Calendrier de parutionsTop 250 des filmsFilms les plus regardésRechercher des films par genreSommet du box-officeHoraires et ticketsActualités du cinémaFilms indiens en vedette
    À la télé et en streamingTop 250 des sériesSéries les plus populairesParcourir les séries TV par genreActualités TV
    Que regarderDernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbFamily Entertainment GuidePodcasts IMDb
    OscarsCannes Film FestivalStar WarsAsian Pacific American Heritage MonthSummer Watch GuideSTARmeter AwardsAwards CentralFestivalsTous les événements
    Nés aujourd’huiCélébrités les plus populairesActualités des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels du secteur
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
Retour
  • Biographie
  • Récompenses
  • Anecdotes
IMDbPro
Bertrand Bonello in L'Apollonide (Souvenirs de la maison close) (2011)

Biographie

Bertrand Bonello

Modifier

Présentation

  • Date de naissance
    11 septembre 1968 · Nice, Alpes-Maritimes, France
  • Taille
    1,69 m

Biographie

    • Bertrand Bonello est né le 11 septembre 1968 à Nice, Alpes-Maritimes, France. Il est scénariste et réalisateur. Il est connu pour La Bête (2023), Nocturama (2016) et L'Apollonide (Souvenirs de la maison close) (2011).

Famille

  • Enfants
      Anna Mouchette

Anecdotes

  • He has a daughter named Anna Mouchette with Josée Deshaies, born on May 24th 2003, in Cannes, during the festival, while Tiresia (2003) was in competition.
  • Professor at La Fémis (Paris)
  • He was a musician before being a director.

Citations

  • [press conference for Saint Laurent (2014) at the 2014 Cannes Film Festival] The first thing we thought about with Thomas [Thomas Bidegain] when we had to write the film was how, in the space of two and a half hours, we could deal with the whole life of somebody. So I felt it was necessary to focus on a shorter period and we felt that that decade was the most rich, exciting time in terms of fashion - we're talking about a fashion designer after all - and also in terms of his life. During this decade you have a bit of everything. Yves Saint-Laurent is still quite a young man and at the end of the decade, everything has been said, everything has been done.
  • For me a shot is like a note, and I always ask myself when I need to hit the next note. And the thing is always to make it surprising, without it becoming ostentatious - to hit the note either too early or too late, so as not to fall into something metronomic.
  • [press conference for L'Apollonide (Souvenirs de la maison close) (2011) at the 2011 Cannes Film Festival] If you're forming a group you need individuals, so each choice was dictated by very different reasons. There were some things I was looking for; the first thing was to have actresses who gave a contemporary look to the film while at the same time being credible as part of a film set in 1900. The second thing I was looking for was that this group, this ensemble did genuinely exist, but at the same time I wanted people who came from very different backgrounds because I didn't want the style, the acting to be too uniform. The first I think was Céline [Céline Sallette] - she was the first I chose - she comes from a classical acting background and I didn't want two actresses with that same type of background. So then I took Hafsia [Hafsia Herzi] who comes from a different background, Alice [Alice Barnole] who's never acted before. All these are parts of a puzzle. And then when you come to the last choice, which was Jasmine [Jasmine Trinca]; I chose Jasmine because she interested me as an actress and because she was the missing piece in the puzzle. A very pretty puzzle, and of course they had to be good actresses. The casting procedure took 8 or 9 months, between the choice of Céline and that of Jasmine.

Contribuer à cette page

Suggérer une modification ou ajouter du contenu manquant
  • En savoir plus sur la contribution
Modifier la page

En savoir plus sur cette personne

  • Afficher les coordonnées de l'agent, du publiciste, du service juridique et de l'entreprise sur IMDbPro

Découvrir

Récemment consultés

Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
Télécharger l'application IMDb
Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
Suivez IMDb sur les réseaux sociaux
Télécharger l'application IMDb
Pour Android et iOS
Télécharger l'application IMDb
  • Aide
  • Index du site
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Salle de presse
  • Publicité
  • Tâches
  • Conditions d'utilisation
  • Politique de confidentialité
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.