Ab Tak Chhappan 2

Ab Tak Chhappan (2004) is a movie that stands all by itself; it doesn't need a sequel nor can a proper sequel be made out of what was left at the end of the film. So even if this is a daunting effort, the tediousness will bore you.

Now, the plot of this much-anticipated sequel is hauntingly similar to its prequel. All-star encounter specialist Sadhu Agashe (Patekar) comes out of retirement and rebuilds his reputation as a maverick. The sidekicks are new, though the attention-seeker that was played by Yashpal Sharma then is now played by Ashutosh Rana in a seemingly absurd role. The same phone conversations with an overseas gangster, collateral damage, raw language, camera work, and Patekar's distinct talking style are all reminiscent of the brilliant movie we adored a decade ago, but twenty minutes later, the narration fails to arrest our senses. Slowly though, the tension picks up, but soon fades away. We end up feeling displeased.

Had most of the previous cast brought back, this could have been made into a much better thriller, but given that Agashe is fighting the bureaucracy this time, all is built on stinking stones of predictability. The scattered sequences and bad editing further adds to the damage done to the original film. Moreover, the climax goes slightly overboard, dealing and being priggish about the current state of politics.

Patekar is brilliant as always, and he does a splendid work. Rana is wasted and I wonder what Gul Panag as a crime reporter was doing in the film. She barely had a role to play and is only found shouting.

BOTTOM LINE: If you loved the 2004 film, you may give it a try, for it is an average thriller. Otherwise, skipping wouldn't be harmful.

Can be watched with a typical Indian family? NO

Profanity/Vulgarity: Medium

Someone please teach this guy how to direct. having camera in every angle looks good only for death cam after getting shot in a multiplayer game, NOT in movies. I started watching this and left it in middle at least 5 times. It is that unbearable. Waste of talented actor like Nana sir. I was expecting a lot like the first one.

A Sequel to the terrific Ab Tak Chhappan, 'Ab Tak Chhappan 2' is a predictable fare, that demanded a stronger script. But, Nana Patekar reprises his role of Inspector Sadhu Agashe, Spell-Bindingly. His performance left me speechless.

'Ab Tak Chhappan 2' Synopsis: Sadhu Agashe returns to Mumbai Police & takes up the task to end crime in the city. But not everyone is who they seem to be & Sadhu has to do whats right, no matter what.

'Ab Tak Chhappan 2' has an interesting first-hour & to a large extend, the sequences work. The second-hour is a downer & very, very predictable. This sequel isn't without its moments, but they aren't many, sadly.

The Screenplay is clichéd to the core & offers nothing new in the cop-gangster genre. Aejaz Gulab's Direction is alright. Cinematography is shaky. Editing is crisp. Action-Sequences are ordinary.

If there is something remarkable in 'Ab Tak Chhappan 2', its Nana. The legend delivers a towering performance as the bad-ass cop, overshadowing absolutely everyone on-screen from start to end. He's in top-form!

On the whole, 'Ab Tak Chhappan 2' isn't entirely convincing, but Nana is. Watch it for him!

Ab Tak Chhappan (2004) is a movie that stands all by itself; it doesn't need a sequel nor can a proper sequel be made out of what was left at the end of the film. So even if this is a daunting effort, the tediousness will bore you.

Now, the plot of this much-anticipated sequel is hauntingly similar to its prequel. All-star encounter specialist Sadhu Agashe (Patekar) comes out of retirement and rebuilds his reputation as a maverick. The sidekicks are new, though the attention-seeker that was played by Yashpal Sharma then is now played by Ashutosh Rana in a seemingly absurd role. The same phone conversations with an overseas gangster, collateral damage, raw language, camera work, and Patekar's distinct talking style are all reminiscent of the brilliant movie we adored a decade ago, but twenty minutes later, the narration fails to arrest our senses. Slowly though, the tension picks up, but soon fades away. We end up feeling displeased.

Had most of the previous cast brought back, this could have been made into a much better thriller, but given that Agashe is fighting the bureaucracy this time, all is built on stinking stones of predictability. The scattered sequences and bad editing further adds to the damage done to the original film. Moreover, the climax goes slightly overboard, dealing and being priggish about the current state of politics.

Patekar is brilliant as always, and he does a splendid work. Rana is wasted and I wonder what Gul Panag as a crime reporter was doing in the film. She barely had a role to play and is only found shouting.

BOTTOM LINE: If you loved the 2004 film, you may give it a try, for it is an average thriller. Otherwise, skipping wouldn't be harmful.

Can be watched with a typical Indian family? NO

Profanity/Vulgarity: Medium

Watch it for Nana's acting. Gul Panag is so so. The villains of the movie perform very well and act naturally. The story is run of the mill repeat . We have seen the same story in 100s of other movies and at least a dozen times in Nana's movies. Time pass movie finally. Nothing to write home about. The film will be forgotten in no time I wonder what's the point of making such movies. Technically good. The script would have been good for a serial but not fit for a movie. Nana is still in form though looks a bit old now. He should be given better roles as he can still do justice to any character and the audience still likes him.