PUNTUACIÓN EN IMDb
7,3/10
27 mil
TU PUNTUACIÓN
El viaje espiritual de un ateo de noventa años.El viaje espiritual de un ateo de noventa años.El viaje espiritual de un ateo de noventa años.
- Dirección
- Guión
- Reparto principal
- Premios
- 17 premios y 19 nominaciones en total
Pam Sparks
- Pam
- (as Pamela Sparks)
Ulysses Olmedo
- Juan Wayne
- (as Ulysses Olemdo)
Reseña destacada
In terms of humanity, Lucky is the simplest story I've ever connected to. Seeing it in theaters was one of the most emotional experiences I've ever had watching a movie.
Lucky walks the thin line between being an exploration of death and a celebration of life, because it manages to be both. Lucky is a character that at first couldn't care less about his mortality. He didn't think about it because he didn't have to. But when the effects of old age start to set in, Lucky can't help but see his own death everywhere. With the onset of this fear, he learns to embrace death - "realism", as said in the movie. However, this process was not so easy, as he first had to let go of his anger to understand the beauty and sadness in the experience of his whole life up until his old age, and everything he has yet to be a part of.
Many try to claim that movies "used to be simpler" and "had better stories" due to less technology, but I'll be damned if they aren't easier to connect to now than ever. Lucky follows suit of movies, loosely like "Manchester by the Sea", and greatly like "Paterson" which both came out within the past year. These movies pay homage to real life by stripping the substance down to normal human experiences that most end up having to face, and everyone can at least recognize. In particular, Lucky is that of accepting how everything in life will go away in time, so all that can be done is to experience it. This ephemeral experience of life is both beautiful and sad, as this movie is both about life and death.
The reason that a movie like Lucky hit me so hard was because it threw nothing in my face. I was so immersed in what felt like real life to me that it was as sudden as extreme as life can be when all the sudden it got so emotional, like in the bar. Lucky's stance in the bar, letting go and explaining his stance as a human being was one of the most emotionally moved I've ever been by a single scene. Again, this is because everything develops so naturally, and because I personally connect with what Stanton's character has to find his way back to after 90 some years of age - being able to smile. While all aspects of the filmmaking delivered this effect, I especially recognize the script and Stanton's performance for their organic emotional accomplishment within the story.
To me, Lucky owns up to the internal and external unknown. It represents the ongoing process of learning how to smile in a life that will continue to break you down.
Lucky walks the thin line between being an exploration of death and a celebration of life, because it manages to be both. Lucky is a character that at first couldn't care less about his mortality. He didn't think about it because he didn't have to. But when the effects of old age start to set in, Lucky can't help but see his own death everywhere. With the onset of this fear, he learns to embrace death - "realism", as said in the movie. However, this process was not so easy, as he first had to let go of his anger to understand the beauty and sadness in the experience of his whole life up until his old age, and everything he has yet to be a part of.
Many try to claim that movies "used to be simpler" and "had better stories" due to less technology, but I'll be damned if they aren't easier to connect to now than ever. Lucky follows suit of movies, loosely like "Manchester by the Sea", and greatly like "Paterson" which both came out within the past year. These movies pay homage to real life by stripping the substance down to normal human experiences that most end up having to face, and everyone can at least recognize. In particular, Lucky is that of accepting how everything in life will go away in time, so all that can be done is to experience it. This ephemeral experience of life is both beautiful and sad, as this movie is both about life and death.
The reason that a movie like Lucky hit me so hard was because it threw nothing in my face. I was so immersed in what felt like real life to me that it was as sudden as extreme as life can be when all the sudden it got so emotional, like in the bar. Lucky's stance in the bar, letting go and explaining his stance as a human being was one of the most emotionally moved I've ever been by a single scene. Again, this is because everything develops so naturally, and because I personally connect with what Stanton's character has to find his way back to after 90 some years of age - being able to smile. While all aspects of the filmmaking delivered this effect, I especially recognize the script and Stanton's performance for their organic emotional accomplishment within the story.
To me, Lucky owns up to the internal and external unknown. It represents the ongoing process of learning how to smile in a life that will continue to break you down.
- Rosebud815
- 16 oct 2017
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesShot in eighteen days.
- PifiasWhen he goes to the convenience store to buy 1/2 gallon of milk he gives the clerk a 10 dollar bill and she gives him 25 cents change.
- ConexionesFeatured in Fandor: Why Harry Dean Stanton Is The G.O.A.T. Character Actor (2017)
- Banda sonoraCon El Tiempo Y Un Ganchito
Written by Genaro Nunez
Performed by Pedro Infante
Published by Peer International Corporation on behalf of itself and Promotora Hispano Americana De Musica
Courtesy of Pham Records
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- How long is Lucky?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Lucky: Un joven de noventa años
- Localizaciones del rodaje
- Cave Creek, Arizona, Estados Unidos(surrounding desert)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 955.925 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 43.293 US$
- 1 oct 2017
- Recaudación en todo el mundo
- 2.728.446 US$
- Duración1 hora 28 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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