‘Hellraiser’ (2022) Review: Pinhead And The Lament Configuration Bring No Pleasure, Only Pain

Based on the Clive Barker novel The Hellbound Heart, David Bruckner’s Hellraiser (2022) takes the original concepts of addiction, pleasure and pain and molds them for a Gen-z audience. However, the initial ideas get lost in translation, losing all of what makes the 1987 film, starring Doug Bradley, so fresh, fringe and meaningful. The movie starts promising enough, but by the third act, tricks, tropes and story issues pile on, and become too much to bear. However, some redeeming qualities include Jamie Clayton, the cenobite costumes, make-up, and set design.
Riley (Odessa A’zion) is trying to stay sober by staying with her brother Matt (Brandon Flynn) and his partner Colin (Adam Faison). But the stint doesn’t last long as now she’s with Trevor (Drew Starkey), breaking into the abandoned Voight manor to steal a strange golden box called The Lament Configuration that might be of some value. With the celebration of her stolen item,...
Riley (Odessa A’zion) is trying to stay sober by staying with her brother Matt (Brandon Flynn) and his partner Colin (Adam Faison). But the stint doesn’t last long as now she’s with Trevor (Drew Starkey), breaking into the abandoned Voight manor to steal a strange golden box called The Lament Configuration that might be of some value. With the celebration of her stolen item,...
- 05/10/2022
- di Valerie Complex
- Deadline Film + TV
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