Best Indian Actors of all Time - 100 years - 1913-2013 - in order

On Stats Alone, The Most Popular Actor In The History Of Cinema!

The only actor to enjoy near God-like status across the length and breadth of India for a quarter century!

Elected in several expert online polls, as The Greatest Actor In The History Of World Cinema !

With 100+ All-Time Blockbusters- 48 Platinum Jubilee hits + 27 Golden Jubilee hits + 26 Silver Jubilee Hits, & 17 average hits, over 25 yrs.

So these quite wonderful film business websites have come up with a inflation adjusted analysis of few of his random films, which I shall present about now, just to open the eyes of today's audiences, to just the massive quantum of collections, achieved by this one actor alone. They've done this chronologically for just few of his mildly to very successful (~42/125 ie 1/3rd) lead/parallel lead films leaving out vast sums of his other massively successful films , from late 60s to late 90s, & only inflation-adjusted worldwide collection numbers, so audiences of today can get a decent idea.

1. Raaz - 284 Crores 2. Bandhan - 437 Crores 3. Aradhana - 1092 Crores 4. Ittefaq - 266 Crores 5. Doli - 344 Crores 6. Do Raaste - 1014 Crores 7. Kati Patang - 540 Crores 8. Safar - 426 Crores 9. The Train - 284 Crores 10. Sachcha Jhutha - 781 Crores 11. Aan Milo Sajna - 710 Crores 12. Amar Prem - 387 Crores 13. Mehboob Ki Mehndi - 233 Crores 14. Anand - 220 Crores 15. Haathi Mere Saathi - 903 Crores 16. Andaz - 516 Crores 17. Maryada - 581 Crores 18. Dushman - 644 Crores 19. Apna Desh - 492 Crores 20. Shehzada - 223 Crores 21. Daag - 689 Crores 22. Namak Haraam - 212 Crores 23. Aap Ki Kasam - 311 Crores 24. Prem Nagar - 440 Crores 25. Ajnabee - 243 Crores 26. Roti - 388 Crores 27. Prem Kahani - 168 Crores 28. Maha Chor - 143 Crores 29. Mehbooba - 177 Crores 30. Chhaila Babu - 197 Crores 31. Aashiq Hoon Baharon Ka - 146 Crores 32. Muqabla - 175 Crores 33. Amar Deep - 139 Crores 34. Thodisi Bewafai - 143 Crores 35. Kudrat - 174 Crores 36. Fiffty Fiffty - 179 Crores 37. Rajput - 339 Crores 38. Ashanti - 217 Crores 39. Dharam Kanta - 272 Crores 40. Maqsad - 318 Crores 41. Swarg - 85 Crores 42. Aa Ab Laut Chalen - 153 Crores

Have a look at that. And we've just begun checking (a random 1/3rd of his films) !

He was born on 29 December 1942 in Amritsar, Punjab, India, and entered Hindi films in the year 1965 when began shooting for Raaz and did 180 films - 163 feature films and 17 short films. By 2011, he held the record for maximum number of films as solo lead hero and least number of multi star cast films in Hindi Cinema. Of the 163 films - 106 were solo hero films and 22 were multi star films and 29 films had him in special effective guest appearances(though only 97 solo and 20 two hero films only released and 11 unreleased from 1966 till 2013).He ranked first and won the United Producers All India Contest held in 1965 by beating 10000 candidates and the prize of it was acting in films Akhri Khat and Raaz. He first tasted success as an actor with 3 consecutive hit films like Aakhri Khat,Raaz and Aurat.His first brush with super-stardom was when outburst from his fans forced the director to change the story of Baharaon Ke Sapne's ending from a tragic one to a happy one after 1 week of its release. Though Baharon Ke Sapne was average in some centers it was declared flop in most places. In 1969 Rajesh Khanna achieved super-stardom with Shakti Samantha's 'Aradhana" (1969).He became the craze of the nation, and critics across India started calling him the First Superstar of both Indian Cinema (No. 1 Actor) and Hindi Films and remained so alone as the Superstar for 7 years (1969-1976) and had to share the status with Amitabh from 1977-1991 till he left films to join politics in 1991.He overtook his predecessors Dev-Dilip-Raj, Shammi Kapoor,Rajendra Kumar in terms of extreme popularity with audience and critics, quality of performances, variety of roles and films by doing quickly 47 films from 1966-75 which included 36 Golden Jubilee Hits(21 of the 36 were platinum) and 4 silver silver jubilee hits and only 7 flops in 9 years. He also made the world record of having 17 successive super-hits in 3 years from 1969-71 which included 15 consecutive solo super-hit films and 2 two hero films namely Andaz and Maryada. The main difference between him and his predecessors,successors, contemporaries was that Khanna's films ran successfully in whole of India and not just Hindi speaking areas and he did films of every genre simultaneously and has more critically acclaimed films to his credit than all other Hindi Actors of every generation. He stands out even by selection of his films as he regularly did both offbeat alternate cinema along with commercial potboiler films and had success in both.He introduced intelligent cinema to the masses with ease. Those 15 consecutive hit solo lead hero films from 1969-71 were Aradhana, Doli, Bandhan, Ittefaq, Do Raaste, Khamoshi, Safar, The Train, Kati Patang, Sachaa Jhutha, Aan Milo Sajna, Mehboob Ki Mehendi, Choti Bahu, Anand and Haathi Mere Saathi. His next release Maalik flopped ending thereby the record.

Anju Mahendru was his girl friend in 1968-1972, the then aspiring actress but they had breakup in 1972 when Anju was not ready for marriage while Khanna wanted to marry her, and Khanna married his fan Dimple Kapadia in March 1973, 8 months before Dimple's debut film Bobby released in theaters.

Khanna's pairing with Mumtaz always produced much success as they had all of their 8 films together as major platinum jubilee hits.His films with Sharmila Tagore, Asha Parekh, Tanuja, Hema Malini and Zeenat Aman was a favorite with audiences too in 70's.

From 1976 on-wards till 1978, he had 5 box office hits as lead hero(2 silver jubilee hits, 2 platinum hits, 1 average hit), 3 hits in guest appearances, 1 flop in guest appearance and 8 films of him as the main lead flopped unexpectedly although his performances and the film's music were praised by critics and thereby 76-78 is considered his bad phase.

K.Balaji wanted to establish himself in Hindi film industry as a producer and thereby wanted to remake his Tamil film Sivaji Ganeshan starer Dheepam in Hindi. At a time when Khanna's films were not working at the box office, Khanna got this film out of the blue and went on to become a big hit. Khanna bounced back with twin success of Amardeep and Prem Bandhan then again started giving many critically acclaimed and commercially successful films including 35 Golden Jubilee Hits(includes 25 platinum) and 14 SJH starting from 1979 till 1991 and had 9 average hits from 1976-1996. In the 80's his films opposite Tina Munim, Hema Malini, Reena Roy, Rekha, Shabana Azmi, Smita Patil and Poonam Dhillon were big hits.

He produced three films and co-produced 4 films. He had total 105 box office hits(91 as lead hero and 14 in guest appearance) from 1966-1991.He left film industry in 1991 and entered politics by joining the Congress Party in 1991 and became a member of parliament. Khanna was awarded Filmfare Special award in 1991 for having starred in 101 films as the solo lead hero(92 solo film released till 1992 and includes 7 unreleased solos and Anuraag) and having done just 21 two hero films(only 19 released till 1991) but having appeared in 153 films in short span of 25 years between 1966-1991. Has won most number of All India Critics Award for Best Actor for a record 7 times and was nominated for same 10 times.He holds record for being the actor to win maximum BJFA awards for Best Actor - 4 and was nominated the most for it - 25 times.He is still adored and fondly remembered by the masses. Songs from his films adorn the lips of youth and adolescents. He was the first mega-star and has left behind a storehouse of the finest moments in film history.

Tamil superstar from a poor family in Tamil Nadu, India. His father worked on the railways.

On the day of his birth his father, Chiniah Pillai, follower of Mahatma Gandhi, was jailed for participating in the Independence movement in Nellikuppam (Tamil Nadu, India). He was frequently in and out of jail, and was raised by his mother, Rajamani Ammal.

He joined theatre groups when he was young. He earned his screen name 'Sivaji' after acting in C.N. Annadurai's play 'Sivaji Kanda Indhu Rajyam', a historical play on the Maratha Emperor Shivaji.

He made his film debut in Parasakthi (1952) as Gunasekharan. He became an icon of the DMK party who made DMK films (founded by C.M. Annadurai).

He entered politics in the mid-50s where he joined the Congress party and then defected to support the opposition Janata Dal.

He is most well know for his mythological and patriotic portrayals, like in his most famous films like Karnan(mythological) and Veerapandiya Kattabomman (patriotic).

His main rival was MGR (M.G. Ramachandran) and together they dominated the Tamil film industry in the 1960s and 70s.

Harihar Jariwala a.k.a. Sanjeev Kumar was born in a Gujrati family in 1938. He portrayed many roles irrespective of the age or the type of chararcter. The actor ballooned in size in later years of his life due to the gastronomical pleasures he had inherited by sleeping in a kitchen while he was a child (which became the cause of his death in 1985 when he died of a heart ailment). Interestingly the actor was one of the very few who didn't have any competition within the industry. Sanjeev's notable performances were in films like Sholay, Parichay, Aandhi, Angoor and the Satyajit Ray masterpiece Shatranj Kay Khiladi.

Pran was one of the leading character actors of Indian cinema. He was born on 12 February,1920 at Delhi. Pran was educated at different places namely Kapurthala, Unnao, Meerut, Dehradun and Rampur as his father late Lala Kewal Krishnan Sikand was a Government Civil Contractor for the construction of roads and bridges. Pran started his career by learning photography in Lahore. A chance meeting with a film producer, got him his first break in 'Yamla Jat' in 1940.

Married in 1945 to Shukla, he had two sons Arvind and Sunil, and one daughter Pinky. At partition in 1947, Pran came to Mumbai and restarted his film career after a brief struggle. He acted in over 400 films in a variety of roles. As a villain, in films like 'Ram Aur Shyam' people shuddered with fear and hated him, and yet loved him as the good, unforgettable 'Mangal chacha' in 'Upkar'. He went on to star in films with the leading actors of various decades from Raj Kapoor, Dilip Kumar, Dev Anand, Rajendra Kumar, Rajesh Khanna, Amitabh Bachchan, Dharmendra to Sanjay Dutt, Sunny Deol and Salman Khan. He was among the highest paid and most sought after character actors of his time, starring in some of the biggest and most acclaimed films of all time.

Being a sports lover and a good sportsmen he had his own football team "Dynamos Football Club" which he financed for a number of years in the fifties. Along with his film career he had been engaged in a number of Social activities, including the Chief Minister's Relief Fund, Maratha Sikshan Sanatha, Film Industry Welfare Trust. He had organised charity events and cricket matches, as well as the 'Hope 86' and 'Hope 87' shows for the needy people in the film industry.

Under the patronage of the Late, His Excellency Nawab Ali Yawar Jung, Pran presented a number of charity shows for the refugees of Bangladesh and for the deaf and dumb.

In an illustrious career of over six decades, Pran was bestowed with many awards including 4 Filmfare Awards, Villain of the Millennium honour from Stardust, Padma Bhushan, India's third highest civilian award from the Government of India in 2000 and the DadaSaheb Phalke Award for Lifetime Achievement (highest honour for cinema in India) from the Government of India in 2012. He died on 12 July 2013 at the age of 93 after a prolonged illness in Mumbai's Lilavati Hospital.

M.G. Ramachandran (1917-1987), popularly known as MGR, dominated like no other, the films and politics of India's Tamil Nadu state. A charismatic actor and philanthropist, he commanded the idolatrous adulation of millions of Tamilians and became Tamil Nadu's chief minister. His achievements in 3 fields, namely films, philanthropy and politics were remarkable considering his humble origins in Sri Lanka. Raised in poverty by a widowed single mother, he had nothing more than his good looks when he got his first break in "Sati Lilavati", a Tamil film of the late 1930s. In the 1940s and 50s, the Tamil film industry was being transformed by screenwriters like Annadurai, Karunanidhi and others belonging to the Dravidian movement. MGR starred in many of the movies they helped make. Annadurai became his mentor and MGR joined the DMK, Annadurai's new Dravidian party. His films made MGR a matinee idol among Tamilians. He also started monetarily helping people in need, sowing the seeds for his reputation as a philanthropist. When Annadurai died as Tamil Nadu's chief minister, MGR's rival Karunanidhi assumed office. MGR accused him of defalcation and was kicked out of the DMK. In 1977, MGR's ADMK (later renamed AIADMK) party was swept into power. In his first term, MGR cleaned up corruption and carried out reforms like having an income limit for backward class people to be eligible for the reserved seats in government colleges and jobs. His reforms proved unpopular, so MGR became another corrupt Indian politician having learned not to rock the boat. Tamil Nadu stagnated during the rest of his reign. Yet his mesmerized legions of fans continued to vote him into power. His death in 1987 created a power vacuum that soon brought his old nemesis, the corrupt Karunanidhi, back into power. MGR was a complex man who triumphed over poverty and tried to improve the lot of the people who revered him. However, in the end, he was a god that failed.

The Grandfather & Great Custodian of Indian Motion Pictures!

Ashok Kumar was one of India's most famous actors for over half a century, from before independence to the cusp of the new millennia!

As a young assistant to Bengali film-maker Himanshu Rai, he got his start in acting by accident when he volunteered to substitute for the lead actor, Jeevan Naya (1936), who fell ill before production on the film Achhut Kanya (1936) was to start. Kumar was terrified of acting in the first place, especially opposite lead actress Devika Rani, known as 'the dragon lady' for her smoking, drinking, cursing and legendary hot temper. After finishing shooting, Kumar continued with overseeing the process of the film with editing, mixing and processing. His unexpected acclaim to his role had him in demand for more acting roles, which he pursued in a few more 'Bombay Talkies' with Devika Rani.

His breakthrough performance was in Kismet (1943) which ran for three years in Bombay and Calcutta and was one of the first Hindi language mega-hits of India and gained him national fame through his charismatic performances and his talented singing. From then onwards, Kumar became a sought-after actor who appeared in over 200 Hindi and a few other Indian language films, playing romantic leads or threatening villains and making Rs.300-400 a month during the 1940s and 1950s.

Although his roles gradually decreased to supporting and minor parts as he got older and suffered more ill health, his popularity in India never diminished and he was often in demand for cameos and live convention appearances. From the 1990s to his death, he lived in a comfortable retirement in Bombay with a slew of Indian films to show for his work.

Nagesh was born on 27 September 1933 in Dharapuram, Tamil Nadu, India. He was an actor and director, known for Nammavar (1994), Dasavatharam (2008) and Paartha Gnabagam Illayo (1985). He was married to Regina. He died on 31 January 2009 in Chennai, Tamil Nadu, India.

M.R. Radha was born on 14 April 1907 in Chennai, Tamil Nadu, India. He was an actor and writer, known for Raktha Kanneeru (2003), Pudhiya Paravai (1964) and Aananda Jothi (1963). He died on 17 September 1979 in Tiruchirappalli, Tamil Nadu, India.

S.V. Ranga Rao was born on 3 July 1918 in Nuziweedu, Andhra Pradesh, India. He was an actor and producer, known for Chadarangam (1967), Mayabazar (1957) and Bala Bharatam (1972). He was married to Leelavathi. He died on 18 July 1974 in Madras, India.

Dilip Kumar (1922-2021) is widely considered the greatest acting exponent India ever produced. Born Muhammad Yusuf Khan on December 11, 1922, in Qissa Khwani Bazaar, Peshawar, British India (present-day Pakistan), he is better known by his stage name Dilip Kumar given to him by actress and owner of Bombay Talkies, Devika Rani. Credited with pioneering method acting in Indian cinema in mid-1940s, before Marlon Brando introduced it to Hollywood in 1950s, he has been often called as "Abhinay Samrat" (Hindi for "Emperor of Acting") by the audience. He was the biggest Indian star since Post-Independence period throughout 1960s, starring in some of the biggest commercial and critical successes of Indian cinema. It is to be noted that according to major trade analysts, many of his big commercial successes were films with apparently no commercial/entertainment value, which relied heavily on his histrionics to succeed, an extremely rare feat in the annals of cinema worldwide. Box Office India quoted that any such an instance has never happened with any other star, as their films had to be backed by at least few commercial elements/genres to succeed. Irrfan Khan, while saying that Kumar is the only one who should be called "legend", justifiably quoted the reason as, "the combination of artiste and star that he brought, started and ended with him."

Born to a fruit merchant, Lala Ghulam Sarvar Khan and his wife Ayesha Begum, Yousuf Khan and his family would migrate to Bombay Province, to expand their family business in 1930s which had come to a halt due to the complications of WWII. He had his schooling in Deolali and graduation in Mumbai. He started with managing a shop and selling fruits in an army canteen in Pune. Upon a rebellion in the canteen during Indian National Movement, he gave a speech justifying India's struggle for Independence, which resulted in his eviction from the canteen. A chance encounter with Devika Rani, got him opportunity to work for Bombay Talkies, at remuneration of Rs 1250/- per month. Having no clear intention of working there, he still accepted the job because of the high salary. Kumar later accepted that by the age of 14, he hadn't watched a film, and later in his teenage, watched few English films. Devika Rani selected Dilip Kumar as his stage name (a common tradition back then) from the 3 names suggested by Pandit Bhagvati Charan Verma, which also included Vasudev and Jehangir. Kumar in 1970, in an interview told that, one of the main reason, he agreed to adopt a stage name was out of fear of his father, who was strictly against films due to their poor reputation among the masses at the time. He further said that on being offered to choose among the three names, he expressed that he was okay with any of them. Later, he got to know his stage name, when it was first published in a newspaper.

Kumar's first film as an actor was Jwara Bhata (1944), which was the 6th highest grossing Hindi film of the year, according to some sources, though not really profitable. His performance was severely criticized by the major critic of the time, Baburao Patel of FilmIndia. Similarly the next venture, Pratima (1945) was also flop and his work again criticized. The next venture, Milan (1946), directed by Nitin Bose, proved to be fruitful for Kumar, not only because it was successful commercially, but his acting sensibilities greatly improved during the period of its filming. However his performance was still criticized by FilmIndia. The success of the next film Jugnu (1947), which was the highest grossing Indian film of the year, established him as the first star of Post-Independence India and arguably, the biggest star of the country at that moment. His performance was appreciated by Baburao Patel for the first time. However, he severely criticized the film, writing a letter to the then Home Minister (who later went on to become Prime Minister under Janata Dal in 1977), Moraji Desai, asking him to ban the film. It was banned for a few months, after which the ban was uplifted. The film, already a roaring success, became an even bigger hit, after it was re-released. The period starting from here till at least 1961, was a period of raging success in Kumar's career, both critically and commercially, which cemented his legacy notch above his contemporaries. Post 1961, the workload slowed, with fewer releases thereafter and also slowed their commercial success, although his earlier films still doing great in re-releases, many times higher than many of his contemporaries' fresh releases. During this period, his two main contemporaries were Raj Kapoor and Dev Anand. The three of them were sometimes referred collectively as "the golden trio" of this period, with camaraderie between the three contemporary actors famous and each renowned for their own style.

Shaheed (1948) is cited by many to be the first true Dilip Kumar film, in the sense his legacy was to be built on performances like this in the years to come. It was a roaring success, highest grossing Hindi film of the year. Andaz (1949), a record grosser at the time, starring Nargis and Raj Kapoor along with Kumar, popularized the theme of love triangles in Indian cinema. His performance in the film was superlatively appreciated by masses and critics alike. Baburao Patel's review headline read "Dilip Kumar draws crowd to cinemas". His dramatic performances in the next films till early 1950s, brought him the title of "Tragedy King". These intense performances, in which he immersed himself, had an adverse affect on his psyche. He consulted psychiatrists in London, who advised him to take up lighter roles. Interestingly, almost all of his lighter roles starting from Aan (1952) and Aazad (1955) were huge commercial successes. His performance in these roles were appreciated by masses and critics alike. Aan (1952) was the highest grossing Indian film ever at the time both in India and overseas. Post Aan, Kumar's popularity again took a big leap, establishing him as undisputedly the biggest star of the country. Devdas released on 30 December, 1955 is considered one of the most iconic performance of his career. Although a moderate success when initially released, the film found greater success in subsequent years though re-releases, making it amongst the most popular role essayed by Kumar. All three Andaz (1949), Aan (1952) and Naya Daur (1957) briefly became the highest grossing Indian film upto that point, a feat later achieved by Kumar's Mughal-e-Azam (1960) in which he essayed the role of Prince Saleem (amongst his most popular roles), a record it held for 15 years. By adjusting for inflation, it is still the Highest-grossing Indian film of all time, as of 2022.

The decade 1950s was the most prolific decade of Kumar's career, with 21 releases of which only 1 film, namely Hulchul (1951) failed commercially. 5 (or even 6) of his films were placed in top 10 highest grossers of the decade by Box Office India. Similarly 9 (or even 10) of his 21 releases were placed among the top 30 highest grossers of the decade. The period from late 1940s to early 1960s is often referred to as the "Golden Age of Hindi cinema and music". The 1950s decade is also important in terms of popularising cinema and filmi music in India and establishing it as a part of popular culture. The decade also saw the rise of stars (in true sense), commercialisation of industry as well as rise in the number of theatres. Kumar was the representative of this period, holding the status of a matinée idol and the country's highest paid actor.

Gunga Jumna released on 6 Jan, 1961, few months after the release of Mughal-e-Azam (1960) and Kohinoor (1960), represents the peak of Kumar's career both as an actor and star. His performance as robust and defiant Gunga is considered by many to be the greatest acting performance in the history of Indian cinema. It won him international laurels. His performance was profoundly appreciated by actors in the West. The film set the template for the "Angry Young Man" films starring Bachchan in 1970s and the theme of brothers on the opposite side of the law. After Gunga Jumna (1961), Kumar's workload slowed significantly, his next venture Leader (1964), failed to be a big commercial success. It did mediocre business. Next film Dil Diya Dard Liya (1966) is the first flop film of Kumar in over 15 years. Ram aur Shyam (1967) is the last big hit of Kumar's first innings (as an actor) in Hindi cinema. It was his first double role film and popularized "double role" and "lost and found" films in mainstream Indian cinema. 1970s saw Kumar's career as a lead actor take a downturn. Age was becoming a factor, and the onset of new stars further convinced Kumar to take a hiatus. Out of his 4 Hindi films released in 1970s, Gopi (1970) was the only clean box office hit. As per the new reports of Box Office India, Bairaag (1976), is either "Hit" or "Semi-Hit". In 1970, he acted in his only Bengali film, Sagina Mahato (which also has a Hindi version, Sagina released in 1974, starring Kumar). The film was reportedly a huge success in Bengal. He won BFJA (Bengal Film Journalist Associations) award for Best Actor for his performance in the film. In 1976, he took a five-year hiatus aligning on the above mentioned reasons.

He returned to the big screen playing the title role of Kranti (1981), the highest grossing Indian film of the decade, when adjusted for inflation. In this phase of his career, he played senior, mature roles who were the main characters of the films. Films were specifically written for him which also starred other actors playing young roles. Films like Kranti (1981), Vidhaata (1982), Karma (1986), and Saudagar (1991) were among the biggest hits of the time and all driven by him despite playing senior roles, a feat that had remained unprecedented even after him as per trade analysts. Some other films also found average success, including Shakti (1982), which starred Kumar along with Amitabh Bachchan in the lead roles. The film won him his last Filmfare Award for Best Actor. His next venture after Saudagar (1991) was the commercially unsuccessful Qila (1998), which also turned out to be his last. He retired from film industry in 1999.

Kumar had been involved in many relationships including Kamini Kaushal, with whom he fell in love on the sets of Shaheed (1948). Their relationship fell apart as Kaushal was married to her brother-in-law after her sister-in-law died in a car accident. Reportedly she married on the insistence of her family to look after the little children of her sister-in-law. His next relationship was with Madhubala, which started on the sets of Tarana (1951). It was a seven year long relationship that ended after the Naya Daur court case in which Kumar sided with the producer B.R. Chopra and testified against Madhubala's father, Ataullah Khan as he declined her to travel to the planned shooting locations at the last moment. However Kumar in his autobiography cites another reason that played an important role in the fallout; Madhubala's father insisted him to act only under his own banner after their marriage. In 1966, he married actress Saira Banu in a private ceremony. Their marriage survived for over 50 years until Kumar's death in 2021-despite undergoing an upheaval-Kumar's alleged second marriage with Asma Rehman in 1981, whom he met at a cricket match in Hyderabad, where she lived. He soon divorced her in 1983, describing this incident as a "grave mistake taken in pressure" in his autobiography.

Kumar died on 7 July 2021, due to kidney complications and other age related issues. He had no children through his marriage. At the time of his death he was survived by his wife Saira Banu.

As of 2022, he holds the record for winning 8 Filmfare awards for Best Actor ( later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He has also won numerous other awards including Dadasaheb Phalke award in 1994. He is the recipient of Padma Vibhushan (in 2015) and Padma Bhushan (in 1991), India's second and third highest civilian honour respectively. He is also the only Indian recipient of Pakistan's highest civilian honour, Nishan-e-Imtiaz (in 1998). As of 2021, he holds the Guinness World record for having received the most awards by an Indian actor.

He holds several long standing box office records including giving at least 1 clean hit for 15 years straight, which is at least an Indian record, according to a trade analyst. Since independence till late 2010s, he held the record for giving the maximum number of highest grossing film of the year, 9 times which was then surpassed by Salman Khan. However as per latest Box Office India reports, highest grossing Indian film of 1991 was Kumar's Saudagar (1991) and not Salman Khan's Saajan (1991), thus perhaps re-establishing his long standing record. In regards to his films' success ratio, he is the most successful Bollywood actor (quite possibly, Indian actor) of all time, by a distance, as of 2022. These gigantic records, his overwhelming popularity across Indian subcontinent, North Africa, Eastern Europe, and beyond, especially among South Asian diaspora around the world, makes him easily among the biggest stars cinema has ever seen across the globe. He famously turned down David Lean's offer of the role which ultimately went to Omar Sharif in one of West's greatest critical and commercial success, Lawrence of Arabia (1962), which made a major Hollywood star out of Sharif. Justifying his decision, Dilip Kumar had remarked, "In your own bazaar you enjoy a certain status. What's the point of venturing out into fields unknown where you have no say? No contact with the subject matter." He was also considered for a role in another film Lean was working on, titled "Taj Mahal". Elizabeth Taylor was supposed to play the part opposite Kumar. However, the project was eventually shelved.

According to many, he is probably the first person to perform method acting on screen in mid 1940s. Despite not knowing what it meant by then, he had been practising it since a time when, perhaps, the term wasn't even coined. Kumar, who never went to any acting school, was described by the renowned filmmaker Satyajit Ray as "the ultimate method actor", despite not having worked with him. There are innumerable such complements by numerous luminaries across professions to quote, which is quite not possible; from the likes of the recent statement by Indian born naturalised British economist Lord Meghnad Desai, claiming Kumar to be the greatest actor on global scale to age old statements like the one by, V. Shantaram, one of founding fathers and pioneers of Indian cinema, prompted by Kumar's versatility expressed, "Had Shakespeare met Dilip Kumar, he would have added one more character to the already well-defined ones he had created." Most importantly, Dilip Kumar's complete impact is realized definitely in the fact how he changed the rules of acting and influenced generations of future artistes in Indian subcontinent (even his contemporaries), but also in the truth that at his best, he was the catalyst in expanding the reach of quality cinema, from metros to rural India, from classes to masses, from serious connoisseurs to common entertainment seekers. Some of the greatest critical successes became some of the biggest hits when he acted in them, liked, revered and celebrated by classes and masses alike. His intense, in-depth performances, eloquent silences and the most nuanced expressions observed and enjoyed and celebrated at the same time by the most casual entertainment seekers of his time. There have been some great artistes across the history. And there have been some huge stars across the history. But the instance of both of them being a single entity, elevating and expanding the art form to an even greater point, is true, an extremely rare sight, but equally magical while it lasts.

Balraj Sahni, born in Rawalpindi, British India (present-day Pakistan), was an acclaimed Indian film and stage actor. Known for his powerful and impactful performances, Balraj Sahni became a prominent figure in the golden era of Indian cinema.

Balraj Sahni initially pursued a career in the civil service but eventually found his true calling in acting. He became associated with the Indian People's Theatre Association (IPTA), a leftist cultural organization, where he honed his skills and passion for acting. His association with IPTA marked the beginning of his journey in theater.

Balraj Sahni made his film debut in 1946 with the film "Insaaf," but he gained widespread recognition and acclaim for his role in the film "Do Bigha Zamin" (1953), directed by Bimal Roy. His portrayal of Shambhu Mahato, a poor farmer struggling to save his land, showcased his acting prowess and earned him accolades. The film won the International Prize at the Cannes Film Festival in 1954.

Throughout the 1950s and 1960s, Balraj Sahni delivered memorable performances in films such as "Kabuliwala" (1961), "Waqt" (1965), and "Neel Kamal" (1968). He often played roles that reflected the socio-economic realities of the time, and his ability to bring depth and authenticity to his characters set him apart as one of the finest actors in Indian cinema.

Balraj Sahni's filmography includes a diverse range of roles, from intense and dramatic characters to light-hearted and comedic ones. He collaborated with renowned filmmakers like Bimal Roy, Guru Dutt, and Yash Chopra, leaving an indelible mark on Indian cinema.

Apart from his acting career, Balraj Sahni was also a noted writer and penned several books, including his autobiography "Meri Filmi Aatmakatha" (My Filmy Autobiography).

Balraj Sahni's contribution to Indian cinema was not only recognized within the industry but also by the government. He received the Padma Shri, one of the highest civilian awards in India, in 1969. Unfortunately, Balraj Sahni's life was cut short, and he passed away on April 13, 1973, leaving behind a legacy of remarkable performances and a lasting impact on Indian cinema.

Born into a farmer's family, Rama Rao Taraka Nandamuri got his bachelors of arts degree and took a job with the government. Married to Nandamuri Basavatarakam, he began acting in films, his first being Mana Desam (1949), in which he played a police officer. His first movie as a hero was Palletoori Pilla (1950), which was a huge hit. His subsequent movies--Showkar (1950), Pathala Bhairavi (1951), Malliswari (1951) and Chandraharam (1953)--established him as the premier hero in the Telugu film industry. He acted in a mythological role as Lord Krishna for the first time in Mayabazar (1957) and acted in most of the major roles in "Ramayana" and "Mahabharatam", even in Tamil films. He acted in a total of 254 films, including some Tamil and Hindi films. He suffered some career reversals in the late 1960s and early 1970s, but came back with a bang in the late 1970s with some major hits like Adavi Ramudu (1977), Yamagola (1977), Vetagadu (1979). Some of his major hits in the early 1980s include Sardar Papa Rayudu (1980), Bobbili Puli (1982), Kondaveeti Simham (1981). He became the first superstar of the Telugu films a position which was held by Chiranjeevi till around 2001. An intensely emotional person, he also directed films, built a studio and produced films. He established the TeluguDesam party in 1982 and within a year became the chief minister of Andhra Pradesh. He was an avid advocate of Telugu Pride and made sure his native state. He married Lakshmi Parvathi in 1993. He was re-elected by a landslide in 1994, but was ousted from power by an internal party coup in which his son-in-law and the present Chief Minister, Mr. Chandrababu Naidu, took over in 1995. He died less than six months later, in 1996 because of heart attack. His son Nandamuri Balakrishna is a famous actor in Telugu films. He is survived by six sons and three daughters.

Dharmendra is one of the biggest stars of Indian cinema. Dharmendra Deol played the romantic hero in woman Cedric films from 1960-1968 and became romantic hero from 1968-69 and played the role of action hero from 1971-1997. Dharmendra has appeared in 306 films.

He is known as 'Garam' Dharam in Bollywood. Had the looks of a real gentle man, masculine body of a he-man and when it came to his films, he had a very humorous touch in his dialog-delivery and the timing.

Dharmendra's original name is Dharam Singh Deol. He was born in a Jat Sikh family in Phagwara in Kapurthala district in the Indian state of Punjab to Kewal Kishan Singh Deol and Satwant Kaur. He spent his early life in village Sahnewal and studied at Government Senior Secondary School at Lalton Kalan, Ludhiana. He did his intermediate from Ramgarhia College, Phagwara in 1952.

The heroics in his films - Phool Aur Patthar (1966), Jugnu (1973), Raja Jani (1972) and Loafer (1973) - are all quite remarkable and unforgettable. He got nominated for Filmfare best actor 4 times in his career though he couldn't get one but got "The Life Time Achievement" award in 1997 from Filmfare for his achievements, splendid performance during his times and wonderful career in Bollywood. Dharmendra was fond of movies from a young age. He participated in the Filmfare new talent contest, which he won and came to Mumbai from Punjab looking for work. He made his debut with Arjun Hingorani's Dil Bhi Tera Hum Bhi Tere (1960). After which he got supporting roles in the film Boy Friend (1961) and was cast as the romantic interest in several woman oriented films from 1960-1967, where the story revolved around the heroine's character and, he was usually cast as a romantic hero opposite senior established leading actress of the time and later, from 1974 on-wards, as an action hero. His major breakthrough was playing supporting role to hero Rajendra Kumar in Aaye Milan Ki Bela, where his character was negative and supporting role in patriotic film Haqeeqat (1964) and playing romantic interest in woman oriented films from 1960-1967 and playing supporting roles to Balraj Sahni, Ashok Kumar, Biswajit in some films from 1960-67 like Soorat Aur Seerat, Bandini, Mamta, Ghar Ka Chirag.His sensitive side was explored by Hrishikesh Mukherjee in Anupama (1966) and Satyakam (1969), the latter is considered one of the best performances of his career. He got solo hero stardom with the blockbuster, Phool Aur Patthar (1966), which was his first action film but he became established action hero from 1971 film Mera Gaon Mera Desh. He projected himself as romantic hero with films like Pyar Hi Pyar, Aaya Sawan Jhoom Ke, Mere Humdum Mere Dost and Aaye Din Bahar Ke. He cemented his image as action hero with successful films like Seeta Aur Geeta (1972), Raja Jani (1972), Jugnu (1973), Kahani Kismat Ki and Yaadon Ki Baarat (1973). Dharmendra formed a popular onscreen pair with Hema Malini who later became his second wife. Hema Malini was the biggest female star of 1970s and they went on to star in hits such as Tum Haseen Mein Jawan, Sharafat (1970), Seeta Aur Geeta (1972), Raja Jani (1972), Jugnu (1973), Pratiggya (1975), Sholay (1975), Charas (1976), Azaad(1977), Dillagi (1978), among many others. Dharmendra proved his versatility and comic timing through Pratiggya, Chupke Chupke and Sholay. In Ramesh Sippy's Sholay (1975) he shared screen space with Amitabh Bachchan, Sanjeev Kumar and Amjad Khan and is still remembered for his inimitable portrayal of Veeru. His best romantic pairing was with the actress Asha Parekh with whom he had 5 hits - Shikhar, Aaya Sawan Jhoom Ke, Aaye Din Bahar Ke, Samadhi and Mera Gaon Mera Desh. His next best pairing was with Hema Malini, with whom he did 35 films of them 31 had them as a leading romantic pair and Dharam Hema had 20 hits and 15 flops. Dharm Hema married in 1980 and Dharm-Hema have 2 children together, Esha and Ahana and he has two sons, Sunny Deol and Bobby Deol from previous marriage with Prakash Kaur.

Often in 1960's till 1971 he played the romantic lead opposite female leading ladies in woman oriented films where the female protagonist's role overshadowed his roles with Dharam playing only supporting role in these films opposite Meena Kumari, Nutan, Mala Sinha, Sharmila Tagore. Phool Aur Paththar was the turning point in his career and established him as an action hero and as a solo lead hero.Artistically and popularity wise his peak period was the 1971-1979 where he did multi star as well as solo hero films in action and comedy genres and when his performances was appreciated by critics as well as audiences. Critics panned every film he did from 1985-2002 with exception being critically acclaimed films Burning Train, Ali Baba Aur 40 Chor, Jhutha Sach, Dharm Aur Qanoon, Rajput and Ghulami. He was the 2nd highest paid actor along with Vinod Khanna in Hindi films from 1976-1982 and Dharam alone was 3rd highest paid Hindi actor from 1987-1993 of A grade Hindi Films.

In the early 70s, Dharmendra became the first Indian actor to be voted among the most handsome men in the world. Through the 70s and 80s, Dharmendra worked with some of the biggest names in B'town such as Bimal Roy, Yash Chopra, Raj Khosla, Ramesh Sippy, Rajkumar Santoshi, Hrishikesh Mukherjee and Basu Chatterji. In 1983, Dharmendra diversified into production and launched his elder son Sunny in 'Betaab', which was produced by his banner Vijayta Films and was a huge hit. in 1990, he produced Ghayal starring Sunny Deol in lead. The film was the second biggest hit of the year and won 7 Filmfare Awards including Best Film award and the coveted National Film Award for Best Popular Film Providing Wholesome Entertainment. He would later go on to launch the successful careers of his younger son Bobby in 'Barsaat'(1995) and nephew Abhay Deol in 'Socha Na Tha'(2005) under the banner. He has also periodically made films in his native tongue of Punjabi, starring in Kankan De Ole (Special Appearance) (1970 ), Do Sher (1974), Dukh Bhanjan Tera Naam (1974), Teri Meri Ik Jindri (1975), Putt Jattan De (1982) and Qurbani Jatt Di (1990).

His commercial hits from 1981 included Ram Balram, Professor Pyarelal, Kaatilon Ke Katil, Naukar Biwi Ka, Jaani Dost, Samraat, Bhaghavat, Raaj Tilak, Jaagir, Qayamat, Insaaf Kaun Karega, Insaniyat Ke Dushman, Loha, Sone Pe Suhaga, Mardo Wali Baat, Khatron Ke Khiladi, Nafrat Ki Anandi, Batwara and Elaan E Jung. His film Hukumat in 1987 was highest grossing film of that year. He continued to be strong in 1990s as the best action hero even stronger than Sunny Deol, Sanjay Dutt and Jackie Shroff. His commercial hits in 1990s included Veeru Dada, Naka Bandi, Farishtay, Tehalka, Kshatriya, Maidan E Jung and Dharma Karma.

The low brow action films directed by likes of Kanti Shah damaged his action career in late 90s. Dharmendra was nominated 4 times for Best Actor Award at Filmfare Awards but never won. He was honored with Lifetime Achievement Award by Filmfare in 1997. He made a comeback to A grade films with a role in Pyar Kiya Toh Darna Kya (1998). He joined politics and was elected as a Member of the Parliament in the 2004 general elections, from Bikaner in Rajasthan, on a Bharatiya Janata Party ticket. He returned to acting in 2007 with films Life in a... Metro and Apne were acclaimed and successful. In the latter, he appears with both his sons, Sunny and Bobby for the first time. His other release was Johnny Gaddaar, where he played a villainous role. In 2011, he starred alongside his sons again in Yamla Pagla Deewana released on 14 January 2011 and was a success. A sequel Yamla Pagla Deewana 2 was released in 2013. His also acted with his daughter Esha in his wife Hema Malini's directorial venture Tell Me O Khuda in 2011. In 2011, Dharmendra replaced Sajid Khan as the male judge of the third series of popular reality show India's Got Talent. Dharmendra's first marriage was to Prakash Kaur at the age of 19 in 1954. From his first marriage, he has two sons, Sunny Deol and Bobby Deol both successful actors, and two daughters, Vijayta Deol Gill and Ajeeta Deol. He has 4 grand sons named Karan, Rajvir, Aryaman, and Dharam. Dharmendra fell in love with Hema Malini during the filming of Sholay. She eventually married him in 1980. As the Hindu Marriage Act forbade polygamy, he converted to Islam in 1979 to avoid protests and give legitimacy to his second marriage. The couple has two daughters, Esha Deol and Ahana Deol. Esha is an actress and Ahana is a dancer. Dharmendra has received several honors for his contribution to cinema and was awarded India's third highest civilian honor Padma Bhushan by the Government of India in 2012.

One of the most beloved, charismatic and accomplished actors as well as one of the most imaginative and pathbreaking directors in the history of Indian cinema, Dev Anand was a leading man for more than five decades in over 110 motion pictures and continues to bestride Indian film fraternity even after his passing. He gave a new dimension to that magical state known as Stardom. And for his exemplary work he was awarded the Padma Bhushan in 2001 by the President of India. From the time he embarked on his career as a Film Actor in the mid-forties till his demise, his movies had been a journey filled with enriching experiences for the 'Evergreen Living Legend' of Indian Cinema. And he had always remained eternally youthful by his remarkable ability to live always in the present and the future; never in the past.

Also, as head of his film production company Navketan International Films, which was founded in 1949, Anand introduced a multitude of talent to the Indian Film Industry by way of actors, directors, music composers and cinematographers. He introduced new talent to cinema and experimented with new ideas for movies. He also headed one of the finest Film Sound Post-Production facilities in India - Anand Recording Studios - which has to its credit more than 3,000 Indian feature films that have been mixed/ surround mixed for worldwide release.

Anand won two Filmfare Awards - India's equivalent of the Oscars - in 1958 for his performance in the film "Kala Paani" (Black Water) and in 1966 for his performance in Navketan International Films' "Guide". "Guide" went on to win Filmfare Awards in five other categories including 'Best Film' and 'Best Director' and was sent as India's entry for the Oscars in the foreign film category that year. He co-produced the English Version of "Guide" with the Nobel Laureate Pearl S. Buck ("The Good Earth"). Eventually, his creative sensibilities got the better of him and he started writing and directing his own movies.

In 1993, he received a Filmfare 'Lifetime Achievement Award' and in 1996 he received a Screen Videocon 'Lifetime Achievement Award'. Then in 1997 he was given the Mumbai Academy of Moving Images Award for his Outstanding Services to the Indian Film Industry. In 1998, he was given a 'Lifetime Achievement Award' by the Ujala Anandlok Film Awards Committee in Calcutta. In 1999, he received the Sansui 'Lifetime Achievement Award' for his 'Immense Contribution to Indian Cinema' in New Delhi. In the year 2000, he was awarded the Film Goers' 'Mega Movie Maestro of the Millenium' Award in Mumbai. And then in July 2000, in New York City, he was honored by an Award at the hands of the then First Lady of the United States of America - Mrs. Hillary Rodham Clinton - for his 'Outstanding Contribution to Indian Cinema'. And again Anand was awarded the Indo-American Association 'Star of the Millennium' Award in the Silicon Valley, California. The President of India honored Anand with the prestigious Padma Bhushan Award on India's Republic Day - January 26th, 2001. And yet again, Donna Ferrar, Member New York State Assembly, honored him with a New York State Assembly Citation for his 'Outstanding Contribution to the Cinematic Arts Worthy of the Esteem and Gratitude of the Great State of New York' on May 1st, 2001.

Most recently, in April 2003, Anand was given a 'Lifetime Achievement Award' by the F.I.F.A. Committee in Johannesburg, South Africa. For an Indian Movie Icon who has hobnobbed with royalty, heads of State and celebrities, he did it all.

Anand passed away on December 3rd, 2011 in London's Washington Hotel, aged 88.

There are some who might remember Anand for not hanging his boots at the right time like his rival Dilip Kumar. But for millions of his admirers, both India and overseas, he shall remain the embodiment of someone who just never learnt to give up and being one of the pivotal figures who shaped the destiny of Indian Cinema in its formative years post independence and with his peerless intellect combined with his killer good looks gave it a footing on the map of world.

Akkineni Nageswara Rao was born on 20 September 1923 in Venkataraghavapuram, Krishna District, Andhra Pradesh, India. He was an actor and producer, known for Meghasandesam (1983), Laila Majnu (1949) and Devadasu (1953). He was married to Annapurna Akkineni. He died on 22 January 2014 in Hyderabad, India.

Thilakan (born Surendranatha Thilakan) was a Malayalam film actor. Widely considered one of the greatest actors of Indian cinema, he was stubborn, uncompromising and very critical of the way lead actors worked in comparison to character actors. In a span of around 40 years, Thilakan handled a huge variety of roles, including negative portrayals. He is especially well known for his on screen father roles opposite Mohanlal, in movies like "Spadikam" (1995) and "Kireedam" (1989).

Shashi Kapoor is one of the leading actors of Indian cinema having appeared in 160 movies - 12 in English and 148 in Hindi. He has appeared in 148 Hindi films - of them played the solo lead hero in 61 films, was lead hero in 53 released multi star cast Hindi films, 2 unreleased multi star film and 21 Hindi films had him in supporting role, worked in 4 films as a child artist and made 7 guest appearances.

Indian actor of Bollywood, Parallel Cinema, and International productions; Shashi Kapoor is the youngest son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shashi grew up traveling around the country with his father's acting trope "Prithvi Theatres." from 1940-59. He began appearing on stage from the age of four. He also began working in films in the early 1940s. As a child, he appeared in 4 films from 1948-53 which includes 2 films of his eldest brother Raj Kapoor as the hero and Sangram, where Shashi played Ashok Kumar.

By 1956, an 18-year old Shashi was both actor and assistant stage manager for "Prithvi Theatre." That year, "Shakespeareana" --a traveling theater group under English actor Geoffrey Kendal, and "Prithvi Theatre" were both booked to play in Calcutta. While checking the audience reaction from backstage, Shashi's glance fell on Jennifer Kendal. Shashi soon learned she was playing Miranda in "The Tempest," and secured an introduction. The two began courting, and expressed a desire to wed. Geoffrey Kendal was uncertain about loosing not only his daughter, but his leading lady and theater manager. He insisted that the couple wait at least two years. Shashi began touring with "Shakespeareana" and in 1958 he again asked for Jennifer's hand in marriage and was again refused. However, Jennifer decided to go against her father's wishes, and in July of 1958, the couple were married in the traditional Indian style in Bombay.

Shashi debuted as a leading man in Yash Chopra's Dharmputra (1961). From 1961-64 his Hindi films with him as the solo heroes were box office flops. But Nanda believed that Shashi does have the potential to be popular leading man and signed happily 8 films opposite him over the period 1962-1968. Except for their first 2 films together and Juaari, other 5 films of the pair Nanda-Shashi turned out to be super-hits from 1965-70.A versatile actor, Shashi worked in both mainstream popular Hindi cinema, art films and in Indian-set English-language films, such as those made by the film-making team Ismail Merchant and James Ivory. He was one of the first Indian stars to go international, as he worked in both British and American films, and directed the Soviet Union co-production _Ajooba (1991) which was a disaster.He tried his hand at English films when his Hindi films were flops from 1961-64 and achieved success in 1963 with 2 commercially successful English movies.He did 6 English films as lead hero till 1983 and then played villain in Deceivers and another lead role in 1993 and rest 4 English films had him in supporting role as narrator/guest appearance from 1987-1998. Shashi started having solo hits opposite Rakhee, Asha Parekh, Sharmila Tagore, Zeenat Aman from 1968-1975 but had a weak period as a solo lead hero from 1974-1978 where he had 13 flops off 24 films as solo lead and this made him accept multi star cast films from 1976-85. He achieved success in multi star films from 1976-84.In the multi star films he did , he was paid more than co-stars Vinod Khanna, Amitabh Bachchan, Jeetendra, Rishi and Randhir Kapoor. But Sanjeev Kumar,Pran and Dharmendra were paid at same rate as Shashi in the films where they were his co-stars. Only Rajesh Khanna was paid more than Shashi in the 2 films they did together. He played supporting role to Rajesh Khanna at peak of his career in Prem Kahani and then in Alag Alag.

He won the Filmfare Best Supporting Actor Award for Deewaar (1975). He won two Filmfare Best Movie Awards for his work as producer and star of Junoon (1979) and Kalyug (1981).He costarred in 11 films with Amitabh Bachchan of which 4 (Deewar,Trishul, Suhaag,Namak Halal) were successful,1 (Kala Pathar)was average hit and rest 6 were flops. Shashi Kapoor did 61 solo lead hero films in Hindi and, of them, 35 were super-hits. Shashi did 55 multi-star cast movies where Shashi was one of the lead heroes and, of them, 33 were super-hits, 20 were flops, 2 remain unreleased.

Shashi and Jennifer had three children; Kunal Kapoor, an actor and ad director, Karan Kapoor a photographer and sometimes actor, and Sanjana Kapoor, an actress who has run Prithvi Theatre in Mumbai since 1993. After his wife Jennifer died of cancer in 1984, Shashi started becoming obese and began taking on fewer roles in films, and shifted his focus to character roles.His first break as supporting actor after he became obese was given by Rajesh Khanna in film Alag Alag where his role along-with the lead pair of the film was appreciated.

In 2010, Shashi was presented with the Filmfare Lifetime Achievement Award.

For Amrish Puri, it was virtually the 'Summer of 42'. The actor's long simmering affair with acting found culmination when he reached his early 40s. And while his dream of playing the hero may have been thwarted, he went on to become the most loved villains of all time. He was also an artiste who redefined the dynamics for character actors. If he wowed the critics with his rough-edged portrayals in the art films of Shyam Benegal and Govind Nihalani, he won over the masala movie buffs with his louder-than-life histrionics. Puri with his reverberating baritone, piercing glance and dramatized dialogue delivery was a formidable figure against the hero. His costumes were all about prolific imagination and his one-liners ranging from, 'Mogambo khush hua' to 'Dong kabhi wrong nahin hota' are now part of cinema glossary. Puri even went ahead and worked in Steven Spielberg's Indiana Jones And The Temple Of Doom and Richard Attenborough's Gandhi, only to return and endorse the diversity that is Bollywood.

But behind the tough facade was a genteel person. "Upright and a true karma-yogi," as son and marine navigator Rajeev Puri describes him. "People from all walks of life loved him - even the police and the politicians." Rajeev adds, "A decade after his demise, some film or the other of his is constantly playing on channels - out of the 350 he did, 200 were hits!" And when people till date come up to him requesting for a photograph because he's the famed Mogambo's (Puri's character in Mr India) son, Rajeev realizes that Mogambo truly is larger than life, in fact beyond it.

Puri graduated from the BM College in Shimla, Himachal Pradesh. Puri was a leader of the RSS youth wing there and that explains why he remained a stickler for discipline and punctuality. In the '50s, he moved to Mumbai and found a job with the Employees' State Insurance Corporation (ESIC). There he met my mother Urmila, a Konkani, and married her. His elder brothers Chaman Puri and Madan Puri were also actors. In fact, we lived with Madanji at Kings Circle for a few years before we shifted to our Santacruz home. Puri passion was acting. He worked during the day and in the evening did amateur theatre with Ebrahim Alkazi, Satyadev Dubey, Vijay Tendulkar and Girish Karnad among others. In fact, Satyadev Dubey and he began Hindi theatre in Mumbai with plays like Hayavadana and Yugati winning him much applause. He became well known as a stage character actor, which led to him doing ads and finally films in the early '70s.

Believe it or not, Amrish Puri wanted to become a Bollywood movie star, but failed a screen test in 1953. And what a failure it was! Mr. Puri, went on to become one of the most renowned and credible villains in the history of Indian cinema. His most memorable and often quoted role is the character of 'Mogambo' (with the catchphrase "Mogambo Khush Hua"). It is still remembered fondly from Mr. India (1987).

On the silver screen, the very first time we felt that times were changing was when dad went to Jaisalmer to shoot Reshma Aur Shera (1971). It was an Ajanta Arts film directed by Sunil Dutt. A lot of new actors were being featured - Raakhee, Amitabh Bachchan, Ranjeet. Puri brought home pictures of the shoot. Puri's son must have been around 12 then and was excited watching them.

Another film, which was to change his life was Girish Karnad's Kannada film Kaadu (1973) where he played the villainous village headman. Girish Karnad handed his Filmfare Best Director trophy to Amrish as a gesture of appreciation. He was then noticed by Shyam Benegal, who featured him in his films Manthan, Nishant and Bhumika through the '70s. He also became part of Govind Nihalani's critically acclaimed films Party, Vijeta, Aakrosh and Ardh Satya. Dad had a flair for roles that betrayed authority and rode the crest of new wave cinema with his earthiness.

In 1980, director Bapu roped in dad to play Duryodhana in Boney Kapoor's Hum Paanch. Soon other filmmakers started offering him villainous roles in commercial films too. After Feroz Khan's Qurbani (1980) there was no looking back.

One film that took him to the acme of his career was Mr India (1987). As the part menacing part comical Mogambo, he won fans across audiences. Mogambo was a favorite with kids because he was a comic-strip like character. At every function he attended, dad was asked to say the Mogambo dialogue. First Amjad Khan as Gabbar Singh in Sholay (1975) and later dad as Mogambo gave villainy a new status. He went on to become the highest paid villain. Earlier character actors were paid paltry sums as compared to the hero.

Puri's career spanned three decades and around 300 films. Among these his favorites remained Koyla, Vidhaata, Pardes, Chachi 420, Ghatak, Ghayal, Damini, Meri Jung and Saza-E-Kala Pani.

Off camera, his children remember their father as someone who was larger than life, someone who was strict but never unreasonable. Someone who urged us to speak the truth. He urged us to follow the three Ps - patience, perseverance and persistence.

Puri was realistic and that's why he insisted that his children seek a secure profession. He once told his son, "See, acting is my first love. I've been polishing my act for years. It took me long to establish myself. There's no need for you to be awed by the profession. You needn't risk your future. You must complete your education." That's why, I joined the Merchant Navy in 1978. I sailed for 11 years. It used to be fun watching his films on the ship.

As an actor he had a great ability to switch on and off. He was not fond of smoking, drinking or parties. His idols were Dilip Kumar, Motilal, Balraj Sahni and Amitabh Bachchan. He worked with Raj Kumar, Dilip saab, Amitji... he was like a student in front of them and had absolutely no ego. Also, a lot of youngsters began their careers with him like Ajay Devgan in Phool Aur Kaante and Shah Rukh Khan in Deewana. He was easy to work with except that he had no patience with people who didn't respect time.

Puri was particular about having nutritious food. He was largely vegetarian but enjoyed fish. He practiced yoga and was an early riser. He was one of the first members of Talwalkars gym in Mumbai. Also, he preserved his vocal chords. He stayed away from fried stuff. He'd just have a piece of sev puri when we insisted. Once he happened to shave off his hair for a Rakesh Kumar film. He was told his personality looked better that way. The bald look appealed to Steven Spielberg, who then offered him Indiana Jones And The Temple Of Doom, where he played Mola Ram. Puri realized that with a shaved head, he could try different get ups. He was well-versed with the art of make-up and wigs. He knew the concentration of hair that a hairpiece for a 50-year-old character or a 60-year-old character would require. He also spent time with the tailors - in fact, directors often asked him to work on his costumes. He'd pick his own ties, bows, shirts for a role. He enjoyed observing people as he drove in his car. He'd keenly watch the hawaldar, the fit of his shirt, how worn out his shoes were which helped him play one in Gardish.

Puri loved watches. He owned all the possible brands. He was intrigued by its technology and the way each piece was assembled. Each time he'd go abroad, he'd visit a showroom and call me up excitedly, "Tikoo (my pet name) I've bought such a handsome looking watch!" Another fascination he had was for Mercedez Benz cars. He'd keep buying the latest editions. His family maintained his 1983 model in showroom condition.

Known for frequently portraying menacing, sadistic villains, Puri received a huge fan mail of around 50 to 60 letters a day. Some fans would constantly sit on the footpath outside our home to catch a glimpse of him. Women also wrote to him. Many were crazy about him. But he was not a young actor. By the time he got recognition he was 45. My mom did feel possessive with all the attention being showered on him. But she understood. He was at an age where he knew what to absorb and what to keep away from. He was cautious. He did have shades of romance in his role opposite Farida Jalal in Dilwale Dulhania Le Jayenge. That subtle equation suited his age. His female co-stars liked him because he was protective about them. He'd check with the production guys whether they were comfortable or not. While he was being pampered, he wanted them to enjoy those facilities too. He was like a father figure to junior artistes too. He'd call up the producers who defaulted on their payments.

Once they were shooting at Amritsar railway station for Gadar - Ek Prem Katha. Huge crowds had gathered and there was so much noise that the shooting couldn't proceed. Sunny Deol wanted to leave. Dad took over and in his baritone said, "Allow us to do our work. I want pin drop silence!" There was a hush and the shooting resumed.

Shyam Benegal cast him in movies such as Nishant (1975), Bhumika (1977), and Manthan (1976). Yash Chopra cast him in Mashaal (1984), the same year that Steven Spielberg cast him in his best-known role outside of India, as Mola Ram in Indiana Jones and the Temple of Doom (1984). His elder brother is none other than Bollywood actor Madan Puri.

Guddu Dhanoa's Jaal The Trap for (2003) was shot in Himachal Pradesh. Unfortunately, Puri met with an accident there. He suffered serious injuries on his face and eye. He lost a lot of blood and consequently had to undergo blood transfusion. Something went wrong there because in the coming years, he developed a blood disorder (myelodysplastic syndrome). It began with weakness and reduced appetite. When he came to know about the fatality of his illness he was shaken. But he had an iron will. He wanted to project a strong side to the world. Puri knew that at age 72 there was little that he could repair and that he was ailing. Jo hona hai woh hoga - that was his stance.

Puri was keen to complete the projects on hand, even though he was in pain. His terminal illness was detected in September 2003 and by December 15, 2004, he had finished all his films - Kachchi Sadak, Mujhse Shaadi Kaoroge, Hulchul, Ksna and Aitraaz despite looking emaciated, pale, frail . He was at home for a brief period. But he didn't want to remain bedridden. When asked how he was feeling he'd just say, "Kal se behtar hoon." Then one day he had a fall at home and suffered a massive brain hemorrhage. He passed away in Mumbai on January 12, 2005 due to a brain hemorrhage

Puri had served as the President of Cine and TV Artistes Association for six years before his demise. As a mark of respect the industry remained shut for two days. The whole road from our house in Juhu to the electric crematorium at Shivaji Park was full with people. There were onlookers perched on trees and buildings.

As a tribute to him the Times Of India carried a piece, which was titled, "No guns only roses." People recall his famous dialogue in Pardes, "What's the bottom line?" Well, for me it would be never doing anything that would disappoint him.

Kamal Haasan was born November 7, 1954 in Paramakudi, Ramanathapuram District, Tamil Nadu. He debuted as a child artiste in the film "Kalathoor Kannamma" (1960). Since then, he has starred in nearly 220 films in the major Indian languages - Tamil, Telugu, Kannada, Malayalam and Hindi. He has been a part of the film industry for 60 years, as of 2020. His journey in cinema has seen him do various roles - from child artiste, to romantic lead to one of the most respected and revered heroes of the film industry today.

He has famously said that he is a reluctant actor. He has an avid interest in every aspect of film making and is known for his work as a choreographer, director, and writer, as well.

He wrote his first script at age 18 for the film "Unarchigal" (1976), which was then followed by films that have gone on to become cult classics - Rajapaarvai (1981), Sathya (1988), Apoorva Sahotharargal (1989), Thevar Magan (1992), Mahanadi (1994), Kurudhippunal (1995), Avvai Shanmugi (1996), Hey Ram (2000), Pammal K Sambandam (2002), Panchathanthiram (2002), Anbe Sivam (2003), are a few of the films etched in popular memory for having set the bar for craftsmanship in the fields of screenplay, script, and dialogue.

He is also a prolific writer of fiction and non-fiction in Tamil and his published work is testament to his constant exploration of structure and form.

Kamal Haasan's strong convictions in his art have led to some of Indian cinema's most path-breaking films like Pushpak / Pushpaka Vimaanam / Pesum Padam (1987). Kamal Haasan also worked as a choreographer while transitioning as a well-known child artiste to the lead actor in a feature length film. Some of his best-known work as a dancer can be seen in Saagara Sangamam (1983) and the popular hit Punnagai Mannan (1986).

Kamal Haasan is also a student of Carnatic music, studying under musical maestro Dr. Balamuralikrishna. One of his biggest hits as a playback singer was the song "Inji Iduppazhagi" for the film Thevar Magan.

His career as a director began with the film Chachi 420 (1997), the Hindi remake of Avvai Shanmugi. Since then he has called the shots for critically acclaimed films like "Hey Ram" and "Virumaandi".

He has never hesitated to state his opinions and encourage debate about topics that are socially relevant. He is a rationalist in thought and moderate in opinion and a humanist in philosophy. The need to be socially conscious is seen in the way his fan clubs have revamped themselves into entities that carry out charity and volunteer work.

Dr. Rajkumar was born in 1929 in Gajanur and brought up in a poor family. He only studied up to 3rd standard before he dropped out of school. He wanted to follow in the footsteps of his father, a traveling actor who performed in various villages. He joined the Gubbi Veeranna drama company to play drama. There he met people like T.R. Narasimharaju, Nandamuri Balakrishna and G.V. Iyer, who co-starred with him in his first film, Bedara Kannappa (1954).

His three sons--Shivarajkumar, Raghavendra Rajkumar and Puneeth Rajkumar--are all Kannada film actors. His other films have included Havina Hede (1981), Dashavtara (1960), Yarivanu? (1984), Kamana Billu (1983) and he had the lead role in Odahuttidavaru (1969). His last film was Shabdavedi (2000). After this movie he declared that he was about to act in another film, "Bhakta Ambareesha", but he suffered a mild heart attack, and decided to retire from acting altogether.

Malayalam film actor Mammootty was born to Ismail (an agriculturist) and Fatima (a homemaker). He has two younger brothers Ibrahim and Zakariah; and three sisters, Ameena, Sauda and Shafina. He did his schooling in St.Joseph's Thevara, Maharaja's College and then studied law at Ernakulam Government Law College. It was during his days at Maharajah's that he got his first role as an extra (junior artist) in Anubhavangal Paalichakal in 1971. Along with Mohanlal, he is a top star in the Malayalam film industry of South India.

Mohanlal was born to Viswanathan Nair (father) and Santhakumari (mother) in the Pathanamthitta district of Kerala, which is located in the southern part of India on the 21st May 1960. Starting his career with a classic villain role, he has now become an outstanding actor in Malayalam Cinema. Without a doubt, Mohanlal is today's one of the best actors India has ever produced. He is also rated as one of the most talented actors in India. His ranges of movies are enviable, his comedy roles are incomparable and his unique style of dialogue delivery is effortless. Not many actors can portray both comedy and serious roles with the same ease. And with all these rare talents he has received "Padma Shri" and "Padma Bhushan", the nation's highest civilian honors. He has also won 5 National Film Awards, including Best Actor twice for Bharatham (1991) and the highly acclaimed Vaanaprastham (1999), as well as numerous other awards and honors.

He has reached this position with his hard work and devotion to the movie industry. As far as his acting is concerned, it's been acknowledged many times that he's the most gifted actor in the Indian movie field.

Known as one of the "big three" of South Indian Cinema of yesteryear (the other two being M.G. Ramchandran, and Sivaji Ganesan), Ramaswamy Ganesan had acted in several box-office hits between 1950 and 1978 as the lead hero. Born on November 16, 1919, he was a graduate from an orthodox Brahmin family, and had begun his career as a Lecturer in the Madras Christian College, but subsequently began to work with Gemini Studios as an Executive from 1947, hence he was referred to as "Gemini" Ganesan. He became a movie film hero by the age of 30 in a movie made by AVM Productions, and would soon attain star status.

Fondly referred to as the "King of Romance", he was paired with a number of top-rated heroines of his times, including Vyjantimala, Saroja Devi, Sowkar Janaki, and Devika. He ended up getting married to Savithri, another top heroine.

He was the proud father of one son and seven daughters. One of his daughters is Bollywood mega-star Rekha, and a second daughter named Ji Ji also a movie actress in two Tamil films. One of his other daughter is a well-known Chennai-based gynecologist, Kamala Selvaraj.

Unlike the other big two, Ganesan never tried his hand in politics, and continued doing films in Hindi, Tamil, Telegu, Malyalam, and Kannada languages, even after his prime, after which he did father roles up until the late 1990s. The total number of movies he acted in come to around 200 in all different languages.

A Padmasree recipient in 1971, Ganesan also won the Kalaimamani, MGR Gold Medal, and Screen Life Time Achievement awards.

After several months of bad health, he passed away on Tuesday 22 March 2005 at his home. He was 84 years of age.

M.N. Nambiar was born on 7 March 1919 in Kannur, Malabar, British India. He was an actor, known for Ulagam Sutrum Valiban (1973), Nadodi Mannan (1958) and Marmayogi (1951). He was married to Rukmani Devi . He died on 19 November 2008 in Chennai, Tamil Nadu, India.

Visu was born on 1 July 1945 in British India. He was an actor and writer, known for Samsaram Athu Minsaram (1986), Neenga Nalla Irukkanum (1992) and Aadhade Adharam (1976). He was married to Sundhari. He died on 22 March 2020 in Chennai, Tamil Nadu, India.