Notizie

An adaptation of Edith Wharton novel The Custom Of The Country by Mary Queen Of Scots director Josie Rourke is among 16 new projects backed by the Düsseldorf-based regional film fund Film- und Medienstiftung Nrw (Fms).

€600,000 in production funding was allocated by Fms to Rourke’s planned adaptation of Wharton’s 1913 novel.

The tragicomedy of manners about a Midwestern girl attempting to ascend in New York society is currently structured as a German-uk co-production between Cologne-based Mo Co-Production, a single purpose company set up by augenschein Filmproduktion, with Charles Finch’s Rabbit Foot Films.

Finch was recently a co-producer of the...

This article is part of IndieWire’s 2000s Week celebration. Click here for a whole lot more.

Putting together best-of lists is both a pleasure and a pain — you are always going to “leave something out” or “forget about” one of the all-time greats, and even if you’re able to cull through every possible iteration and entry, ranking and rating the merit of anything in any artistic realm is bound to draw dissent. And, yes, we just keep doing it.

This summer, we’re all about the aughts. And what a time for on-screen performances, the kind that belong not only on this list, but any list of best-to-ever-do-it. In the early 2000s, we saw all manner of breakthroughs on the big screen, be it Javier Bardem burrowing into our collective nightmares or Adam Sandler continuing to proof his salt as a full-stop Great Dramatic Actor. Heath Ledger became our most chilling supervillain.

Actress Gillian Anderson poses for the July 2024 issue of “Hunger” magazine, photographed by Rankin:

Anderson’s film credits include the roles of ‘FBI Special Agent Dana Scully’ in the series “The X-Files” (1993–2002; 2016–2018)…

…ill-fated socialite ‘Lily Bart’ in Terence Davies's film “The House of Mirth” (2000)…

…Dsu Stella Gibson in the BBC/RTÉ crime drama television series “The Fall” (2013–2016)…

…sex therapist ‘Jean Milburn’ in the Netflix comedy drama “Sex Education” (2019–2023), and British Prime Minister Margaret Thatcher in the fourth season of Netflix drama series “The Crown” (2020)…

…and an unwatchable performance as ‘Eleanor Roosevelt’ in the Showtime series “The First Lady” (2021).

Click the images to enlarge…...

Did you know that while Gillian Anderson and David Duchovny fascinated audiences with their unquestionable on-screen chemistry as the iconic duo of The X-Files, there was, in reality, a notable tension simmering away from the cameras? Despite the underlying challenges, this dynamic pair brought FBI agents, Dana Scully & Fox Mulder, to life, delving into paranormal cases that had us on the edge of our seats.

Thus, viewers might assume that the two leads get along because of how long they have been working together, but that is not always the case. However, we obtained old footage of Anderson kissing Duchovny before her then-boyfriend at the 1997 Emmys, prompting many to speculate about the stars’ true off-screen relationship.

Gillian Anderson and David Duchovny in a still from The X-Files

Isn’t it like opening Pandora’s box when you peel back the layers of intrigue that cloaked the iconic duo of Dana Scully and Fox Mulder,...

There is a rug-pull moment in Magnus von Horn’s handsome and captivating period yarn that cleaves his drama into “before” and “after.” It is a testament to the rich and assured storytelling on offer in his Cannes competition entry “The Girl with the Needle” that, although the moment seems to come out of nowhere, it instantly makes sense and serves to ratchet up the tension, propelling the story’s evergreen themes into a confrontational new register.

In post-World War I Copenhagen, we drop in with Karoline (Vic Carmen Sonne) as she is being evicted from a pleasant room in a respectable part of town. With her soldier husband Mia, her factory worker wages don’t cover the rent and she has fallen into arrears. The rapacious need of this time is telegraphed as mere minutes after Karoline receives her marching orders, the woman replacing her arrives to look over the room.

Gillian Anderson reveals how she almost quit acting due to a "horrendous" review in 2000. Anderson's upcoming projects include portraying journalist Emily Maitlis in the Netflix film Scoop, and editing a book of sexual fantasies. Despite industry challenges, Gillian Anderson's resilience shines as she gears up for new films and a provocative book release.

Gillian Anderson continues to be a force to be reckoned with in Hollywood, but the actress revealed in a recent interview that she almost quit acting over 20 years ago following one “horrendous” movie review.

Related Gillian Anderson Reveals Her One Condition for a Potential Return to The X-Files Gillian Anderson has become one of the world's most-loved actresses, and would have one condition for reprising her best-known role of Dana Scully.

Anderson has been a TV and cinema icon for more than three decades. From her role as Agent Scully in The X Files to playing...

NYC Weekend Watch is our weekly round-up of repertory offerings.

Museum of the Moving Image

A retrospective of snubbed performances brings the Wharton double-bill The Age of Innocence and Terence Davies’ criminally underseen The House of Mirth; World on a Wire and Thx 1138 screen on Saturday; the Stop Making Sense restoration plays throughout this weekend.

Film Forum

A retrospective of Japanese horror begins with Onibaba, Audition, Ugetsu and more; the Marx Brothers’ Horse Feathers plays this Sunday.

Bam

Films by John Carpenter, Brian De Palma, Oliver Stone, Tony Scott and more play this weekend in “The Paranoid Style.”

Roxy Cinema

The Girlfriend Experience and Cape Fear play on 35mm this weekend.

Anthology Film Archives

The General plays on Saturday.

IFC Center

A Brian Yuzna retrospective is underway; Starship Troopers and The Shining play late.

The post NYC Weekend Watch: Edith Wharton, Japanese Horror, Paranoid Cinema & More first appeared on The Film Stage.

This article contains spoilers for The Buccaneers episode 1.

Based on Edith Wharton’s unfinished novel, The Buccaneers is Apple TV+’s newest original series. The story follows five young American women from wealthy families in the 1870s looking to move up the social ladder by marrying the cash-poor and status-rich sons of the British gentry.

The first episode, “American Poison,” introduces the young women, their families, and the way the marriage market is not as romantic as depicted in other period dramas or previous Wharton adaptations. Conchita “Conchi” Closson (Alisha Boe) was the first American woman to marry a British Duke. Her friends Annabelle “Nan” St. George (Kristine Frøseth) and her sister Virginia “Jinny” (Imogen Waterhouse) plus sisters Mabel (Josie Totah) and Lizzie (Aubri Ibrag) Elmsworth are also hoping some of Conchi’s luck rubs off on them. The bond between the young women is tested by the competition to make a good match,...

From Distant Voices, Still Lives to Benediction, the lyrical work of the late director was suffused with the ‘ecstasy’ of cinema – and his fraught Liverpool childhood

Last month, British cinema lost one of its greatest and most distinctive screen poets. From an astonishing trilogy of early short films (Children; Madonna and Child; Death and Transfiguration – all available on BFI Player) to his final feature, Benediction (2021), Terence Davies seamlessly blended personal recollections with wider universal truths. His subjects ranged from autobiographically inspired portraits of postwar working-class life in Liverpool to sweeping literary adaptations and intimate portraits of real-life authors, most remarkably the American poet Emily Dickinson, brilliantly played by Cynthia Nixon in A Quiet Passion, 2016. Yet each of his films felt deeply, distinctly personal. No wonder Jack Lowden, who played Siegfried Sassoon in Benediction, told me that after immersing himself in his subject’s diaries in preparation for the role, he...

Gillian Anderson paid tribute to Terence Davies, the British filmmaker who directed one of her most acclaimed performances for “The House of Mirth,” crediting him with giving her “my first ‘proper’ film job.” Davies died on Oct. 7 at the age of 77 following a short illness.

“The House of Mirth,” an adaptation of Edith Wharton’s novel of the same name, saw Anderson portray Lily Bart, a tragic socialite whose quest for love and financial security leads her to ruin. Davies wrote the script, in addition to directing the film.

The role came to Anderson at a time when she was best known for portraying FBI Special Agent Dana Scully in the paranormal series “The X-Files.” The film provided an opportunity for the actor to showcase her range with a meaty role in a period piece. It was also good news for Davies, with “The House of Mirth” representing a significant...

Terence Davies, the accomplished and thoughtful director behind such films as Distant Voices, Still Lives, The House Of Mirth and, most recently, Benediction, about World War II poet Siegfried Sassoon, had died. Davies, who began his career making autobiographical short films but switched to literary adaptations and dramas, which nevertheless kept an emotionally affecting through line. Dying at home after a short illness, Davies was 77.

Born in Liverpool to a large Catholic family (which informed much of his early film work), Davies spent a decade as a clerk before attending Coventry Drama School, and starting to make short films. He followed that up with the National Film School. His three initial shorts are Children, Madonna And Child and Death And Transfiguration all tackled autobiographical stories of emotion and religion.

When he started making feature films, his first two efforts, Distant Voices, Still Lives and The Long Day Closes were also inspired by his life,...

Filmmaker died after a short illness, according to his family.

Acclaimed UK filmmaker Terence Davies died today (October 7) aged 77 after a short illness, according to a social media post from his family.

Davies’ best known works include autobiographical films Distant Voices, Still Lives (1988) and The Long Day Closes (1992); and literary adaptations The House Of Mirth (2000) with Gillian Anderson, which won the Bafta for best British film; and The Deep Blue Sea (2011) with Rachel Weisz.

His other projects include documentary Of Time And City, which premiered at Cannes in 2008, and A Quiet Passion (2015), based on the life of Emily Dickinson.

His...

British director Terence Davies has died at the age of 77 after a short illness, his family announced in a post on his Instagram page. He was known for films including “Distant Voices, Still Lives,” “The House of Mirth,” and “A Quiet Passion.”

News of his death was shared on his official Instagram account.

“It is with deep sadness that we announce the death of Terence Davies, who died peacefully at home after a short illness, today on 7th October 2023,” the post reads.

The Liverpool native first broke onto the scene with a trio of short films called “The Terence Davies Trilogy,” which won numerous awards. His feature-length debut was 1988’s “Distant Voices, Still Lives,” an autobiographical film about a working class family in Liverpool.

His 2000 adaptation of “The House of Mirth” won acclaim, as did his 2011 film “The Deep Blue Sea” starring Rachel Weisz.

His last film was 2021’s “Benediction,...

Terence Davies, the critically beloved British writer-director who had his international art-house breakthrough with two deeply autobiographical films set in his native Liverpool, England, Distant Voices, Still Lives and The Long Day Closes, has died. He was 77.

Davies’ official Instagram account confirmed the news Saturday morning, noting that the filmmaker died peacefully at home after a short illness.

Much of Davies’ work is infused with personal emotional experience, reflecting in subtle ways on growing up as a gay, Catholic man in Liverpool in the 1950s and ’60s. The filmmaker directly addressed his childhood in his 2008 feature documentary, Of Time and the City.

Premiering to great acclaim at the Cannes Film Festival that year, the doc recalled both Davies’ own family life and that of the city, using archival footage, his own commentary voiceover, classical music tracks, film clips and excerpts from poetry and literature in an assemblage by turns caustically funny and melancholy,...

Terence Davies, the director of The Long Day Closes and Distant Voices, Still Lives, has died at 77, according to his official social media pages.

Davies died at his home after what was described as a short illness.

Davies directed several films that were considered among the best of the craft in his lifetime. They ranged from The Deep Blue Sea starring Rachel Weisz, to his debut feature, Distant Voices, a look at hs own working-class British upbringing.

His works included acclaim for films like A Quiet Passion, starring Cynthia Nixon as the reclusive poet Emily Dickinson, and the Edith Wharton adaptation, House of Mirth, featuring Gillian Anderson.

At the center of his films was his discomfort with being gay, and the ennui of life.

View this post on Instagram

A post shared by Terence Davies (@terencedaviesofficial)...

Terence Davies, the British filmmaker known for “Distant Voices, Still Lives,” “The Deep Blue Sea” and “The Long Day Closes,” has died. He was 77.

The news of Davies’ death was shared on his official Instagram page: “It is with deep sadness that we announce the death of Terence Davies, who died peacefully at home after a short illness, today on 7th October 2023.”

Davies was admired for his period films as well as his early autobiographical trilogy about growing up in Liverpool.

“Being in the past makes me feel safe because I understand that world,” he told the Guardian in 2022.

Though his films were widely recognized for their sensitive depictions of gay life, Catholicism and other frequent themes, they didn’t amass a huge number of awards, which he considered in his typically philosophical way. “It would have been nice to be acknowledged by Bafta. Again, there’s also part of...

Gillian Anderson has signed on to star in Kurt Sutter’s upcoming Netflix Western series “The Abandons,” Variety has learned exclusively.

Anderson joins previously announced star Lena Headey in the show, which was first picked up to series at the streamer in October 2022. According to an individual with knowledge of the situation, Anderson’s deal was in the works prior to the beginning of the writers’ strike but only recently closed.

The official series description states: “As a group of diverse, outlier families pursue their Manifest Destiny in 1850s Oregon, a corrupt force of wealth and power, coveting their land, tries to force them out. These abandoned souls, the kind of lost souls living on the fringe of society, unite their tribes to form a family and fight back. In this bloody process, “justice” is stretched beyond the boundaries of the law.”

Anderson will play Constance, described as “the matriarch...

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Whether heading out to theaters or surfing through streaming services, there’s a lot to watch this June. These include a pair from arthouse favorites Terrence Davies and David Cronenberg, a TV miniseries from one of France’s best directors, a Jennifer Lopez double feature and… did we mention dinosaurs? There will also be dinosaurs. But first, let’s hit the beach.

Fire Island (Hulu, June 3)

Comedian and...

Exclusive: Four-time Emmy winner Laura Linney got behind the camera for the first time on the back half of Ozark‘s final season, directing the 11th episode of its 14.

The acclaimed drama created for Netflix by Bill Dubuque and Mark Williams follows financial advisor Marty Byrde (Jason Bateman) and his wife Wendy (Linney), who have dragged their kids Charlotte (Sofia Hublitz) and Jonah (Skyler Gaertner) from Chicago to the Missouri Ozarks, where they must launder money to appease a drug boss. Season 4, which returned for its first of two parts on January 21 and wraps up on April 29, finds tensions further escalating as the Byrdes do everything they can to disentangle their family from the cartel, and to stay alive.

Linney co-exec produces the series, which also stars Alfonso Herrera, Jessica Frances Dukes, Lisa Emery, John Bedford Lloyd, Joseph Sikora and more. Chris Mundy served as showrunner, writer, and exec producer of Season 4, with Bateman,...

This The Gilded Age review contains spoilers for “Never the New.”

The Gilded Age‘s two-part premiere episode is 90 minutes of epic period drama world-building. In the new HBO series, creator Julian Fellowes melds many of the storytelling tropes and elements that made Downton Abbey a worldwide hit with a less explored decade in American history into a story that delivers on the social drama and historical recreation. Let’s talk about “Never the New, Parts 1 & 2.”

The Gilded Age Setting

The Gilded Age‘s setting is 1882 New York City, a city of rapid changes in both society and industry. Thousands of new residents arrive either from other places in America or from around the world. The Industrial Revolution created a new class of millionaires and billionaires to challenge the generational wealth of the oldest families. As these elites gained wealth, the gap between the richest and the poorest Americans increased exponentially.

India’s annual Film Bazaar market has revealed the five projects chosen for its work-in-progress lab.

The selected projects are Jaicheng Zxai Dohutia’s Assamese and Moran-language “Baghjan”; Shailendra Sahu’s Hindi and Chattisgarhi-language “Bailadila; Ektara Collective’s Hindi-language “Ek Jagah Apni; Harshad Nalawade’s Marathi, Kannada and Hindi-language “Follower”; and Jai Shankar’s Kannada-language “Shivamma.”

The director and editor of the selected films show their rough cuts to the panel of mentors and receive in-depth one-on-one feedback. The international editor assigned to the film guides the director and editor of the selected films through two sessions of the editing lab.

Mentors this year include producers Philippa Campbell (“Top of the Lake”) and Olivia Stewart (“The House of Mirth”), veteran film festival curator Marco Müller, editor and festival curator Marie-Pierre Duhamel, editors Jacques Comets and Lizi Gelber (“Venice Elsewhere”) and critic Derek Malcolm.

Since its inception in 2008, the lab has...

While Netflix is far from being a haven for admirers of classic cinema, they thankfully are backing strong repertory programming in New York City. After acquiring The Paris Theater, located on 58th Street in Manhattan, and briefly reopening with some runs of Netflix features and other specialty programming, they are now officially opening their doors again on August 6 with a more substantial slate of classic cinema.

Featuring two programs, one curated by Radha Blank and another by the theater’s programmer David Schwartz, the reopening lineup features work by John Cassavetes, Kathleen Collins, Luis Buñuel, Mira Nair, Jean-Pierre Jeunet, Ingmar Bergman, Terence Davies, and much more––with many on film prints.

One can also enter to win a pass for Schwartz’s series “The Paris is For Lovers,” with a newly-unveiled scavenger hunt tied to Ira Deutchman’s new documentary Searching for Mr. Rugoff, which opens on August 13 and is part of the lineup.

The Paris Theater, a beloved arthouse cinema in New York City, is reopening its doors next month.

To celebrate its return on Aug. 6, filmmaker Radha Blank is curating a slate of repertory titles to screen alongside her directorial debut “The Forty-Year-Old Version.” Her movie, which premiered at Sundance Film Festival, is playing through Aug. 12.

The Paris opened in 1948 and is the only single-screen movie theater in Manhattan. Netflix acquired the 545-seat venue in 2019 and, prior to Covid-19, held premieres, special events and screenings of its films in the storied institution, which is just south of Central Park.

“I made ‘Forty-Year-Old Version’ in 35mm Black & White in the spirit of the many great films that informed my love of cinema,” says Blank. “I’m excited to show the film in 35mm as intended and alongside potent films by fearless filmmakers who inspired my development as a storyteller and expanded my vision...

The Paris Theater, an NYC cinematic landmark rescued by Netflix in 2019, will officially reopen August 6 with the streamer’s The Forty-Year-Old Version by Radha Blank and a week of repertory films programmed by the director.

The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements since March that included Netflix’ 17 Oscar-nominated films, retrospectives of Charlie Kaufman and Orson Wells, zombie movie classics and a Bob Dylan film series.

The Paris closed in August of 2019 after its lease with City Cinemas expired. That November, Netflix entered an extended lease agreement, said to be for ten years with owner the Solow Family, to keep the theater open and use it for events, screenings and theatrical releases of its films. The first was Noah Baumbach’s Marriage Story. The theater was shuttered by Covid-19 last spring.

(In May of 2020, Netflix acquired another storied theaters,...

We’ll be meeting Catherine’s (Elle Fanning) mother in Season 2 of Hulu’s The Great. Gillian Anderson (The Crown) will appear in two episodes of the acclaimed comedy drama as Catherine’s mother, Joanna.

Joanna is a glamorous socialite from Germany, sometimes also known as the “maestro of marriage” for her abilities to arrange high profile partnerships for her daughters. She has heard rumors of her daughter’s coup and come to Russia to see it for herself. Though the apple of Catherine’s eye and a doting mother, it soon becomes clear Johanna has more sinister intentions to save her family’s reputation

Created, written and executive-produced by Oscar and Emmy-nominated writer Tony McNamara, the satirical show tells the story of the rise of Catherine the Great from outsider to the longest-reigning female ruler in Russia’s history with only a few occasional facts.

In addition to Fanning as Catherine,...

Coming off playing a renowned 20th century British political figure, Margaret Thatcher, Gillian Anderson is taking on an American 20th century political icon, Eleanor Roosevelt.

Anderson is set as the co-lead opposite Viola Davis and Michelle Pfeiffer in The First Lady (working title), Showtime’s anthology executive produced by Davis and directed and executive produced by Susanne Bier, from Lionsgate TV and Showtime.

All three stars of the series, along with Bier, are currently nominated for a Golden Globe, Gillian for her portrayal of Thatcher in Netflix’s The Crown, Pfeiffer for French Exit, Davis for Ma Rainey’s Black Bottom and Bier for HBO’s The Undoing.

This is the second Lionsgate project Anderson has signed on for this month, she was also just tapped to star In the feature White Bird: A Wonder Story.

The First Lady was created by Aaron Cooley. It’s a revelatory reframing of American leadership,...

Exclusive: Gillian Anderson, who can be seen on Netflix’s The Crown as Margaret Thatcher, has signed with UTA.

The Hollywood talent agency has signed the actress, who broke through in Fox’s The X-Files, in all areas. Deadline understands that Anderson had been without a U.S. agent but over the course of her career has been represented by WME and CAA.

It is a hot signing for UTA with Anderson scoring plaudits for her role in the British royal drama. She stars as the former Prime Minister alongside Olivia Colman and Helena Bonham-Carter in the fourth season of the show, which was created by Peter Morgan.

Anderson told Deadline earlier this year that she never hesitated at the prospect of playing a Pm who many consider tyrannical. “No hesitation at all,” she said. “There are a few things in life where, if they come your way, you just...

Talent invited to join membership includes British producers, directors and writers as well as a casting director and cinematographer.

The filmmakers behind Oscar-winner 1917 are among a raft of UK talent invited to join the Us’ Academy of Motion Picture Arts and Sciences (AMPAS).

Producer Pippa Harris, writer Krysty Wilson-Cairns and star George MacKay are among 819 artists and executives who have been invited to join the Academy as part of its 2020 intake. Further invitees who worked on the World War One drama include set decorator Lee Sandales, sound editor Rachael Tate and VFX supervisor Richard Little.

UK executives and behind-the-scenes talent...

Talent invited to join membership includes British producers, directors and writers as well as a casting director and cinematographer.

The filmmakers behind Oscar-winner 1917 are among a raft of UK talent invited to join the membership of AMPAS (Academy of Motion Picture Arts and Sciences).

Producer Pippa Harris, writer Krysty Wilson-Cairns and star George MacKay are among 819 artists and executives who have been invited to join the Academy as part of its 2020 intake. Further invitees who worked on the World War One drama include set decorator Lee Sandales, sound editor Rachael Tate and VFX supervisor Richard Little.

UK executives and behind-the-scenes...

Tributes pour in for the veteran producer, best known for his work on films including ‘The Magdalene Sisters’.

Alan J. ‘Willy’ Wands, a producer of The Magdalene Sisters and detective series Rebus, died yesterday in Glasgow aged 67. He had been diagnosed with cancer.

An outspoken advocate of the Scottish production industry, Wands had more than 35 feature film credits and numerous TV drama series to his name.

Born in Ayr, on the west coast of Scotland, he started his career in the 1970s in theatre before moving into screen work as an associate producer on features including Mike Figgis’ 1988 crime drama...

Tributes pour in for the veteran producer, best known for his work on films including ‘The Magdalene Sisters’.

Alan J. ‘Willy’ Wands, a producer of The Magdalene Sisters and detective series Rebus, has died aged 67. He passed away yesterday (May 17) in Glasgow, having been diagnosed with cancer.

An outspoken advocate of the Scottish production industry, Wands had more than 35 feature film credits and numerous TV drama series to his name.

Born in Ayr, on the west coast of Scotland, his early credits were as an associate producer on Mike Figgis’ 1988 crime drama Stormy Monday and David Hayman’s 1990 gritty drama Silent Screen.

Editors’ Note: With full acknowledgment of the big-picture implications of a pandemic that already has claimed thousands of lives, cratered global economies and closed international borders, Deadline’s Coping With Covid-19 Crisis series is a forum for those in the entertainment space grappling with myriad consequences of seeing a great industry screech to a halt. The hope is for an exchange of ideas and experiences, and suggestions on how businesses and individuals can best ride out a crisis that doesn’t look like it will abate any time soon. If you have a story, email mike@deadline.com.

Acclaimed Brit filmmaker Terence Davies, known for movies including Distant Voices, Still Lives, The House of Mirth and The Deep Blue Sea, was only three days from start of shoot on passion project Benediction when the film was shut down due to the coronavirus. Writer-director Davies, who is 74, had been in development...

Bankside is launching sales at the Efm on WWI movie Benediction. Jack Lowden (Dunkirk) is attached to star as poet and soldier Siegfried Sassoon in writer-director Terence Davies’ upcoming biopic. Shoot is due to get underway in coming months.

Lowden, a recent BAFTA Rising Star nominee, will portray English soldier and poet Sassoon, who was decorated for bravery on the Western Front, and is best remembered for his poems about the First World War, which brought him public and critical acclaim. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war.

The long-gestating movie, whose details are being kept under wraps, marks the return of festival favorite Davies, director of movies including A Quiet Passion, Distant Voices, Still Lives and The House Of Mirth. The Brit filmmaker’s last movie A Quiet Passion from 2016 was about American poet Emily Dickinson.

Jack Lowden (Dunkirk) is attached to star as WWI poet Siegfried Sassoon in writer-director Terence Davies’ upcoming biopic Benediction, we have confirmed.

Lowden, a recent BAFTA Rising Star nominee, will portray English soldier and poet Sassoon, who was decorated for bravery on the Western Front, and is best remembered for his poems about the First World War, which brought him public and critical acclaim. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war.

The long-gestating movie, whose details are being kept under wraps, marks the return of festival favorite Davies, director of movies including A Quiet Passion, Distant Voices, Still Lives and The House Of Mirth. The Brit filmmaker’s last movie A Quiet Passion from 2016 was about American poet Emily Dickinson.

Brit producer Mike Elliott of Emu Films (Dirty God) is producing with shoot due to get underway this year.

As a creepy Nor'easter hits Horsehoe Bay, Nancy and friends battle curses, ghosts and the looming specter of Nick’s past.

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This Nancy Drew review contains spoilers.

Nancy Drew Episode 3

Even storms can apparently have a life of their own on Nancy Drew. As seems to be par for the course in Horseshoe Bay, pretty much any regular everyday event can somehow be tied to the supernatural, and thus is the case for an impending Nor'easter that’s about to hit the town. Here, these storm squalls have an almost mythic property, and supposedly blow restless spirts ashore to haunt the living. Dun dun dunnnnn. And, if this episode is anything to go by, that’s actually true.

(Seriously, have we ever talked about why there are so many varieties of ghosts in this town?)

In the wake of George’s discovery that she is marked for death,...

Upon seeing Harvey Weinstein in handcuffs yesterday our friend Rob asked a very timely question on Twitter which we though we'd share here for rabid discussion purposes. 

In the spirit of the day: Which ridiculous Oscar nomination that Harvey Weinstein facilitated was the most infuriatingly egregious?

My personal vote goes to Chocolat's 5 nominations (including Best Picture!!!) in 2000. The fluffy disposable film was nominated over obviously well-liked films like Billy Elliott, Wonder Boys, and Almost Famous... and great but divisive films like Dancer in the Dark and. 

And though Juliette Binoche is one of the all time great screen actors, there was simply no excuse for that Best Actress nod when Michelle Yeoh (Crouching Tiger Hidden Dragon) and Björk (Dancer in the Dark) were both Right There, totally inspired, and more than worthy of nominations. Even further outside the race there were still other leading ladies who were running circles...

“Wonder Woman” captured the weekend zeitgeist with reviews as good as any new adult-appeal specialized opener — and gobbled up potential audience. But that’s not the sole reason the specialty box office went to hell this weekend.

“Churchill” (Cohen), with the pedigree of an arthouse crossover winner, went nationally in top theaters but failed to capture more than desultory business. A trio of niche releases showed some mid-level interest in New York and Los Angeles — “The Exception”(A24), “Letters from Baghdad” (Vitagraph), and “Band Aid”(IFC) — but none looks likely to cross over beyond the big-city arthouse market.

The scariest weekend news: the total lack of response to Ken Loach’s Cannes 2016 Palme d’Or-winner “I, Daniel Blake.” While it’s been a long wait after a year-end qualifying run, it’s shocking that the well-reviewed BAFTA-winner met with near total disinterest.

Last weekend’s top opener “Long Strange Trip...

Terence Davies is at once both monolithic and anonymous. A critically revered British filmmaker whose work has yet to catch on with general audiences (perhaps, in part, because his films are so crushingly intimate that it almost feels inappropriate to watch them in public), he’s seldom recognized on the street, and sometimes that might be for the best.

“The other day I was feeling low,” he said, “and I just thought: ‘Why am I making films that, like, three people or a dog go and see?’ I know this is feeble, but it really is killing when someone says ‘What do you do?’ ‘Oh, I make films.’ ‘Well, would I have seen some of them? Would I have heard of you?’ And I say: ‘Well, probably not.’”

Of course, some of our greatest artists are tremendously under-appreciated in their own time, though they may be the only ones who...

The slow specialty box office is picking up. “The Lost City of Z” (Bleecker Street) opened just below the numbers posted last week by “Colossal” (Neon) and “Norman: The Moderate Rise and Tragic Fall of a New York Fixer” (Sony Pictures Classics) also opened to over $20,000. And “Chasing Trane: The John Coltrane Documentary” (Abramorama) showed strong initial single-theater results, with Emily Dickinson story “A Quiet Passion” (Music Box) also showing some interest.

After a promising start, “Colossal” expanded quickly, showing strength among wider audiences, along with “Gifted” (Fox Searchlight) and “Their Finest” (Stx). And holocaust drama “The Zookeeper’s Wife” (Focus) passed the $10 million mark in only its third weekend.

Festival favorite “Maudie,” a Canadian-Irish coproduction set in a small Nova Scotia town, opened in four Canadian theaters ahead of its June stateside release from Sony Classics Pictures, with a three day total of around $60,000. It stars Sally Hawkins and...

The Furious 8 crowd is advised to run for the hills. Terence Davies is a poet of cinema, of images, sounds and rhythms that define a life. Davies films move at a pace demanded by the material, not fidgety audiences. His remarkable debut features – 1988's Distant Voices, Still Lives and 1992's The Long Day Closes – are drawn from his own growing up experiences as the youngest of 10 children in a working-class Catholic family in Liverpool. To deal with an abusive father, he escaped into music and movies.

Just one reason that...

Terence Davies is apparently finding having the “moment” he’s been rightly deserving for almost thirty years.

After having a quiet period from The House of Mirth in 2000 to his underrated documentary Of Time And The City in 2008, Davies has given us three new films in the subsequent nine years, including two that are arriving in theaters damn near one year apart. Sunset Song arrived to grandiose notices (including a rave by your’s truly) in the first half of 2016, and thankfully the director has returned with a film that’s arguably one of his best yet.

Entitled A Quiet Passion Davies jumps from the fictional world created by author Lewis Grassic Gibbon that was Sunset Song and into the real world of legendary scribe Emily Dickinson. Cynthia Nixon stars as the beloved 19th-century poet, as we see her go from teenage religious skeptic to something far less bright eyed and bushy tailed,...

Terence Davies to Catherine Marchand: "I don't want them to look as though they'd just come from costume." Photo: Anne-Katrin Titze

Terence Davies, the esteemed director of The House Of Mirth; Distant Voices, Still Lives; The Deep Blue Sea; The Long Day Closes, and Sunset Song spoke with me on the costume designs by Catherine Marchand for his latest film A Quiet Passion, starring Cynthia Nixon as Emily Dickinson with Jennifer Ehle as her sister Vinnie. Catherine Bailey, Keith Carradine, Duncan Duff, Joanna Bacon, Benjamin Wainwright, Sara Vertongen, Emma Bell, Jodhi May, and Noémie Schellens head a dandy supporting cast.

Hearing Claire Bloom read Dickinson, kidney disease, and Jean-Pierre Léaud in Albert Serra's The Death Of Louis Xiv come up in the second part of a series on my journey with Terence Davies.

Cynthia Nixon plays the scenes of the attacks beautifully. Photo: Anne-Katrin Titze

Anne-Katrin Titze: A word about the costumes.

The film-makers will each receive an expert mentor to help develop their feature projects.

Dubai International Film Festival (Diff) is partnering with the Pjlf Three Rivers Residency, designed to support Indian film-makers in developing their scripts. The residency provides six writer-directors a year with a distraction-free space to write their scripts, the help of an expert mentor and the opportunity to present their projects at Diff.

The six filmmakers selected this year include Kanu Behl [pictured], whose debut Titli screened at Cannes Un Certain Regard in 2014, Arun Karthick, who debuted with Rotterdam title The Strange Case Of Shiva, Raj Rishi More, who served as assistant director on The Lunchbox, Miransha Naik, Sonal Jain and Pushan Kripalani. Naik recently completed post-production on Juze, which has been picked up by Films Boutique and secured a French release through Sophie Dulac Distribution.

This year’s advisers include Molly Stensgaard, Franz Rodenkirchen, Marten Rabarts, Gyula Gazdag and Olivia Stewart, who has developed...

The story of the reclusive American poet Emily Dickinson comes to life in Terence Davies’ “A Quiet Passion,” which will be screened at the Toronto International Film Festival this fall.

A new festival trailer for the period drama was just released and showcases Cynthia Nixon as the renowned artist as she struggles with the world around her.

“A Quiet Passion” is a unique insight into Dickinson’s life and obsessions, and follows the writer from her schoolgirl days in Amherst, Massachusetts to her years writing in near-total isolation, where she produced over a thousand poems that are now regarded as the finest and most inventive in American literature.

Read More: First Look: Cynthia Nixon as Emily Dickinson in Terence Davies’ ‘A Quiet Passion’

The biopic also co-stars Jennifer Ehle as Dickinson’s sister, Lavinia, Keith Carradine as her father, Duncan Duff, Jodhi May, Joanna Bacon and Catherine Bailey. The picture...

Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film Forum

The amazing films of Robert Downey Sr. play as part of “Robert Downey (The Original).” The still-shocking Putney Swope screens throughout this weekend; Greaser’s Palace can be seen on Saturday and Sunday, while the latter day offers a print of Chafed Elbows.

The restoration of Fritz Lang‘s Destiny begins its run.

The King and the Mockingbird...

Like his past work, Terence Davies’ Sunset Song sets aglow dusty memories of the past, telling a feminist story of domestic liberation that’s mythological in theme and scale despite taking place in a lonely homestead on the outskirts of rural Scotland in the early 20th century. No one does period drama quite like Davies, and his latest effort is just as transportive and lyrical as his previous work, though the story develops in a sort of inelegant, stilted way that doesn’t pay the strong-willed heroine at its center due justice.

The beating heart of the tale is a peasant farm girl, Chris Guthrie (Agyness Deyn), tender as can be and wise beyond her years. Her strength of spirit and nurturing nature stem from a horrific upbringing under her emotionally and physically abusive father (a heart-stoppingly terrifying Peter Mullan). We watch years pass at the Guthrie home, Blawearie, as...

Despite being one of the most beloved art film directors of the last 30+ years, it’s a shockingly rare occasion that we are blessed with a new picture from filmmaker Terence Davies. With only Of Time And The City, a micro-budget, rarely seen essay film, Davies saw 11 years fall between The House of Mirth and his 2011 film The Deep Blue Sea. Thankfully though, that rate appears to be shrinking as his newest film, Sunset Song, debuts in theaters this weekend, and yet another film entitled A Quiet Passion is running the festival circuit.

But let’s not get ahead of things. Sunset Song premieres in limited release this weekend, and it’s yet another stunning achievement from one of the true masters of this era. Based on Lewis Grassic Gibbon’s 1932 novel of the same name, Song introduces us to Chris Guthrie, a young woman living with her family on...

Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Metrograph

Spend “A Weekend with Amy Heckerling” when Johnny Dangerously and Fast Times at Ridgemont High screen this Saturday, while Look Who’s Talking and Clueless show on Sunday. All are on 35mm.

For “Welcome to Metrograph: A-z,” see a print of Philippe Garrel‘s The Inner Scar on Friday and Sunday; André de Toth‘s...

It’s not just the shot of a field of corn that puts one in mind of Terrence Malick when watching Terence Davies’ “Sunset Song.” Like Malick, Davies has entered a period of unprecedented productivity in his golden years: After the long wait between 2000’s “The House of Mirth” and 2011’s “The Deep Blue Sea,” “Sunset Song,” which adapts a novel by Lewis Grassic Gibbon, is the first of two Davies movies slated for release in 2016. (The Emily Dickinson biopic “A Quiet Passion” should arrive in the fall.) But unlike Malick, whose increased output has left his recent movies feeling.

Starting this weekend, Terence Davies will be in New York as the Museum of the Moving Image presents a retrospective of his films, complete but for his latest, A Quiet Passion. He'll be discussing The Long Day Closes and Sunset Song, which opens in the States next week, and there'll be screenings of his Trilogy, Distant Voices, Still Lives, The House of Mirth with Gillian Anderson, Eric Stoltz, Anthony Lapaglia, Laura Linney, The Neon Bible with Gena Rowlands, Of Time and the City and The Deep Blue Sea with Rachel Weisz and Tom Hiddleston. We're gathering odes to one of Britain's greatest directors. » - David Hudson...