PUNTUACIÓN EN IMDb
6,0/10
18 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA portrait of the broken lives of four people (a vigilante detective, a worried parent, an awkward man looking for love and a suicidal artist) as they all struggle to cope in their religious... Leer todoA portrait of the broken lives of four people (a vigilante detective, a worried parent, an awkward man looking for love and a suicidal artist) as they all struggle to cope in their religiously-dystopian city.A portrait of the broken lives of four people (a vigilante detective, a worried parent, an awkward man looking for love and a suicidal artist) as they all struggle to cope in their religiously-dystopian city.
- Premios
- 2 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesPreests statement - "If a god is willing to prevent evil, but not able, then he is not omnipotent. If he is able, but not willing, then he must be malevolent. If he is neither able or willing then why call him a god? Why else do bad things happen to good people?" - is almost directly lifted from Epicurus, who is credited with first expounding the problem of evil. David Hume in his Dialogues concerning Natural Religion (1779) cited Epicurus in stating the argument as a series of questions: "Is God willing to prevent evil, but not able? Then is he impotent. Is he able, but not willing? Then is he malevolent. Is he both able and willing? Whence then is evil?"
- PifiasThe man talking to Milo in the room where the red haired woman disappeared to and another unseen character added some tiles to his original cross shaped design on the table. After Milo leaves the camera tilts down as the man writes into his notebook and the additional tiles are gone, reverting back to the cross shape.
- ConexionesReferenced in Film Junk Podcast: Episode 265: Date Night (2010)
- Banda sonoraCatacombs Bar
Performed by Ben Wynne
Reseña destacada
If you like dark, Gothic movies with both style & intelligence, this one's for you. First-time director/writer Gerald McMorrow makes a great debut with "Franklyn", a cryptic fantasy-thriller about 4 lost souls in different times & places, bound together by a mystery that slowly unravels to a brilliant climax.
The story is told in fragments, and if you're not paying attention you might easily get lost. But that's what makes it so rewarding when you start to figure it out, and you realize what these people have in common.
Most of the action happens in a nightmarish, dystopian world called "Meanwhile City". These scenes are reminiscent of the haunting works of Alex Proyas ("The Crow", "Dark City") with bits of Frank Miller's comic book style ("Sin City", "The Spirit"). There are also some refreshing, humorous nods toward Terry Gilliam ("Brazil", "12 Monkeys"). But what sets this apart from those dark, shadowy films is the juxtaposition of contemporary London, bright & crisp, like something you'd see by the German master Tom Tykwer ("Run Lola Run", "Heaven", "Perfume").
If you don't recognize all those names, don't worry. The point I'm making is that McMorrow's directorial debut has elements of many great directors tied together in a fresh, original way.
There's not as much action in this film as in most fantasy-thrillers. Depending on how you like your movies, that's either a good thing or a bad thing. I thought it was perfect because it lets the story breathe, and it gives us the chance to digest the slowly-unravelling mystery. There are interwoven themes touching on religion, individuality, family, fate, love & hate. And psychosis, which always makes things fun.
And even though it may be light on action & explosions, there's tons of nice eye candy to keep you riveted. Speaking as a hetero male, by "eye candy" I mean Eva Green and her sexy goth wardrobe! (If I weren't such a hetero guy, I'd be tempted to become a cross dresser.) The 2 leading men are quite the lookers, too, both suave & classy in their own way. And if that's not enough eye candy, you can't miss the enormous sets & wide angle shots: breathtaking.
If you're a fan of any of the directors/films I mentioned above, don't hesitate to check this out.
The story is told in fragments, and if you're not paying attention you might easily get lost. But that's what makes it so rewarding when you start to figure it out, and you realize what these people have in common.
Most of the action happens in a nightmarish, dystopian world called "Meanwhile City". These scenes are reminiscent of the haunting works of Alex Proyas ("The Crow", "Dark City") with bits of Frank Miller's comic book style ("Sin City", "The Spirit"). There are also some refreshing, humorous nods toward Terry Gilliam ("Brazil", "12 Monkeys"). But what sets this apart from those dark, shadowy films is the juxtaposition of contemporary London, bright & crisp, like something you'd see by the German master Tom Tykwer ("Run Lola Run", "Heaven", "Perfume").
If you don't recognize all those names, don't worry. The point I'm making is that McMorrow's directorial debut has elements of many great directors tied together in a fresh, original way.
There's not as much action in this film as in most fantasy-thrillers. Depending on how you like your movies, that's either a good thing or a bad thing. I thought it was perfect because it lets the story breathe, and it gives us the chance to digest the slowly-unravelling mystery. There are interwoven themes touching on religion, individuality, family, fate, love & hate. And psychosis, which always makes things fun.
And even though it may be light on action & explosions, there's tons of nice eye candy to keep you riveted. Speaking as a hetero male, by "eye candy" I mean Eva Green and her sexy goth wardrobe! (If I weren't such a hetero guy, I'd be tempted to become a cross dresser.) The 2 leading men are quite the lookers, too, both suave & classy in their own way. And if that's not enough eye candy, you can't miss the enormous sets & wide angle shots: breathtaking.
If you're a fan of any of the directors/films I mentioned above, don't hesitate to check this out.
- rooprect
- 6 may 2012
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- How long is Franklyn?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 6.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 1.279.576 US$
- Duración1 hora 38 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principal laguna de datos
By what name was Franklyn (2008) officially released in India in English?
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