L'ombra del sospetto

This isn't a simple film. It's a film that plays with time to tell a story encompassing love, jealousy, anger, loss and pain. It covers the gamut of emotions one feels when betrayed and follows the path a man goes down as he discovers his wife has had another love.

I loved Liam Neeson's descent into jealous rage and the discoveries he made about himself, his family and his relationship as he discovers secrets from his wife's past. A moody film, perfectly adapted to its subject matter, you feel drawn into Neeson's character's despair.

It's not the best film I've seen recently but it's one I'm glad I saw and would heartily recommend it to others who are willing to think a film through its details. The acting's good and both Liam Neeson and Laura Linney carry the plot well. Antonio Banderas plays a less rounded role, but still does so enjoyably.

Definitely a film worth watching.

Richard Eyre has carefully constructed an intimate tale of a man who discovers his wife's infidelity.

Liam Neeson and Antonio Banderas provide subtle and mature performances, with Romola Garai outstanding as the daughter.

The film is beautifully shot on location in Milan and Lake Como as well as in London and Ely.

The plot twists are effective, leaving one to reflect on how little we can truly know of the people around us.

Nevertheless, the denouement feels a little forced, even if a logical conclusion to the narrative.

Skipping through reviews before watching this film, I nearly decided to give it a miss. But I found out it was a miss for those negative reviewers who didn't get it. It's a hit, for me anyway.

It's gutsy, deals with real emotions colouring them in hither and thither as the scenes flick by in a non linear time line. That may sound like it's complex - it isn't. You are taken on a journey focusing on Peter, his wife being the essential background to the story, with his wife's lover the foil on which they both tread.

If you're looking for a stereotypical Hollywood scorned husband movie, move along, you'll find no joy here. This is real life in content, pace and dialogue. It's not boring, its not slow and it is captivating. I dare any man who has been cheated on by the love of their life not to be deeply moved by this film. The same probably goes for women. As the story unfolds, there's another group of people that will be moved, and that's for you to discover.

The ending is how it should be given the subject matter - some level of completion. And there's plenty to talk about afterwards. I'd love to say more but that would be giving away too much.

Great acting by all, though Liam Neeson has, and holds firmly, the centre stage.

I give this a low end of 9/10 if that's possible. Enjoy!

In Cambridge, the software engineer Peter (Liam Neeson) and the shoe designer Lisa (Laura Linney) are successful in their careers and have been happily married for twenty-five years. They have an adult daughter, Abigail (Romola Garai), and Lisa frequently travels to Milano to do business with the Gianni & Gianni Company. When Lisa is gone, Peter finds a message in her cellular and decides to snoop her e-mails and discovers in a secret folder named Love that she had a lover, Ralph (Antonio Banderas). Peter travels to Milano and stalks Ralph; he finds that the man plays chest in a bar. Peter gets close to Ralph that tells his relationship with Lisa without knowing that he is her husband.

"The Other Man" is an engaging romance about adultery and triangle of love among the husband, the wife and her lover. The story is supported by the excellent Liam Neeson, Laura Linney and Antonio Banderas but unfortunately the suspenseful screenplay has a disappointing conclusion. My vote is seven.

Title (Brazil): "O Amante" ("The Lover")

This film is about a man who discovers his wife having an affair with someone in Italy. He is enraged and is determined to find and kill the adulterer.

"The Other Man" is an engaging drama about the enmeshed relationship of three people. The composition of scenes and the use of appropriate music enhances the atmosphere of the film. Acting is uniformly good by all three leads. Laura Linney appears appropriately frail at the end, Antonio Banderas is the macho ladies man, while Liam Neeson suffers in anger and grief. Despite the limited amount material, "The Other Man" manages to be captivating and engaging. If the story of "The Other Man" could be expanded, it would have been even better.