Stage Struck

Vermont girl Gertrude Langenfelder (Susan Strasberg) has come to New York City to be a Broadway star under the stage name Eva Lovelace. She's desperate to get any part with producer Lewis Easton (Henry Fonda). Joe Sheridan (Christopher Plummer) is the writer. Despite not liking the role, Rita Vernon (Joan Greenwood) is the leading lady.

This movie depends a lot on Susan Strasberg's performance. All I can say is that she enunciates her lines very knowingly. She's playing a part when the role requires her to be an IT girl. She has to be a newly born diamond outshining all the other diamonds. It's asking a lot and she struggles. I'm sure that her father taught her well but there is something innate about stardom. Every moment with her is a performance when she needs to simply be a superstar. The role may be classified as a try-hard but the actress cannot be just try-hard. The difference is the margin between functional and greatness. This movie has enough acting power to light up Broadway but Susan's flickering light leaves a dull spot at its center. The simple story is not original enough to overpower its flaws.

Although Susan Strassberg has been unfairly compared to Katharine Hepburn from the original Morning Glory, it's not quite a fair comparison. Forgetting that there is no one like Hepburn, Strassberg does do a decent job with the material given in Stage Struck. The problem is that the story has been changed and not for the better.

Romance was added to this production and it weakens the basic story of a young girl who is so single minded in her determination to be a success in the theater. The characters played by Adolphe Menjou and Douglas Fairbanks, Jr. in Morning Glory are now played by Henry Fonda and Christopher Plummer. The producer and the playwright now engage in a rivalry for Strassberg which weakens the story.

In the original Morning Glory it's made clear from the beginning that Menjou is a love 'em and leave 'em type and he's really got no interest in Hepburn in that direction as he sees she's not the type. Pipe smoking Fairbanks after Hepburn makes good would like to get something going with her, but she's into her art first and for always.

But Fonda and Plummer have a civilized rivalry for Strassberg and the story is which one will she choose. That I'm not telling.

Stage Struck has some nice location shots of New York in the late Fifties, Broadway and the Greenwich Village area and a bit of Park Avenue. Joan Greenwood is here as the star who falters and allows Strassberg her big break. Greenwood's quirky personality that British films utilized so well is strangely missing here. Herbert Marshall is great as the older actor that C. Aubrey Smith played in Morning Glory.

Stage Struck is a nice film, but definitely a come down from Morning Glory.

Susan Strasberg plays Eva Lovelace, an aspiring Broadway actress possessed by some theatric god that directs her to precisely pronounce and deliver each and every word with impeccable timing. She comes to New York by way of Vermont where she performed in numerous summer stock productions and her persistence and personality capture the attention of playwright Joe Sheridan (Peter Cushing) and actor Robert Marley Hedges (Herbert Marshall). Producer Lewis Easton (Henry Fonda) tells her to study the Actor's Studio (would that be Lee Strasberg's school of method acting?) but she doesn't want to dilute her gift by having it altered in an acting school. Strasberg's performance makes and at times almost breaks this picture. It manages to annoy and captivate, often simultaneously. When she delivers Juliet's lines on the stairway of Easton's swank townhome after drinking four or five glasses of Champaigne in front of a party of theater luminaries, it knocks you out. It is as if Eva Lovelace is playing Susan Strasberg. In any event, she (Strasberg) has an unusual beauty and sincerity that come shining through in spite of the theatrics.

Susan Strasburg was method acting guru Lee Strasburg's daughter.The film is peppered with acting luminaries such as Henry Fonda, Christopher Plummer and Herbert Marshall. I was however strongly reminded of a film on a rather similar theme "All about Eve" where again an ambitious young novice actress seeks to advance her career - at the expense of ageing actress played by Bette Davis. The screenplay by Joseph L. Mankiewicz has become immortal as in "Fasten your seatbelts, it's going to be a bumpy night! ".

Not one line of Stage Struck is memorable. My attention was only briefly attracted by something surely unintended around 30 minutes in. Strasburg, Fonda and Herbert Marshal perform part of a Shakespeare play. Henry Fonda was OK but Susan Strasburg quacked and gave no indication of promise even. But Herbert Marshall spoke his lines wonderfully. Marshal, I suddenly realised had wasted and misdirected his talents, not least here.

Interesting Herbert Marshall trivia: During the First World War, Marshall served ... with fellow actors Basil Rathbone, Ronald Colman, Cedric Hardwicke and Claude Rains. (Wikipedia) Coincidentally perhaps the greatest and most distinctive vocal talents in cinema history.

Strasberg gives what is perhaps one of the worst performances by an actress in an "A" film. Her acting is jaw-droppingly terrible, and "over-the-top" is too kind of a phrase. She obviously took her father's instruction to heart - he being Lee Strasberg of the Actor's Studio. The "waiting-for-the-reviews" party during the first thirty-minutes of the film actually contains a cring-worthy rendition of the famous balcony scene from "Romeo & Juliet."

Of course, director Lumet has a tendency to allow his performers to chew the scenery. Fonda is an exception, though. He provides his usual subdued interpretation. Plummer comes across quite nicely, as well.

However, the "romantic" conclusion is totally ridiculous, as there is zero chemistry between the characters who finally end up with one another.

I forced myself to watch this film till the end, but it wasn't easy. Not surprisingly, Strasberg's career eventually settled into "B" movies, and hammy TV roles.