Die junge Entwicklerin Lily Chan untersucht das mysteriöse Verschwinden ihres Freundes und kommt einem Unternehmen im Silicon Valley auf die Spur, bei dem sie glaubt, dass es für seine Ermor... Alles lesenDie junge Entwicklerin Lily Chan untersucht das mysteriöse Verschwinden ihres Freundes und kommt einem Unternehmen im Silicon Valley auf die Spur, bei dem sie glaubt, dass es für seine Ermordung verantwortlich ist.Die junge Entwicklerin Lily Chan untersucht das mysteriöse Verschwinden ihres Freundes und kommt einem Unternehmen im Silicon Valley auf die Spur, bei dem sie glaubt, dass es für seine Ermordung verantwortlich ist.
- Für 4 Primetime Emmys nominiert
- 14 Nominierungen insgesamt
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Describing what Alex Garland's DEVS is about would be spoiling it, which makes it a show that isn't easy to sell or advertise. And indeed, judging from the votes and reviews here on IMDb, it hasn't quite found its audience yet - and that, my friends, is a shame. This show, or rather this mini-series (consisting of 8 episodes), is excellent. Though granted: it's not for everyone. Some have described it as slow, but I'm not sure I agree. Moody perhaps, and there is an almost "ethereal" quality about it (for lack of a better word), but there is so much going on and it's such a thematically rich narrative that I was mesmerized throughout.
Also, there's a lot of understated humor in this compelling tale (if of the darker sort), and it would be a pity if people were turned off by certain reviews because they thought this was some bleak and depressive slog. What is true though is that if you don't find the central themes and ideas around which this show is built fascinating, there's a chance you won't like it (again: finding out what the show is about is part of the fun, so I won't give it away).
But even if DEVS' most satisfying thrills lie more in the concepts presented and less in spectacular action scenes or special effects, its structure is still that of a violent mystery thriller, and the production values are great. Every frame in this show looks gorgeous; the cast - especially Nick Offerman in an unusual turn (whose casting was simply a stroke of genius) and Zach Grenier (in a darkly funny role also playing against type) - is fantastic, and the show's unique, almost transcendent atmosphere is enhanced by a beautiful and haunting musical score by Geoff Barrow, The Insects and Ben Salisbury.
Admittedly, I'm a sci-fi nerd - and one who loved all of writer/director Alex Garland's previous work at that - but as far as I'm concerned, the creative mind behind such films as SUNSHINE, EX MACHINA or ANNIHILATION has once again crafted a beautiful and compelling piece of science fiction that confronts the viewer with fascinating ideas and philosophical questions (btw. if you want to check whether my taste in films generally aligns with yours or not, just click on my name at the beginning of this review and you'll find a list of my fifty favorite films).
DEVS may need a little more time to find its audience, but this mini-series is simply too good to be ignored. I'm positive it won't be for long.
Also, there's a lot of understated humor in this compelling tale (if of the darker sort), and it would be a pity if people were turned off by certain reviews because they thought this was some bleak and depressive slog. What is true though is that if you don't find the central themes and ideas around which this show is built fascinating, there's a chance you won't like it (again: finding out what the show is about is part of the fun, so I won't give it away).
But even if DEVS' most satisfying thrills lie more in the concepts presented and less in spectacular action scenes or special effects, its structure is still that of a violent mystery thriller, and the production values are great. Every frame in this show looks gorgeous; the cast - especially Nick Offerman in an unusual turn (whose casting was simply a stroke of genius) and Zach Grenier (in a darkly funny role also playing against type) - is fantastic, and the show's unique, almost transcendent atmosphere is enhanced by a beautiful and haunting musical score by Geoff Barrow, The Insects and Ben Salisbury.
Admittedly, I'm a sci-fi nerd - and one who loved all of writer/director Alex Garland's previous work at that - but as far as I'm concerned, the creative mind behind such films as SUNSHINE, EX MACHINA or ANNIHILATION has once again crafted a beautiful and compelling piece of science fiction that confronts the viewer with fascinating ideas and philosophical questions (btw. if you want to check whether my taste in films generally aligns with yours or not, just click on my name at the beginning of this review and you'll find a list of my fifty favorite films).
DEVS may need a little more time to find its audience, but this mini-series is simply too good to be ignored. I'm positive it won't be for long.
I finished this series last night and am convinced that it's one of the most intelligent shows that exists. I went into this series without having much knowledge regarding what it's actually about and having no expectations, other than knowing that Alex Garland's prior films are some of my very favorites, such as Sunshine and Ex Machina. As the plot in Devs progressed, I found myself more and more captivated not only by its plot but also by its visuals and soundtrack, which are both unique, clever and (in my opinion) quite often, mesmerizing. Visually, it is stunning. The plot is equally as clever, dealing with aspects of physics and the universe that some might consider a bit mind-blowing but that actually does have some basis in reality and what we know about the universe at the quantum level. So I appreciate that is not SO sci-fi that is far-fetched and too fantastical. I don't want to say too much because I don't want to provide any spoilers or give away too much. But I would truly be shocked if anyone could watch this series and not absolutely love it... and particularly anyone with an open mind and who can appreciate a film that involves depth rather than just comfortably lingering on the surface. The acting in the film is superb. Lily's character can seem flat sometimes, but I think that's intentional due to all the trauma that she endures throughout the film. So to anyone who is considering watching this -- please stay through, until the end, and I think you won't be disappointed. I know some here have said that they were hoping for more, at the very end, but when I think about it, I realize that it probably couldn't have ended more perfectly. I'm actually glad they didn't make a second season because I fear it would have just been dragging out the plot just for the sake of keeping the series alive. But I think it's just perfect, as is.
Overall great show that is worth watching. I only have two complaints. The lead character annoyed me and I found myself not caring about what happened to her. I'm not sure if she was purposely written this way, but I found myself just tolerating her for the story, which was mostly great. This leads me to my second complaint, the ending. It wasn't bad. It was just a "yeah that's fine I guess" type of thing, which is not what I had hoped for after such a great story up until than. These two complaints are still well worth putting up with to watch the show. Also, Nick Offerman nailed his role in this.
Great story. I'll watch the entire series, but not because of Sonoya Mizuno She is NOT a headliner. Not even close. More like a first week acting student...not convincing at all.
Ponderous. Strange. Tense. Artistic. It's a brilliant piece of filmmaking that won't appeal to everyone. But if you like thoughtful scifi with strong drama and plot twists, this is for you. A bit of Kubrick meets Nolan. I loved the first two episodes and can't wait for more!
The Rise of Sonoya Mizuno
The Rise of Sonoya Mizuno
Sonoya Mizuno, an actress and professional dancer known for her roles in Ex Machina and "Maniac," stars in Alex Garland's sci-fi miniseries "Devs." What other roles has she played?
WUSSTEST DU SCHON:
- WissenswertesAlex Garland conceived this as a one-off series with no plans to continue it.
- VerbindungenFeatured in Conan: Nick Offerman (2020)
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- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Розробники
- Drehorte
- Santa Cruz, Kalifornien, USA(on-location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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