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LA TUA VALUTAZIONE
Un compositore pazzo e sfigurato spera di trovare l'amore con un'adorabile giovane cantante d'opera.Un compositore pazzo e sfigurato spera di trovare l'amore con un'adorabile giovane cantante d'opera.Un compositore pazzo e sfigurato spera di trovare l'amore con un'adorabile giovane cantante d'opera.
- Premi
- 4 vittorie e 1 candidatura in totale
John St. Polis
- Comte Philip de Chagny
- (as John Sainpolis)
Virginia Pearson
- Carlotta
- (1929 re-edited version)
- …
Olive Ann Alcorn
- La Sorelli
- (non citato nei titoli originali)
Betty Allen
- Ballerina
- (non citato nei titoli originali)
Betty Arthur
- Ballet Dancer
- (non citato nei titoli originali)
Joseph Belmont
- Stage Manager
- (non citato nei titoli originali)
Alexander Bevani
- Mephistopheles
- (non citato nei titoli originali)
Earl Gordon Bostwick
- Minor Role
- (non citato nei titoli originali)
Ethel Broadhurst
- Frightened Ballerina
- (non citato nei titoli originali)
Edward Cecil
- Faust
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizLon Chaney's horrific, self-applied makeup was kept secret right up until the film's premiere. Not a single photograph of Chaney as The Phantom was published in a newspaper or magazine or seen anywhere before the film opened in theaters. Universal Pictures wanted The Phantom's face to be a complete surprise when his mask was ripped off.
- Blooper(1929 cut) When the Phantom's alarm goes off, the sound of the chimes does not always match the striking of the device's "arms". That is because what is heard is the film's soundtrack, not "sound effects", which do not exist in a silent film. As such, this being "off sync" is allowable.
- Citazioni
The Phantom: [Christine sees a casket in the room] That is where I sleep. It keeps me reminded of that other dreamless sleep that cures all ills - forever!
Christine Daae: You - You are the Phantom!
The Phantom: If I am the Phantom, it is because man's hatred has made me so. If I shall be saved, it will be because your love redeems me.
- Curiosità sui creditiIn 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In this film, the credits do appear at the beginning but also are repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them."
- Versioni alternativeIn 2012 it was determined that an "accidental 3-D" version of the film existed. From an examination of various prints of the film, it was discovered that most - if not all - of the original film was shot using two cameras placed side-by-side. This was most likely done to create simultaneous master and safety/domestic and foreign negatives of the film. However, when synched together and anaglyph color-tinted, the spatial distance between the two simultaneous film strips translates into an effective 3-D film. Under the working title of LA FANTOME 3D, a fund-raising effort is under way to locate and restore (create) a full "accidental 3-D" version of the film.
- ConnessioniEdited into Drácula (1931)
Recensione in evidenza
Analyzing an old silent movie using nowadays standards wouldn't be fair: the medium is too different, the acting performances require a different perspective, and when you watch it you find yourself enjoying the movie much like you would do with a painting. This is especially true for the classic The Phantom of the Opera, a movie that gets you lost in the images more than in the story itself.
Lon Chaney gives a good portrayal of the phantom, yet somewhat different from what was portrayed in later efforts with the same subject: his character comes off more like a cold blooded than a somewhat likeable character. What shines in this movie is the visual impact: the costumes are really nice, and the gothic scenery is perfect. The best scene of them all has to be the Red Death one, appropriately shot in a painting-like color, definitely one of the most beautiful images offered by old cinema.
Sure, the movie is hardly gonna provide any scares by now, and the story has been told many times. However, this is a primary example of how old cinema can still offer a very worthy experience.
Lon Chaney gives a good portrayal of the phantom, yet somewhat different from what was portrayed in later efforts with the same subject: his character comes off more like a cold blooded than a somewhat likeable character. What shines in this movie is the visual impact: the costumes are really nice, and the gothic scenery is perfect. The best scene of them all has to be the Red Death one, appropriately shot in a painting-like color, definitely one of the most beautiful images offered by old cinema.
Sure, the movie is hardly gonna provide any scares by now, and the story has been told many times. However, this is a primary example of how old cinema can still offer a very worthy experience.
- b-a-h TNT-6
- 9 giu 2001
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Phantom of the Opera
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 3.751.476 USD
- Lordo in tutto il mondo
- 4.360.000 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was Il fantasma dell'opera (1925) officially released in India in English?
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