15 opiniones
They need to work more . OK it is good that they are using an unique idea but the structure of the story is as hell, every time they show village to dump and main carater smart maybe this not a problem but the problem is it's story structure and storytelling
- yohabloinglesh
- 29 oct 2020
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This show is seriously "The Room" of kids' cartoons. Still trying to decide if that's a good thing or a bad thing.
- allanrosenow
- 29 abr 2019
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I am an adult and still I love cartoons and I am so ashamed to see this type of shows now their showing in television just a disgrace.
- nickerpoo-41161
- 17 may 2019
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I should start by saying my 4 year old loves this cartoon. But he's not that bright.
It's as though someone translated the "script" through Google, then asked "actors" to read random lines, without context, to be shoehorned together later by someone who hasn't been told what the show is about!
It really is a bizarre, uncomfortable, uninteresting, clumsy knock off of 'parts' of Astro Boy.
If my son didn't love it so much I'd never have seen it and we would both be better off
- BiggerBoat88
- 8 oct 2018
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This show is creepy to watch. Animation is creepy. The storyline...... there isnyone. I an so confused watching it. But my three year old loves it.
- nataliaveladez-29351
- 2 oct 2018
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I won't waste time reiterating what most of the reviewers here have already pointed out. The animation, plot, dialogue, use of the English language are all pretty abysmal here. It's quite possibly on a short list of worst shows I've ever seen in my life. Utter abomination
- alexb-78336
- 25 nov 2019
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It was funny to read another review saying how creepy this show is because that was my first thought as well. It is an Indian cartoon and it's obvious from the dialogue that English is not the writer's first language. The way they talk and the words they use and the interactions between the characters are just weird and creepy, I don't know another way to describe it. The cartoon is really weird, has strange plots and storylines. My 5 year old son likes it but his taste in cartoons is questionable. It's like a bad rip off of Astro Boy and Mega Man but with horrible dialogue and plot. If you can guide your child away from this show they will be better off.
- hhh-72220
- 10 jul 2019
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My kids really found it very interesting especially the character of 'Gintu' and 'Timbaktu' please them very much. But it has very limited episodes available. Hope we may get some new episodes soon.
- manojjain-34340
- 20 nov 2020
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- captainmctuffin
- 6 ago 2021
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"Vir: The Robot Boy" isn't just a milestone in Indian animation-it's a towering achievement in global entertainment. A piece of work so dazzling, so profoundly imaginative, that it could be argued as one of humanity's crowning artistic triumphs. This is no ordinary children's series; it is a symphony of storytelling, innovation, and cultural soul that transcends its medium.
To say Vir: The Robot Boy is good is like saying the sun is bright-an understatement so colossal it borders on injustice. From the moment Vir powers up, with his glowing blue eyes and indomitable spirit, you are drawn into a world that pulses with life, creativity, and heart. Each episode is an odyssey, as bold and vibrant as the Indian landscape itself, filled with color, laughter, and the kind of high-octane action that leaves you breathless.
The genius of Vir lies in its staggering emotional depth. Beneath the surface of its robot-versus-villain conflicts lies a profound meditation on what it means to be alive. Vir is not just a robot with AI; he is a soul encased in metal, grappling with questions of identity and purpose that echo the human condition. His journey is Shakespearean in its scope, Dostoevskian in its introspection. It dares to ask: Can a machine love? Can it dream? Can it protect those it cares for, even at its own peril?
Then there's the animation-oh, the animation! If Da Vinci had painted with pixels, if Michelangelo had worked in CGI, their masterpieces might have looked like Vir: The Robot Boy. The colors shimmer with a vibrancy that seems to leap off the screen, and every movement is fluid, purposeful, and alive. Action scenes defy the laws of physics yet feel grounded in emotional reality, while quieter moments are rich with subtleties that speak volumes without words.
The supporting cast is a masterstroke of characterization. Imli, the best friend with unyielding loyalty; Chulbul, the talking donkey whose comic timing rivals Chaplin; and Gintu, the hilariously bumbling genie who provides both levity and depth-together, they create a tapestry of relationships as intricate and affecting as anything in literary fiction. And the villains! Mad Max is a character so delightfully over-the-top that he deserves his own analysis-a fusion of comedic incompetence and genuine menace, making him unforgettable.
But where Vir: The Robot Boy truly ascends to greatness is in its universal appeal. It is not merely a children's show-it is a human story told through the lens of a machine. Adults find themselves enraptured by its philosophical undertones and dazzling artistry, while children are drawn to its warmth, humor, and thrilling escapades. It is both deeply personal and unapologetically epic, a series that feels like it was made for every person on Earth, no matter their age or origin.
The legacy of Vir will echo for generations. It has not just redefined Indian animation; it has redefined what storytelling can achieve. To watch it is to witness greatness, to feel as though you are experiencing something timeless, something extraordinary. In the pantheon of human creativity, Vir: The Robot Boy stands tall, a beacon of what is possible when imagination, artistry, and heart come together in perfect harmony.
To say Vir: The Robot Boy is good is like saying the sun is bright-an understatement so colossal it borders on injustice. From the moment Vir powers up, with his glowing blue eyes and indomitable spirit, you are drawn into a world that pulses with life, creativity, and heart. Each episode is an odyssey, as bold and vibrant as the Indian landscape itself, filled with color, laughter, and the kind of high-octane action that leaves you breathless.
The genius of Vir lies in its staggering emotional depth. Beneath the surface of its robot-versus-villain conflicts lies a profound meditation on what it means to be alive. Vir is not just a robot with AI; he is a soul encased in metal, grappling with questions of identity and purpose that echo the human condition. His journey is Shakespearean in its scope, Dostoevskian in its introspection. It dares to ask: Can a machine love? Can it dream? Can it protect those it cares for, even at its own peril?
Then there's the animation-oh, the animation! If Da Vinci had painted with pixels, if Michelangelo had worked in CGI, their masterpieces might have looked like Vir: The Robot Boy. The colors shimmer with a vibrancy that seems to leap off the screen, and every movement is fluid, purposeful, and alive. Action scenes defy the laws of physics yet feel grounded in emotional reality, while quieter moments are rich with subtleties that speak volumes without words.
The supporting cast is a masterstroke of characterization. Imli, the best friend with unyielding loyalty; Chulbul, the talking donkey whose comic timing rivals Chaplin; and Gintu, the hilariously bumbling genie who provides both levity and depth-together, they create a tapestry of relationships as intricate and affecting as anything in literary fiction. And the villains! Mad Max is a character so delightfully over-the-top that he deserves his own analysis-a fusion of comedic incompetence and genuine menace, making him unforgettable.
But where Vir: The Robot Boy truly ascends to greatness is in its universal appeal. It is not merely a children's show-it is a human story told through the lens of a machine. Adults find themselves enraptured by its philosophical undertones and dazzling artistry, while children are drawn to its warmth, humor, and thrilling escapades. It is both deeply personal and unapologetically epic, a series that feels like it was made for every person on Earth, no matter their age or origin.
The legacy of Vir will echo for generations. It has not just redefined Indian animation; it has redefined what storytelling can achieve. To watch it is to witness greatness, to feel as though you are experiencing something timeless, something extraordinary. In the pantheon of human creativity, Vir: The Robot Boy stands tall, a beacon of what is possible when imagination, artistry, and heart come together in perfect harmony.
- seriousbhuvanfr
- 8 dic 2024
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It doesn't have a good plot, crappy animation, you would rather watch Jimmy netron which is enjoyable
- nirmalfootball
- 10 jun 2019
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Is this a cartoon ? So boring story and animation is also so pour.
I like only anime and better foreign cartoon not this type of bad cartoon.
It's episode are no sense 😂.
How tree can be alive, aliens , monster , Jinny and all silly things. Nonsense cartoon.
We can make better animation at home only than this cartoon.
I like only anime and better foreign cartoon not this type of bad cartoon.
It's episode are no sense 😂.
How tree can be alive, aliens , monster , Jinny and all silly things. Nonsense cartoon.
We can make better animation at home only than this cartoon.
- laxmimuskan
- 23 abr 2021
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This show is the BEST show on EARTH!!! I love it, my family loves it and I think that anyone who doesn't like this show is a hater and deserves to be dabbed on!!! LOVE IT!!
- Sir_Shaqueena_
- 13 ago 2019
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A good cartoon series overall. Mostly it represents India highlighting Chaat, Rickshaw, Punjabis etc. Along with fun, its educational too. Highly recommended.
- heyrajgob
- 6 dic 2021
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- kismetslayer
- 23 dic 2024
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