Calendario de lanzamientosLas 250 mejores películasPelículas más popularesBuscar películas por géneroPelículas más taquillerasHorarios y entradasNoticias sobre películasNoticias destacadas sobre películas de la India
    Qué hay en la televisión y en streamingLos 250 mejores programas de TVLos programas de TV más popularesBuscar programas de TV por géneroNoticias de TV
    Qué verÚltimos tráileresTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbPodcasts de IMDb
    OscarsCannes Film FestivalStar WarsAsian Pacific American Heritage MonthSummer Watch GuidePremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
Atrás
  • Biografía
  • Premios
  • Trivia
IMDbPro
Bertrand Bonello in L'Apollonide (Souvenirs de la maison close) (2011)

Biografía

Bertrand Bonello

Editar

Resumen

  • Nacimiento
    11 de septiembre de 1968 · Niza, Alpes Marítimos, Francia
  • Altura
    1.69 m

Biografía

    • Bertrand Bonello nació el 11 de septiembre de 1968 en Niza, Alpes Marítimos, Francia. Es un escritor y director, conocido por The Beast (2023), Nocturama (2016) y L'Apollonide (Souvenirs de la maison close) (2011).

Familiar

  • Niños
      Anna Mouchette

Trivia

  • He has a daughter named Anna Mouchette with Josée Deshaies, born on May 24th 2003, in Cannes, during the festival, while Tiresias (2003) was in competition.
  • Professor at La Fémis (Paris)
  • He was a musician before being a director.

Citas

  • [press conference for Saint Laurent (2014) at the 2014 Cannes Film Festival] The first thing we thought about with Thomas [Thomas Bidegain] when we had to write the film was how, in the space of two and a half hours, we could deal with the whole life of somebody. So I felt it was necessary to focus on a shorter period and we felt that that decade was the most rich, exciting time in terms of fashion - we're talking about a fashion designer after all - and also in terms of his life. During this decade you have a bit of everything. Yves Saint-Laurent is still quite a young man and at the end of the decade, everything has been said, everything has been done.
  • For me a shot is like a note, and I always ask myself when I need to hit the next note. And the thing is always to make it surprising, without it becoming ostentatious - to hit the note either too early or too late, so as not to fall into something metronomic.
  • [press conference for L'Apollonide (Souvenirs de la maison close) (2011) at the 2011 Cannes Film Festival] If you're forming a group you need individuals, so each choice was dictated by very different reasons. There were some things I was looking for; the first thing was to have actresses who gave a contemporary look to the film while at the same time being credible as part of a film set in 1900. The second thing I was looking for was that this group, this ensemble did genuinely exist, but at the same time I wanted people who came from very different backgrounds because I didn't want the style, the acting to be too uniform. The first I think was Céline [Céline Sallette] - she was the first I chose - she comes from a classical acting background and I didn't want two actresses with that same type of background. So then I took Hafsia [Hafsia Herzi] who comes from a different background, Alice [Alice Barnole] who's never acted before. All these are parts of a puzzle. And then when you come to the last choice, which was Jasmine [Jasmine Trinca]; I chose Jasmine because she interested me as an actress and because she was the missing piece in the puzzle. A very pretty puzzle, and of course they had to be good actresses. The casting procedure took 8 or 9 months, between the choice of Céline and that of Jasmine.

Contribuir a esta página

Sugiere una edición o agrega el contenido que falta
  • Obtén más información acerca de cómo contribuir
Editar página

Más de esta persona

  • Ver los datos de contacto de agentes, publicistas, legales y de la empresa en IMDbPro

Más para explorar

Visto recientemente

Habilita las cookies del navegador para usar esta función. Más información.
Obtén la aplicación de IMDb
Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
Sigue a IMDb en las redes sociales
Obtén la aplicación de IMDb
Para Android e iOS
Obtén la aplicación de IMDb
  • Ayuda
  • Índice del sitio
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Sala de prensa
  • Publicidad
  • Trabajos
  • Condiciones de uso
  • Política de privacidad
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.