La vie privée soigneusement cultivée d'un homme est perturbée lorsque sa soeur arrive pour un séjour indéfini.La vie privée soigneusement cultivée d'un homme est perturbée lorsque sa soeur arrive pour un séjour indéfini.La vie privée soigneusement cultivée d'un homme est perturbée lorsque sa soeur arrive pour un séjour indéfini.
- Director
- Writers
- Stars
- Nominé pour le prix 2 BAFTA Awards
- 51 victoires et 94 nominations au total
Charisse Bellante
- Live Chat Woman
- (as Charisse Merman)
Avis en vedette
Mental Illness done with an outsider looking in. The trauma in their childhood must have been great for these two to suffer what the viewer is witnessing. Any addiction is difficult to watch. I was exhausted after watching this film. Like a hunter Brandon's thirst could never be quenched. He is existing not living. There are so many facets to this fim that are interesting: the boss David's ability to have a family and indulge in sex on the side, people's willingness to go to a bar and have sex with a stranger and then go on with their lives, unaffected. Yet Brandon, with no ties to anyone, is smoldering and suffocating in the weight of his obsession. A good study in human behavior. I don't like sex in film for sensationalism but the sex in this film was like another character, the antagonist.
I am truly shocked by the people criticizing this film for lack of substance. I've seen comments about how there is limited dialogue, and therefore no character development, and hardly any story. Did we watch the same film? I'm thinking we must not have.
Shame dives into the life of a man living with an addiction to sex. The first 10 minutes of this movie effectively introduces him, his addiction, his relationship with humanity (sister included), and barely uses any words to do so. You shouldn't need a lot of dialogue when emotions are conveyed with facial expressions, effective cinematography, and great editing. This film is loaded with all of that.
Obviously films are subjective, but I feel those who say they didn't get to "know' the characters at all must always need everything spoon fed to them. I am not a sex addict, but still connected with both Fassbender and Mulligan. I found the development both subtle and extremely realistic. Does everything need to always have that Hollywood ending? Should everything get wrapped up nicely and leave you with a warm and fuzzy feeling when you walk out of the theater? I definitely don't think so.
Anybody who does need that probably shouldn't watch any Steve McQueen films. Anyone who can appreciate a raw, subtle, and beautifully made film should go watch Shame.
Shame dives into the life of a man living with an addiction to sex. The first 10 minutes of this movie effectively introduces him, his addiction, his relationship with humanity (sister included), and barely uses any words to do so. You shouldn't need a lot of dialogue when emotions are conveyed with facial expressions, effective cinematography, and great editing. This film is loaded with all of that.
Obviously films are subjective, but I feel those who say they didn't get to "know' the characters at all must always need everything spoon fed to them. I am not a sex addict, but still connected with both Fassbender and Mulligan. I found the development both subtle and extremely realistic. Does everything need to always have that Hollywood ending? Should everything get wrapped up nicely and leave you with a warm and fuzzy feeling when you walk out of the theater? I definitely don't think so.
Anybody who does need that probably shouldn't watch any Steve McQueen films. Anyone who can appreciate a raw, subtle, and beautifully made film should go watch Shame.
Steven McQueen's sophomore effort is a powerfully compelling, unflinchingly graphic & downright disturbing arthouse endeavour that shows that something even as coveted as sex can have destructive consequences if the need for it spirals out of control. Powered by sturdy performance from Michael Fassbender, Shame does to sex what Billy Wilder's The Lost Weekend did to alcohol and Darren Aronofsky's Requiem for a Dream did to drugs.
This film instantly drew me in. Fassbender's performance is complex and truly believable.I can honestly say that if you are not haunted by the torment of both Michael Fassbender's and Carey Mulligan's performance, then you are in denial. The pain is apparent, the intrigue of what happened to these siblings is staring you in the face throughout the film. The role's Fassbender has chosen lately have made me an ultimate fan! Another McQueen movie, HUNGER, also stars Fassbender as an Irishman in political protest against the corrupt government of the "80's. I tremendously enjoy watching him on the screen. Michael Fassbender relays raw emotion and true passion to create believable and relatable characters. Im looking forward to future projects.
Steve McQueen's delivers a realistic and vivid film about sex addiction, anger, self loathing, fear, loneliness, and the meaning or lack of meaning of relationships. Shame's premise is not depicted in film very often, which makes it a very unique effort as well. Micheal Fassbender's performance as sex addict is brillant, as he gives the audience his character's fear, self hatred, anger, and loneliness in full perspective. Carey Mulligan also gives a stellar performance as a needy, dependent, and affectionate musician. Steve McQueen directs this film in a laid back yet ruthless way, as Shame pits into darkness and trauma with somewhat of an elegance, while still maintaing a manic aesthetic. Narratively, Shame can get breifly lost at points, but Overall, McQueen's film is a honest and realistic depiction, with one great performance, and a good one as well. Shame is a small film, but can bring about emotions, panic, trauma, and darkness in a evocative and grim way.
Le saviez-vous
- AnecdotesThe first time Michael Fassbender saw the film was with his father Josef. Both were relieved that his mother Adele could not make the screening.
- GaffesWhen Brandon is on the subway looking at the woman we see Fulton behind him on the wall of the subway tunnel. The train moves and a few minutes have passed. Next, when the woman exists the train and he follows her, we see that they are again at Fulton station.
- Citations
Sissy Sullivan: We're not bad people. We just come from a bad place.
- Générique farfeluNo opening credits apart from the movie's title.
- ConnexionsFeatured in At the Movies: Venice Film Festival 2011 (2011)
- Bandes originalesAria from the Goldberg Variations
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Masterworks and the Glenn Gould Estate
Licensed by Sony Music Entertainment UK Ltd
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- How long is Shame?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Shame
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 909 002 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 361 000 $ US
- 4 déc. 2011
- Brut – à l'échelle mondiale
- 19 126 823 $ US
- Durée1 heure 41 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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