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For years I've been emphasizing the importance of music in movies; how an amazing musical score can significantly elevate a movie. It shouldn't just be background dressing. It should be brought to the forefront. It should drive the story. It should be a character in itself. It should give you goosebumps in the big moments. Sinners is one of the best examples of this.

Aside from the music, I could tell I was watching high-quality filmmaking within five minutes. The directing, camerawork, editing, and sound design are pristine. The entire cast does a great job, but Michael B. Jordan shines. He is a superstar.

Sinners is also surprisingly funny, without taking away from the seriousness. And the horror elements are... satisfying. This movie goes hard.

Advice: Certain scenes have an expanded aspect ratio that will only be shown in IMAX. If you can't go to an IMAX, any premium screen will do (Dolby Cinema, UltraScreen, EMX, etc). This movie benefits more than most from the larger screen and louder speakers.

Also, I missed A LOT of the dialogue, you may want to ask for a closed caption device.

(1 viewing, opening night IMAX 4/17/2025)

You came in expecting fangs, stakes, blood, smoking crucifixes and girls screaming. You imagined an arty version of Blade, with Michael B. Jordan staking vampires between sets of push-ups.

Well, guess what, buddy? Surprise: you walked into a Ryan Coogler film that serves you blues, poetry, and Black pain like a sacred offering.

The film plays like The Legend of 1900 remixed by Robert Johnson mid-satanic pact. The horror? It's a metaphor. The monsters? Symbols. And you, the viewer? A willing victim who realizes twenty minutes in that you're not watching a slasher... you're deep in a mystical odyssey shot like a fever dream on opium.

Twins. One actor. Zero missteps. No crappy green screen, no clunky split-screen from The Parent Trap. Nah-this is clean, surgical, fluid. You'd swear the guy was cloned in a cave by a Shaolin monk.

And the wildest part? He plays both brothers with completely different energies. One radiates light, the other broods darkness, and both exude elegance and pain in equal measure. This isn't acting-it's black magic. At this level, it's no longer performance-it's full-blown demonic possession captured in 4K.

Want originality? You got it. No looped rap tracks like in 99% of U. S. films about Black characters. Here, it's the blues. The real stuff. The kind that comes from guts, chains, cotton fields, and dust. And believe me-it cuts deeper than a Slash guitar solo strung with prison wire.

Every note haunts you. Every chord summons ghosts. The music is a doorway between worlds, a call to the Old Ones, a ritual that raises goosebumps. Ryan Coogler delivers a film where the score isn't just background-it's a damn hex. You don't listen-you endure it. And you want more.

There's one scene. Just one. But my God. Straight into the cinematic hall of fame.

The party scene.

At once orgiastic, sacred, primal and cosmic. It's Eyes Wide Shut in the bayou. There's voodoo, groove, bodies melting together, lurking entities, and a one-take shot that knocks the wind out of you like three shots of mezcal and a bad peyote trip.

It's not just well-made-it's divine. Filmed from the gut, edited with fire and silence, it grabs your stomach and wrings out your spine. The kind of scene that makes you believe God listens to the blues in a sweaty Louisiana basement.

We love Coogler. But someone needs to tell him: bro, your intro plays like an episode of Murder, She Wrote. You wanna build atmosphere? Fine. But don't make us wait an hour with "Twins Return to the Village and Do Mystical Gardening."

It drags. It stretches. You wait for the film to kick in like you're waiting for meaningful reform in France. Meanwhile, flashbacks hit every ten minutes, reminding you that pain is apparently a damn art form.

It's noble, it's deep-but man, it's long. This needed some trimming, less Terrence Malick meditation, and a bit more fang in this occult fable.

You came for chills, you got a full-on spiritual initiation drilled into your spinal cord.

Sinners promises the Devil, delivers the blues, and implants visions in your mind. It's slow to start, yeah.

But when it hits... it hits like a sermon from Hell.

It's not a slap. It's an incantation. A trance. A film that doesn't scare you-but follows you into your dreams like a damned old bluesman whispering in your ear with B. B. King's voice and the stare of a demon.

And that's when you get it: When you dance with the Devil long enough... It's not him coming to you- It's you who opens the door.

Director and writer Ryan Coogler shared that some of his most vivid cinematic memories come from watching horror films in theaters as a young man - experiences that sparked his deep love for cinema. According to him, "Sinners" is a kind of love letter to that feeling, crafted with the hope that viewers in theaters will experience the same thrill. And honestly? Mission accomplished.

"Sinners" is one of those films best experienced with as little prior knowledge as possible - we strongly recommend not reading anything, not watching trailers, and avoiding all conversations about it beforehand if you can. The film's plot flows with organic ease, taking unexpected and refreshing turns that hit especially well if you go in spoiler-free. So we'll steer clear of plot details here, too.

The initial inspiration behind the film came from Coogler's connection to his late uncle, James, who had a deep interest in music and history, particularly in the Mississippi blues tradition. James's stories and musical tastes left a lasting impression on Coogler and sparked the creative process that ultimately became this film. As you might guess, "Sinners"is at its core a musical film. Not in the sense of a musical or a movie with original songs woven in like "Django Unchained" - rather, music is part of "Sinners"' DNA. It's interwoven into the story, the characters, and the entire atmosphere, offering a unique lens on the culture, folklore, traditions, and struggles of the Black community in 1930s Mississippi.

The man behind the original score is the multi-talented Ludwig Göransson ("Oppenheimer", "Tenet", "Black Panther"), who, beyond being a top-tier music producer, continually reinvents himself with every project he touches. "Sinners" is no exception. In his relatively short but rich career, Göransson has produced electronic scores, orchestral compositions, and even rap and R&B. Here, he pivots once again - blending the score with musical production in an inspired exploration of the Blues and Country genres, in line with the film's tone. Traditional sounds, ambient textures, and gritty audio design are all used to balance the experience.

It's undoubtedly one of the finest soundtracks we've heard in recent years - one that elevates the film to another level. Göransson continues to prove himself as one of the most gifted musicians of our era, and it's no wonder that none other than Christopher Nolan chose him as his go-to composer, following Hans Zimmer. In "Sinners", the soundtrack also features live performances and original songs, and a separate album has even been released featuring both songs from the film and those inspired by it.

Visually, Coogler made a bold artistic choice - one reminiscent of cinema's greatest auteurs, like Nolan and Denis Villeneuve - to shoot the film using wide-format film stock, opting for analog cinematography. Specifically, the most grand and pure formats available: IMAX 15-perf 70mm and Ultra Panavision 70mm. This wasn't just an aesthetic decision, but an effort to merge the raw texture of classic cinema with the sheer visual power of modern technology - a symbolic gesture aligning with the themes the film explores. Coogler even sought guidance from Nolan himself, along with Emma Thomas, to master the use of these formats - not for bragging rights, but to amplify the film's emotional weight.

Another standout aspect of the film is the screenplay. It's written with a natural rhythm and flow, featuring smart, unexpected humor and effortlessly blending a range of genres. Coogler, who served as both writer and director, brings the script to life with mastery, drawing the best out of each genre he touches. Above all, his use of the IMAX format is impressively deliberate and effective.

Michael B. Jordan plays two distinct characters in the film - and not in a gimmicky or disconnected way. These characters interact constantly - they're twins - which makes for a serious acting challenge. Jordan rises to the occasion, and the visual effects team behind the scenes pulls it off beautifully, with impressive execution on every technical level. Visually, the film is nothing short of stunning.

Alongside Jordan, musician Miles Caton gives a remarkably strong performance in the second lead role. I was genuinely surprised to learn this was his first-ever acting role. Jack O'Connell is also outstanding, and the radiant Hailee Steinfeld dazzles on screen and delivers a compelling performance. While she doesn't sing in the film itself, she is featured on the movie's official soundtrack. Overall, the cast is excellent, and the chemistry is on point.

Every few months, there comes along an event film that simply must be seen - and "Sinners" is unquestionably one of them. It's one of the best films we've seen in recent memory: energetic, gripping, occasionally funny, with a sharp script, top-tier directing, brilliant performances, and musical ingenuity that stuns scene after scene. It has all the makings of a strong contender for film of the year. We highly recommend watching it in theaters - in the best auditorium you can find. IMAX, if possible, is absolutely the way to go.

Written by Dvir971 & Orr971.

This movie was so good. It's cultural but still gives you that supernatural thrill. Each actor did their job correctly and the casting was superb. The plot wasn't exactly what I was expecting but the movie was great! The MUSIC though!! The music pulls something out of you and stirs something inside of you. I'll definitely be thinking about this movie for the next week! Can't wait to see it again. This was a great way to retell a piece of history with a supernatural flare. You just have to pay attention to the undertones. And there are two after credit scenes. One midway through and one afterwards.

Seeing a director have the courage to create a unique, visionary blend of two opposite genres is something you rarely see these days. And I love it. Southern America blues and vampires.

The standout here being the incredible soundtrack from no other than Ludwig Göransson. The sexy, bluesy tone is definitely my favourite thing of the film. It was the glue that kept the film going. The film was reminiscent of O'brother Where Art Thou with a healthy dose of From Dusk Till Dawn.

The patience in the first act to set up the thematic relationships and overall story was executed perfectly. Even though we all were expecting the "reveal" to come, the journey to get to that point was arguably the better part of the film.

What separates (and elevates) this film from your standard supernatural horror flick is the fact that the director chose to spend more time in the first act developing our and exploring our characters.

However, in saying this I do feel like the film in the end of the second and entire third act fell into the cliches that they vampire genre usually entails. The last minute sunrise for example or the character who knows all the ins-and-outs of killing a vampire.

I believe at this point the film lost a bit of spark that the first act patiently created.

I still love what Coogler did. The unique genre blend, soundtrack and setting is enough to warrant the praise.

Best film of 2025?

Sinners is a film I've been looking forward to watching for awhile now and was one of my most anticipated movies of the year. After finally watching it, I can say with confidence that this is my favorite movie so far to come out in 2025. When twin brother Smoke and Stack return home from Chicago to rural Mississippi for a fresh start, they decide to take what earnings they got left to open a nightclub. Unfortunately, other than some of their old hometown friends, old lovers, and a cousin, a much evil and greater force awaits for them just in time for the debut night of their new club. For starters, Michael B. Jordan gives probably the best performance of his career so far as the twins Smoke and Stack, bringing a different persona and personality to each of the characters. Hailee Steinfeld as Mary is magnificent and for the most part has some of the best character development of the film. Wunmi Mosaku as Annie is also great in this film, while also being a huge part of the heart and soul of it. Miles Caton as Sammie Moore is also a great addition to this film and plays a very important role in it. Omar Miller as Cornbread was also a great addition. Delroy Lindo as Delta Slim also gives a great supporting performance, while also having some of the best lines and moments of the movie. Finally Jack O' Connell as Remmick and the main villain of the movie was absolutely fantastic, terrifying, while also charming in a way and is probably one the best horror movie villains I've seen in recent years. Every time his character is on screen, he steals the show and more than gets the audience's attention. If there's anything negative I have to say about the film which is little to none, I would say in the first act, it took awhile for the story to get going, but once it does finally start to take off, it makes everything more than worth while. For positives, I would like to point out that music playing a huge role and technically a character itself in the film was sensational. The horror elements were also well done, as well as a couple of action scenes that were very impressive. Overall, Sinners is so far my favorite movie of 2025, with great performances all the way around, great cinematography, and a really great story with the direction of Ryan Coogler giving Jordan Peele a run for his money in the horror genre. Rating 10/10.

'Sinners' starts in a church, but doesn't spend too long explicitly focusing on religion, god and the devil - but does explore these themes in the semi-segregated world of 1932 Mississippi. We start with Sammie/"Preachers Boy" (Caton) and then are introduced to his notorious cousins who have just returned from Chicago - twins Smoke & Stack, both played by Jordan, who clearly relishes the run he gets to have. He plays them both subtly different enough that you can tell who's who.

It all occurs in one day, with the first hour setting the scene well, as we're introduced to ex-girlfriends - Mary (Steinfeld) and Annie (Mosaku) - plus Slim (Lindo) and Cornbread (Miller), who are brought in to help Smoke & Stack open up their "Juke" bar. Key to everything is Sammie, his guitar and the blues. We're then introduced to Remmick (O'Connell), who is a charming Irishman, hiding a sinister secret.

I won't spoil the twist, but it doesn't take long for the film to turn to a horror, and does well to start off with a bit of tension and suspense and then go full blown bloody action/fight/gore. Holding it together is the great soundtrack and score, with the music great throughout. Just over 2 hours, but never boring - solidly wrapped up, some great scenes. Stay after the initial credits, as there's a ~5min final scene.

Presumably, as a Black man, I'm expected to like this movie and even support its success because of what it tries to represent for the culture. And because of that, I feel like fewer people will be willing to admit how they really feel about it. After all the hype and anticipation, and with those well-made trailers, I genuinely wanted to enjoy Sinners.

Unfortunately, you'll be disappointed to hear that Sinners is, honestly, a very half-baked movie (or rather, musical) that leans too heavily on its cast and the same old, often tiring Black culture clichés. Because of this, the movie doesn't deliver anything close to a meaningful plot or story. It starts off slow, making you think you're about to get something rich and layered, but you quickly realize it's just a buildup to nothing, with a string of disconnected scenes trying to force context for a historical vampire horror story that ends up feeling hollow, long-winded, and poorly executed. It achieves very little in any of the genres it tries to be.

Watching this in a theatre with a mixed audience was honestly embarrassing, knowing it was headed toward the same recycled plot, and worse, a badly executed one.

The one bright spot? Michael B. Jordan carried this film. Without him, I'm not sure I would've made it through.

I love it when movies mix different genres and create a fresh spin on old themes. In this case however the different elements didn't mix well in my opinion: I would describe sinners as a mix between period gangster drama, musical and trashy B-movie horror. This sounds super exciting on paper, but in reality it threw me off completely. I feel like the movie tries to do everything at the same time but doesn't deliver on many of those aspects: It wants to hit the viewer on an emotional level but left me personally completely cold - I didn't care who died or who lived; The movie kinda wants to be scary but the "enemies" in the film feel like a complete joke from the first scene they are shown and it takes away all the tension; It wants to be action-packed and explosive, but the fight scenes are kinda boring and left me wanting to move on to more serious scenes again, even though those serious scenes are kind of a slow burn; The film wants to be funny and even though it made me chuckle a bit it never really took it far enough to justify sacrificing the big threat in the film for laughs.

In conclusion: This movie is too boring and slow to be an entertaining action-comedy and doesn't take the humor and fight scenes far enough to really have an impact. At the same time this movie is far too ridiculous to be a serious scary and emotional movie that reaches you on any kind of emotional level.

I would have liked it, if they would have sacrificed the humor for building a serious threat that feels genuinely scary and terrifying. The cinematography, costumes and music are fantastic but this is just not enough for me to make it a good film, when the story is not hitting. There are single parts of the movie that I absolutely loved and I would have really appreciate those scenes as standalone music videos, but it just doesn't mix well with the rest in my personal opinion.

In addition to my previous criticisms I spotted some typical clichés in the dialogue writing that made me roll my eyes and there were some moments where I found it extremely hard to believe that certain characters survived. I could go in to detail here but I want to keep my review vague to avoid spoilers.

To me watching this movie felt a bit like eating chocolate on a burger - Both elements are nice by themselves but together they don't make for a nice meal.

Sinners is a historical horror directed by Ryan Coogler (Black Panther, Creed) which smartly combines the supernatural with the political.

The cinematography is stunning, which accurately captures the 1930s western vibes. While the movie starts pretty slow and takes time for the build up, it picks up in the second half by delivering a haunting experience. The movie often feels very lively due to it's musical numbers.

The film's fascinating array of genres and tropes and ideas swirls together, whether be it oppression of race, or preaching of good and evil. Jordan gives a great performance, while the rest of the cast were terrific too.

Although the horror element was less than my expectations, however the political satire and the tense atmosphere makes Sinners a great movie.

The Geek Reviewer gives 4 stars for 'Sinners'.

I, like many others, did not expect this film to be much to write home about.

I was wrong.

The film is unapologetically original. It mashes genres and does so masterfully. Coogler wraps you up in a beautifully crafted world with fascinating characters.

The music in this film is astounding. It brings the modern, electrifying take on the Deep South of the 1930s together in a way that I will never forget. Miles Caton, who plays the Smokestack twins' cousin, is the highlight of this film for me. A name to remember.

Ryan Coogler is setting himself up to be the kind of director whose name alone is enough to pack theatres, because this is the best original film I can remember watching.

There is an unspoken question flapping in the audience's face: was slavery/Jim Crow/apartheid any different from living under the thumb of monsters, like ...say... vampires?

The obviousness of this paradigm plays with the watcher as the cinematographer composes a story and contextual structure by creatively mapping the history, origins, and futures of music of the U. S. black population, and others lorded over by oppressors.

Subsequently, two brothers and a community must decide how they can exploit music for profit... Or, to make them less vulnerable to the evil it was thought to generate. The use of special effects is clever and not too distracting...though, this IS, afterall a monster movie.

Delroy Lindo should get a nice tux and start preparing some comments because he is going to become the center of this film's gravitational pull for months....scene stealer extraordinaire; a classic supporting actor triumph. Michael B Jordan's multifaceted role also worthy of some extra attention.

And then, there's the music.... 🎼 +++ which is enhanced by costumes, which is enhanced by sets. Over all, an amazing film worth seeing. Glad to have seen it in IMAX at Grauman's in Hollywood tonight!

Sinners isn't your typical horror. It's soaked in sweat, blues, and black excellence. Think 24 hours of beauty and chaos - where freedom feels close, but sin feels closer. Ryan Coogler didn't just direct a film, he built a vibe. The twins? Played by the same actor, but felt like two different souls. The performances? Hailee Steinfeld kiss, wow. Dialogue? Fast, slick, sharp - like a jazz solo that cuts through silence.

This film doesn't hold your hand. You gotta lean in, feel the room, and ride the rhythm. There's a message under the madness - about legacy, temptation, and the price of stepping outside the lines.

Now, the vampire thing? I won't lie - felt like a stretch. Stylish, sure, but I wasn't sold on the metaphor. Still, the film carries itself with so much black flavor and focus that you forgive the weird. One-takes were clean, the sound was spiritual, and the whole thing hums like an old jukebox with a soul of its own.

Sinners doesn't preach - it performs. And it leaves you wondering if maybe, just maybe... sin was the only freedom left.

Sinners is a film so drenched in cultural relevance and raw emotion that it practically oozes off the screen. From the first frame, it pulls you into its world, carried by the charisma of its characters and the crackling tension that steadily builds. The movie feels like it has the DNA of the era's music embedded into every scene that is soulful, gritty, and alive.

That emotional heartbeat is darkly, almost violently, contrasted when the supernatural element enters, bringing a wave of gore and terror that feels both inevitable and shocking. The cast is masterful, owning the early, quieter character-driven moments with such authenticity that when hell finally breaks loose, you feel every second of it.

By the time Sinners reaches its devastating, poignant ending, you're left not just shaken but thinking. It's the kind of film that lingers long after the credits roll.

Sinners impresses early with its stunning cinematography and solid performances. The film sets a moody, atmospheric tone and builds tension with a deliberate, slow-burn approach that hints at something truly impactful. Unfortunately, that promise is never fulfilled. When the vampires finally appear, the film takes a sharp downturn. Their behavior is nonsensical, lacking any real menace or intelligence, and they end up feeling more like a parody than a threat. It's a baffling creative choice that undermines everything the first half works so hard to build. Despite its strong technical elements, the film stumbles badly at the finish line. A stylish misfire-watchable, but disappointing. 6 out of 10.

A film that adds nothing from an artistic and cinematographic point of view.

First part of a deadly boredom, second based on clichés, derivative and poorly used narrative elements.

A less than mediocre blockbuster.

Yet another case of a film exalted by obsolete criticism and an audience poorly educated to the true refinement of the seventh art.

The fact that in May it's considered the best film of the year would make one believe in a mass hallucination but unfortunately the acclaim and success it has had is only the mirror of the times: a lack of truly worthy creativity and an increasingly poor and faded appreciation index.

"The best day of my life, before the sunrise"

*Non Spoiler* review for Ryan Coogler's 'Sinners'

Masterpiece, faultless, superb! I could easily finish the review right there with those 3 simple words as 'Sinners' is THAT damn good and you should, without a doubt, believe the hype.

I am one for slow, masterful, character building so sit tight for the first hour because this movie sets the tone and introduces every single character within, and delivers like no horror that I have seen before.

We meet Michael B. Jordan as he portrays twins, Smoke & Stack and this guy gets cooler each time I see him perform on the big screen but a special shoutout must go to Miles Caton who plays Sammie. Miles delivers a stunning performance throughout. The supporting cast including Delroy Lindo (Delta), Hailee Steinfeld (Mary), Jack O' Connell (Remick) & Andrene Ward-Hammond (Ruthie) are all very much welcome additions.

The tone is set during the opening hour but when the dark of night sets in with a beautiful supporting soundtrack, the movie gets dark and gnarly very quickly and it's one of the most tense vampire settings ever.

You'll notice similarities to Dusk til Dawn, 30 days of night & The Thing.

The final act is gut wrenching and blood soaked, so strap in.... Oh and don't leave before the cut scene during the end credits, it's vital to the story and one of the most beautiful endings to a horror movie that I've ever witnessed, to the point of that 'lump in your throat feeling'

Overall, Sinners is gorgeous, it's simply outstanding.

Please do believe the hype, please do go and see it on the big screen, it's purpose filmed so don't miss out.

It's a 10/10 from me......

Go again you ask?! Hell Yeah!!

"Last time I seen the sun"