The jacket

First off, this film is not for everyone. It does, however, seem to delineate an emerging and exciting trend in contemporary film making whereby directors are becoming increasingly enamored with these sorts of dark, brooding, almost dreamscape-like and melodramatic thrillers which defy archetypal and conventional narrative formats. Think of the "The Machinist" and work your way backwards to "Vanilla Sky", or even as far back as 1990's "Jacob's Ladder" as one other reviewer accurately suggested.

To this end, "The Jacket" represents the apotheosis of this rising genre, and is both an artistic psychological thriller, as well as what you might call a metaphysical tragedy, and easily envelopes the viewer into its morose and sterile world replete with dreary snow scapes, perpetual grey skies and faces, muted and washed out colours, institutional isolation, and the angst of working class loners. The film's imagery and the pace of the story and script immediately command one's attention from the outset and the film is unrelenting in both its tension and gumption. Because of this, despite the story's meandering timeline and lack of feasible explanations for the protagonist's "visions", the viewer is still to an extent able to believe what they're seeing. Because the film takes itself so seriously, and actually pulls it off, the viewer then buying into the fantasy of the story becomes far more palatable than it does in other misguided attempts at this same sort of risky and artsy storytelling ie: "The Butterfly Effect".

This is an ambitious film which taps into both the romanticism and pain of our dreams and our memories, and how they both act upon us, and cause us to act upon them. It examines what is real versus perceived, the fragility of life, how each persons's life effects others, even passing strangers, and the sovereignty of the self and the mind. The film features outstanding performances from just about everyone on screen, particularly Brody as the hapless and tortured Jack Starks, and Kristofferson as the morally ambiguous and equally tortured Dr. Becker.

Despite the big names on the marquee, however, this, as previously mentioned, is not a cut and dry "popcorn flick" and will leave many people bewildered. It is for these people that the "Butterfly Effect" was made first, and now with them out of the way, the timing for a film of this caliber which deals with these issues properly is appropriate. "The Jacket" is a trippy and entertaining yet still very intelligent film which asks only that you check your preconceptions and logical rectitude at the door. By doing so, you'll find the imagination of this film is fact more real than you might have expected.

"The Jacket" has gotten some bad press because the plot has a lot of holes in it, but if you suspend belief and just enjoy the movie, it is a lot of fun.

Any film that involves time travel requires that you suspend belief, and "The Jacket" is no different. What makes "The Jacket" better than most sci-fi thrillers is the production quality. The scenes in the hospital are done in muted colors which look like hand painted black and white. The scenes in the future are done in super saturated colors. I thought the super close-ups added to the disorientation and claustrophobia of the protagonist.

The acting is first rate. Adrien Brody is convincingly haunted. Kiera Knightly does an acceptable American accent.

Fans of "The Twilight Zone" should like this one. It is rated "R" for language, nudity, sex, violence, and disturbing images in a mental hospital; so you are getting your money's worth. If you like good production quality and want to go for a thrill ride, check this one out.

Just saw this at an advance screening. I liked it. Adrien Brody and Keira Knightley carry this film well. Although I have to admit that i was in the front row and watching a cinemascope film like that has one turning their head from left to right a lot. I recommend the star rover novel to read to anyone who likes this film. It was published in 1913, one of londons last books. it dealt with how the prison system at the time would strap people in straitjackets so tight that it would cause damage. The hero of the book comes to desire the tightening of the straps to the point where the guards have not seen, in order for him to more spiritually transcend his mind and soul into another life. He jaunts into other existences, all past, ie napoleon battle, viking conquest, to free his mind from the pain. The Jacket takes this idea in a way where the hero goes to a place that is involved in the plot running in the present.

I liked the script and performance of Brody.

It was well designed and intrigued storyline, which leaves warm feeling when the movie ends. Since such movies definitely tickle into my taste and my mind I have quite positive feedback on The Jacket.

Should be watched by anyone, who is into such movies, as Shutter Island etc.

The premise of this film is promising, but it has some huge holes in it which cannot be ignored no matter how much you want to 'love' this movie. Brody and Knightley serve the script better than it deserves. The story is too slow to start, but ends in a fragmented hurry. And, while this might be purposeful, by the end it just seems a little too convenient and contrived. Worth watching, but don't employ any critical thinking.