La storia di due soldati americani dietro le linee nemiche il giorno del D-Day.La storia di due soldati americani dietro le linee nemiche il giorno del D-Day.La storia di due soldati americani dietro le linee nemiche il giorno del D-Day.
- Premi
- 2 vittorie e 7 candidature totali
Recensioni in evidenza
At one stage thought to be some form of Cloverfield sequel/prequel, thanks to the association with wonder producer J.J Abrams and his production company Bad Robot, Overlord is very much a film set in its own universe that takes us on a gore filled World War 2 set adventure to occupied France, as a small collection of American soldiers discover that German run labs are not the ideal place to spend time in.
Directed by upcoming Australian filmmaker Julius Avery whose previous film Son of a Gun showed much promise, Overlord does a lot with its relatively small budget of $38 million as we are thrust into the D-Day invasion and follow a collection of paratroopers on a mission to destroy a German radio bunker set up at the base of an old church building.
It's not being over the top when you say the first 10 - 20 minutes of Avery's film are some of the most thrilling and dazzling of the last 12 months, with the audience given barely a moment to breathe as the films stunning opening set-piece takes place and we launch out of an under fire carrier plane with Jovan Adepo's Boyce and his fellow soldiers.
If Overlord had somehow managed to keep this pace, intensity and style up, Avery's film would be a dead-set undeniable gem but sadly the film unleashes its best too early as the film around it, whilst often entertaining and gloriously over the top, just never quite delivers the thrills, spills and chills like you'd wished it had done.
Truly becoming the cinematic equivalent of the famous Wolfenstein video game series (which must've been a direct inspiration for this tale), Overlord's mix of war time action, sci-fi, straight up visceral horror (found within the Nazi's underground labs) and thriller doesn't always hold up, even if it's great to see a film of this ilk play it completely straight with Overlord forgoing laughs as there's no winking to the camera as the nefarious goings on begin to take hold.
It's a gore-filled and claret flowing exercise, with Avery clearly at home with the action side of things and a little less so at character building, with side players like Wyatt Russell's knuckle-duster loving Ford, John Magaro's stereotypical Italian solider and Mathilde Ollivier's token French female tomboy Chloe having fun but remaining fairly forgettable with Game of Thrones star Pilou Asbæk stealing the acting show with his turn as evil Nazi Wafner.
You never regret going along for this ride with enough imagination, impressive make-up and special effects and darkly imagined horrors such a soldiers traumatic return from death keeping things moving and ever watchable, you just can't help but feel like Overlord had the potential to become a genuine classic of its genre mash-up.
Final Say -
There's a lot to like about Overlord (an unfortunate box-office dud) that's likely to find a much a larger audience on home release but despite its many strengths and standout individual scenes, this Wolfenstein come to life is a mostly enjoyable but mostly forgettable affair.
3 bullet wounds out of 5
Directed by upcoming Australian filmmaker Julius Avery whose previous film Son of a Gun showed much promise, Overlord does a lot with its relatively small budget of $38 million as we are thrust into the D-Day invasion and follow a collection of paratroopers on a mission to destroy a German radio bunker set up at the base of an old church building.
It's not being over the top when you say the first 10 - 20 minutes of Avery's film are some of the most thrilling and dazzling of the last 12 months, with the audience given barely a moment to breathe as the films stunning opening set-piece takes place and we launch out of an under fire carrier plane with Jovan Adepo's Boyce and his fellow soldiers.
If Overlord had somehow managed to keep this pace, intensity and style up, Avery's film would be a dead-set undeniable gem but sadly the film unleashes its best too early as the film around it, whilst often entertaining and gloriously over the top, just never quite delivers the thrills, spills and chills like you'd wished it had done.
Truly becoming the cinematic equivalent of the famous Wolfenstein video game series (which must've been a direct inspiration for this tale), Overlord's mix of war time action, sci-fi, straight up visceral horror (found within the Nazi's underground labs) and thriller doesn't always hold up, even if it's great to see a film of this ilk play it completely straight with Overlord forgoing laughs as there's no winking to the camera as the nefarious goings on begin to take hold.
It's a gore-filled and claret flowing exercise, with Avery clearly at home with the action side of things and a little less so at character building, with side players like Wyatt Russell's knuckle-duster loving Ford, John Magaro's stereotypical Italian solider and Mathilde Ollivier's token French female tomboy Chloe having fun but remaining fairly forgettable with Game of Thrones star Pilou Asbæk stealing the acting show with his turn as evil Nazi Wafner.
You never regret going along for this ride with enough imagination, impressive make-up and special effects and darkly imagined horrors such a soldiers traumatic return from death keeping things moving and ever watchable, you just can't help but feel like Overlord had the potential to become a genuine classic of its genre mash-up.
Final Say -
There's a lot to like about Overlord (an unfortunate box-office dud) that's likely to find a much a larger audience on home release but despite its many strengths and standout individual scenes, this Wolfenstein come to life is a mostly enjoyable but mostly forgettable affair.
3 bullet wounds out of 5
I really felt conned by the halfway point of this, from then on i kept thinking that i'd rather have waited for it to come to TV instead of wasting time and money on it.
From what i just watched, its not the "fun, original, scary, gory, inventive thrill-ride, maximum shock value, insane" film its been reviewed to be. Definitely NOT scary or gore filled, and with the $38 million budget you'd have expected A LOT more!
The opening 5-10 minutes the reviews have been raving about was ok, its not an opening that would warrant a cinema visit, it ain't no Saving Private Ryan, Edge Of Tomorrow, etc battle scene, as it's over in a flash, roughly 1 or 2 minutes of action, pretty much whats in the trailer and the rest is characters chatting! Then it quickly slows to its meandering pace, with been-there-done-that scenes with added cheese and cliche characters, which start to wear your hopes for a fun big budget B-movie way he f down. I just became bored and just hoped for an outstanding action filled and creative finale to win me over. But NO, the ending is just standard gun play, explosions and one fight that's over way too soon and that's your lot! I would have been satisfied if it had maybe matched an exciting Expendable's type finaly as it was a similar premise.
It's a film that never takes its idea's far enough, never too crazy or too gory but just a very controlled and safe 18 certificate B-movie. And it's a movie that mostly relies on the stupidity/naivety of its lead character to make the plot move forward. If you're after a subtle b-movie then this may be for you
I was really looking forward to this because i'd read really good things, and i missed Slaughterhouse Rulez cus of this.
An episode of the Walking Dead is more exciting, gripping, tense and fun.
Check it out and make up your own mind up but i've given you a heads up. I didn't expect the grindhouse style of Planet Terror with Overlord but Planet Terror was a great fun big budget B-movie!!
From what i just watched, its not the "fun, original, scary, gory, inventive thrill-ride, maximum shock value, insane" film its been reviewed to be. Definitely NOT scary or gore filled, and with the $38 million budget you'd have expected A LOT more!
The opening 5-10 minutes the reviews have been raving about was ok, its not an opening that would warrant a cinema visit, it ain't no Saving Private Ryan, Edge Of Tomorrow, etc battle scene, as it's over in a flash, roughly 1 or 2 minutes of action, pretty much whats in the trailer and the rest is characters chatting! Then it quickly slows to its meandering pace, with been-there-done-that scenes with added cheese and cliche characters, which start to wear your hopes for a fun big budget B-movie way he f down. I just became bored and just hoped for an outstanding action filled and creative finale to win me over. But NO, the ending is just standard gun play, explosions and one fight that's over way too soon and that's your lot! I would have been satisfied if it had maybe matched an exciting Expendable's type finaly as it was a similar premise.
It's a film that never takes its idea's far enough, never too crazy or too gory but just a very controlled and safe 18 certificate B-movie. And it's a movie that mostly relies on the stupidity/naivety of its lead character to make the plot move forward. If you're after a subtle b-movie then this may be for you
I was really looking forward to this because i'd read really good things, and i missed Slaughterhouse Rulez cus of this.
An episode of the Walking Dead is more exciting, gripping, tense and fun.
Check it out and make up your own mind up but i've given you a heads up. I didn't expect the grindhouse style of Planet Terror with Overlord but Planet Terror was a great fun big budget B-movie!!
If you want to go in to watching this film without seeing the trailer, then don't read any reviews - including this one. There are no spoilers beyond what the trailer shows.
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
Overlord is essentially a B-movie with a Hollywood budget, great action, and a TON of gore. I really enjoyed this movie quite a bit, especially in the opening scene, which was shot very well. This movie is an action-horror set during World War II when a bunch of American Soldiers discover that the Germans are up to something sinister in one of their bases, and that is all I will say about the plot. It's awesome to watch. The films cast doesn't consist of any A-Listers or Superstars, but has a lot of recognizable faces such as Wyatt Russell, (who's performance reminded me a lot of his dad Kurt in The Thing), Pilous Asbaek and Jacob Anderson of Game of Thrones fame, John Magaro and Bokeem Woodbine, and newcomers Jovan Adepo and Mathilde Olliver as the leads. To sum it up, Overlord is the type of movie that is going to develop a fanbase years from now, it is very fun and will satisfy those both looking for intense action and gory horror, and I can easily recommend this. We can all thank Julius Avery for directing such a fun movie and J.J Abrhams for deciding to NOT turn this film into a Cloverfield movie.
Fun war movie with a horror twist. On its face, it is a procedural military mission - get in and do the thing to support the impending Allied invasion. The horror twist comes when the soldiers discover some strange stuff happening in the village. Medical experiments are being performed to transform normal humans into super soldiers. The mission now becomes twofold: destroy the tower and destroy the lab! Nothing particularly special or innovative about the story, but it was wildly entertaining and enjoyable. Very exciting edge-of-your-seat action scenes, well-performed roles, top-notch special effects, and solid jump scares. We watched it in the Dolby theater at AMC Metreon in SF. It was super loud and the place was rocking!
Trama
Lo sapevi?
- QuizOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- BlooperOne of the soldiers uses the term klicks for kilometer. Klicks was not used during WW2 and was not a common term until the Viet Nam War.
- Versioni alternativeAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- ConnessioniFeatured in Projector: Overlord (2018)
- Colonne sonoreBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Dettagli
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- Operación Overlord
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 38.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.704.844 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.202.108 USD
- 11 nov 2018
- Lordo in tutto il mondo
- 41.657.844 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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