La flor

Ô miracle, I managed to see the four opuses. Superb exercise of obstinacy, perseverance and self-denial, because, frankly, I severely fought against boredom and even sleep.

Pros: the four main actresses Elisa Carricajo, Valeria Correa, Pilar Gamboa and Laura Paredes are remarkable. With a special mention for the scene during which Pilar Gamboa is of an incredible verbal violence, on the phone, summoning the distant interlocutor to choose sides. She really scared me! And Elisa Carricajo is irresistibly gorgeous.

Cons: this movie is a huge labyrinth and, when stuck in a dead end, you are teleported to another place, without understanding how or why. I was naively hoping that the fourth and final opus would complete the three previous ones and then offer a global picture for this endless work. In vain! What is the interest of this film for a viewer? Especially the last opus which is the worst of all. I objectively admit that some scenes are worthy of interest, about 40/60 minutes versus a vertiginous total of 800! About 5% of the film approximately ...

A posteriori, I did not understand at all the short speech of the director Mariano Llinás who tries to explain, at the beginning of the first opus, the choice of the name La Flor and the drawing on the poster which would be closely related to the structure of the film itself, theoretically speaking. Honestly, why a flower? Why not consider a dog with 5 legs, 1/2 tail and 1 head, or an ice cream with 6 scoops of 6 distinct flavors and whipped cream, or quite simply an empty poster? Mariano Llinás seriously needs to stop smoking hash and hiding himself behind a facade of a two-penny poet. This film was even presented at the festival of Biarritz (south of France) dedicated to Latin America, in competition with the masterpiece A Twelve-Year Night (2018) and the excellent Pájaros de verano (2018). The Biarrots should definitely learn to sorting out the wheat from the chavs. Anyway, if you are an insomniac and are looking for a sleeping pill, La Flor is the solution, even if it's hardly swallow-able.

I read about this movie in a film magazine and I was intrigued. It runs more than thirteen hours and takes the form of six separate films that play one after the other, with the only common thread being the four lead actresses, who appear as different characters in each of the segments. It sounded like it could be very pretentious and overly artistic and everything like that, but it also sounded interesting and different enough that I had to check it out.

It was a while before I was able to see it, and I found myself wondering about it. Why spend ten years making a film that is really six films? Why not release each film separately. But it turns out that really is the genius of it. The six films only work because they're combined. Four of them don't even have an ending. On their own, they're nothing special. So the director really succeeded in his attempt to try something new, to combine different story elements in this unique way. He created six episodes that play one after another, and he even appears in the film himself to introduce it at the beginning, then twice more between some of the segments. And it all works! People must have told him he was crazy, but he pulled it off.

What ends up happening for the viewer is that instead of watching six films, we really are watching one film about four women. These four women, the actresses who appear throughout, are in a way playing actresses, maybe playing themselves ever, who appear in different stories for our enjoyment. We don't end up caring if a story has no end, because at that point we're just excited to see where they will take us next. It really is very clever. The stories are enjoyable in themselves, but we only end up caring about them exactly as much as we should. That's a good thing. We don't care if someone dies, because we know everyone will return safe and sound in the next episode.

And the stories are very interesting. They're funny and they're tense and they're serious and they're sad. And there were countless moments and scenes that felt totally original, like nothing I'd ever seen in any film before. That is rare these days, yet this guy pulls it off again and again. The length may be a big turnoff for a lot of people, but think of it like a miniseries. You're not going to watch it all at once. The DVD is actually four DVDs, and each of those is divided into two acts, so there are 8 acts total. The first two acts line up with the first two episodes, while the third episode takes up the next three acts and the fourth episode takes up two more acts of its own. The final act consists of the final two episodes, which play more like short films. You'll watch it over 8 nights, or 4 nights, or however long it takes. Maybe you'll take a night off between episodes, and it'll be there waiting for you when you come back. It's a slow movie at times, but not tedious. It wasn't for me, anyway. It was very entertaining and I always looked forward to seeing what was next.

One thing I enjoyed was the fact that the stories were not rushed. I've seen films that were longer than they needed to be and some that were shorter. Here, the pacing is perfect. It's a long film, but not a slow film. It's slow at times, but only when it needs to be. The two longest segments also happened to be the two best. Both were very different, but they had a lot of flashbacks and wandering narratives that took as all over the place until we didn't know what to expect. But I will say that the film is very artistic in every way, both good and bad. There is a complete Kill Bill (volumes 1 and 2) in there, and a silent film that comes with nearly all the frustrations of a silent film, although it somehow still feels welcome when it arrives. It's not a perfect film, but it is a very fun experiment. The director, it seems, took a big risk in making it and he succeeded. He had a vision and he saw it through and now we have this wonderful film to enjoy. If more filmmakers would follow this example then we would have a bigger variety of films instead of the same old garbage year after year, sequel after sequel, every movie being exactly the same.

The six stories contained in this film are diferently attractive, full of suspense but also laughs, greatly filmed. It's a risky but greatly structured film. The performances are superb.

Rainer Maria Fassbinder in the 1980ies, Wong Kar-Wai in the 1990ies, Paolo Sorrentino at present, Mariano Llinás is on a par with those film makers. This is what cinematography is all about: pure emotions in artistic depiction with narrative grandeur. This film is a drug.

Each part is a different genre, howEVER, even though each one is a different genre, they all have one thing in common: there is nothing in each of the six parts.