Mall

To be very honest, I only bought this movie because Cameron Monaghan stars in it. I figured that he played Jerome/Jerimiah well in Gotham, and Ian Gallagher in Shameless. Boy was I mistaken. The start of the movie was a cheap B-grade entry, then as it progressed I felt like the characters were reading their lines off of a script board. Cameron Monaghan wasn't the greatest actor to my disappointment, but he was still better than the rest of the lame characters. I need to be wary of watching movies with cute actors in it, because sometimes they're just crap.

The first part of this film hooks you on. Stylish and well photographed, and able to keep you interested. But that doesn't go all the way. The film loses it's way due to some very disillusioned and sick people inhabiting the mall.

A disillusioned young man living at home in his mothers trailer goes on a hateful rampage on a mall. At the mall we find several persons doing their everyday thing, as the observant college student Jeff which really is smart, but still wasting his life on the mall, not caring enough not if he should take an Ecstasy pill or not. More shouldn't be told before you watch it.

Because I think it's worth seeing. There are some very talented stuff here, though there are scenes pulling down the great stuff built up in the start. It seems like the story is not sure of what it's supposed to tell. There's also too much use of slow motion, and the young boys narrative voice, when thinking.

This is the first feature film directed by Linkin Park-DJ Joseph Hahn, and his music video past is quite obvious. Some clear talent, but the film should have had more work put into the script. The film isn't at all what you think it is, and that is a main problem.

This may be the worst movie I have seen so far this year. Weak narrative, a plot that goes nowhere. So poorly written you cannot decipher the actual story line from the deranged thoughts of one of the characters.Sort of like a weak wanna be Donnie Darko. It's sort of like 4 bad mini movies put together to form an hour and a half stinker..Before watching this you may wanna weigh your other options of how to waste an evening.... ...... ......... ....... ........ ... ........... ..... ..... ... ... ... .......... ..... .... ...... ..... .... ....... .......... .... .... ..... .... ... .... .... ....... ....... ..... ...... ....... ..... ........ .... ...... ..... .... ..... .......... ........

What a shame to see such competent actors like Vincent D'Onofrio, Gina Gershon, and Peter Stormare in this wallowing, meandering thing. Lacking in clear direction, message, quality of writing, acting ability (from most other members of the cast), and filled with pseudo intellectual fluff delivered from a totally unbelievable character. While the attempt to tackle such gritty subject matter was admirable in it's ambition, the execution was severely lacking. Sincerely wish Joe Hahn better luck in his future feature directorial efforts.

The visual effects were interesting, digitally grimy (in a good way), and flowed well with the emotion of the film, but were a bit overdone early on. They felt dumped on you from the start without any context to support them, and unfortunately cliché by the end.

Oh dear lord, this kid and his "observations." At first I thought it was supposed to be funny, but after a while, it just got annoying. He was seriously the most obnoxious character in the movie, so it sucks that he was the lead. The writers really nailed the pretentious, "above it all" high school tool who never goes anywhere without his copy of The Catcher in the Rye and an inflated sense of self-worth. He's so full of wisdom! So deep and enlightened! He's there to put the sheep in their places, since he's the only one who knows what's going on! This is like stoner 2.0, the kind of stuff that these guys think sounds so life-changing, like it's never occurred to anyone else, and their sole duty in life is to redirect the miscreants. I'm still not sure this was supposed to be part of the odd, dark humor that seemed to exist throughout the film. If it wasn't, though, I have to imagine the writers *were* that kid.

I didn't know B.K. Cannon was in this movie! I was excited to see her for her brief cameo, despite the creepiness of the scene. Vincent D'Onofrio was fantastic, of course, and his scenes, as painful and uncomfortable as they were to watch, saved a lot of the movie. I feel like the entire bit with the bored housewife should have been cut. It added nothing to the movie and played out more like a clunky attempt to metaphorically represent a boy growing up and coming into his sexuality. The pacing died, and I found myself doing other things with the movie playing in the background. Honestly, if all of that had been removed, it would have been a much better film. Those scenes really dragged, and they were so jarring whenever they occurred, total change in tone and atmosphere. It's like you're in the middle of a car chase scene, then it cuts really quickly to Antiques Roadshow.

As much as I hated the beginning with the pseudo-intellectual babble, I actually really liked the ending. That saved it a bit. Overall, the film was trying too hard to be artsy and complex, but it did have some interesting moments and some legitimate humor. I give it a resounding "could have been worse."