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Several years ago, my wife watched "As Good As It Gets" and she told me she didn't like the film. So, I avoided it for years....and now I wish I hadn't listened to her. I loved the film---just don't tell her I said so!

The film, to me, was perhaps a bit different experience than it would have been for the average viewer. As a former psychotherapist, I kept trying to analyze Jack Nicholson's character in order to understand the story better. He appeared to either have a variety of personality disorders--including an avoidant personality (where he pretends to HATE everyone and pushes them away to avoid being hurt), an obsessive-compulsive personality (or perhaps an Obsessive-Compulsive Disorder) and probably a nice dose of either Asperger's or was just socially retarded. Regardless, this sort of person would NORMALLY live a very solitary and sad existence. However, the film manages to make it seem believable that a man like this could change...some...as well as find love. It's all very improbable but also very charming and sweet. And, later in the film rather oddly romantic. Additionally, the film is, at times, rather funny. Overall, a quirky and well-written film with some terrific acting.

A lot of other stuff has been written about this multi-Oscar-winning film....so I'll just end by saying my wife is 100% wrong...but I still think she's terrific.

"You make me want to be a better man."

I finally got around to watching this touching and funny film directed by James L. Brooks that stands out thanks to some wonderful performances and memorable characters. As Good As it Gets is proof that actions are louder than words because despite how cruel and mean Nicholson's character is, he does incredible and kind things for others. In a way this film reminded me of David O. Russell's Silver Linings Playbook as I found both films to be difficult to follow at first due to the lack of a likable character, but once we get to know who these people are we forgive their flaws and end up routing for them. Both Nicholson and Helen Hunt give excellent performances, and their Oscar wins were well deserved in my opinion. As Good As it Gets is the very definition of charm, and the screenplay written by Mark Andrus (Life As a House) shines thanks to some incredible performances. I really enjoyed this film and found myself laughing through most of the scenes. This is one more film I can eliminate from my shame list, and I'm glad I finally got to experience this romantic comedy which also has a lot to say about overcoming illness.

We are introduced to Melvin Udall (Jack Nicholson), a cranky but successful author who suffers from OCD. He lives on his own in a beautiful apartment where he spends most of his time writing. He always goes out on his daily breakfast ritual which consists of walking to a nearby cafe without touching anyone or stepping on any cracks. He always sits in the same place at the cafe and always demands to be served by the same waitress, whose name is Carol (Helen Hunt). Carol is actually the only one in the cafe who stands his constant outbursts and cruel comments. Melvin's daily routine changes through two events that end up affecting his life. First, his homosexual artist neighbor named Simon (Greg Kinnear) suffers an accident and Melvin unwillingly accepts to take care of his dog in his absence. Second, Carol's son, Spencer (Jesse James) gets ill and she quits her job. Not accepting the fact that Carol isn't there to serve him, Melvin tries to find her in order to restore order back to his life. These series of events force Melvin to change his routine and at the same time he forms an unlikely friendship with Carol and Simon proving that he isn't as bad as he seems to be.

The performances by each one of the talented actors are the heart and motor of this film. Jack Nicholson and Helen Hunt share an incredible chemistry together. It's funny how despite never being able to share his feelings towards her and always saying the wrong things, it becomes clear that she does inspire him to become a better person. The supporting cast is also incredible here, especially Greg Kinnear and Cuba Gooding Jr. who deliver several funny scenes. I was partial to Brooks's work considering I had only seen How Do You Know which didn't work for me and Spanglish which I did enjoy, but As Good As it Gets is without a doubt his best work thanks to an unbelievable cast. This is a smart and funny film, which also could be cruel at times, but it was well balanced. Despite the schmaltzy story it still worked thanks to the characters that carried this film. It's hard not to leave this film with a smile on your face.

and this movie can be watched again, and again, and again (at least by me).

By now, most people who watch movies are aware that this one practically swept the Oscars for the year it was produced. It won Jack Nicholson and Helen Hunt best Actor/Actress awards, came away with Best Picture and also Greg Kinnear won Best Actor in a Supporting Role for his portrayal of Simon Bishop, a sensitive gay artist.

Seventeen years later the movie stands up well because of its timeless quality. "As Good as it Gets" is a very tight story and performance by all the actors and there is not one moment, scene or actor wasted. The story centers around people's expressions more than most movies. One example is an elderly woman actress who has opened her apartment door to run an errand and her features contort in disgust when she happens upon Melvin Udall, the Jack Nicholson character who is about to do some mischief with his gay neighbor's dog.

Another example is Skeet Ulrich, who plays a street tough who somehow winds up doing a modeling job for Simon (Greg Kinnear) the gay artist. When Simon explains to Vincent (Ulrich) what he is looking for in a pose, Vincent's eyes widen and he murmurs "Wow." Moments later he nonchalantly delivers the type of pose Simon is looking for. Unfortunately, Simon and Vincent's association ends badly and creates a turning point for the movie.

There are also several layers of irony at play in the story. It is ironic that Melvin, a hardcore misanthropist mired in full-blown OCD can somehow deliver romance novels that women love and buy by the barrelful. Also ironic is that Melvin's character transformation begins when he must take care of Simon's dog, an adorable little Brussels Griffon.

It's also ironic that Carol, Helen Hunt's waitress character, works in a restaurant populated by actress-hopefuls who serve diners while striving for their big acting break. Some have stated that Hunt, a fetching but not-too-glamorous actress was too pretty for the role. However she was dressed down just enough for the role to make it work and her understated beauty comes into play in a big way later on in the story.

Finally there's Jack Nicholson. His portrayal of Melvin Udall stands out as one of his great performances because of all the subtle nuances. The shot of him holding Verdell the dog and cooing to him is one of the signature shots not only from the movie but from his whole career. Near 60 when the movie was produced, he comes across more fit and polished than usual, definitely more so that his portrayal of the raucous astronaut in Terms of Endearment, another one of his great performances, which had occurred 13 years earlier.

If you've never seen it what on earth are you waiting for? And if, like me you've seen it over and over, hopefully this review gives some new insight as to why "As Good as it Gets" is so gloriously watchable, over and over again.

Really, how to make something original, fresh and odd out of absolutely nothing except a few characters? Using characters, only characters and nothing except characters. That's the simple formula Brooks uses in all of his work, but, for me, he has never created so much charm, warmth and sensibility as he did in `As good as it gets'.

Characters write the screenplay in this movie, and everything that happens - happens because of what they are. They are nothing special – they are ordinary people we meet in the street every day and that have the same problems a lot of other people have. This movie presents the example of how much you can pull out of that. And if that is written as well as it is in this case, not even a happy ending can bother you. Because, in real life, shown here, what is the end?

Everything is good and warm in this movie, everything is fresh and vivacious, understandable and well performed. Jack Nicholson brings one of the best performances of his career, that terrific Helen Hunt finally got a chance to show how skilfully an actor can connect naturalism with the laws of the camera performance, and Greg Kinnear shows the most convincing emotions coming from a gay character I've ever seen.

The relationships between the characters are created in the way that you can't predict anything that's going to happen, eventhough you know in advance what could come out of their mouth and what kind of attitude they'll have in a certain situation.

You can simply feel the progressive collaboration that occurred between Brooks and the actors and the mutual understanding they developed, and it's not often that you see that kind of artistic superstructure shining on the screen so much as it does here.

I find `As good as it gets' complexed, vital, intelligent, emotionally deep and studied, fresh, original, amusing, cheerful, funny, and one of the best films of 1997.

Melvin is a romantic novelist who is a selfish manic compulsive who is rude and insulting to all he meets. When Melvin's gay neighbour is beaten up and robbed, Melvin agrees to look after his dog. The dog gives Melvin something to care about other than himself and his life is approaching normal until his regular waitress has to leave work to look after her asthmatic son and his neighbour wants his dog back. Melvin starts to realise that his life needs others for more than just selfish reasons.

The big Oscar winner for Jack is recent years is enjoyable if you come to it knowing what to expect. The film is very sentimental but in a good way. The film is gently comic and amusing and the characters (although exaggerated) are winning and involving. The telling is a little long winded at times and the film could have been shorter but it is still enjoyable. It does tip over into sickly sentimentality at times and can be a bit syrupy but it comes with the territory.

Nicholson is excellent and is the main reason it all works well. His un-PC Melvin is funny but also a character that you can hate and pity on several occasions. Kinnear is good because he is a solid understated character and not hammy or OTT like he can be. Hunt is good but is left with the majority of the syrup and sentiment where the other characters get more share of the laughs. Gooding Jr continues his trend of being good in over the top roles and is funny and happily avoids becoming a flaming gay stereotype.

Overall this is a sentimental romantic comedy that is typical for the genre. The story wanders to it's point but the good cast, led by a great Nicholson, hold the whole thing together. A superior piece of sentimentality.

This movie is bizarre because, while judged overall its story is shmaltzy and unbelievable, nevertheless each individual scene plays absolutely convincingly and feels very real. It's weird. I don't know if it's just the greatness of the actors overcoming an under-thought out script, or whether it's just the script concentrated solely on crafting great scenes one after the other, but not so much in coming up with a convincing through-line. Whatever. All I know is that this is one of the most entertaining pictures I've ever seen, extremely funny and quite emotionally affecting in places. Somehow, it just doesn't matter - I like it anyway.

The performances are uniformly excellent. Nicholson shows real range here - sure, he gets to be the sarcastic curmudgeon we've all come to expect, but his character also has moments of fear, repression and vulnerability which he brings off equally well. My problem with this character (and the "problem" only exists as I think about him afterward, not while I'm actually watching the movie) is in his conception: he seems to be whatever the writers want him to be at that moment, with no particular consistency from scene to scene so when he supposedly "changes" at the end, we're left to think, "Change? This guy's been changing through the entire movie!" And also, the fact that his character is a romance novelist is never really explained or examined in any way.

And yet, Nicholson's performance makes it not matter quite so much.

Helen Hunt is a revelation in this movie - she nails every scene she's in, whether she's forced to be witty, embarrassed, angry, defiant, emotionally overwhelmed, whatever. She keeps Jack on his toes, and they work off each other brilliantly. Also, I never thought I'd find myself saying this, but Greg Kinnear was great as Simon, the gay neighbor. (It was also nice to see director Harold Ramis - the third Ghostbuster, after all - in front of the camera again, if only briefly, in a small part as a doctor.)

What more can I say? Good comedy, good love story, great acting. None of it, in the end, is very convincing, but if you just focus on the individual moments and not on the grand design - a task made easy by the wonderful writing and playing - it's very easy to like As Good As It Gets.

"As Good As It Gets" boasts a splendid, delightful combination of wonderful, zesty acting and a remarkably bright and effective screenplay. Jack Nicholson is pitch-perfect as the obsessive-compulsive curmudgeon Melvin Udall, who possesses some of the strangest and most curious tendencies ever concocted by screenwriters; his Udall is so human, so heartfelt, so genuine, and so whimsical and Nicholson perfects him to such a degree that not a moment of his screen time is unwanted or uninteresting: in my valid opinion, this is Nicholson's best performance of his career, and one of the most reverent performances in film history. What an engaging, enthralling story: an troubled, insecure man helps a troubled, insecure waitress (troubled and insecure in different respects), and the two form an unlikely relationship from being distant acquaintances (Hunt even exclaims that Nicholson is crazy in their most uncomfortable moment in the film) to practical soul mates (Nicholson to Hunt: "I feel that I'm the only person that knows that you are the greatest woman alive"), through a series of misfortunes, self-explorations, and mutual bondings. Kinnear's character Simon has the distinct purpose in being both the bridge and the divider of Nicholson and Hunt's relationship, and he identifies with his character with compassion and understanding, as he has frequently been wronged throughout his existence. The most curious aspect to a story such as this, involving such unduly, diverse characters: a miserable recluse, a zesty, yet insecure waitress, and a sensitive and insightful, yet wronged homosexual, is that in their distinct differences, they share many of the same problems, and these problems eventually bring them all together, although hardly in a civilized manner. I appreciated practically every element in this wonderful, delightful masterpiece of exemplary romantic comedy, in its indelible acting (Oscars well deserved), its whimsical, touching screenplay (This was neons above "Good Will Hunting"'s quality) and its comforting morale, that despite all of the great odds in life which prevent us from being happy, we can perhaps find it within ourselves to take that one important step in reversing our fortunes, in "stopping with taking pills" and to allow our lives, and our desires to shine and be realized, as this story depicts life. The best romantic comedy, certainly the best film of 1997, and one of the greatest films of all time, "As Good As It Gets" succeeds in practically every entertaining and endearing cinematic respect. **** out of ****

Hollywood is currently a failure because even simple movies like this, they don't know how to write anymore. The old ways had writers who lived and interacted with people. Today's writers are in a bubble trying to impress each other. The old ways had diverse castings, writers and directors. The difference was before, it was putting the art first. Today? I haven't a clue. There's nothing on screen that looks like life around me. This movie is closer to what I know than anything they put out today. I was in my 20s when I saw this in movie theaters. Both leads are the reason I wanted to see this back then. This movie is smart, witty, has some heart and knows exactly what it is.

It's ironic that the ways in which this seems to have aged poorly-Melvin being homophobic, casually racist, and more-has actually made this movie more relevant. It forces you to think about every main character and the main theme is transparent and codified in dialogue: "You look at someone long enough, you discover their humanity."

A lot of reviews condemn Melvin, but the film actually never asks the question as to whether or not Melvin, in particular, deserves pity, sympathy, and empathy. Because everyone deserves that, even people like him. There is not any real altruism instilled in him, or arguably anybody, but simply by proxy, empathy and love is a transformative experience for everyone involved. That's what the move is about.

Not only that, but adjacent to OCD, which Melvin has, is Tourette's syndrome. I wish it had gone into whether or not any of his verbal compulsions stem from that, but it seems to imply that. Regardless, though, I think that his working toward reparations and his actions speak louder than his words. Surely a remote viewer of an audience can work to extend that kind of empathy to someone who is very challenging to extend it toward? In the time of political polarization and cancel culture and the like, regardless of how you feel about the message of the film, it is more pertinent and interesting and dynamic than most comedies. And no comedy is quite like this, that I've seen.

You'd swear JACK NICOLSON was playing himself, he's so on target with his character (Melvin Udall), a quirky, misanthropic writer who thumbs his nose at everyone with sharp wisecracks, delivered in that dull monotone he perfected so many movies ago. When he isn't shoving a cute dog down the incinerator chute or avoiding stepping on sidewalk cracks, he's just about the rudest patron any waitress (HELEN HUNT) could expect to meet up with. His eccentricities even extend to bringing his own silverware to his favorite restaurant and insisting that only one particular waitress serve his meals. Poor girl.

But the opposites attract cliché seems to be at work shortly after they meet and gradually learn to tolerate each other before romance enters the picture. Meanwhile, Nicholson finds time to be rude to his gay neighbors, GREGG KINNEAR and CUBA GOODING, JR. who share the same floor in his brownstone apartment building.

When it's all over, there's an uplifting, feel good feeling about the whole thing, despite the nastiness of Nicholson's character which is almost always played for laughs. All the players are excellent and each have their special moments. Nicholson and Hunt went on to win well deserved acting awards for their offbeat roles.

A cheerful, wacky look at those strange creatures called human beings.

I saw AS GOOD AS IT GETS in February 2016 and I liked it. I saw it for a second time in August 2019 and I liked it more. I re-watched it for a third and final time last March and I loved it even more. And since I like a lot Jack Nicholson (and some of my friends think that I look a bit like him in his younger years) I couldn't wait to finally review it here.

Melvin Udall (Nicholson) is a misanthropic and obsessive compulsive novelist that lives alone in his apartment. He is obsessed with having everything clean and in order, gets irritated easily even when his neighbours ring the bell or sees his gay artist neighbour's dog and when he goes to have breakfast in his favourite restaurant he avoids walking close to people in the sidewalks and instead of using the restaurant's cutlery, he bring his own silverware from home because he is afraid of germs. One day his neighbour Simon Bishop (Greg Kinnear) is robbed and nearly killed and while Simon is in hospital, Udall has to take care of his dog and while in the first times he couldn't stand it, he then becomes affectionated to him to the point that when Simon is released Udall has problems in giving back the dog. Melvin's life furtherly challenged when Carol (Helen Hunt), the waitress of his favourite restaurant, decides to work in Brooklyn closer to her home because of her son's health problems and Udall arranges to pay for the medical expenses necessary for Carol's son's condition, but she is a bit skeptical.

Since Simon is facing bankruptcy, Udall offers to accompany him to Baltimore and Carol joins them for lessening the awkwardness. Once in Baltimore, Carol insists to Frank that they have to go to dinner in a restaurant. During the dinner Udall's comments flatter and soon upset Carol, and she leaves. In the hotel room Simon starts to sketch her and this rekindles once again his desire to paint. After returning to New York Carol apologizes to Melvin about the rough things she said to him and in the end, they finally start a relationship (the movie ends with the couple walking together at 6 AM).

Jack Nicholson probably gives his best performance ever (closer to greatness only with the ones from SHINING and ONE FLEW OVER THE CUCKOO'S NEST) and he nailed the role of the misanthropic and obsessive compulsive writer to the point that only he could have played such a part well. Greg Kinnear, Helen Hunt and Cuba Gooding are all very good and give great support, and the dog was very adorable. And overall, the movie gives this great message: if you have to change for the love of someone, you can do it even with one step at a time, and I experienced it in real life too.

Don't miss it if you have a chance because of the acting and the messages it gives in a subtle manner. Very intelligent and witty.

Trio of star are at their worst playing irritable characters in the movie. One minute they'd be nice to each other, the next minute they'd be mad at each other without any apparent reason. The performances are exaggerated to the Nth degree.

Nicholson still acts with that too-familiar sly manner, but runs out of steam this time. He's thrown out of the restaurant where Hunt works for bad behavior, but after a few scenes, he sits in there enjoying his meal again. It's either the restaurant owner or writer-director of this movie is out of his mind. Besides, do you believe a waitress can have long chats with customer without getting warned by her boss?

As for the story, there're not enough events to sustain it; just full of ludicrous dialogue from irritating characters. The Oscar winners of this film should have learned how to make a better romantic comedy from "It Happened One Night" (1934).

Comedies (especially romantic comedies) can only be judged by how much they make you laugh and if they make you feel good inside. As Good As It Gets does it for me every time. I'm not just saying this on account of being a "Jack fan." The characters are so beautifully drawn, you forget it's just Jamie from "Mad About You" (Helen Hunt) and the man with the eyebrows (Nicholson). This movie deserved all of its Oscars, and then some. The role of an obsessive-compulsive is an easy one to parody and mock to death, but Jack does it with style, humour, emotion, and that usual Nicholson flair. Hunt has never been better as a waitress with a major anxiety to do something for herself for a change. Greg Kinnear is also very good as a gay artist that ends up having to turn to the irascible Jack for help after he is scarred and left destitute following a break-in. This is such a special comedy, fresh from the pen of James L. Brooks, the man behind the wonderful Terms of Endearment (another wonderful Nicholson performance) and Broadcast News. As Good As It Gets made me feel so good, even though I couldn't really relate to the characters' situations. The humor is pure Jack, set to the script with perfect ease. The emotions evoked by the actors are also authentic and heart-felt, as if they love what they are acting out. Movies like this come few and far between, and that is the reason why I appreciate this film so very much. As Good As It Gets was one of the best films of 1997. Rating: Four stars.

As Good As It Gets is one of those incredibly moving films that is also hugely entertaining. It's not just a comedy, you can't quite label it a drama piece, it just is what it is; simply great.

What works here so well are the actors and the script. Nicholson and Hunt both won Oscars and they're simply great but Kinnear is no less effective as Nicholson gay neighbour. Plus that dog is amazing as well. This film really relies on great performances and there's no shortage of that here.

As Good As It Gets is also remarkably well written. So well defined characters and completely involving, you quite simply grow to love them and sympathize with their plight. Nicholson's remarks are terrific, each one very quotable (personal fav; I think of a man and I take away reason and accountability).

Direction is first rate, Brooks made Terms of Endearment so it's well established that he's quite capable of making great films. As Good As It Gets is very nearly as good it gets.

Slightly confused by the high reviews. I felt bored a good bit of the movie (and I usually don't mind slow paced movies).

It was all fine but more in the category of other rom coms that are in the 5-6 range.

I also didn't like any of the characters. By the end, I was tired of watching them because their issues just got more and more annoying.

Its not bad but it's not anything special.

Jack Nicholson is one of those actors who impresses me the second (and I'm not overstating in the least bit) he appears on screen. The moment I see Jack's face on screen, I get this feeling that everything's going to be all right. He could do a Pauly Shore film, and elevate its quality with his mere presence. And I didn't even get to his acting.

Nicholson won a well-deserved Oscar for this movie. Then again, I feel like he deserves an Oscar for virtually everything he's been in. Hell, you can even give him an Oscar nod for "Anger Management." THAT'S how great he is! He's one of those actors who can communicate even more emotion when he's not saying anything than when he is. And of course, he has one of the coolest movie star voices ever, so it makes it a joy whenever he does speak. I still feel like "You can't handle the truth!" wouldn't be as priceless a line if Jack didn't yell it. He can say almost any line of dialogue and turn it into gold. In this movie it was "You make me wanna be a better man." Again, an otherwise forgettable line of dialogue made gold by Jack.

"As Good As It Gets" is a flawed film, with scenes that drag and an overlong running time, but it's highly enjoyable and altogether pretty well-written. Aside from its many hilarious moments, it's also quite touching. But I have to admit that it's the comedy that sticks out most in my memory. There's some priceless gags like when a Jewish couple is sitting at Jack's usual table. He first intrudes into their conversation saying, "People who speak in metaphors oughtta shampoo my crotch." He complains to Helen Hunt, his usual waitress, saying "I have Jews at my table!" He then intrudes in the couple's conversation again, noticing the food on their table, saying "Obviously your appetites aren't as big as your noses." Now, I probably wouldn't want to personally know a man like Melvin in my real life, but I still found those cracks to be hysterically funny. The same when he attacks Greg Kinnear's gay character with constant homosexual slurs.

The performances are great all-around. Though Jack pretty much steals the show, Greg Kinnear gives a wonderfully endearing performance. He doesn't play out the gay stereotypes, yet he's sensitive and feminine enough to have me convinced that he is gay (unlike Eric McCormack on "Will and Grace" who acts like he's gay for the sake of the show's gimmick). It's nice to see Kinnear rise from the host of "Talk Soup" and the thankless late night talk show "Later" to a fine actor. Previously, I wouldn't have any notion that he could become what he is now. Helen Hunt also gives a compelling, emotionally packed performance. And Shirley Knight, as her mother, provides a little bit of comic relief. Cuba Gooding Jr. has a small but interesting role, and he makes the best of it.

The film does have its dull moments, but Jack's one-of-a-kind performance makes it all worthwhile. There is nobody, and I mean NOBODY, who could've played Melvin better than him. I read in the trivia that John Travolta was originally offered the role. Now, I like Travolta, but in this type of role he wouldn't hold a candle to Jack.

My score: 7 (out of 10)

This film is adorable. I know this is a weird way to describe a film but I think for this one it works. Jack Nicholson is brilliant as a writer with OCD, he is completely believable in all his weird eccentricities and when he says something wrong you feel for him. Helen Hunt is great as well as Greg Kinnear, you can tell they both know that something is wrong with Nicholson's character and are trying to be kind to him and when they grow exasperated it feels earned. It's funny that a film with a Manic Compulsive, Mother and Gay Artist can be so genuinely heart-warming and one of the best romantic comedy's out there. An unusual combination that works perfectly, if you enjoy romantic comedies then give this one a go. It is great.

This is a perfect example of how a good rom-com should be. It avoids exaggeration and excessive sexual content, instead focusing on simplicity and sentimentality. The movie leaves you with a smile on your face, creating a heartwarming and satisfying experience.

Jack effortlessly balances Melvin's abrasive and vulnerable sides, making the character both unlikable and endearing.

Helen Hunt shines as Carol Connelly. Her chemistry with Jack creates engaging and heartfelt moments throughout the film.

Greg Kinnear truly deserves praise for his portrayal of Simon. His performance brings depth and emotional weight to the film's ensemble.

All three of them delivered Oscar-worthy performances that year. Jack and Helen won. Happy ending for the author & waitress couple :)

Greg received a nomination, but the award ultimately went to Robin Williams for his remarkable and timeless performance in Good Will Hunting - another outstanding portrayal.

"As Good as It Gets" explores themes of personal growth, the complexity of human relationships, and the impact of mental health on individuals and those around them. The film also delves into the transformative nature of love and the importance of embracing the imperfections in ourselves and others.

... which is rather strange since it is one of only seven films to win both Best Actor and Best Actress Oscars for its leads. But it is rather quirky and offbeat with unusual subject matter for a romantic comedy.

Melvin Udall (Jack Nicholson) is a misanthropic and obsessive-compulsive novelist living in New York City. He is abrasive and self absorbed past the point that being OCD could just explain it, or even being misanthropic. He goes out of his way to insult his neighbor, Simon Bishop (Greg Kinnear), a gay artist. And he also throws Simon's dog down the building's garbage chute. I'm a misanthrope, but I don't go around hurling slurs at people or hurting animals.

Among Melvin's compulsions is eating breakfast at a specific diner with a specific waitress, Carol Connely (Helen Hunt). Carol knows how to serve breakfast the specific way that will keep Melvin from having a conniption fit. But Carol's only son has a complicated allergy/asthma situation that her HMO doctors either aren't competent to diagnose or don't have the time to dedicate to solving it, so she's been missing work when her son is ill.

At the same time Simon is looking for subjects to pose for him when he sculpts, and he hires a model who turns out to have violent criminal tendencies and badly injures him.

These events all work to draw these three people together in a most interesting way, and they each wind up helping each other with their problems in unexpected ways.

The film's portrayal of New York City is as vibrant as its characters. The cinematography captures the energy and charm of the city, immersing viewers in its unique atmosphere and acts as a snapshot of New York City as it existed in the late 90s when it was going through a bit of a renaissance.

Special kudos to Cuba Gooding Jr. As Simon's agent who knows how to deal with Melvin by going into scary threatening mode. And also to Simon's dog, who winds up being a catalyst for change in Melvin. The dog should at least have gotten a supporting actor nomination.

"As Good As It Gets" has three great performances. Helen Hunt and Jack Nicholson deserved their Oscars. Greg Kinnear deserved his nomination.

The problem is that all of these performances could be in different movies. There is absolutely no glue holding these characters together. The direction appears to have been done scene by scene. There doesn't seem to be any story just scenes. The editing seems to have involved putting the film in a Blender and then putting it back together, piece by piece.

There are great moments though. Helen Hunt describing how she felt looking at a couple is a guaranteed tear-jerker. Helen Hunt bashing HMO's. Jack Nicholson buying a suit jacket from a doorway, washing his hands, and any scene with the dog. Greg Kinnear in the hospital, after he's beaten up. There are other good scenes as well.

"As Good As IT Gets" is worth seeing but it's barely a movie, just a jumble of scenes. James L. Brooks (the director and co-writer) obviously had a very hard time with this material.

This is a grossly overrated, overlong, sentimental film. It's meant to be a comedy, but isn't funny. None of the characters are likable - Helen Hunt's character is horrible. It's unbelievable that Jack Nicholson's character (who's selfish and dislikes everyone) would do anything to help his waitress or neighbour.