Triangle at Rhodes
- El episodio se emitió el 12 feb 1989
- TV-14
- 50min
Una encantadora belleza es fatalmente envenenada mientras Poirot está de vacaciones en la isla griega de Rodas.Una encantadora belleza es fatalmente envenenada mientras Poirot está de vacaciones en la isla griega de Rodas.Una encantadora belleza es fatalmente envenenada mientras Poirot está de vacaciones en la isla griega de Rodas.
- Dirección
- Guión
- Reparto principal
- Good Woman
- (as Sophia Olympiou)
- Custom's Officer
- (as Telemahos Emanuel)
- Purser
- (as Yannis Hadjiyannis)
Reseñas destacadas
The scenery is utterly breathtaking, no studio based sets here, beautifully filmed in Greece. It all works impeccably well for the time period. There are some wonderful costumes on show, it's a good reminder of how glamorous the era was, Annie Lambert (Valentine) looks sensational at times.
I love the music throughout the episode, so different, it adds to the exotic feel of the episode.
Fourteen minutes in you see that Poirot's newspaper is blank. It only has a front cover.
I love Triangle at Rhodes, not just for the visuals, I love the story too, I love the twist in the tale. It's an incredibly watchable episode. 9/10
The mystery is pretty good, once again appearances are completely deceiving, but the highlight of this episode must be the magnificent, vividly photographed island scenery. In both story and production values, "Triangle at Rhodes" reminded me of the 1982 film "Evil Under the Sun". This is a TV production of cinematic standards. (***)
But that's enough in old England, we then catch up with Poirot in the eastern Mediterranean. He has a few days left at Rhodes and then he must leave. But that's enough time for a crime and our master sleuth to solve it. And, so the story goes. This is another very interesting and different intriguing story. It had me fooled even the second time I watched it and then I only got it half right this recent third time, several years later. This episode has six interesting characters, and a very good, surprise type of ending. Agatha Christie, through her Hercule, could really come up with some good ones.
Without his usual cadre of characters, Poirot is more reserved, so we don't have much humor in this episode. Here's my favorite line.
Hercule Poirot, "Where are you headed, major, Abyssinia?" Major Barnes, "How in Hades did you know that?" Poirot, "Well, I assumed you want to be there for the ostrich-shooting season."
¿Sabías que...?
- CuriosidadesThere are several references to the geopolitical context of the time, which is strongly flagged as 1935-6. There is the main front-page headline in the copy of the Daily Express read by Poirot, which refers to the Abyssinian Crisis. There are prominent portraits of Mussolini. There is Poirot's observation that the harbour on Rhodes is being fortified and finally there is Major Barnes heading to Abyssinia / Ethiopia, on the ludicrous pretence that it's to hunt ostriches.
- PifiasThe closed captions have Poirot saying "I'm an American citizen" rather than "Belgian citizen " when arguing with the customs officers.
- Citas
[first lines]
Dicker: Oh yes, and what time do we call this, then, eh?
Postman: Don't want to get you out of bed.
[hands over letters and packages]
Dicker: No good leaving all this stuff for 56B. They're on holiday.
Postman: What, all of 'em?
Dicker: Oh, yeah. That Captain Hastings has gone off shooting things, and the secretary has gone off to visit her sister in Folkestone.
Postman: Well, what of the French one?
Dicker: Somewhere foreign. Sent me a postcard with goats on it.
Postman: Oh, yeah, I remember. Well, let's hope it keeps fine for him.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Localizaciones del rodaje
- Kallithea Springs, Grecia(Bathing beach scene)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración50 minutos
- Color
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