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5.8/10
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TU CALIFICACIÓN
Una chica rebelde se une a una agencia de acompañantes en la que su padrastro es cliente.Una chica rebelde se une a una agencia de acompañantes en la que su padrastro es cliente.Una chica rebelde se une a una agencia de acompañantes en la que su padrastro es cliente.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Saw this at Tribeca Film Festival and was laughing the whole way through. This is a very unique film in that it dares to blend genres. Part pitch black comedy, part noir, it sucks you into the story and takes you along for the ride.
Nikki Reed's great in a role that could have been obvious. Alec Baldwin (always good) gives one of the best performance he has in years and Carrie Anne Moss is hilarious as the mom. Goldblum's role as the TV Producer neighbor is so damn funny and Luke Wilson gives a really subtle performance as the detective.
The twists and turns are a a blast. Definitely not a film for those who don't like black comedy, but those with more sick, twisted senses of humor should love it.
Nikki Reed's great in a role that could have been obvious. Alec Baldwin (always good) gives one of the best performance he has in years and Carrie Anne Moss is hilarious as the mom. Goldblum's role as the TV Producer neighbor is so damn funny and Luke Wilson gives a really subtle performance as the detective.
The twists and turns are a a blast. Definitely not a film for those who don't like black comedy, but those with more sick, twisted senses of humor should love it.
If you're a fan of this genre, you'll love this film. If not probably not for you, but one of the funniest films I've seen in a long time. Depraved, unrelenting, will probably scare the hell out of some parents or Christian fundamentalists who think Hollywood is glorifying deviant behavior in our teens.
The conceit of the film, a girl who will try anything once is very effective because you're always wondering where this philosophy will take us next. Without giving anything away, this idea mixed with an ethereal, driving score pulls you into Mini's world and you'll follow her anywhere.
The performances by all 5 leads are incredible. Baldwin gives his best performance in years and that's saying a lot because he's been doing great work. It's easily the best I've seen this year so far in any film by a male lead. He renders this macho, yet beaten down PR exec in a way where although he doesn't deserve our sympathy, he gets it.
Reed is astonishing. Part vixen, part little girl lost, the glee with which she sets about her goals, takes a character who is, in fact a sociopath and makes you respect and like her. Although what she does is without a doubt destructive there is an implicit understanding that she is surrounded by adults who only pretend to be moral. Her intellectual honesty is actually refreshing.
Her performance works in part because of Carrie Anne Moss' willingness to deliver one of the most chilling and hilarious performances in years as Mini's mother. The incarnation of Hollywood self absorption. It's clear that Mini wasn't born this way, she is a product of Diane's utter lack of mothering. Mini is an inconvenient appendage in Diane's life and Diane lets her know it whenever she can.
Jeff Goldblum is spot on perfect as their TV producer neighbor, whose lighthearted, Dionysian life is a constant thorn in Baldwin's side. Luke Wilson also gives as subtle a performance as he has in years. At first playing an incarnation of his sad sack Mitch from "Old School" and then switching on a dime to show us just how smart this detective has been all along. The look of muted terror on Baldwin's face when he realizes how he's been the recipient of Wilson's own PR play is priceless.
I'm sure some parents groups will attack it as encouraging teenagers to turn on their parents and to indulge in the darkest parts of society, but it really felt like a cautionary tale about what happens when kids know in their bones that they aren't loved.
The conceit of the film, a girl who will try anything once is very effective because you're always wondering where this philosophy will take us next. Without giving anything away, this idea mixed with an ethereal, driving score pulls you into Mini's world and you'll follow her anywhere.
The performances by all 5 leads are incredible. Baldwin gives his best performance in years and that's saying a lot because he's been doing great work. It's easily the best I've seen this year so far in any film by a male lead. He renders this macho, yet beaten down PR exec in a way where although he doesn't deserve our sympathy, he gets it.
Reed is astonishing. Part vixen, part little girl lost, the glee with which she sets about her goals, takes a character who is, in fact a sociopath and makes you respect and like her. Although what she does is without a doubt destructive there is an implicit understanding that she is surrounded by adults who only pretend to be moral. Her intellectual honesty is actually refreshing.
Her performance works in part because of Carrie Anne Moss' willingness to deliver one of the most chilling and hilarious performances in years as Mini's mother. The incarnation of Hollywood self absorption. It's clear that Mini wasn't born this way, she is a product of Diane's utter lack of mothering. Mini is an inconvenient appendage in Diane's life and Diane lets her know it whenever she can.
Jeff Goldblum is spot on perfect as their TV producer neighbor, whose lighthearted, Dionysian life is a constant thorn in Baldwin's side. Luke Wilson also gives as subtle a performance as he has in years. At first playing an incarnation of his sad sack Mitch from "Old School" and then switching on a dime to show us just how smart this detective has been all along. The look of muted terror on Baldwin's face when he realizes how he's been the recipient of Wilson's own PR play is priceless.
I'm sure some parents groups will attack it as encouraging teenagers to turn on their parents and to indulge in the darkest parts of society, but it really felt like a cautionary tale about what happens when kids know in their bones that they aren't loved.
I just saw this film's world premiere at the Tribeca Film Festival.
The movie starts off with Mini, played by Nikki Reed as a spoiled and manipulating child of a wealthy actress (Carrie Anne Moss). (ala Heathers). Anyway, Mini decides to work as a call girl for the heck of it, and one of her first clients is her step-father (Alec Baldwin). They begin a torrid love affair and devise a plan to drive Moss crazy so that they can be together (ala Gaslight). Predictably, the plan turns to murder. And "then" the movie gets really dark.
The first half of the film was really good as the various scenarios devised to make Moss go crazy are inspired and original. However, in the second half of the movie, the plot begins to fall apart and things just get too creepy. Also, the "twist" at the end is somewhat obvious throughout the film.
Finally, I still cant figure out why Jeff Goldblum is in this movie. He's a really good actor, but his character was superfluous and pointless. It seems the only reason he's even in this movie was to add some improv scenes and have him make strange faces for pointless comedy. Has Jeff Goldblum turned into the comedic version of Christopher Walken?
The movie starts off with Mini, played by Nikki Reed as a spoiled and manipulating child of a wealthy actress (Carrie Anne Moss). (ala Heathers). Anyway, Mini decides to work as a call girl for the heck of it, and one of her first clients is her step-father (Alec Baldwin). They begin a torrid love affair and devise a plan to drive Moss crazy so that they can be together (ala Gaslight). Predictably, the plan turns to murder. And "then" the movie gets really dark.
The first half of the film was really good as the various scenarios devised to make Moss go crazy are inspired and original. However, in the second half of the movie, the plot begins to fall apart and things just get too creepy. Also, the "twist" at the end is somewhat obvious throughout the film.
Finally, I still cant figure out why Jeff Goldblum is in this movie. He's a really good actor, but his character was superfluous and pointless. It seems the only reason he's even in this movie was to add some improv scenes and have him make strange faces for pointless comedy. Has Jeff Goldblum turned into the comedic version of Christopher Walken?
Although I liked the movie and it's plot. The relationship between father Martin and stepdaughter Mini, on which a great deal of the movie builds, somewhat reminded me of the tension between Kathryn and Sebastian in Cruel Intentions.
Plot twists like in Mini's First Time, Wild Things, Dead Mans Curve.. need I go on were refreshing a few years back. Nowadays the unpredictable twist are getting rather predictable to the regular movie viewer.
And let's be fair maybe looks like Mini's can get you out of trouble in the movies but the writers should have drawn the line somewhere and instead of looks let the whole plot support on more realistic excuses for her to come up with.
Plot twists like in Mini's First Time, Wild Things, Dead Mans Curve.. need I go on were refreshing a few years back. Nowadays the unpredictable twist are getting rather predictable to the regular movie viewer.
And let's be fair maybe looks like Mini's can get you out of trouble in the movies but the writers should have drawn the line somewhere and instead of looks let the whole plot support on more realistic excuses for her to come up with.
Everyone is saying that this movie is dark...what could be darker than The Quiet!!! This movie is not as dark as some other movies that I have seen. What happens is not exactly right but it is not that DARK! The movie itself is very well done. Again, this is the second movie I have seen where the mother is so out of it that she does not really need a role in the movie. It is ridiculous in the sense that I am sure she just has a few lines. Alec Baldwin acts well as a man being controlled by his sexual appetite. It is a very funny movie. Nikki Reed is a good actress but needs to do something different. She has always done these roles of screwed up teenager. She won't be a teen for long and if she is not careful, her career will be over once she starts looking more mature. The twist in the movie is very interesting. i would say a must see at home with a few friends. Not academy award winning but very entertaining.
¿Sabías que…?
- TriviaThe film was shot in 28 days. Director stated that they shot 4-5 pages a day.
- Créditos curiososAt 21:06 minutes into the movie where there is no dialog "Peggy from Hays, Kansas" appears in the English subtitles.
- Bandas sonorasShe's The One
Written by Roger Raskin and Logan Raskin
Performed by Roger Raskin and Logan Raskin as The Raskins
Selecciones populares
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- How long is Mini's First Time?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- La primera vez de Mini
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 49,034
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,828
- 16 jul 2006
- Total a nivel mundial
- USD 156,318
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the French language plot outline for Mini's First Time (2006)?
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