Un giovane entra in un bordello e assiste alla rappresentazione teatrale di una favola tradizionale cinese che narra di una donna pirata.Un giovane entra in un bordello e assiste alla rappresentazione teatrale di una favola tradizionale cinese che narra di una donna pirata.Un giovane entra in un bordello e assiste alla rappresentazione teatrale di una favola tradizionale cinese che narra di una donna pirata.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 8 candidature totali
Un Cho Sung
- Pirata
- (as Sung Un Cho)
Recensioni in evidenza
Arthouse adaptation of "The Widow Ching, Lady Pirate" by Jorge Luis Borges (24 Aug 1899-14 June 1986) that blends Peter Greenaway and Yimou Zhang. This Chinese folktale partially plays out in a brothel and captures the journey of Chinese piratess Ching who is regarded as the most feared corsair of the Chinese coast until a fateful battle with the new emperor. Bud Spencer plays the captain in the service of Ching, who is also the narrator. The film displays superb cinematography that, even years later, still stand as great wonders. The 18th century is reconstructed on the coasts of Montenegro and it is a work of ingenious craftsmanship that packs in a whole lot of visual splendour. It is also a fascinating blend of adventure, comedy, romance which is cleverly narrated cinema that paints an interesting portrait of the piratess. It brims with an energetic & creative vibe which keeps the story refreshing throughout its runtime. The set and the production design is top notch, Kudos for the stellar especially the designed ships. The use of colour palette is quite splendid and the expertly staged camera angles & movements make its story all the more captivating. Even the Costumes are pretty much in tune with the depicted timeline, and the work in make-up department is no slouch either. Coming to the performances, the movie features a Powerhouse of performances. The supporting cast manage to leave their mark, one way or another. Bud Spencer makes the narrator completely his own for it's his added inputs only which gives his character a unique look & edge over the others, and there isn't one scene where he isn't the show-stealer. Highly recommend to Arthouse fans, this will be a cinematic experience and a feast to the heart and mind.
First of all, I must apologize on behalf of my Latin (Italian) blood!! I mean, if there is something I like... I really LIKE IT !! and let me say it again: I really loved & LIKED this film!! The script takes you back to those stories by Emilio Salgari about the Malasya's Tigers or even to those other Pirates at the Caribbean Sea. But this time, just sailing by the Sea of China... Oh sorry!! it is a little far away from the Hispaniola...? It must be the Butterfly Effect!! Changing places, from behind the screen to the open sea, or inside the Captain's Cabin to the beautiful Widow Ching's heart (Jun Ichikawa not only speaks Italian with Rome accent, but her eastern beauty has that touch too!!), or deep her (ours) thoughts, memories or dreams... who really knows? It is more than a tale for grown people that used to be children once upon a time... Lovely!! I really enjoy it!! Oh!! by the way, if you are planning to watch it with your kids, beware about some elegant & artistic views of Miss Ichikawa's beauty... just a few minutes before the end of the story... But don't loose the message that comes on the gorgeous kites... Lovely!! This is a film to enjoy it.
I have yet to be disappointed with Olmi's work and "Cantando dietro i paraventi" was no exception. It met all my expectations and more. It is a superbly executed film with all the hallmarks of Olmi's lyricism and beauty of composition. Each frame is a joy to behold and Olmi is a master at setting mood and tempo. From the stage to high seas the audience is taken on a memorable journey - a blend of the real and the performed which culminates in a beautiful and magical scene of kites soaring through and from the sky bearing their message of peace. Long may Olmi and his son continue to make films of such quality and visual delight.
Bud Spencer out of role... some very nice images in a terrible, too theatrical experiment.
There's a laconic but amazing beauty in Olmi's last release. "Cantando dietro i paraventi" is a song for all the adventures that we didn't experiment, for all the landscapes we'd never see. It's his more "wellesian" work and one of the movies that impressed me the most in the last five years. I don't want to think what would Greenaway do with this material but probably a total failure. This film from a veteran like Olmi remembers us that weerasethakul and Sang-soo are the present, not the future. After a long career and still recent his brilliant "Ilo mestiere delle armi", Olmi returns to a place that he never thought: the land of the filmmakers compromised with themselves and the history. It's amazing doing this in a rickety cinematography like Italy's. Cheers, signore Olmi
Lo sapevi?
- QuizBud Spencer initially asked the producers if he could be credited under his real name (Carlo Pedersoli), due to the film's more serious tone compared to the titles he was most commonly associated with. He reconsidered after being told that his presence would boost the film's box office prospects.
- ConnessioniFeatures La bella corsara (1928)
- Colonne sonoreL'oiseau de feu: Berceuse
(suite, final)
Written by Igor Stravinsky
Interpreted by the Rundfunk-Sinfonieorchester Berlin (as Radio Symphonie Orchester Berlin)
Directed by Lorin Maazel
Published by Sugar Deutsche Grammophon
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Singing Behind Screens
- Luoghi delle riprese
- Podgorica, Montenegro(mountain range, naval scenes and battles)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 1.071.748 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Cantando dietro i paraventi (2003) officially released in India in English?
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