skin'.

Yen took his career to a new level when he accepted producer Raymond Wong's suggestion that he play Bruce Lee's teacher, 'Ip Man', in an eponymous film relating the life of the great master. The film was a huge success in Hong Kong and China, and 'Ip Man' went on to find favor with audiences worldwide. Donnie also received a Best Actor nomination at the Hong Kong Film Awards.

'Ip Man' confirmed Donnie's position as China's greatest action hero, and he was immediately signed to lead a strong ensemble cast for Teddy Chen's 'Bodyguards and Assassins', produced by Peter Chan. Besides his on-screen performance, Donnie was also called on to choreograph the dynamic duel between himself and MMA champion Cung Le. The movie went on to sweep the board at the Hong Kong Film Awards winning Best Film, among many other prizes. Yen himself was nominated for Best Actor at the Chinese Hundred Flower awards.

Yen followed this with 'Ip Man 2', a rare example of a sequel that proved a match for its predecessor. The film followed Ip's life journey to Hong Kong, where he faces both rival kung fu masters, led by the film's choreographer, Sammo Hung, and a brutal foreign boxer, portrayed by the late Darren Shahlavi. 'Ip Man 2' was the biggest local hit of the year in China, and enjoyed a limited theatrical release in the US.

The film's success led to Donnie being cast as a number of legendary Chinese heroes: He played General Qin-long in Daniel Lee's '14 Blades', Guan Yu in 'The Lost Bladesman' and reprised Bruce Lee's Chen Zhen role in Andrew Lau's 'Legend of the Fist'. Yen also used the lighter side of his screen persona to good effect in two installments of the hit Hong Kong comedy movie series 'Alls Well Ends Well'.

Yen was cast opposite Tang Wei and Takeshi Kaneshiro in director Peter Chan's 'Wu Xia' (aka 'Dragon'), a dark, elegant period martial arts murder mystery. The film premiered to great acclaim at the 2011 Cannes Film Festival, and subsequently received a North American theatrical release from The Weinstein Company.

Donnie Yen played 'The Monkey King' in a hit reimagining of the Chinese classic. Donnie starred opposite screen legend Chow Yun-fat in the film, which smashed box office records in Mainland China.

Showing his versatility, Yen went on to play a kung fu master facing challenges in the modern era in director Teddy Chen's 'Kung Fu Jungle'. The movie, which premiered at the London Film Festival, paid tribute to the great history of Hong Kong martial arts cinema.

During the shooting of his ambitious, time travel themed action fantasy 'Iceman 3D', Yen was approached to revitalize the greatest brand in the history of Chinese martial arts cinema. 'Crouching Tiger, Hidden Dragon: Sword of Destiny' was shot primarily on location in New Zealand, with Yen in the lead role. The world class creative team gathered by producer Harvey Weinstein included legendary kung fu film director Yuen Woo-ping, acclaimed directors Peter Berg and Morten Tyldum (as producers), 'X-Men' series DP Tom Sigel as well as the Oscar-winning production, costume and FX designers from the 'Lord of the Rings' and 'Hobbit' film series.

The film debuted in most international territories as a Netflix Original movie, making it the most widely seen wu xia of all time. 'Crouching Tiger, Hidden Dragon: The Sword of Destiny' also played at selected Imax theatres in North America, and enjoyed a wide theatrical release in China, where it was screened in its 3D version.

Yen reteamed with his former mentor Yuen Woo-ping for the hugely popular 'Ip Man 3'. The film, with Wilson Ip as director and Yuen as choreographer, pitted the title character against legendary boxing champion Mike Tyson. The film out-performed all the previous movies featuring the character of Ip Man, smashing box office records throughout Asia. Following a high profile Los Angeles premiere, 'Ip Man 3' enjoyed a Los Angeles premiere and a US theatrical release, earning rave reviews in the mainstream American media.

Having conquered every territory beneath the Asian skies, Donnie accepted an invitation to join the cast of an entry in the world's biggest film franchise. In 'Rogue One: A Star Wars Story', Yen plays one of the Rebel warriors responsible for the theft of the Death Star plans, the adventure that, within the 'Star Wars' universe, leads to the events of the very first film in the series. The film was shot primarily at the famed Elstree Studios in England.

Donnie had a role opposite Vin Diesel and his fellow Asian action star, Tony Jaa, in xXx: Return of Xander Cage (2017), which filmed in Toronto, Canada.

Now firmly established as a leading player across the globe, Donnie Yen continues to present a unique blend of Eastern experience and Western innovation, of musical grace with martial impact, from Hong Kong to a galaxy far, far away....

Donnie is one of the leading martial arts choreographers in the world of action cinema. His skills behind the camera began developing from his early days in the industry, and he was very much involved with the action choreography of his films for D&B Films. He received his first full action directing credit on the Michelle Yeoh, kung fu drama 'Wing Chun', in which he also starred.

Yen further developed his style of choreography in the high pressure world of Hong Kong television, where he created the action for his hit series 'Kung Fu Master' and 'Fist of Fury', and as a low-budget film-maker, when he directed, starred in and choreographed the movies 'Legend of the Wolf' and 'Ballistic Kiss'.

It was after Yen had helmed his first two Chinese features that Hollywood made its first serious bid for his services. He was signed to co-star in and action direct 'Highlander: Endgame', the latest in a series of fantasy actioners. The film, which starred Adrian Paul and Christopher Lambert, was produced by the US studio Dimension, and enjoyed a successful worldwide theatrical release.

Having relocated to Los Angeles, Yen paid his dues by directing action scenes for the Dimension action thriller 'Stormbreaker' and providing the fight sequences for the German TV series 'The Puma'.

Donnie agreed to both action direct and cameo in the major New Line action franchise entry 'Blade 2', starring Wesley Snipes. The film, directed by Guillermo del Toro, was a huge hit, earning almost twice the box office of the original 'Blade'.

Returning to Hong Kong, Yen found he now had a major contribution to make behind the camera, co-directing the SFX action adventure 'The Twins Effect'. The film, which starred two of China's top pop idols, told the tale of young vampire hunters with well-honed martial arts skills. A huge hit for Emperor, the film earned Yen his first Best Action Director prize at the Hong Kong Film Awards.

'The Twins Effect' saw Donnie start to introduce elements of MMA (Mixed Martial Arts) in his film fight scenes. He took the on-screen depiction of the style to new heights with the film 'SPL', released in the US as 'Kill Zone'. Yen's final reel duel with Sammo Hung is now regarded as a classic of the genre. The film won Donnie his second Best Action Choreography prize at the Hong Kong Film Awards.

He took his on-screen depiction of MMA to new heights in 'Flashpoint', which featured an even longer and more intense final showdown, this time between Yen and 'Matrix Reloaded' actor Collin Chou. The film won Donnie his third Best Action Choreography prize at the Hong Kong Film Awards, as well as a prize for Best Action in a Foreign Language Film at the Taurus Awards.

Yen explored different styles of screen combat when he choreographed the stunning kung fu fights for the period actioners 'Legend of the Fist' and 'The Lost Bladesman', the fantasy combat for 'The Monkey King' and the time travel adventure 'Iceman Cometh 3D'.

Many fans feel that Yen delivered his best choreographic work to date in Peter Chan's masterful 'Wu Xia', released in the US as 'Dragon'. The film saw Donnie bring his own unique flair to classical Shaw Bros style kung fu action.

Donnie brought traditional Chinese martial arts into the modern era with 'Kung Fu Jungle', for which his work won yet another Best Choreography prize at the Hong Kong Film Awards.

Away from the cameras, Yen entered into the most rewarding partnership of his life when he married former beauty queen, Cissy Wang. The couple now has two children, a girl and boy, Jasmine and James.

Yuen Woo-Ping was born on 1 January 1945 in Guangzhou, China. He is a director and actor, known for Crouching Tiger, Hidden Dragon (2000), The Grandmaster (2013) and Fearless (2006).

Chia-Liang Liu was born on 1 August 1936 in Guangzhou, Guangdong, China. He was an actor and director, known for Drunken Master II (1994), Legendary Weapons of China (1982) and My Young Auntie (1981). He was married to Jing-Jing Yung and Hsiu-Hsia Ho. He died on 25 June 2013 in Hong Kong, China.

Ziyi Zhang is a Chinese actress and model. She is best known for Crouching Tiger, Hidden Dragon (2000), Rush Hour 2 (2001), Hero (2002), House of Flying Daggers (2004), and Memoirs of a Geisha (2005).

She made her feature film debut in The Road Home (1999).

For her work in Memoirs of a Geisha she was nominated for an Golden Globe for Best Actress.

Michelle Yeoh was born in Ipoh, Malaysia. She's the daughter of Janet Yeoh & Kian Teik Yeoh. She's of Hokkien descent, speaking English and Malay before Chinese. A ballet dancer since 4, she moved to London to study at the Royal Academy as a teen. After a brief dance career, she won the Miss Malaysia beauty pageant title in and the Miss Moomba beauty pageant title in Melbourne, Australia in the early 1980s. Her first on camera work was a 1984 commercial with martial arts star Jackie Chan. In 1985, she began making action movies with D&B Films of Hong Kong. She was first billed as Michelle Khan, then Michelle Yeoh. Never a trained martial artist, she relied on her dance discipline and on-set trainers to prepare for martial arts action scenes.

She uses many dance moves in her films and does most of her own stunts. In 1988, she married wealthy D&B Films executive Dickson Poon & retired from acting. Even though they divorced in 1992, she's close to Poon's second wife and a godmother to his daughter. When she returned to acting, she became very popular w/ Chinese audiences. She later became known to Western audiences through role in the James Bond film Tomorrow Never Dies (1997) and in the phenomenally successful Crouching Tiger, Hidden Dragon (2000). She turned down a role in a sequel to The Matrix (1999).

She has her own production company, Mythical Films. She trained with the Shen Yang Acrobatic team for her role in The Touch (2002), an English-language film she both starred in and produced. She hopes to use her company to discover and nurture new film-making talent. She also aspires to act in roles that combine both action and deeper spiritual themes.

Born in Indonesia to Cantonese parents, Lo migrated to Hong Kong in his teens, where he attended acting school and in 1962 joined the Shaw Bros. film company. By 1969 he had become the first kungfu superstar, preceding the legendary Bruce Lee. He acted in more than 100 films, usually cast as villains, then turned to directing in the 1980s. For over a decade ending in 1999, Lo was involved in television work in Hong Kong, until failing health forced him into semi-retirement.

Kara Hui Ying-Hung was born in Shandong, China; her family moved to Hong Kong in 1966 and at 14 she quit school and started working at nightclubs. Penniless after her family lost their savings from her father's business acquaintances, Hui and her mother and siblings resided in the poor shanty town of Rennie's Mill and were forced to peddle goods on the streets of Hong Kong. Hui was discovered by film director Chia-Liang Liu and cast in Challenge of the Masters (1976) in 1976. Soon after, she started in many films directed by Liu Chia-Liang. She signed with Shaw Brothers Studios in February of 1975 and made over 40 action movies. She won the very first Best Actress Award for her critically-acclaimed role as Jing Dai-Nan in the 1981 classic My Young Auntie (1981) at the first Hong Kong Film Awards in 1982. After Shaw Studios closed down in 1985, Kara's career transition was very smooth and she has since portrayed more serious roles with very great success, winning the Hong Kong Film Awards, Hong Kong Film Critics Society Awards, Changchun Film Festival, Pacific Meridian, Asian Film Awards, and Golden Horse Awards for her portrayal of a mother in the 2009 film At the End of Daybreak and winning Best Supporting Actress for her role as Yeung Feng in Rigor Mortis in 2014 at the 33rd Hong Kong Film Awards. Kara Hui is a legend. She has acted in over 138 films and is still active in the Hong Kong film industry today.

Yuen Biao is regarded as one of the most acrobatic martial artists ever. Unfortunately, he is still underrated and not as popular as other contemporaries such as Jackie Chan, Sammo Kam-Bo Hung, and Jet Li even though he is the most critically acclaimed out of all of them and the most talented as well. And now he is receiving a cult following due to word of mouth. Born of his parents Ha Kwong-Tai (father) and Ha Sau-Ying. Yuen Biao was first enrolled in the China Drama Academy at the age of 5 (he was the youngest there). He met Sammo Kam-Bo Hung and Jackie Chan while attending the Academy. Jackie Chan took him under his wing, and they became lifelong friends. Yuen Biao stayed at the Academy until the age of 16 where he moved with Master Jim-Yuen to America. However, two years later he came back, citing there were no opportunities for Chinese martial artists to star in American films. After being in some bit part roles in films such as The Shrine of Ultimate Bliss (1974) (aka Stoner), The Hand of Death (1976) (aka Hand of Death), he didn't receive his first major breakthrough role until Sammo Kam-Bo Hung cast him in Knockabout (1979) (aka Knockabout). However, his first role which gave him full exposure and established his status as a A-list star was The Prodigal Son (1981) (aka The Prodigal Son), which also starred and was directed by Sammo Kam-Bo Hung. After that, 'Jackie Chan' cast him in the classic Project A (1983) (aka Project A). After starring in some other films with Sammo Kam-Bo Hung and/or Jackie Chan, he decided to go his own way and to forge his own career to get out of the shadows of Jackie Chan and Sammo Kam-Bo Hung. He met his future wife DiDi Phang Sau-Ha in 1984 while working as a stunt coordinator on the film DiDi Phang was working on: Carry on Pickpocket (1982) (aka Carry On Pickpocket). They have two children. His daughter Yi-Bui was born in 1986 and his son Ming-Tsak in 1988. The film On the Run (1988) (aka On The Run) confirmed his abilities as a brilliant actor as his portrayal as a married man seeking vengeance for his wife's brutal murder was critically acclaimed. The following year he starred in probably his best film, The Iceman Cometh (1989) (aka The Iceman Cometh), in which he starred with acclaimed actress Maggie Cheung. The film is regarded as a cult classic and is remembered not only for the fantastic fighting scenes and hilarious comedy, but also the wonderful acting of Biao Yuen and Maggie Cheung and the wonderful simmering sexual chemistry between them. After starring in the acclaimed Once Upon a Time in China (1991) (aka Once Upon a Time in China, in which most of his scenes were cut), he directed his first movie (A Kid from Tibet (1991). aka A Kid From Tibet), in which he also starred. In 1994, he worked for the first time in years, with Sammo Kam-Bo Hung in the gloriously titled Don't Give a Damn (1995) (aka Don't Give a Damn). In recent years, Yuen Biao has complained of poor scripts, so he appears in films sparsely nowadays. He also has a second home in Canada where he spends most of time pursuing his hobby of golf.

Pei-Pei Cheng was born on 6 January 1946 in Shanghai, China. She was an actress and producer, known for Crouching Tiger, Hidden Dragon (2000), Lilting (2014) and Mulan (2020). She was married to Wen-Tung Yuan. She died on 17 July 2024 in San Francisco, California, USA.

When he was 13 years old, he joined an entertainment troupe on tour of Singapore. During these years he began to study performing. In 1932 he debuted in the film "Gor Nui Ching Chiu" ("Sentimental Song of Companions' Tide") playing a bit part, shot in San Francisco (USA). Soon he came back to Hong Kong to participate in anti-Japanese opposition movement. His first leading role was in 1935 with "Song of the Yesterday", filmed the first version in Hong Kong and the second in the USA in 1937. During World War II Kwan travelled through USA to raise funds for China. In 1947 a Singaporean film company hired him to play martial arts master Wong Fei-Hung in a movie trilogy directed by Wu Peng. Kwan was hired because of his martial arts knowledge. The success was so great that Wu and Kwan would collaborate on 79 films, 59 of which were about Wong. After almost 90 films about Wong Fei-Hung, Kwan played the same character in his first TV series in 1976. In total Kwan made more than 130 films.

Jimmy Wang Yu was born on 28 March 1943 in Shanghai, China. He was an actor and producer, known for Master of the Flying Guillotine (1976), Dragon (2011) and Soul (2013). He was married to Jeanette Lin Tsui. He died on 5 April 2022 in Taipei, Taiwan.

Already a veteran of the Peking Opera, he starred in countless black and white costume dramas before son Yuen Woo-Ping cast him in _Snake in Eagle's Shadow_ , the film which launched Jackie Chan's career. He then went on to feature alongside Chan and Jeong-lee Hwang(_Snake in Eagle's Shadow_'s main villain and the villain again in this film) in the sequel _Drunken Master_. These two films saw his stock rising and on the production of one film, he had to change hotels every night to avoid producers with dubious connections. He died during the filming of the Sammo Hung picture _The Magnificent Butcher_, meaning his scenes had to be re-filmed. This film was also directed by his son, who directed his last completed film _The Buddhist Fist_.

Stephen Chow was the only boy of his family, and has grown up as a Bruce Lee fan and a martial arts addict. His career started on TV, where he presented a children show ( "430 Space Shuttle" (1983)) and started becoming popular. He got some supporting roles, after that, and won the Taiwanese Golden Horse award for best supporting actor.

He had his first starring role in 1990 in a 'Chow Yun-Fat' spoof: All for the Winner (1990) - "All for the Winner" and started excelling in the comedy genre. In Hong-Kong, his particular nonsense style is called "Mo Lei Tau". It's also on the set of this movie that he encountered his fellow sidekick Man-Tat Ng.

One of the last HK biggest star which have not been bought by Hollywood, even if Miramax (who'll surely release Shaolin Soccer (2001) - "Shaolin Soccer" this year in the USA - after remastering it, ouch.) has probably planned something for him...

He was educated in art school in Beijing, left China for Hong Kong in 1949 and entered the film industry in 1951 in the art department. In the 1950s he began acting and in 1958 joined Shaw Brothers as an actor and writer, and later a director. In 1967 he left to start his own studio in Taiwan, returned to Hong Kong in 1970s, working in Hong Kong, Taiwan and China before his death.

Chang Cheh was the leading Martial Arts director in Hong Kong in the 1970s, now with close to 100 films to his name. His has influenced other directors such as John Woo and Liu Chiau Liang, and made famous such Hong Kong stars as Phillip Chung-Fung Kwok, Fu Sheng and Lung Ti. Chang has declared that he will stop working after he has made his 101st film. During the 1970s, Chang was the most prolific of the directors for the now legendary Shaw Brothers Studios, and most revered works include Dynasty of Blood (1973) (aka Blood Brothers) and the awesome film which is Five Deadly Venoms (1978) (aka Five Venoms).