IMDb-BEWERTUNG
7,2/10
5739
IHRE BEWERTUNG
Eine Chronik über das Leben von Terri Hooley, einer Plattenladenbesitzerin, die maßgeblich an der Entwicklung der Punk-Rock-Szene in Belfast beteiligt war.Eine Chronik über das Leben von Terri Hooley, einer Plattenladenbesitzerin, die maßgeblich an der Entwicklung der Punk-Rock-Szene in Belfast beteiligt war.Eine Chronik über das Leben von Terri Hooley, einer Plattenladenbesitzerin, die maßgeblich an der Entwicklung der Punk-Rock-Szene in Belfast beteiligt war.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 4 Gewinne & 6 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn the first music recording studio scene in the movie when the actor Richard Dormer playing Terri Hooley manages to get a slot to record the single Big Time by Rudi there is an accordion player in the recording booth in the background. The accordion player is the real Terri Hooley in a cameo appearance.
- PatzerDuring the concert in the Ulster Hall, a punk is seen wearing a Casualties patch.The Casualties were formed in 1990.
- Zitate
Dave: You're drinking too much.
Terri Hooley: Dave, I always drink too much. Everybody we know drinks too much.
Dave: Well this is different. There's something...
Terri Hooley: Something what?
Dave: You're carrying on like one of Led Zeppelin!
Terri Hooley: [appalled silence] That's low.
- Crazy CreditsSnapshots of the real Terri Hooley and other people portrayed in the film appear over the end credits.
- VerbindungenFeatured in The EE British Academy Film Awards (2014)
- SoundtracksI Saw the Light
Written by Hank Williams
Performed by Hank Williams
Backing track produced by David Holmes
Violin performed by Thomas Lee
Licensed courtesy of Mercury Nashville (USA)
under license from Universal Music Operations Ltd.
Published by Sony/ATV Music Publishing
Ausgewählte Rezension
This is a biopic about Terri Hooley, the owner of Good Vibrations record shop and record label. His biggest claim to fame was in getting The Undertones seminal single Teenage Kicks to DJ John Peel. Considering that this became Peel's favourite song of all time, this is something of note. I hadn't heard of Hooley, or Good Vibrations but this isn't too surprising seeing as – aside from The Undertones who were only involved with him briefly – the other punk bands on his label were very minor players such as The Outcasts and Rudi. It's probably fair to say that the movie overstates the significance of Hooley and of Belfast as a punk capital.
Nevertheless, this is still a good film. It successfully illustrates how punk rock served a different purpose in Belfast compared to most other places. It happened during the height of The Troubles and music was a means of bringing people together from both sides of the fence, while the youthful anger of punk rock tapped into something very relevant in a population living in grim times with the fear of violence a constant situation. To help give a better feel for the times there are actual newsreels from the period spliced into the story. Although the politics always hover in the background and never really move into the central ground of the story. This is above all a story about the love of music and its power to overcome wider concerns. Although, admittedly it failed to bring an end to the civil war, seeing as it lasted for a further twenty years.
The story is a fairly standard feel-good biopic with a little bit of adverse drama thrown in about two thirds of the way in. In fairness, it's only being true to its source material which is fairly slight to begin with. The period setting is captured quite well in its beige horror although there were some (very) dodgy wigs on display. This will connect most with folks who remember the punk times, especially ones who were in Belfast at the time. But it is a good film about a minor piece of music history.
Nevertheless, this is still a good film. It successfully illustrates how punk rock served a different purpose in Belfast compared to most other places. It happened during the height of The Troubles and music was a means of bringing people together from both sides of the fence, while the youthful anger of punk rock tapped into something very relevant in a population living in grim times with the fear of violence a constant situation. To help give a better feel for the times there are actual newsreels from the period spliced into the story. Although the politics always hover in the background and never really move into the central ground of the story. This is above all a story about the love of music and its power to overcome wider concerns. Although, admittedly it failed to bring an end to the civil war, seeing as it lasted for a further twenty years.
The story is a fairly standard feel-good biopic with a little bit of adverse drama thrown in about two thirds of the way in. In fairness, it's only being true to its source material which is fairly slight to begin with. The period setting is captured quite well in its beige horror although there were some (very) dodgy wigs on display. This will connect most with folks who remember the punk times, especially ones who were in Belfast at the time. But it is a good film about a minor piece of music history.
- Red-Barracuda
- 4. Apr. 2013
- Permalink
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- Erscheinungsdatum
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- Weltweiter Bruttoertrag
- 500.168 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Good Vibrations (2012) officially released in Canada in English?
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