Sintel

maybe, it is more than a masterpiece. for refined construction of levels of story. for the hard work of a great team. for message. and for memories. for the end. and for the deep poetry of story. a story of love. not ordinary. full of dramatic situations. and convincing. like a parable. or, just like a trip across memories. a film remembering , for me, the Petre Ispirescu fairy tale "Youth everlasting and life without end ". sure, not same end. but the same essence.

To imagine that all of this was created from scratch is remarkable.

The score was very well done as was the foley.

Halina really came through and I was so impressed, I had to find out who she was. Amazing to shine as an actor through a 3D animation. She did it!

For the filmmakers and artist to take this on and to get it done for future artist is admirable. It gives hope to other artist and filmmakers.

I would not recommend the film to children but maybe the filmmakers will do another film just for them. I hope they do.

The director's attention to detail was also noted.

Great job!

This still is the best blender animation studio open movie I've ever seen so far. I was hooked onto it right from the moment Sintel found the baby dragon, took care of it, till the tragic end. Even with blender's basic computer graphics, the story's still emotional enough to grasp anyone's attention.

Good story and great animation, I stumbled on to this and really enjoyed it.

Third short film by the Amsterdam-based Blender Foundation. Sintel is partly meant to promote the open source animation software Blender and to be used for demo-purposes (3d, 4k)by it's sponsors.

But it's far more than a very crafty demo. Script and storyline are clearly worked out on a elaborate scale, comprising three different levels. One might see it as a fantasy-action movie, but it also packs a coming-of-age sideline and a sobering life-lesson.

Loner Sintel (Dutch for Cinder)befriends a baby dragon an nurtures it, until it's snatched from her in a dramatic scene. The quest to find the dragon is somewhat rushed in a montage and throughout the movie some movement seems unnatural, but the amount of detail in props and background is amazing. Double so, because this was made by just 14 animators, script editor, technician and director (and numerous members of the Blender community who made props and scenes online) in just over a year, at a total cost of 400.000 euro.