Aaron Sorkin

Appears as an extra in a bar scene in titles that he writes
Rapid quick fire exchange of tightly-scripted dialogue for characters
'Walk and talks' (or 'pedeconferencing') where two characters have a conversation while walking together.
His scripts often represent his liberal political views
Long character-driven speeches representing a character's beliefs and actions

Sorkin was brought on by Steven Spielberg to polish the script for La Liste de Schindler (1993). It was the first time Sorkin acted as an uncredited script doctor.
His sister, Deborah Sorkin, is a Navy Judge Advocate General, who worked with David Iglesias. She told Aaron about a real-life case she had worked on with David, which became the basis of Des hommes d'honneur (1992). The character played by Demi Moore was based on his sister. David Iglesias was a Republican, who would later gain fame as one of the U.S. Attorneys fired by the George W. Bush administration.
Describes his writing process as very active; he often stands and acts out every part. As a result of this process, he once accidentally broke his nose by lunging into the mirror while writing a fight scene.
Describes his creative process as long brainstorming sessions, followed by short writing periods.
As of 2022, has written four films that were nominated for the Best Picture Oscar: Des hommes d'honneur (1992), The Social Network (2010), Le stratège (2011), and Les Sept de Chicago (2020).

I love writing but hate starting. The page is awfully white and it says, "You may have fooled some of the people some of the time but those days are over, giftless. I'm not your agent and I'm not your mommy, I'm a white piece of paper, you wanna dance with me?" and I really, really don't. I'll go peaceable-like.
[speaking about freebased cocaine] I had found a drug I absolutely love and that gave me a real break from a certain nervous tension that I kind of carry with me moment to moment.
When things that are very mean-spirited and voyeuristic go on TV, I think it's [like] bad crack in the schoolyard.
When I am setting out to do something, I don't consider the state of the culture. I can't possibly conceive of what the most people are going to like. Honest to God, I write something that I like, that I think my friends would like and that I think my father would like, and I keep my fingers crossed that enough other people are going to like it that I can earn a living.
I am all for everyone having a voice, I just don't think everyone has earned the microphone. And that's what the Internet has done.