Oshin

In the early 1980s, pretty much the entire country of Japan was obsessed with a television series about the trials and tribulations of a girl named Oshin. The 297 15-minute episodes, broadcast twice a day for about a year, broke ratings records. Viewers were riveted by Oshin's life story, from her youngest days as a live-in servant through to her marriage and eventual establishment of her own business. It's easy to see why: thirty years after she first captivated audiences, Oshin remains a wonderful character, heartbreak and strength wrapped up in a determined little package.

Director Shin Togashi's film focuses squarely on a young Oshin (Kokone Hamada) who, at the tender age of seven, must leave her home and family to work as a live-in servant for a timber trader. But, tough as her circumstances already are, the vicissitudes of life do not spare Oshin. Soon, she finds herself stumbling through a blizzard into the forsaken log cabin of ex-soldier Shunsaku (Shinnosuke Mitsushima), before she fetches up in the home of the wealthy rice-trading Kagaya family, run by its matriarch (Pinko Izumi).

In remaining true to the spirit and narrative of the television series, this incarnation of Oshin has the tendency to feel rather episodic. It's quite easy to trace the beats and rhythms of a more fragmented story. But that doesn't really detract from the power of Oshin's tale, which is really one about mothers, daughters and women. As it turns out, three decades has made little difference to an age-old story extolling the virtues of sacrifice, humility and perseverance, one that's told here with great sensitivity. The frequent tests of her fortitude and integrity – not to mention the depths that her own mother (Aya Ueto) must sink to in order to make ends meet – will wring tears out of the hardest of hearts.

Hamada is a marvel. Beating out close to 2,500 other candidates for the part, she carries the film easily on her tiny shoulders. As Oshin, she switches – seemingly effortlessly – from sunshine-bright innocence to steely resilience. She's so enormously expressive that it's almost impossible to take your eyes off her in a scene, even when she's surrounded by a great cast of supporting actresses. Ueto and Izumi are both excellent, the former despairing of the need to essentially sell her daughter into indentured servitude, the latter transcending class and prejudice to see the intelligence and spirit burning within Oshin. Fans of the original television series will be thrilled, too, to see Ayako Kobayashi – who played Oshin then – as a mother within the Kagaya family.

It's no wonder that Oshin's story has become part of Japan's cultural heritage – and a symbol of strength and endurance the world over. In a media industry that still has trouble developing and portraying powerful, rounded, non-sexualised female characters, Oshin comes as a breath of fresh air – which is, sadly, all the more troubling for the fact that this is a story that's thirty years old.

This movie is on par with the Japanese series of the same name that was aired in the 1980s around the world and captured the hearts of million of international viewers.

A beautiful story told from the perspective of a poor girl who struggled during the early decades of the twentieth century in Japan.

This is what a movie is about: it should ignite our thought process, ignite our emotion and make us feel alive, and make us totally captivated by its storyline and characters.

This is one the reason why I have permanently departed from Hollywood's propaganda-laden and braindead, psychologically reinforced rubbish. What Hollywood called a "movie", everyone else around the world called rubbish. Start watching Japanese movies like Oshin and you'll know why you need to get away from Hollywood.

The only time I would watch a Hollywood piece of rubbish is so I can review it and recommend everyone to stay away.

This is a remake of the classic story where a young girl born into a poor family having to endure extreme hardships in the 1900's.

I remember watching every episode of the TV series "Oshin" when I was a child, and I was so touched by it. The 2013 remake continues the tradition, and tells the heart wrenching hardships of a 7 year old girl. The story is very sad, and is almost unbelievable in modern day world. The girl playing Oshin is remarkable, as she cheerfully plays the highly resilient girl. Her range and depth of emotions is quite astonishing, as her character goes through a plethora of emotions including joy, sadness, desperation, anger and shame.

Though the pacing is a little slow, it means there is much time for viewers to savour what it is really like to be Oshin. This is a film to feel and empathise. Expect to be saddened.

I was prepared to cry or weep and Oshin did jerk my tears. But I think the parting and crying scenes could have been toned down or shortened a little and focused more on Oshin's relationship with her family.

The cinematography was stunning. Perhaps the harsh snowy environment is a beauty no matter how you frame it. But the light, the river raft and the smoke from the villages are just poetic. With the huge wood and straw houses it is just a perfect place for country life.

Hamada Kokone is perfect in portraying 7-year-old Oshin. Natural and smart. Yet emotional and perceptive. Even her eyes alone convey lots of emotions.

This remake of Oshin is essentially a feminist movie. All the female characters, including Oshin, her mom, the rich Grandma etc. are much stronger than their male counter parts. For stronger I mean more assertive, more daring, more reasonable, more creative, wiser, and of course more enduring and resilient.

Even the runaway soldier's character is developed along this line: he is one of the oppressed in spite of his talents but he is surviving with dignity – as other strong female in the movie.

Perhaps only under this harsh environment can a yamato nasdesko be groomed. Salute to the Japanese women who appear to be weak and submissive but actually very powerful internally.

i don't know what everybody is writing about this movie, although i would presume that the movie would get high grades from movie fans and critics alike. all i have to say is that i have watched a couple of thousand movies in my life and i have never experienced something like this.

...i am a guy and i am ashamed to say that through the second half of the movie till the end i was literally bawling or my eyes were wet. so..., be warned, if you're looking for something uplifting throughout, this is not the movie!

some of the nature shots in the snow were so beautiful...it was literally, breathe-taking. that was another plus for the movie, some of the shots outside in natural surroundings with minimal human interaction...were just breathe-taking and so enjoyable, like good poetry.

...that is all i want to say about this movie..like good sad poetry...drifting and soon gone with the wind, like time passing