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Elliott Gould

Biografía

Elliott Gould

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Resumen

  • Nacimiento
    29 de agosto de 1938 · Brooklyn, Nueva York, Nueva York, Estados Unidos
  • Nombre de nacimiento
    Elliott Goldstein
  • Altura
    1.91 m

Biografía

    • Elliott Gould nació el 29 de agosto de 1938 en Brooklyn, Nueva York, Nueva York, Estados Unidos. Es un actor y productor, conocido por M*A*S*H (1970), La gran estafa (2001) y Un adiós peligroso (1973). Ha estado casado con Jennifer Bogart y Barbra Streisand.

Familiar

  • Cónyuges
      Jennifer Bogart(9 de junio de 1978 - 5 de septiembre de 1989) (divorciado)
      Jennifer Bogart(8 de diciembre de 1973 - 5 de octubre de 1975) (divorciado, 2 niños)
      Barbra Streisand(13 de septiembre de 1963 - 6 de julio de 1971) (divorciado, 1 niño)
  • Niños
      Jason Gould
      Molly Gould
      Samuel Gould
  • Padres
      Lucille Raver
      Bernard Goldstein

Marcas comerciales

  • Quirky nebbishes
  • Towering height
  • Characters often given to sarcastic quips
  • Characters he plays often smoke cigars
  • Very deep, rich, and baritone voice

Trivia

  • Has hosted Saturday Night Live (1975) six times.
  • Director Ingmar Bergman denounced Gould as "difficult" after the two worked together in El toque (1971) ("The Touch"), one of the great master's least memorable films.
  • The only actor to have a cameo appearance in more than one Muppet film: Los muppets (1979) and Los muppets toman Nueva York (1984).
  • His family were Jewish immigrants (from Romania, Belarus, and Russia).
  • Was a major box office star in 1970 and 1971, but according to Robert Altman, Gould hadn't been able to find a job for six months when he hired him for Un adiós peligroso (1973). Critic Hollis Alpert speculated that Gould's anti-heroic character was extremely popular with campus radicals, and once radicalism declined around the time of Richard Nixon's re-election in 1972, Gould's popularity also declined.

Citas

  • Success didn't change me. I was already distorted before I became a star.
  • [1970] The Oscars are some sort of masturbatory fantasy. People think: an Academy Award -- now if I get a parking ticket I don't have to pay it. I don't put the Award down. But, at my sanest, I would rather have a good three-man basketball game than sit here in my monkey suit.
  • I had come across a paperweight that had a quotation in it, that the greatest artist in the world is an uninhibited child at play. I subscribe to that, and then I mentioned it to a late, wonderful friend, Herb Gardner, who wrote "A Thousand Clowns," and his wife, and they said to me, "And Picasso." And I said: "You keep Picasso, and I'll keep the child. Because as far as I'm concerned, without the spirit of the child, I'm not interested." To save the day, I discovered that the quotation was made by Pablo Picasso.
  • My only enemy is me.
  • (2013, on working with the Ocean's Eleven cast) It was great. George Clooney is a fabulous guy. He's very generous, lots of fun, very intelligent. And he set the tone. Brad Pitt was a terrific guy, and I became friendly with Matt Damon and... well, everyone, really. But I really picked up on Casey Affleck during the film. I called him "Maestro." He bit his nails lower than I ever bit mine... and I used to bite mine to the quick! Originally, Alan Arkin was going to be playing the part that Carl Reiner played, but then Alan had some sort of medical situation and couldn't do it, so we got Carl. Bernie Mac was a great guy, and we miss him. It was great working with Steven Soderbergh and Jeffrey Kurland, who did the wardrobe. The choice of wardrobe, even the glasses, that was Jeffrey Kurland.

    I mentioned that I'm friendly with Casey, but I'd never really talked with Ben, so I decided to go to a gathering recently that George Clooney was having, a party for the cast of Argo. When I told Ben that I was there because I wanted to say hello and let him know how impressed I am with his craft, I think he was pleased, but then he asked me a question, which I thought was really great. He said, "Have you ever done anything in all of this that you were sorry you did?" And I took a moment, and I said, "No, because there's so many people dependent on our work for their living or their livelihood. You do something whether it works or whether it doesn't. Once you're committed and you do it, it becomes a part of your life. I wouldn't be sorry about it. I'd learn from it." So I felt that I was able to impart at least a little bit of wisdom to him.

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