Le cri du hibou

Paddy Considine as Robert Forrester is very good here. He is a man going through an at-fault divorce, Caroline Dhavernas is irritating as ex- wife Nikki. He relocates and changes jobs from New York City to get away from her and start over. He thinks.

The story of a hapless man, he tries to do his best but married to an albatross like Nicki who pokes fun at him at a divorce mediation, he eventually leaves NYC to find a fork in the road...he chooses a Northeast Pennsylvania town, where he works for Lavigne aeronautics and seems to settle.

He sort of stalks Julia Stiles "Jenny Thierault", by watching her for a month at her rural house, she seems happy in life and this gives him a semblance of hope for his own new life. Stiles is very good here as instead of rejecting Robert as unstable, as he is watching her from her backyard, she says "depression can crush you" and invites him for coffee. He takes this as empathy, and is surprised she is interested in him at this point.

As things develop we feel for Robert who is going through divorce and suddenly realizes his minor interest in Jenny, is (to Jenny at least ) a true romance. She appears to be a borderline personality, she understands depression, but also becomes attached too quickly to any man who appears. She dumps her brutish boyfriend (Greg Wyncoop) and begins to pursue Robert more vehemently. At first he hides, then submits to her for the physical benefit. Her girlfriend sees Jenny as needing protection, and warns Robert not to hurt her.

Robert knows, deep down it is wrong, but when he tries to confront Jenny after they spend a night together she starts making blueberry pancakes and telling Robert if she were to be on death row this is her favorite last meal, and she'd want to hear vintage Louis Armstrong.

The photography and foreshadowing is noteworthy here.The cry of the owl resounds one night they are in bed together and Jenny is jolted awake. It's nuanced, which may be why (unfortunately ), it was not as widely distributed. The minor suspense points here are similar to Hitchcock, and very rare in film made in Hollywood today, sadly.

This is an excellent suspense film. Even Julia Styles, who I rememberer from only a few previous performances, is perfect here as Jenny, attractive but lost, a winsome sad smile, and need for ...love or something more. Considine also, despite how he befalls the horrible fate, being wrongfully accused of murder etc., is sympathetic in that he is overcoming a breakdown (from his ex-wife goading him).

There is a twist I will not reveal which will make you want to read all of Patricia Highsmith's short stories. "The Cry of The Owl" is haunting and real. 10/10.

Mathilda May won a César for her role in this film made by Claude Chabrol in 1987. This is a remake, and it stars Julia Stiles in the role of Jenny. I have been in love with Stiles ever since The Bourne Identity, and, while she will not be as good as May, she is still Julia Stiles, and that's enough for me.

Robert's (Paddy Considine) marriage has failed, and his method of dealing with depression is to stalk Jenny, thinking she has a great relationship with her partner.

The tables get turned, and she begins stalking him. If that is not enough, her boyfriend Greg (James Gilbert) keeps trying to kick his arse. But, then he disappears, and Robert is under suspicion.

Twists and turns abound as Robert tries to figure out who is trying to kill him while everyone thinks he is a killer.

The owl cries a lot in the film. I'm just not impressed with Considine, and the ending was abrupt.

I was drawn into this film by the uneasy feeling that the central characters were being drawn into a slow-sucking situational quicksand, an experience that for most of us only happens in nightmares.

If you prefer snappy pace and predictability in your films, move on. As the other reviews indicate, you either really like this film, or really dislike it for any number of reasons. At times I wanted to grab the "hero" by the shoulders and give him a shake to snap him out of his apparent lassitude. At that point I realized the movie was working for me, I was invested emotionally. Casting stays refreshingly clear of stereotypes with not a "pretty boy" in sight, and direction, performances and technical credits are mostly right on the mark.

This picture would have done so much better at the box office if it had let the potential audience know that Patricia Highsmith was the author of Hitchcock's "Strangers on a Train." For those of us not familiar with Highsmith's work, the title "The Cry of the Owl" is just too far removed from the essence of this film to be a draw.

So when you have the opportunity to see this film, relax, put your feet up and watch the first ten or so minutes. If you fall asleep, or find your mind turning towards undone kitchen tasks, then get back to "Jersey Shore" or whatever else gives your entertainment rush. If this film passes the ten-minute endurance test, you'll find it evolves into 100 minutes of compelling entertainment, destined to linger in the dark crannies of your mind for longer than you might expect.

Robert Forrester (Paddy Considine) is struggling to divorce his vengeful wife Nickie (Caroline Dhavernas), and he starts peeping in on the simple isolated life of Jenny Thierolf (Julia Stiles). Then she catches him one night, but she invites him in. The stalker becomes the stalkee as Jenny breaks up with her fiancé Greg. Greg decides to fight Robert one night. Robert wins and leaves a drunken unconscious Greg by the side of a river. Soon after, Greg is reported missing and Robert is a suspect.

It's a good idea of dysfunctional people finding each other. Director Jamie Thraves just doesn't have the skills to elevate the tension and the drama. There is a lack of moody atmosphere that this movie desperately needs. I love all the actors involved especially Paddy. Dhavernas may be miscast as the bitch. That role needs a darker tougher chick. The potential is there, but the execution is lacking.

Coming from the viewpoint of a person who had neither heard of this movie or known of the novel, I was pleasantly surprised. The story in itself was cleverly presented by exceptional acting. This is not a Hollywood blockbuster by any means but was effective. The music and cinematography were nothing special but still feel like this complimented a compelling story. After watching I do feel like there were a few psychological undertones to this film that leave you with an uneasy feeling while watching. All of the characters were highly developed and nearing the end you will understand what I mean. For a movie many have never heard of, I would recommend it without a doubt.