Aggiungi una trama nella tua linguaTwo aging gunfighters in need of money come to an agreement to organize an actual showdown between them and sell tickets for it. The townsfolk is more than interested to see the "show".Two aging gunfighters in need of money come to an agreement to organize an actual showdown between them and sell tickets for it. The townsfolk is more than interested to see the "show".Two aging gunfighters in need of money come to an agreement to organize an actual showdown between them and sell tickets for it. The townsfolk is more than interested to see the "show".
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Will Tenneray (Douglas) and Abe Cross (Cash) are two ageing gunfighters who after meeting each other in town hit it of straight away and actually like and respect each other. However, with both men in need of money and the whole town intrigued as to who would win in a gunfight between them, Tenneray hits upon the idea of the two of them having the gunfight and selling tickets to the event, with the winner receiving the ticket proceeds
It was the first mainstream American film to be financed by American Indians—the Jicarilla Apaches—but this in now way was a propaganda move since the narrative has nothing to do with Native Americans. It's a most unusual Western in a lot of ways, off beat and deliberately played for fun at times, yet it pulses with dark thematics involving the human condition. Stripped bare is the fickle value of celebrity status, deftly cloaked with the ignorant blood-lust of a paying public.
Director Johnson keeps the pacing smooth as we get to know both men and watch their relationship unfold. All the while we are getting a grasp on the townsfolk in general, while the two ladies of the men's world are impacting greatly due to the sensitive screenplay. All roads lead to the ironic venue of a bullfighting arena across the border, where a full house of paying patrons come to see one of the men die. Whoever that is doesn't really matter, the caustic insertion of a dream sequence at film's end leaves us in no doubt that the winner really hasn't won at all.
With great performances from Douglas and Alexander, and good ones from Cash and Black, film also holds up well on the acting front. But the real stars here are Johnson and Bloom, for they have produced a clever picture that doesn't over reach itself by trying to be cerebral. It deserves to be better known and appraised. 7.5/10
Imagine Peck's character of Jim Ringo not being killed by back-shooting Skip Homeier, but actually settling down with his wife and son. That's essentially what you've got in Kirk Douglas's character of Will Tenneray who finds retired life not what it's cracked up to be.
The days of the wild west are over and Douglas now makes a living appearing at the local saloon and encouraging folks to spend there. He's like some prominent sports figure who is a greeter out in Las Vegas and if you're a big enough spender you might get to play golf or party with him. But it's one dull life even with wife Jane Alexander and young son Eric Douglas.
Along comes Johnny Cash playing another gunfighter relic whose horse gets bit by a rattler. Now he's stuck in this New Mexico border town and with two legends of the west in this place, the gossip commences.
Cash is similarly bored by his existence and the two of them, both cash poor decide on a duel to the death with admission charged at a bullfight arena across the border in Mexico. Literally winner take all. These guys must have felt like gladiators.
A Gunfight is certainly an interesting spin on some of the western nostrums that prevailed in Hollywood. Douglas and Cash are perfectly cast in the leads and get good support from the rest of the players. For myself I enjoyed Robert J. Wilke who for once is on the right side of the law playing the town marshal. Keith Carradine has a good role as a young punk who wants to take on the winner and Karen Black is fine as a saloon girl who Cash spends some time with.
I also never expected to find Raf Vallone in a western. But the Italian actor plays a Mexican store keeper who had been keeping discreet company with Alexander while Douglas was roaming the west. Certainly different from faithful Helen Westcott who raised her son and taught school while Gregory Peck was raising hell.
Who wins, you have to see for yourself. But in the end did it really matter as the film brings you an interesting conclusion.
Trama
Lo sapevi?
- QuizFeature film debut of Keith Carradine, son of actor John Carradine.
- BlooperDuring the gunfight, the positions of Tenneray and Cross vary depending upon the position of the camera.; When the shot is from behind Alvarez, they are much closer than when the shot is taken from higher in the stands behind some rows of the audience.
- Citazioni
Will Tenneray: A job? Suckerin' fools to buy drinks? 'Cept I wear my pants on the outside I'm no different from Jenny you laid with last night.
Abe Cross: Guess I know what your talkin' about. I worked a job myself before I went out prospectin' this last time.
Will Tenneray: Doin' what?
Abe Cross: Trick shootin'. Medicine show. 'Sides me, they had a midget and a tattooed feller.
Will Tenneray: [snorts] That says it better.
- Versioni alternativeUK versions are cut by 8 secs by the BBFC to edit the shooting of a snake.
- ConnessioniFeatured in The Dick Cavett Show: Kirk Douglas (1971)
- Colonne sonoreA Gunfight
Composed & Sung by Johnny Cash
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Gunfight
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Tempo di esecuzione1 ora 29 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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