Shaun, el cordero: La película

For a while, I've held a belief that Aardman can do no wrong, and thankfully this latest example has kept up that belief and then some. It's actually rather difficult to write a review of this movie, because there's not a whole lot one can actually comment on. For instance, I can't say anything about voice acting, or script, because there is literally no dialogue. I mean, there are voice actors (for example Omid Djalili as Tramper the villain) but all they do is mumble (and in the case of the sheep actors, bleat) and stuff. I suppose this, then, serves as a testament to the sheer quality of Aardman's animation. In addition to it being fantastic that claymation can still find its way onto the screen today, it's also brilliant that such a film has found such capable animators; the animation is beautiful, and though you may think they may not be able to convey so much emotion with just facial expressions and mumbles, lo and behold, they do; from glee, to terror, to sadness, to panic, and many more, the characters they've created are absolutely brimming with emotion, and immensely watchable at the same time, and that just makes this movie all the more effective. Lack of a proper script also doesn't seem to trouble Aardman either; this movie is really goddamn funny. The physical comedy sequences, the highlight of which has to be the gleefully chaotic scene in a restaurant, are done to a tee, quite possibly the best Aardman has done them since Flushed Away, while Aardman's trademark sight gags, though not quite as strong as they were in previous offering The Pirates! (the Brian Blessed gag comes to mind), are ever-present and really quite amusing, however obvious or subtle they may be (for instance, "The Big City - twinned with Le Grande Ville, La Ciudad Grande"). My main gripe was that towards the end, which I won't spoil, things do get a bit too cheesy for my tastes, but the rest of the movie, and indeed most of the climactic sequences, more than make up for that. Shaun The Sheep: The Movie only serves to reinforce why I am such a huge fan of the Bristol lads to begin with, and while it is nowhere near as good as their first two features, it is definitely a worthy addition to their fine repertoire of work. If you're looking for some great entertainment on an afternoon, you could do a lot worse than this.

This was, for me anyway, the usual Saturday afternoon flick with my partner and son to pass an hour or two.

To be honest could have been any movie.

The movie started sedately enough but gathered pace and complexity with every minute ,throughout the audience was laughing out loud , adults and children alike (including me).

It had everything for kids and adults, some rude jokes, great references to adult movies. A multi-layered villain, heroes and comedic characters.

The animation was stunning but i stopped looking at the animation and got hooked on the story and characters, maybe that's the way it should be.

Definitely worth a hour or so of anybody's time.

13 February 2015 Film of Choice at The Plaza Dorchester This Aftenoon - Shaun The Sheep. I would just like to point out that I was the only adult there without a child.....or maybe I was the only child without an adult!!!!!! Nick Park and his team have done it again. This was classic Aardman animation, with our old pal Shaun. Bored with his mundane life Shaun and his sheepy friends engineer a way to have a day off but all goes drastically wrong when the farmer ends up in the big city with memory loss. It's up to the animals to save him and what follows is a madcap series of events where nobody questions sheep dressed as humans or any of the antics that occur. Completely without dialogue the story is carried along by the excellent score and gesticulations and a gaggle of bleats, grunts and other indiscriminate noises. As we know animation these days caters for all ages and with various movie references included the adults were definitely laughing at different times to the children. Watching some good old stop motion animation is a very pleasant way to pass the time.

I never ever go to the cinema (I rather wait for the Blu-ray to be released and just paying once but yet I went to London from Spain just to see this movie. I didn't wanna wait for it to be released here.

Shaun the Sheep is a brilliant TV show so when I found out a movie was being made I was totally thrilled. Even though going from the 7-minute episode to a full length movie was a big step, I was confident in Aardman to made the transition easily. They didn't disappoint. First, let me say that I love stop-motion; it's such an "intimate" technique due to the fact that you always have to literally be on top of the character to change it every time he makes the slightest movement. But not only is the technique beautiful, the story doesn't disappoint either. This doesn't feel like a dragged out episode of the show, it feels like a story that goes beyond the usual surroundings of the show while still maintaining how everything works. This movie made me laugh a lot. If there's something that Shaun the Sheep always achieved was the ability to create humor of the most simplest situations. But I also cried a lot. Tears of sadness and happiness. And truthfully, I never expected Shaun the Sheep to reach me so deeply. There's a scene where you can see so much pain in Shaun eyes. And that's just clay! My God, congratulations to whoever did that, it was so moving. And I also had a sweet spot about Slip, the dog that Shaun meets early in the movie and come along for the adventure. She was a new character but she felt like and old member of the gang.

I haven't enjoyed a movie so much in a long time. And I haven't felt so many thing with a movie in a long time either. So thank you, Aardman, for giving a fan such a great gift.

For 'Shaun the Sheep' Aardman Animations gracefully goes back to its roots. If you are not familiar with the character of Shaun, then perhaps I should elaborate. He was first seen in the third Wallace & Gromit short 'A Close Shave'. The world he inhabits has no characters that speak an audible line of dialogue. It is all silent, save for the odd sound effect and the musical score. This is Aardman's sixth feature length film or third if you just count stop-motion.

The plot is of course very basic. But that suits the film just fine, it is not trying to be the next 'Inception' and it doesn't need to be. With silent films the simpler the better. Shaun decides that he wants some well deserved time off from his work on the farm. The group or flock want a day off, but they instead end up in rather a mess. Which eventually leads them to the Big City aka London. Meanwhile, through a misunderstanding their farmer is hospitalized with no recollection of whom he is and Shaun. It is up to Shaun and the gang to set the farmer free and return home, before further trouble is had.

Queue great scenes that are funny, referential and light hearted. The first factor being the most unexpected, considering that there is no dialogue at all. Meaning that Shaun relies heavily upon visual humour, which works a treat. It never forays into dark territory and thankfully keeps the tone consistently light hearted with good intentions. It would be impossible to list all the references one could find when viewing it, but let me bring up a few. They are, The Shawshank Redemption, The Silence of the Lambs and The Wolverine. So even the adults will get a chuckle out of it. This film really is for all ages.

The stop motion animation is fabulous and showcases how far Aardman have come along since 1989's A Grand Day Out. It is even well paced and runs little over seventy-five brief minutes. Meaning it never gets tiresome. But the length proves to still be part of the problem. The film is far too short and I wanted I needed so much more. I would not have minded watching this film even if its running time was in fact doubled. I know this is not a big issue, considering the film is silent and still has warmth, heart and a soul. But, some character development would not have gone amiss.

If you are curious as to where 'Shaun' places amongst the other feature length stop motion pictures, then it follows thus; it is greater than 'Wallace & Gromit: The Curse of the Were- Rabbit', but lacks the shear enthusiasm of 'Chicken Run'. But, could the woolly fella ever compete with such grand competition? Probably not, but there is less than a feather between the overall quality of the two.

'Shaun the Sheep' to the cynical will no doubt appear to be a cash grab from Aardman. (As the gang already have a television show to its name). This could not be further from the truth. Shaun is warm, heartfelt, moving, exciting and soulful. No matter what age you are, you will be in for a delight provided by this excellent film from Aardman, further proving that they can do no wrong. I urge anyone to come forward and say they were bored; the mere thought of which is inconceivable!