Ein Junge in New York wird von einer wohlhabenden Familie der Upper East Side aufgenommen, nachdem seine Mutter bei einem Bombenanschlag im Metropolitan Museum of Art getötet wurde.Ein Junge in New York wird von einer wohlhabenden Familie der Upper East Side aufgenommen, nachdem seine Mutter bei einem Bombenanschlag im Metropolitan Museum of Art getötet wurde.Ein Junge in New York wird von einer wohlhabenden Familie der Upper East Side aufgenommen, nachdem seine Mutter bei einem Bombenanschlag im Metropolitan Museum of Art getötet wurde.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
- Young Pippa
- (as Aimée Laurence)
The film is about a boy who loses his mom in a terrorist attack and then grows up in a foster home and then with his drunken and abusive biological father, followed by a friendly antique owner. The film goes through the protagonists struggle with identity, love, and the fact that he took a really expensive Goldfinch painting the day of the bombing, and this last fact comes back in to factor in different stages of his life. Even describing the plot just now was messy for me.
The film looks quite nice. Crowley's works look grand and intricate but that doesn't really cross the finish line. The main issue with this film is that it has no heart and loses what I assume is a lot of the books importance. Its a meandering tale that doesn't go deep enough and I felt like the last twenty minutes or so were just bad. The relevance of The Goldfinch is just lost on me and its just a moving plot device in a film that doesn't know what it wants to do.
I don't like to say it but The Goldfinch is masking around as Oscar bait but doesn't have a whole lot of quality. I didn't read Brooklyn either but the film feels magical and captures the era and aura of early 1900s Irish Brooklyn. This just feels like it sucks the main ideas of its basis and pastes it onto the screen. At a whopping 2 and a half hours, this film feels its length. Ambitious? Yes, but most certainly better left alone.
6/10
- rockman182
- 15. Sept. 2019
- Permalink
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe painting featured in the novel, The Goldfinch, is work by Carel Fabritius from 1654. It belongs to the collection of the Mauritshuis in The Hague, Netherlands. Author Donna Tartt first saw the painting twenty years before the release of the book.
- PatzerForcing someone to throw up after the drugs take effect won't change the level of consciousness or help in any way as the drugs or already in the bloodstream. On the contrary, it is a risky manoeuvre as the overdosed person could inhale their vomit and die of suffocation (Boris, who knows about Narcan and first aid regarding drug OD - as stated in the book - should have known this).
- Zitate
Adult Theo Decker: I wear bespoke suits. I swim twice a week. I socialize with people I can't stand. I'm relaxed, personable. I don't indulge in self pity. It's true what I read, "We're so accustomed to disguise ourselves to others, that in the end we become disguised to ourselves."
- Crazy CreditsCredits are unfolding over travelling zoomed images of the painting "The Goldfinch".
- VerbindungenFeatured in CTV News at 11:30 Toronto: Folge vom 8. September 2019 (2019)
- SoundtracksPiano Concerto No. 5 in E-flat major Op. 73 II. Adagio un poco mosso
Written by Ludwig van Beethoven
Performed by Glenn Gould with Leopold Stokowski and the American Symphony Orchestra
Courtesy of Sony Classical
By arrangement with Sony Music Entertainment
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Details
- Erscheinungsdatum
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- Auch bekannt als
- El jilguero
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Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.332.621 $
- Eröffnungswochenende in den USA und in Kanada
- 2.679.027 $
- 15. Sept. 2019
- Weltweiter Bruttoertrag
- 10.032.621 $
- Laufzeit2 Stunden 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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