The Works of Director M. Night Shyamalan

Writer, Producer & Actor: M. Night Shyamalan
Composer: Edmund Choi
Film Editor: Frank Reynolds
Cinematographer: Madhu Ambat
Negative Format: 35mm Eastman EXR
Budget: 750 Thousand USD
Budget AFI (2022): 1.5 Million USD

Writer: M. Night Shyamalan
Costume Designer: Bridget Kelly
Composer: Edmund Choi
Film Editor: Andrew Mondshein ACE
Production Designer: Michael Johnston
Cinematographer: Adam Holender ASC
Co-Producer: James Bigwood
Executive Producer: Randy Ostrow
Camera: Panaflex Platinum (35mm Eastman EXR 500T 5298)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 6 Million USD
Budget AFI (2022): 11.5 Million USD
Attribute: Filmed in Panavision

Writer: M. Night Shyamalan
Producers: Frank Marshall, Barry Mendel
Costume Design Supervisor: Joanna Johnston
Composer: James Newton Howard
Film Editor & 2nd Unit Director: Andrew Mondshein ACE
Production Designer: Larry Fulton
Cinematographer: Tak Fujimoto ASC
Cinematographer-Add'l Photog: David Golia
Executive Producer & UPM: Sam L. Mercer
Stunt Double (Bruce Willis): Terry Jackson
Stunt Coordinator: Jeff Habberstad
1st Assistant Director: John Rusk
2nd Assistant Director: Scott Robertson
Production Supervisor: Lynn Andrews
Supervising Art Director: Philip Messina
1st Assistant Art Director: Scott Murphy
2nd Assist Art Director: Charles McCarry
Storyboard Artist: Brick Mason
Supervising Set Decorator: Douglas Mowat
1st Assist Set Decorator & Buyer: Robert Holtzman
Key Costume Supervisor: Pam Wise
Prosthetic Makeup Artist: Richie Alonzo
A Camera Operator: Kyle Rudolph SOC
A 1st Assistant Camera: Baird Steptoe
A 2nd Assistant Camera: John Young
A Additional 2nd AC: Leon Sanginiti Jr
B Cam 1st Assist: Emil Clayton Hampton
B Camera 2nd Assistant: Daniel C. Cook
Post Production Supervisor: Paul A. Levin
1st Assistant Editor: John S. Cook
2nd Assistant Editor: Anne O'Brien
1st Apprentice Film Editor: David Reynolds
Additional 1st AE: Jennifer Davidoff Cook
Additional 2nd Assistant Editor: Gary Levy
Production Film Runner: Omar Williams
Location Projectionist: Dan Carter
Sup. Sound Design Editor Re-Record Mixer: Michael Kirchberger
Music Editor: Thomas S. Drescher
Add'l Sound Design Lead: Paul Soucek
Re-Recording Mixer: Billy Steele
Chief Lighting Technician: Scott Ramsey
Ass't Chief Lighting Technic: Steve Litecky
Rigging Gaffer: Craig Heston Ligget
Supervising Prop Master: Arthur Shippee
Assistant Prop Master: Joseph T. Conway
Add'l Props Lead: Kia Steave-Dickerson
Production Special FX Supervisor: Garry Elmendorf
Assistant SFX Supervisor: Steve Cremin
Production Special FX Foreman: Bill Lee
Production Coordinator: Tom Doc Boguski
Assistant Prod Coordinator: Kirsten Turner
Art Dept. Administrator: Sameena Usmani
2nd 2nd Assistant Director: Sonia Bhalla
Key Construction Grip: Duncan M. Spencer
Camera Scenic Lead: Stephen Siersema
Supervising Loc. Manager: Andrew Ullman
Assistant Loc. Manager: Patricia Taggart
Dialect Consultant: Lilene Mansell
Exec in Charge of Music: Kathy Nelson
Score Recordist & Mixer: Shawn Murphy
Electronic Score Producer: JT Hill
Orchestra Conductor: Pete Anthony
Orchestra Contractor: Sandy DeCrescent
Production Color Timer: Dan Valliere
Makeup FX Designer-Creator: Stan Winston
SWS Effects Supervisor: John Rosengrant
SWS Production Coordinator: Stiles White
DQI Senior DFX Supervisor: Tim Landry
DQI Senior VFX Producer: David McCullough
Filming Dates: 21 September 1998 - 13 November 1998
Camera: Panaflex Millennium (35mm Eastman EXR 500T 5298)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 40 Million USD
Budget AFI (2022): 70.1 Million USD
Titles + Opticals Designed & Produced by: The Picture Mill & Cineric
Makeup Effects Designed & Created by: Stan Winston Studio
Visual Effects Provided by: Dream Quest Images
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras & Lenses

Writer & Producer: M. Night Shyamalan
Costume Designer: Joanna Johnston
Composer & Score Orchestrations Lead: James Newton Howard
Film Editor: Dylan Tichenor ACE
Production Designer & 2nd Unit Director: Larry Fulton
Cinematographer: Eduardo Serra ASC AFC
Exec Producers: Gary Barber, Roger Birnbaum
Producer: Barry Mendel
Producer/Unit Production Manager: Sam Mercer
Supervising Stunt Coordinator: Jeff Habberstad
Stunt Double (Bruce Willis): Terry Jackson
Stunt Riggers: Brian Smrz, Jack Jane Brake
Stunt Performers: Deborah Habberstad, Gregg Smrz, Shirley Smrz
1st Assistant Director: John Rusk
2nd Assistant Director: Scott Robertson
Production Supervisor: Lynn Andrews
A Camera Operator: Gordon Hayman
A 1st Assistant Camera: Reginald Newkirk
A 2nd Assistant Camera: Paul Gibalisco
A Add'l 2nd Assistant Camera: Leon Sanginiti Jr
Steadicam Op & 2nd Unit DoP: Kyle Rudolph SOC
Steadicam 1st Assistant Cam: Patrick B. O'Brien
Remote Head Technician: Jason Hornbeck
Underwater Unit DoP: Michael Thomas BSC
Underwater Unit A 1st Assist Cam: Maryan Zurek
Supervising Art Director: Steve Arnold
Storyboard Artist: Brick Mason
Art Department Administrator: Sameena Usmani
Art Department Assistant: Nicole Marsella
Supervising Location Manager: Andrew Ullman
Assistant Location Manager: Richard Clark
Location Assistant: Daniel Rosenfelt
Set Decorator: Gretchen Rau
Assistant Set Decorator-Buyer: Ratface Holtzman
Key Costume Supervisor: Pam Wise
1st Assistant Editor: Ladd Lanford
1st Avid Assistant: Christopher Marino
2nd Assistant Editor: Marie Gaerlan
1st Apprentice Film Editor: Ulysses Guidotti
Location Projectionist: Dan Carter
Supervising Sound Designer-Editor: Richard King
Re-Recording Mixer: Michael Semanick
Chief Lighting Technician: Steve Litecky
Assistant CLT & Rigging Gaffer: Craig Ligget
Supervising Prop Master: Kevin Ladson
On-Screen CG Lead: Jakob Trollback
Production Special FX Supervisor: Steve Cremin
Special FX Assistant Supervisor: Roland Loew
Production Special Effects Foreman: Jeffrey Cox
Special Effects Office Assistant: Missy Moyer
Production Coordinator: Thomas Doc Boguski
Ass't Production Coordinator: Benjamin Goldberg
Production Visual FX Coordinator: Jodi Birdsong
Camera Scenic Lead: Nell Stifel
Music Editor: Thomas Drescher
Score Recordist & Mixer: Shawn Murphy
Music Supervisor: Susan Jacobs
Executive in Charge of Music: Kathy Nelson
Electronic Score Producer: James T. Hill
Score Orchestrations Leads: Jeff Atmajian, Brad Dechter
Score Conductor: Pete Anthony
2nd Unit 1st Assistant Director: Sherman Ward
2nd Unit 2nd Assistant Director: Joe Cacciotti
2nd Unit Train Coordinator: James Clark
2nd Unit Director of Photography: Steven Poster ASC
2nd Unit A Camera Operator: Scott Beatty
2nd Unit B Camera Operator: Doug Holgate
2nd Unit A 1st Assistant Camera: John Gazdik
2nd Unit B 1st Assistant Camera: Mark Gutterud
2nd Unit A 2nd Assistant Camera: Daniel Cook
2nd Unit B 2nd Assist Camera: Michael Kleiman
2nd Unit C 2nd Assist Camera: Michael Leonard
Production Color Timer: Dan Valliere
TSL Senior Visual FX Supervisor: Richard Hoover
TSL Senior Visual Effects Producer: Diane Fazio
TSL Senior Digital FX Supervisor: Darin Hollings
TSL Senior Compositing Supervisor: Marlo Pabon
TSL Senior Digital Effects Producer: Allyse Manoff
TSL Digital R&P Supervisor: Sandy Houston
TSL Art Director: Mike Meaver
TSL Digital Coordinator: Erik Muenker
TSL Assoc. Prod. Coordinator: Joanne Shinohara
TSL Visual Effects Editor: Thomas Bryant
TSL Digital Visual Effects Color Timer: Jay Cox
KNB Supervisors: Howard Berger, Greg Nicotero
Dedicated to: Elizabeth Lawrence
Filming Dates: 25 April 2000 - July 2000
Cameras: Panaflex XL, Millennium & GII (35mm Kodak Vision 320T 5277/500T 5279)
Lenses: Panavision Primo Anamorphic Primes, ALZ11 (48-550mm) Zoom & C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 75 Million USD
Budget AFI (2022): 125.9 Million USD
Printed on: Kodak Vision 2383
Score Recorded at: Air Lyndhurst Studios, London, England
Score Mixed at: Abbey Road Studios, London, England
Titles Designed & Produced by: Imaginary Forces
Visual Effects Provided by: The Secret Lab
Special Make-Up Effects Provided by: Kurtzman, Nicotero & Berger EFX Group
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision (as Cameras & Lenses)

Writer & Producer: M. Night Shyamalan
Composer: James Newton Howard
Production VFX Supervisors: Eric Brevig, Stefen Fangmeier
Costume Designer: Ann Roth
Film Editor: Barbara Ann Tulliver ACE
Production Designer: Larry Fulton
Cinematographer: Tak Fujimoto ASC
Producer: Frank Marshall
Producer & Unit Production Manager: Sam Mercer
1st Assistant Director: John Rusk
2nd Assistant Director: Alison Rosa
Storyboard Artist & 2nd Unit Director: Brick Mason
Supervising Stunt Coordinators: Jeff Habberstad, Brian Smrz
Stunt Rigger: Jack Jake Brake
Aerial Unit Helicopter Pilots: David C. Vogt, Alan Purwin
Production Supervisor: Lynn Andrews
Production Executive: Jose L. Rodrigues
A Camera/Steadicam Operator: Kyle Rudolph SOC
A Camera Technician: Baird Benton Steptoe Sr
A 2nd Assistant Camera: John Young
A Additional 2nd Assistant Camera: Leon S. Sanginiti Jr
B Camera Operator & 2nd Unit DoP: Patrick Capone
B Camera 1st Assistant: Carlos Guerra
B Camera 2nd Assistant: Jian Cong
Supervising Art Director: Keith P. Cunningham
1st Assistant Art Director: James Feng
2nd Assistant Art Director: Marion Kolsby
3rd Assistant Art Director: Scott P. Murphy
Art Department Administrator: Sameena Usmani
Art Department Assistant: Nicole Marsella
Artwork Designer (Bo Hess): Saleka Shyamalan
Supervising Location Manager: Andrew Ullman
1st Assistant Location Manager: Richard A. Clark II
Location/Studio Production Supervisor: Jim Scaife
Set Decorator: Douglas Mowat
1st Assistant Set Decorator: Christine Wick
Production Accountant: John Catron
Post Production Supervisor: Abigail Callahan
1st Assistant Editor/Avid: Joe Landauer
1st Assistant Editor/Film: Renannah Seliger
2nd Assistant Editor: Kate Eales
1st Apprentice Film Editor: J. Conor Guy
Location Projectionist: James D. Carter
Re-Recording Mixers: Lee Dichter, Michael Semanick
Supervising Sound Designer & Editor: Richard King
Chief Lighting Technician: Scott Ramsey
Assistant Chief Lighting Technician: Steve Litecky
Rigging Gaffer: Craig Heston Ligget
Supervising Prop Master: Kevin Ladson
1st Assistant Prop Master: R. Vincent Smith
2nd Assistant Props Lead: Kia Steave-Dickerson
Production Special Effects Supervisor: Steve Cremin
Special Effects Assistant Supervisor: William Lee
Special Effects Shop Foreman: Paul Sabourin
Production Coordinator: Thomas Boguski
1st Assistant Production Coordinator: Megan Fenerty
2nd 2nd Assistant Director: Kathryn Shertzer
Camera Scenic Lead: Nell Stifel
Music Editor: Thomas Drescher
Score Recordist & Mixer: Shawn Murphy
Orchestra Conductor: Pete Anthony
Score Orchestrations Leads: Jeff Atmajian, Brad Dechter
Electronic Score Producer: James T. Hill
Music Contractor: Sandy DeCrescent
2nd Unit 1st Assistant Director: Frank Ferro
2nd Unit Aerial A Camera Operator/Director of Photography: David B. Nowell ASC
2nd Unit Aerial B Camera Operator/Director of Photography: Brian Heller
2nd Unit 1st Assistant A Camera: Richard Brooks Burton
2nd Unit 1st Assistant B Camera: Jill Tufts
2nd Unit Location Assistant: Julian Ruhe
Production Color Timer: Jeff Smithwick
ILM Senior Visual Effects Producer: Jeff Olsen
ILM Associate Visual Effects Supervisor: Habib Zargarpour
ILM Sr Animation Supervisors: Rob Coleman, Huck Wirtz
ILM Compositing Supervisor: Eddie Pasquarello
ILM Sequence Supervisors: Joakim Arnesson, Hans Ulhig
ILM Senior Character Design Supervisor: Carlos Huante
ILM Digital Compositors: Jay Cooper, Sean MacKenzie, Jeff Sutherland
ILM Visual Effects Production Coordinator: Lisa Todd
ILM Sabre Artist: Orin Green
ILM Viewpaint Artist: Terry Molatore
ILM Location Unit Matchmove Artist: John Whisnant
ILM 3D Camera Matchmove Artist: Jeffrey Saltzman
ILM Digital Color Timing Supervisor: Kenneth Smith
ILM Visual Effects Editor: Greg Hyman
ILM 1st Assistant Visual Effects Editor: Carey Burens
ILM Mocap Technicians: Doug Griffin, Kevin Wooley
ILM Visual Effects Executive Producer: Chrissie England
ILM General Manager: Jim Morris
Dedicated to: Bill Nisselson
Filming Dates: 13 September 2001 - 29 November 2001
Cameras: Panaflex Millennium, Lightweight & Platinum (35mm Eastman EXR 100T 5248-Kodak Vision 500T 5279)
Lenses: Panavision Super Speed Z-Series MKII SL Primes & Ultra Speed Z-Series MKII SL Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 72 Million USD
Budget AFI (2022):
Printed on: Kodak Vision 2383
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Color Provided by: DuArt
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision

Writer & Producer: M. Night Shyamalan
Composer: James Newton Howard
Costume Designer: Ann Roth
Film Editor: Christopher Tellefsen ACE
Production Designer: Tom Foden
Cinematographer: Roger Deakins ASC BSC
Producer: Scott Rudin
Producer-Unit Production Manager: Sam Mercer
Gaffer: Bill O'Leary
DI Colorist: Steven J. Scott ASC
Filming Dates: 8 October 2003 - December 2003
Cameras: Arriflex 535B & Moviecam SL (35mm Kodak Vision2 500T 5218 & Vision 200T 5274)
Lenses: Cooke S4 Primes, Varotal 18-100mm Zoom & Cinetal 25-250mm Zoom
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 60 Million USD
Budget AFI (2022): 91.8 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects Provided by: Industrial Light & Magic + Illusion Arts
Distributed by: Walt Disney Studios Motion Pictures

Writer & Producer: M. Night Shyamalan
Costume Designer: Betsy Heimann
Composer: James Newton Howard
Film Editor: Barbara Ann Tulliver ACE
Production Designer: Martin Childs
Cinematographer: Christopher Doyle HKSC
Producer-Unit Production Manager: Sam Mercer
1st AC: Glenn Kaplan
Underwater Unit DoP: Pete Romano ASC
Gaffer: Bill O'Leary
Colorist: Olivier Fontenay
Filming Dates: 22 August 2005 - 21 October 2005
Cameras: Arricam LT, ST & Arriflex 435 (35mm Fuji Eterna 400T 8583/Kodak Vision2 Expression 500T 5229)
Lenses: Cooke S4 Primes, Angenieux Optimo 17-80mm Zoom & Optimo 24-290mm Zoom
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 70 Million USD
Budget AFI (2022): 100.3 Million USD
Printed on: Kodak Vision 2383

Writer & Producer: M. Night Shyamalan
Costume Designer: Betsy Heimann
Composer: James Newton Howard
Co-Producers: Jose L. Rodriguez, Deven Khote
Film Editor: Conrad Buff IV ACE
Production Designer: Jeanine Oppewall
Cinematographer: Tak Fujimoto ASC
EPs: Roger Birnbaum, Gary Barber
Producer & UPM: Sam L. Mercer
Producer: Barry Mendel
Sup. Stunt Coordinator: Jeff Habberstad
Assist Stunt Coordinator: Myke Schwartz
Stunts: Debbie Habberstad
Aerial Unit Heli Pilots: William Richards, Tim Orr, Jack Jeffris
Production Puppeteer: Keith Christensen
1st Assistant Director & AP: John Rusk
2nd Assistant Director: Tudor Jones
2nd Unit Director & Pic Mill CS: Will Lebada
Production Supervisor: Jim Scaife
Production Coordinator: David Raynor
Assist Prod Coordinator: Erin Engman
Production Accountant: Mark Mayer
Supervising Art Director: Tony Dunne
Supervising Set Decorator: Jay Hart
1st Assistant Set Decorator: Christine Wick
3rd Asst Art Director: Miguel Lopez-Castillo
Storyboards Lead: Brick Mason
Art Department Coordinator: Claire Kirk
A Camera Operator: Kyle Rudolph SOC
1st Assistant A Camera: Brad Steptoe
2nd Assistant A Camera: Markus Mentzer
Add'l 2nd Ass't A Camera: Leon Sanginiti
Splinter Unit B Cam Op & DoP: Pat Capone
1st Assist Camera (B Camera): Ed Nessen
2nd Asst. Cam (B Camera): Angela Bellisio
Camera Prod. Assistant: Jonathan Hager
2nd 2nd Assist Director: Chris De Angelis
Post Production Supervisor: Lauren Scott
1st Assistant Editor: Carole Ann Kenneally
2nd Assistant Editor: Daniel Boccoli
3rd Assistant Editor: Sharon Smith Holley
Editorial Prod Asst.: Luke Franco Ciarrocchi
Production Film Runner: Man Johnson
Production Film Projectionist: Will Horton
Supervising Music Editor: Jim Weidman
Production Music Editor: David Olson
Synth Score Programming Leads: Stuart Michael Thomas, Chris Bacon, Matt Ward, Dave Holden
Score Orchestrators: Brad Dechter, Jon Kull, Jeff Atmajian
Orchestra Conductor: Pete Anthony
Orchestra Contractors: Sandy DeCrescent, Peter Rotter
Head of Music Preparation: Mark Graham
Score Recordist & Mixer: Alan Meyerson
Score Recordist: Adam Michalak
Sup. Sound Editor & Designer: Paul Uttman
Sound Effects Editor: Wyatt Sprague
Supervising Prop Master: James Mazzola
Assistant Prop Master: David Schanker
3rd Props Lead: Sharon Potts
Lead Costume Supervisor: Nick Scarano
Costume Supervisor (NY): Rachel Leek
QC FX Make-Up Effects Producer: Christian Beckman
QC FX Designer: Steve Koch
ILM Senior Visual FX Supervisor: Ed Hirsh
ILM Senior Visual FX Producer: Jeff Olsen
ILM Sr Comp Supervisor: Patrick Brennan
ILM Sr Visual Effects Editor: Greg Hyman
ILM Production Supporter: Brian McGraw
ILM Prod Manager: Katherine Farrar Bluff
Café FX Senior VFX Supervisor: Dave Ebner
Café FX VFX Producer: Richard Ivan Mann
Café FX Sr Comp Supervisor: Jeff Goldman
Café FX Associate Producer: Les G. Jones
Café FX Managing Editor: Desi R. Ortiz
Café FX Prod Execs: Jeff Barnes, OD Welch
Café FX Visual Effects Editor: Jon Alvord
Café FX VFX Coordinator: Wendy Hulbert
Café FX Exec Prod: Vicki Galloway Weimer
Picture Mill Art Director: Bradford Berling
Picture Mill Lead Designer: Grant Nellessen
Pic Mill Lead Animator-Compositor: Akemi Abe
Picture Mill Producer: David Midgen
Gaffer: Scott Ramsey
Supervising Rigging Gaffer: Rocco Palmieri
Best Boy Rigging Gaffer: Lowell Schulman
Production SFX Coordinator: Steve Cremin
Special Effects Shop Foreman: Bill Lee
Special FX Set Foreman: David Blitstein
Supervising Loc. Manager: Andrew Ullman
Location Scout: Tim Downs
Unit Prod Manager (LA Unit): Sharon Mann
LA Unit 1st Assistant Director: Alan Curtiss
LA Unit 2nd Assistant Director: Ryan Craig
LA Unit Location Manager: Murray Miller
LA Unit Assistant LM: Miguel Gutierrez
LA Unit Prod. Coordinator: Stacy Parker
LA Unit Art Director: John Demeo
LA Unit Gaffer: Jim Cox
NY Unit Prod. Supervisor: Lyn Pinezich
NY Unit Location Manager: Keith Adams
NY Unit Prod. Coord.: John De Simone
NY Unit Assist Loc. Manager: Chris Coyne
Line Producer (Paris): John Bernard
Paris Unit Prod Manager: Gilles Castrera
Paris Unit Art Director: Anne Seibel
Paris Unit Prop Master: Philippe Behar
Paris Unit A Cam Operator: Roger Simonsz
Paris Unit Steady Operator: Michel Rodas
Paris Unit Gaffer: Simon Berard
Filming Dates: 6 August 2007 - November 2007
Cameras: Arriflex 435, Panaflex XL2, GII & Millennium (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 48-60 Million USD
Budget AFI (2022):
Special Effects Make-Up Designed by: Quantam Creation FX
Visual Effects & Animation Provided by: Industrial Light & Magic, Café FX + Picture Mill
Color & Prints Provided by: Deluxe
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras & Lenses

Producer & Screenwriter: M. Night Shyamalan
Producer & Story Writer: Will Smith
Producers: Jada Pinkett Smith, James Lassiter
2nd Producer: Caleeb Pinkett
Screenwriter: Gary Whitta
Co-Writer: Stephen Gaghan
Executive Producer: E. Bennett Walsh
Cinematographer: Peter Suschitzky ASC BSC
Production Designer: Tom Sanders
Film Editor: Steven Rosenblum ACE
Production VFX Supervisor: Jonathan Rothbart
Costume Designer: Amy Wescott
Composer: James Newton Howard
Co-Producer: Ashwin Rajan
Co-Producer & 1st AD: John Rusk
Filming Dates: 6 February 2012 - May 2012
Camera: Sony CineAlta F65 (4K F65 RAW)
Lenses: Cooke S4 Primes & Angenieux Optimo Zooms
AR: 2.39:1 (Super 35mm)
Budget: 130 Million USD
Printed on: Fuji Eterna-CP 3514DI

3rd Executive Producer: M. Night Shyamalan
Writer & Executive Producer: Chad Hodge
Consulting Producer: Blake Crouch
Producer: Ron French
Executive Producer: Donald De Line
2nd Executive Producer: Ashwin Rajan
Co-Producer: Kathy Frank
Co-Executive Producer: Rob Fresco
Cinematographer: Amelia Vincent ASC
Production Designer: Curt Beech
Episode Editors: Elizabeth Klino, Michael Ruscio ACE
Add'l Episode Editors: Don Crotzer, Leo Trombetta ACE
Production Manager: Craig Forrest
1st Assistant Director: John Rusk
2nd Assistant Director: Jennifer Nelson
Composer: Charlie Clouser
Costume Designer: Mary E. Vogt
Set Decorator: Theodore Kuchera
Art Director: Michael Wong
A Camera Operator: Dean Heselden
B Camera Operator: Todd Elyzen
Chief Lighting Technician: Steve Taylor
Key Grip: Vince Phillips
Location Manager: Al Carr
Prop Master: David Dowling
Production SPFX Coordinator: Bill Ryan
Stunt Coordinator: Ernest Jackson
Production Coordinator: Jennifer Aichholz
Post Prod Supervisor: Michael Strong
Post Prod Coordinator: Mia Niebruegge
Post Production Assistant: Randall Smith
Production VFX Supervisor: Terry Wendell
Production VFX Producer: Steve Melchiorre
Music Supervisor: Gary Calamar
Filming Dates: 19 August 2013 - 14 February 2014 (Entire First Season)
AR: 1.78:1 (Super 35mm)
Visual Effects Provided by: Zoic Studios
Distributed by: Disney-ABC Domestic Television

Producer & Writer: M. Night Shyamalan
Music Supervisor: Susan Jacobs
Costume Designer: Amy Wescott
Film Editor: Luke Ciarrocchi
Production Designer: Naaman Marshall
Cinematographer: Maryse Alberti
EPs: Steven Schneider, Ashwin Rajan
Producers: Marc Bienstock, Jason Blum
Composer - Epilogue Theme: Paul Cantelon
Camera: Canon EOS C300 (1080p/24 MPEG-2 4:2:2)
AR: 1.85:1 (Spherical)
Budget: 5 Million USD

Writer & Producer: M. Night Shyamalan
Composer: West Dylan Thordson
Music Supervisor: Susan Jacobs
Costume Designer: Paco Delgado
Film Editor: Luke Ciarrocchi
Production Designer: Maria LePare-Schloop
Cinematographer: Michael Gioulakis
EPs: Steven Schneider, Ashwin Rajan, Kev Frakes
Producers: Marc Bienstock, Jason Blum
Filming Dates: 11 November 2015 - April 2016, June 2016 (Reshoots)
Camera: Alexa XT (2.8K ARRIRAW)
Lenses: Arri Master Primes, Fujinon Alura Zoom & Angenieux Optimo Zoom
AR: 2.39:1 (Super 35mm)
Budget: 9 Million USD
Distributed by: Universal Pictures

Writer & Producer: M. Night Shyamalan
Composer: West Dylan Thordson
Composer (Original Themes): James Newton Howard
Music Supervisor: Susan Jacobs
Costume Designer: Paco Delgado
Film Editors: Luke Ciarrocchi, Blu Murray
Production Designer: Chris Trujillo
Production Designer (Pool Flashback Crew): Alan Lampert
Cinematographer: Michael Gioulakis
Cinematographer ("Unbreakable" Footage): Eduardo Serra ASC AFC
Executive Producer & UPM: Steven Schneider
Exec Producers: Gary Barber, Roger Birnbaum
Producer & Unit Prod Manager: Marc Bienstock
Producer: Jason Blum
Unit Production Manager: John B. West
1st Assistant Director & Co-Producer: John Rusk
2nd Assistant Director: Alison C. Rosa
Supervising Stunt Coordinator: Manny Siverio
Lead Stunt Rigger: Roberto Lopez
Associate Producer: Dominic Catanzarite
Post Production Supervisor: Matthew Shapiro
Sup. Sound Editor-Re-Record Mixer: Skip Lievsey
A Cam & Steadicam Operator: Kyle Rudolph SOC
A Camera 1st Assistant: Scott Johnson
B Camera 1st Assistant: Michael Leonard
A Camera 2nd Assistant: Leon S. Sanginiti Jr
B Camera 2nd Assistant: Jim McCann
Loader: Sean Galczyk
Libra Head Tech: Jason Cortazzo
Underwater Unit DoP: Ian Seabrook
Underwater Unit A Cam 1st Asst.: Thomas Greco
Underwater Unit B Cam 1st Asst.: David William McDonald
Chief Lighting Technician: Ryan 'Sparky' Lynch
Rigging Gaffer: John Keating
Special Makeup FX Designer-Creator: Mike Maddi
Supervising Art Director: Jesse Rosenthal
Set Designer: William Lance
Art Department Coordinator: Dave Kellom
Graphic Artist: Mike Pantuso
Art Production Assistant: Justine Frank
Storyboard Artist: Brick Mason
Set Decorator: Olivia Peebles
Supervising Prop Master: Tim Linden
Assistant Prop Master: Benjamin J. Woodward
Camera Scenic Lead: Nancy Stroud
Production Special FX Coordinator: Patrick White
Production Special Effects Foreman: Kurt Wunder
Production Special FX Technician: Dane D. Wilson
Production Coordinator: Jay Rogers
Assist Production Coordinator: Trish McMiniment
2nd 2nd Assistant Director: Blair Howley
Additional 2nd Assistant Director: Findlay Zotter
Key Set Production Assistant: Chris Wright Jr
Basecamp Production Assistant: Ana Drasinover
Set Intern: Roya Alidjani
Supervising Loc. Manager: Staci Hagenbaugh
1st Assistant Editor: Kathryn Cates
2nd Assistant Editor: Kevin RW Murphy
Re-Record Mixer-Sound Designer: Sean Garnhart
Dolby Sound Consultant: Paul Capuano
Assistant Music Supervisor: Jackie Mulhearn
Music Editor: Suzana Peric
Powerhouse VFX Sr VFX Supervisor: Ed Mendez
Powerhouse VFX Executive Producer: Bob Lowery
Powerhouse VFX General Manager: Christopher Kenneally
Powerhouse VFX Supervisor: Ruben Rodas
Powerhouse VFX CG Supervisor: Dan Bornstein
Powerhouse VFX On Set VFX Supervisors: Mark O. Forker, Christopher Riemann
Offsite Prod. Lead UI Designer: Alex Delany
Filmograph Title Designer: Aaron Becker
Filmograph Executive Producer: Seth Kleinberg
Filmograph Producer: Troy James Miller
Filmograph Add'l Design Lead: Kenneth Kegley
Supervising Digital Colorist: Michael Hatzer ASC
2nd Finishing Colorist: Chris Jensen
Assistant Finishing Colorist: Jason Myres
Sr. DI Finishing Producer: Bob Peishel
Associate DI Finishing Producer: Travis Avitabile
DI Visual Effects Producer: Denise Woodgerd
DI Finishing Editor: Everette J. Bob Webber
Technicolor Project Manager: Ladd Lanford
Color Science Lead: Christian Zak
Technicolor Dailies Colorist: Chris Giuffrida
Technicolor Engineer (Dailies): Chris Armstrong
Technicolor Dailies Op Lead: Chris Van Duyn
Project Manager (Technicolor PW NY): Jeff Reed
Post Prod Account.-Head of Finance: Adam Leach
2nd AD (Pool Flashback Crew): Dan Makjut
2nd 2nd AD (Pool Flashback Crew): Drew Ritson
Stunt Coordinator (Pool Flashback Crew): Chris Columbo
Underwater Unit DoP (Pool Flashback Crew): Ian S. Takahashi SOC
HydroHead Tech (Pool Flashback Crew): Pete Lee
CLT (Pool Flashback Crew): Michael Silver
Art Director (Pool Flashback Crew): Krissy Porter
Set Decorator (Pool Flashback Crew): Ali Froling
Prop Master (Pool Flashback Crew): Susannah McCarthy
PC (Pool Flashback Crew): Elizabeth A. Dennis
APC (Pool Flashback Crew): Rebekah M. Erford
Production VP of Operations: Lisa Liberati
Filming Dates: 2 October 2017 - 9 November 2017, January 2018 (Add'l Photography)
Cameras: Alexa Mini, SXT & Panaflex XL (3.4K ARRIRAW + 35mm Kodak Vision 320T 5277 & 500T 5279)
Lenses: Panavision Primo Anamorphic Primes, Arri Master Primes, Angenieux Optimo Zoom & Fujinon Alura Zoom
AR: 2.39:1 (4-Perf S35mm)(Anamorphic: Scenes From "Unbreakable")
Budget: 20 Million USD
Visual Effects Provided by: Powerhouse VFX
User Interface Design Provided by: Offsite Productions
Main & End Titles Designed + Produced by: Filmograph
Distributed by: Universal Pictures
Attribute: Filmed in Panavision

Screenwriter & Producer: M. Night Shyamalan
Producer & Unit Production Manager: Marc Bienstock
Producer: Ashwin Rajan
Executive Producer: Steven Schneider
Cinematographer: Michael Gioulakis
Production Designer: Naaman Marshall
Film Editor: Brett M. Reed
Composer: Trevor Gureckis
Composer (Add'l Music): Jay Wadley
Music Supervisor: Susan Jacobs
Costume Designer: Caroline Duncan
1st Assistant Director: Tudor Jones
2nd Assistant Director: Darrin Brown
Stunt Coordinator: Manny Siverio
Assistant Unit Production Manager: Jon D. Wagner
Supervising Art Director: Wilhem Perez
3D Designer (Art Department): Oliver Lara
Set Decorator: Karen Frick
Assistant Set Decorator (DR): Adria Victoria
Set Dec Scenic Lead (DR): Carlos Manuel Reyes
Supervising Prop Master: Robbie Duncan
1st Assistant Prop Master: Jefry Shebroe
2nd Assistant Props Lead: Darcy Healy
Prop Master (DR): Brandon Russo
1st Assistant Prop Master (DR): Carol Garcia
A Camera Operators: Ben Verhulst, Nick Muller
2nd Unit Director of Photography: Francisco Valdez
B Camera 1st Assistant: Jacqueline Stahl
A Camera 2nd Assistant: Van Nessa Manlunas
B Camera 2nd Assistant: Blake Hooks
Loader: Harry Heng
Camera Utility Lead: Lacey Cates
Underwater Unit A Camera Operator & Director of Photography: Ian Seabrook
Underwater Unit A Camera Technician: David McDonald
Supervising Chief Lighting Technician: Ryan Lynch
ACLT: Mark Farney
Chief Lighting Technician (DR): Nelson Rojas
Best Boy Electric (DR): Michael Carrero
Supervising Key Grip: Ben Griffith
Aerial Unit A Camera Operator: Pablo Barrera
FX Makeup Designer: Tony Gardner
2nd Unit Director: Ishana Night Shyamalan
Supervising Location Manager: Reinaldo Bisono
Storyboard Artist: Brick Mason
Production Supervisor: Corey Bello
Production Coordinator: Taylor Morgan
Production Manager (DR): Kendy Calcano
Production Coordinator (DR): Rochely Salvador
1st Assistant Director (DR): Gabriella La Torre
2nd Assistant Director (DR): Amalia Ramirez Atiles
1st Assistant Director (2nd Unit DR):Patricia Ramirez
International Film Runner: Josh Warshaw
Picture Car Coordinator: Hector Dario Gutierrez
Covid Health & Safety Supervisor: Johandy Cespedes
Post Production Supervisor: Christopher Clemente
1st Assistant Editor: Jeffrey Steinkamp
Post Production Accountant: Dee Schuka
Re-Recording Mixer: Skip Lievsey
Sup. Sound Designer, Editor & Re-Recording Mixer: Sean Garnhart
Score Production Supervisor: Matt Nelson
Filmograph Title Designers: Aaron Becker, Joseph Ahn
Filmograph Title Executive Producer: Seth Kleinberg
Filmograph Title Producer: Troy James Miller
CEFX Senior Visual Effects Supervisor: Craig Crawford
CEFX Senior Visual Effects Producer: Jeremy Beadell
CEFX Senior Compositing Supervisor: Rob Liscombe
CEFX Senior CG Supervisor: Travis Pinnonsault
Powerhouse VFX Senior VFX Supervisor: Edwardo Mendez
Powerhouse VFX Production Manager: Sara Woomer
Powerhouse VFX Coordinator: Rashida Nasir
Powerhouse VFX CG Supervisor: Dan Bornstein
Vitality VFX Executive Producer: Guy Botham
Vitality VFX Producer: Rebecca West
Vitality VFX Supervisor: Jiwoong Kim
Vitality VFX Editor: Diego Manssur
Vitality VFX Lead Compositor: Yoonha Jung
Pic Shop Supervising Digital Colorist: Michael Hatzer ASC
Picture Shop Digital Finishing Colorist: Chris Jensen
Picture Shop Assistant Finishing Colorist: Kevin Schneider
Picture Shop DI Finishing Editor: Everette J. Bob Webber
Picture Shop DI Finishing Producer: Julian McDougald
Picture Shop DI Project manager: Ladd Lanford
Picture Shop Visual Effects Producer: Denise Woodgerd
Picture Shop Lead Imaging Technician: Todd Mitchell
Picture Shop Imaging Technician: Eric Chilpa
Production Theatre Technician: EJ Feulner
Production Head of Finance: Adam Leach
Production Manager (Add'l Photog; DR): Ivan Reynoso
1st AD (Additional Photography): Yinna De La Cruz
Lead Gaffer (Additional Photography): Scott Moody
1st Assistant Camera (Add'l Photog): Bas Tiele
2nd Assistant Camera (Add'l Photog): Robert Gilpin
Film Loader (Additional Photography): Keith Brondson
Filming Dates: 26 September 2020 - 15 November 2020
Cameras: Arricam LT & ST (35mm Kodak Vision3 250D 5207 & 500T 5219)
Lenses: PanArri Master Primes
AR: 2.39:1 (3- & 4-Perf Super 35mm)
Budget: 18 Million USD
Visual Effects Provided by: Powerhouse VFX, Cadence Effects, Mist VFX Studio Vitality VFX
Shot on: Kodak Film
Attribute: Filmed in Panavision

Screenwriter & Producer: M. Night Shyamalan
Casting Director: Douglas Aibel CSA
Costume Designer: Carline Duncan
Music Supervision: Susan Jacobs
Composer: Herdís Stefánsdóttir
Film Editor: Noemi Katharina Preiswerk
Production Designer: Naaman Marshall
Directors of Photography: Jarin Blaschke, Lowell A. Mayer
Cinematographer, BTS: Eliu Cornielle
Co-Producers: Jeff Robinson, Andreas Zoupanos Kritikos
Executive Producer: Christos Konstantakopoulos
Executive Producers: Steven Schneider, Ashley Fox
Producer/Unit Production Mgr.: Mark Bienstock
Producer: Ashwin Rajan
Screenplay Writers: Steve Desmond, Michael Sherman
First Assistant Director: Adam Druxman
Second Assistant Director: Larissa Malarek
Stunt Coordinator: Manny Siverio
Stunt Double, Dave Bautista: Esteban Cueto
Production Supervisor: Jason Salzman
Art Director: Dave Kellom
Assistant Art Director: Vince Mountain
Set Decorator: Karen Frick
Assistant Set Decorator: Jeno Delli Colli
Art Department Coordinator: Niki Cash
Graphic Designer: Cott Purcell
Art PA: Ryan Clark
Set Decoration Coordinator: Carl Counts
On-Set Dresser: John Nunn
Additional On-Set Dresser: Mike Atkinson
Rigging Grip, AP/Set Dresser Foreperson: Todd Swinski
Supervising Prop Master: Robbie Duncan PMG
Assistant Prop Master: Stu Probst
Assistant Prop Master / Armorer: Jerry Shebroe
Props PA: Bria Marie O'Brien
Picture Car Coordinator: Larry Oscar
Picture Car Mechanic: Paul Hlavac
A Camera Operator: Brad Crosbie
A Camera First Assistant: Norris Fox
A Camera Key Second Assistant: Jonathan Clark
A Cam Second Second Assistant: Leon Sanginiti
B Camera Operator: David Taicher
B Camera First Assistant / VFX Plate Unit A 1st Assistant Camera: Michael Leonard
A & B Camera Film Loader: Sean Galczyk
Video Assist Engineer: Christopher Murphy
Video Utility Assistant: Arthur Cipollone
Production Sound Mixer: Dave Schwartz
Boom Operator: Graham Gardner
Sound Utility Technician: Dylan Henning
Storyboard Artist: Brick Mason
Chief Lighting Technician: Paul Postal
ACLT: David "Daddy-O" Carreira
Best Boy Electric: Russ Wade
Rigging Gaffer: Zac Kind
Rigging Electric Best Boy: Eric Glynn
Data Tech: Mike Haskell
Overall Supervising Key Grip: Kimberly Stuart
Additional Key Grip: Kevin Carlisle
Dolly Grip: Ian O'Neill
Key Rigging Grip: Rob Mock
Best Boy Rigging Grip: Ryan Callahan
Scorpio Head Tech: Lance Reick
Prod. SPFX Coordinator: Patrick "Squares" White
Pyro Foreperson, SPFX: Dane Wilson
SPFX Set Foreperson: Raymond "Jake" Henry
SPFX Set Technician: Duncan MacDonald
SPFX Rigging Foreperson: Tim Lynch
SPFX Shop Foreperson: Michael Frechette
SPFX Shop Technician: Mike Ford
SPFX Swing Foreperson: Rory MacDonald
Prod. SPFX Technicians: Ken Herman, Jeff Tanner
Assistant Costume Designer: Sarah Bacot
Costume Supervisor: Francisco Stoll
Key Costumer: Angeline Zeigler
Set Costumer: Kelly Brown
Truck Costumer: Jessica McKenzie
Costume Coordinator: Ary Matteazzi
Costume PA: Rebecca Rummelt
DTD FX Makeup Designer: Joshua Turi
Script Supervisor: Robb Foglia
Production Location Manager: Staci Hagenbaugh
Key Assistant Location Manager: Chris Gormley
Parking Coordinator: Brian Roman
Assistant Parking Coordinator: Nick Montoya
Locations Parking Prod Assistant: Setty Brosevelt
Production Accountant: Hye Son Kim
First Assistant Accountant: Billy Chi
Second Assistant Accountant: Lisa Kurk
Payroll Accountant: Evelyn Chu
Payroll Clerk: Joanne Jung
Accounting Clerk: David Albahae
Production Coordinator: Bjorn Arnesen
Assistant Production Coordinator: Sam Rossman
Casting Associate: Matthew Glasner
2nd 2nd Assistant Directors: Marisa Taylor, Anthony Keating
Construction Coordinator: Paul Maiello
Construction Office Coordinator: Fatima Saeed
On-Set Scenic Artist: Michael McMahon
Health & Safety Supervisor: Brian Giannone
health & Safety Manager: Kurt Enger
Health & Safety Coordinator: Craig Hacker
Health & Safety Secretary: Ames Burton
Post Prod. Supervisor: Christopher Clemente
First Assistant Editor: Rick Chavez
Second Assistant Editor: Ernest Boyd
Production Visual Effects Editor: Jeremy R. Keller
Editing Room Assistant: Nelson Vicens
CO3 Re-Recording Mixer: Christian T. Cooke CAS
Re-Recording Mixer: Grant Elder
Dolby Sound Consultant: Tom Kodros
Supervising Music Editor: Lesley Langs
Production Music Editor: Dylan Neely
Score Producer: Ulfur Hansson
Score Mix Supervisor: Styrmir Hauksson
Score Conductor/Orchestration: Robert Ames
Picturemill Lead Design: William Lebada
Picturemill Additional Design: James Child
Picturemill Animator: Jason Marconi
Picturemill Executive Producer: David Midgen
Picturemill Production Coordinator: Erica Alston
Collider End Credits Producer: Jeff Kryvicky
Cadence Visual Effects Supervisor: Craig Crawford
Cadence Visual Effects Producer: Jeremy Readell
Cadence 2D Supervisor: Rob Liscombe
Cadence 3D Supervisor: Travis Pinsonnault
Fuse Visual Effects Supervisor: Tommy Tran
Fuse Visual Effects Producer: Delane Leahy
Fuse DFX Supervisor: Russell McCoy
Fuse CG Supervisor: Shirak Agresta
Fuse FX Supervisor: Tyler Britton
Fuse Senior Visual Effects Coordinator: Lauren Levesque
Fuse Visual Effects Coordinator: Eliza Roberts
Fuse Visual Effects Editor: Ian Hopperton
Fuse 3D Production Manager: Olivia Herring
Fuse Head of FX: Kent Lidke
Fuse Animation Lead: Nathan Abreu
Fuse Tracking Lead: Joseph Adams
Fuse Head of Studio: Lindsey Kaiser
Fuse Managing Producer: Rae Welty
Fuse Head of Creative: Steve Meyer
Fuse Head of 2D: JV Pike
Fuse Art Department Supervisor: Jeremy Melton
Fuse Head of Editorial: Toby Martisius
In House Visual Effects Artist: Rich Pernice
Motion Graphic Artists: Olney Atwell, Collin Pisarra
Maere Partner/CG Supervisor: Grant Miller
Maere Visual Effects Supervisor: Sam Kim
Maere Visual Effects Producer: Jared Levin
Maere Executive Vice President, Film & Episodics: Joyce Boll
Maere Studios Lead: Noah Barnes
Maere Visual Effects Coordinator: Francesca Tallone
Maere Visual Effects Editors: Chad Sigston, Andy Gomez, Iyke Iheukwumere
Mathematic Film CEO: Guillaume Marien
Mathematic Visual Effects Producer: Sebastian Eyherrabide
Mathematic Visual Effects Coordinator: Pauline Aubert
Mathematic Film Visual Effects Supervisor: Fred Brandon
Mathematic Matte Painting: Quentin Collombet
Mist VFX Visual Effects Head: Aslam KH
Mist VFX Production Manager: Javed Jaffar A.
Mist VFX Paint Supervisor: Siva Natraj S.
Mist VFX Comp Supervisor: Sasi Kumar Um
Supervising Digital Colorist: Michael Hatzer ASC
PSNY Senior Assistant Colorist: Chris Jensen
PSNY Color Assistant: Kevin M. Schneider
PSNY Digital Intermediate Online Editor: Everette J-Bob Webber
Digital Intermediate Senior Producer: Julian McDougald
PSNY VP, Sales / Digital Intermediate Project Manager: Ladd Lanford
PSNY Lead Imaging Technician: Todd Mitchell
Picture Shop NY Imaging Technician: Eric Chilpa
PSNY Color Science: Joshua Pines, Chris Kutcka
PSNY Digital Restoration Artists: Danny Albano, Goran Tecic, Grant Beaudette, Zachary Smothers
PSNY OLS Dailies Colorist: Jeremy Voissem
PS OLS Dailies Assist: Michael Chungbin
PS OLS Dailies Engineer: Chris Armstrong
PS OLS Dailies Producer: Denise Woodgerd
PS OLS Dailies Operation Head: Chris Van Duyn
FotoKem Processing Supervisor: Jojo Ruiz
FotoKem Negative Assembler: Martin Rodarte
FotoKem Developer Operators: Chuck Blackmon, Ronal Duran
FotoKem Production Service Manager: Mark Van Horne
Production Executive: Catherine Wolf McGrath
Head of Finance: Adam Leach
Creative Executive: Shuni Chopra Dhar
Junior Creative Executive: Grace Winters
Finance Manager: Tommy Manson
Head of Development: Dominic Catanzarite
Production Intern: Phoebe Fry
Production Theatre Technician: EJ Fuelner
Unit Production Manager, AP: Jon Wagner
Assist. Production Coordinator, AP: Louis Togna
First Assistant Director, AP: Ben Kahn
Key Second Assist. Director, AP: Ramiro Quintero
A 1st Assistant Camera, AP: Evan Walsh
B 1st Assistant Camera, AP: Sam Elliot
A 2nd Assistant Camera, AP: Jim McCann
B 2nd Assistant Camera, AP: Mitchell Malpica
A Camera Loader, AP: Shaun Malkovich
B Camera Loader, AP: Tom Greco
Covid Compliance Officer, AP: Matt Howell-Clarke
Gaffer, AP: Mike Silver
Dolly Grip, AP: Kenneth Davis
Hair Stylist, AP: Rosa Van
Location Manager, AP: Matthew Orsini
Script Supervisor, AP: Carmen Soriano
On Set Dresser, AP: Ben Woodard
Sound Mixer, AP: Ye Zhang
Boom Op, AP: David Rainey
Sound Utility Technician, AP: Benjamin Kall
Transportation Captain, AP: Elan Berkovitz
VFX Plate Unit A Camera Operator: Chong Pak
VFX Plate Unit A 2nd Assistant Camera: Ryan Baldwin
VFX Plate Unit Key Grip: Kevin Carlisle
VFX Plate Unit Grip: Jon Newman
Filming Dates: 19 April 2022 - 11 June 2022
Cameras: Arriflex 235, Panaflex LII & Millennium XL2 (35mm Kodak Vision3 250D 5207 & 500T 5219)
Lenses: Panavision® Primo AL Primes, ALZ11 48-550mm Zoom, C-Series AL Primes, ATZ 70-200 Zoom, 75-210mm Zoom & AWZ2 Zoom
AR: 2.39:1 (Anamorphic)
Budget: 20 Million USD
FX Makeup Designed by: Designs To Deceive
Post Production Sound Services by: Company 3
Main Titles & End Credits by: Picturemill & Collider
Visual Effects/VFX Provided by: Cadence, Fuse, Maere Studios, Ingenuity Studios, Mathematic Film & Mist VFX
Color & Digital Intermediate by: Picture Shop NY
Dailies & Film Processing by: Kodak Film Lab NY, Picture Shop On Location Services & FotoKem
Filmed On Location in: New Jersey
Shot on: Kodak Film
Attribute: Filmed in Panavision®