VALUTAZIONE IMDb
4,5/10
389
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn aspiring personal stylist is befriended by a new client whose admiration for her begins to look more like an obsession, more especially when she is revealed to be a spurned ex from her fi... Leggi tuttoAn aspiring personal stylist is befriended by a new client whose admiration for her begins to look more like an obsession, more especially when she is revealed to be a spurned ex from her fiance's past.An aspiring personal stylist is befriended by a new client whose admiration for her begins to look more like an obsession, more especially when she is revealed to be a spurned ex from her fiance's past.
- Regia
- Sceneggiatura
- Star
Blake Massad
- Chef Mohammed
- (as Blake Allen)
Recensioni in evidenza
I unironically love this film.
The screenplay is very fast-paced, wasting no time introducing all the principal characters, or forcing the plot to advance, while Lawrence Shragge's (admittedly fun) score flips on a dime from light and dreamy to somber and dramatic. Shanrah Wakefield's writing is undeniably cheesy and obvious, as we should expect from a movie like this. Director Lisa France leans hard into that flavor, clearly imparting to her cast to play up every line and moment with exaggerated gusto and flair. Dialogue is altogether ham-fisted.
Kat (Allison Paige) is so dreadfully careless and free-wheeling in her ploy, it's a miracle of Lifetime's making that the rest of the characters could be so oblivious and unquestioning. This especially goes for the protagonist, Krista (Tammin Sursok), who readily accepts Kat as her new Best Friend. The only one to hold any suspicion whatsoever - well, we know what happens to such characters in these stories.
Compliments to Dandi Dewey for her work in wardrobe, and makeup artist Cortney Heiser. Fashion plays no small part in the plot here, and every dress, blazer, and ensemble is so smartly considered. The cast looks outstanding.
And about the cast: I'm quite sure they are all skilled actors. France's guidance points them all in a particular direction, and they abide by it. Anyone viewing this is quick to dismiss the "bad acting." But the (over)acting, the movie as a whole, is specifically, purposefully over the top. We laugh at these things in B-movie horror flicks; what's so different here?
I readily admit that the whole reason I stumbled onto this movie to begin with and watched it is because I highly enjoyed Allison Paige's performance in 'The Lizzie Bennet Diaries.' Her turn here as Kat is decidedly different from her role as Gigi Darcy - and I love every moment. She clearly revels in every farfetched, overwrought moment of a character so dark and devious, and it's a thrill to watch.
'My killer client' is precisely the sort of movie audiences expect from Lifetime, and it's wild fun from start to finish. I'm not sure who the intended audience for this is, but it's such a delightful watch that I'd have a hard time not recommending it to just about anyone.
There are only two catches:
The first catch is that the stereotype of the "crazy girlfriend" is really just horrible, and even in a consciously preposterous tale like this, it's a bit tiresome.
The second catch is that I don't think 'My killer client' is intended to be a comedy.
The screenplay is very fast-paced, wasting no time introducing all the principal characters, or forcing the plot to advance, while Lawrence Shragge's (admittedly fun) score flips on a dime from light and dreamy to somber and dramatic. Shanrah Wakefield's writing is undeniably cheesy and obvious, as we should expect from a movie like this. Director Lisa France leans hard into that flavor, clearly imparting to her cast to play up every line and moment with exaggerated gusto and flair. Dialogue is altogether ham-fisted.
Kat (Allison Paige) is so dreadfully careless and free-wheeling in her ploy, it's a miracle of Lifetime's making that the rest of the characters could be so oblivious and unquestioning. This especially goes for the protagonist, Krista (Tammin Sursok), who readily accepts Kat as her new Best Friend. The only one to hold any suspicion whatsoever - well, we know what happens to such characters in these stories.
Compliments to Dandi Dewey for her work in wardrobe, and makeup artist Cortney Heiser. Fashion plays no small part in the plot here, and every dress, blazer, and ensemble is so smartly considered. The cast looks outstanding.
And about the cast: I'm quite sure they are all skilled actors. France's guidance points them all in a particular direction, and they abide by it. Anyone viewing this is quick to dismiss the "bad acting." But the (over)acting, the movie as a whole, is specifically, purposefully over the top. We laugh at these things in B-movie horror flicks; what's so different here?
I readily admit that the whole reason I stumbled onto this movie to begin with and watched it is because I highly enjoyed Allison Paige's performance in 'The Lizzie Bennet Diaries.' Her turn here as Kat is decidedly different from her role as Gigi Darcy - and I love every moment. She clearly revels in every farfetched, overwrought moment of a character so dark and devious, and it's a thrill to watch.
'My killer client' is precisely the sort of movie audiences expect from Lifetime, and it's wild fun from start to finish. I'm not sure who the intended audience for this is, but it's such a delightful watch that I'd have a hard time not recommending it to just about anyone.
There are only two catches:
The first catch is that the stereotype of the "crazy girlfriend" is really just horrible, and even in a consciously preposterous tale like this, it's a bit tiresome.
The second catch is that I don't think 'My killer client' is intended to be a comedy.
Pathetic acting almost everyone! The only good thing was the opening credits song which I've heard on a few other marvista lmn movies! What annoys me is that I cannot find the song or the singer anywhere! If anyone knows please give me a shout!
How many times can you remake a story about a crazy woman pining over an old boyfriend befriending his new fling and recking havoc?! And of course ancillary friends may disappear that see through creepy charade. Nothing new here. Creep factor non existent as a 12 year old boy could physically over power the villain.
Kat comes from a wealthy family but always had bad fashion style. At high school she went out with Jake but he broke up with her.
Now some years later. Jake whose mum is a fashion designer is engaged to Christa, a personal stylist.
In comes to her life is Kat wanting a fashion makeover. Not knowing who she really is and what she is really after.
A few people warn her off as they recognise that Kat is acting shiftly. She seems to be transfixed in the red dress that Christa has been wearing. Hoping that wearing the same dress, Jake would have her back.
This is a poor Lifetime effort. It lacks thrills or even any subtlety. I was surprised that the cop who visited Kat could not smell a dead body in the house.
Now some years later. Jake whose mum is a fashion designer is engaged to Christa, a personal stylist.
In comes to her life is Kat wanting a fashion makeover. Not knowing who she really is and what she is really after.
A few people warn her off as they recognise that Kat is acting shiftly. She seems to be transfixed in the red dress that Christa has been wearing. Hoping that wearing the same dress, Jake would have her back.
This is a poor Lifetime effort. It lacks thrills or even any subtlety. I was surprised that the cop who visited Kat could not smell a dead body in the house.
How's that for alliteration? Honestly, I can't say much of anything great about this film. About the only thing memorable and that kept catching my ear was the high-pitched squealing of the clothing hangers being moved back and forth in the store and how that grated on my senses...eeeyaaahhh!! I'm mostly writing this review in case user @haroot_azarian comes back here so they can see the results of my Shazam--the title song is: Be My City -by Laura Reznek.
Lo sapevi?
- QuizNot to be confused with the film Killer in Red starring Clive Owen.
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