Finestkind

So, I just watched Finestkind and oh boy, do I have thoughts. Ive never seen a movie try to do so much with so little that wasn't also a CG fest. There are potentially two good movies in here, but tye mashing up of the family melo drama and the crime hiest thriller comes off as comical, insincere, and muddled. I was following the making of this for some time since I heard Jenna Ortega and Tommy Lee Jones were attached, little that I know this was 25 years in the making, cost the film crew thousands in lost equipment and injuries, and had several names attached to it. I do like the cinematography, the Whale footage was nice, but like, this isnt a documentary, it was supposed to be an engaging film about what happnes in the in-between when were born and when we die. This was directed by the guy who wrote Man on Fire (Which probably explains why Jenna was attached) and directed Mystic River! This had all the makings of a hit... what happend!? Ugh. Ill still buy the DVD for my collection, but I'm not watching this again.

Ps. The romantic subplot in this would give a Disney princess whiplash with how fast it happened.

All these critics and people on here are bagging this film. I get it, you want action, twists, a plot that goes along quickly and more, more, more. Well don't watch this movie then. Simple really.

If you approach a film with the right mindset (like this one) and don't expect to be blown away you can actually enjoy its nuance, acting and glimpse into sea fishing. I enjoyed it for those reasons. It's definitely a meandering film with some scenes not driving anywhere - they're there instead to develop characters.

This film is a character family drama with a small crime element. It's mis marketed in my opinion. Just watch it causally and enjoy the acting. And for the bad scenes that don't really work, just appreciate it for what it is. Good acting. 6.4/10.

Who would be so ridiculous as to commit a serious crime to pay a fine for a serious crime? Fishermen, it seems. The point here, though, is to show the romantic pull of a life of fishing and, perhaps more importantly, the inexhaustible love of a father for his son. Despite the critics, the dialogue and the acting was fine, especially by Clayne Crawford as the chief bad guy and Tommy Lee Jones as an old fisherman. It's got the Taylor Sheridan touch, too. Not a great film, but the scenes of the New Bedford harbor and the handling of a catch of scallops added to a story replete with plot holes and characters who should know better.

This is a very good picture, one that has quickly become one of my favorite this year. It is not an action movie, far from it, and not a crime story either. It is all about human emotions, and how we deal with them. Don't make me wrong: it is quite slow in development (of the story), but grows and grows, and gradually grows on you. By the time it ends, you feel emotionally lifted. All the attributes of a good movie are there: the production value is first class, the acting is impeccable as so is the direction, with the editing and the score not far behind. If you liked 'Fathers and Daughters' (2015), this project is definitely for you.

Quite a slowburning, bleak and depressive story, that is certainly not suited for the casual viewer who might be (wrongfully) expecting some sort of fun action thriller, which it is definitely not and was never meant to be either...

The good: Tommy Lee Jones steals the show with his stellar performance as the father of a son (Ben Foster) in dire money troubles. But as magnificent the performance of mister Tommy Lee Jones may be, actor Ben Foster just didnt cut it in the dramatic scenes, in which he (and all the other actors for that matter) failed to deliver true drama.

True drama needs credible acting performances from ALL the actors concerned. Now we have only Tommy Lee Jones performance to deliver true drama, but his role (however important) was of a supporting nature, which makes us viewers have to deal with other leading actors who fail to impress.